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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 229 72 it is the complementary color RGB 157 26 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 229 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 98 229 72 shade: RGB 103 229 67, RGB 120 247 86, RGB 137 255 105, RGB 154 255 124 and RGB 171 255 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 229 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 98 229 72 shade: RGB 98 229 72, RGB 81 211 53, RGB 64 193 34, RGB 47 175 15 and RGB 30 157 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 98 229 72 shade: RGB 98 228 72, RGB 140 228 72, RGB 182 228 72, RGB 224 228 72 and RGB 228 190 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 98 229 72 shade: RGB 98 228 72, RGB 72 228 88, RGB 72 228 130, RGB 72 228 172 and RGB 72 228 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 98 229 72 shade matches the following richer shades: RGB 98 228 72 and RGB 86 245 55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 98 229 72 shade: RGB 98 228 72, RGB 109 211 88, RGB 120 195 105, RGB 131 178 122 and RGB 143 161 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 98 229 72 shade: RGB 181 228 72, RGB 139 228 72, RGB 98 228 72, RGB 72 228 87 and RGB 72 228 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 98 229 72 shade: RGB 54 191 27, RGB 67 223 35, RGB 98 228 72, RGB 128 234 108 and RGB 159 239 144

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 98 229 72 shade: RGB 98 229 72, RGB 72 223 228 and RGB 228 72 160

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 98 229 72 shade: RGB 98 229 72, RGB 72 98 228 and RGB 228 72 98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 98 229 72 shade: RGB 98 229 72, RGB 72 223 228, RGB 202 72 228 and RGB 228 77 72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 98 229 72 shade: RGB 98 229 72, RGB 72 176 228, RGB 202 72 228 and RGB 228 124 72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 69 / 10

HEX #62E548

RGB 98 229 72

HSL 110.06, 0.75%, 0.59%

LAB 81.35, -63.88, 62.89

 

Complementary color

CMYK 14 / 86 / 0 / 28

HEX #9D1AB7

RGB 157 26 183

HSL 290.06, 0.75%, 0.41%

LAB 40.12, 68.86, -53.07

 

CMYK 55 / 0 / 71 / 10

HEX #67E543

RGB 103 229 67

HSL 106.67, 0.76%, 0.58%

LAB 81.47, -63.03, 64.91

 

CMYK 51 / 0 / 65 / 3

HEX #78F756

RGB 120 247 86

HSL 107.33, 0.91%, 0.65%

LAB 87.58, -63.55, 64.33

 

CMYK 46 / 0 / 59 / 0

HEX #89FF69

RGB 137 255 105

HSL 107.2, 1%, 0.71%

LAB 90.72, -60.08, 60.18

 

CMYK 40 / 0 / 51 / 0

HEX #9AFF7C

RGB 154 255 124

HSL 106.26, 1%, 0.74%

LAB 91.62, -53.03, 52.99

 

CMYK 33 / 0 / 44 / 0

HEX #ABFF8F

RGB 171 255 143

HSL 105, 1%, 0.78%

LAB 92.65, -45.39, 45.51

 

CMYK 57 / 0 / 69 / 10

HEX #62E548

RGB 98 229 72

HSL 110.06, 0.75%, 0.59%

LAB 81.35, -63.88, 62.89

 

CMYK 62 / 0 / 75 / 17

HEX #51D335

RGB 81 211 53

HSL 109.37, 0.64%, 0.52%

LAB 75.2, -63.08, 63.23

 

CMYK 67 / 0 / 82 / 24

HEX #40C122

RGB 64 193 34

HSL 108.68, 0.7%, 0.45%

LAB 69, -61.86, 62.87

 

CMYK 73 / 0 / 91 / 31

HEX #2FAF0F

RGB 47 175 15

HSL 108, 0.84%, 0.37%

LAB 62.76, -60.06, 61.33

 

CMYK 81 / 0 / 100 / 38

HEX #1E9D00

RGB 30 157 0

HSL 108.54, 1%, 0.31%

LAB 56.48, -57.5, 58.23

 

CMYK 57 / 0 / 68 / 11

HEX #62E448

RGB 98 228 72

HSL 110, 0.74%, 0.59%

LAB 81.04, -63.53, 62.57

 

CMYK 39 / 0 / 68 / 11

HEX #8CE448

RGB 140 228 72

HSL 93.85, 0.74%, 0.59%

LAB 82.66, -51.43, 64.76

 

CMYK 20 / 0 / 68 / 11

HEX #B6E448

RGB 182 228 72

HSL 77.69, 0.74%, 0.59%

LAB 84.95, -36.37, 67.83

 

CMYK 2 / 0 / 68 / 11

HEX #E0E448

RGB 224 228 72

HSL 61.54, 0.74%, 0.59%

LAB 87.87, -19.64, 71.72

 

CMYK 0 / 17 / 68 / 11

HEX #E4BE48

RGB 228 190 72

HSL 45.38, 0.74%, 0.59%

LAB 78.34, 1.2, 62.2

 

CMYK 57 / 0 / 68 / 11

HEX #62E448

RGB 98 228 72

HSL 110, 0.74%, 0.59%

LAB 81.04, -63.53, 62.57

 

CMYK 68 / 0 / 61 / 11

HEX #48E458

RGB 72 228 88

HSL 126.15, 0.74%, 0.59%

LAB 80.5, -67.47, 55.31

 

CMYK 68 / 0 / 43 / 11

HEX #48E482

RGB 72 228 130

HSL 142.31, 0.74%, 0.59%

LAB 81, -61.64, 36.26

 

CMYK 68 / 0 / 25 / 11

HEX #48E4AC

RGB 72 228 172

HSL 158.46, 0.74%, 0.59%

LAB 81.75, -53.45, 15.71

 

CMYK 68 / 0 / 6 / 11

HEX #48E4D7

RGB 72 228 215

HSL 175, 0.74%, 0.59%

LAB 82.79, -42.94, -5.48

 

CMYK 57 / 0 / 68 / 11

HEX #62E448

RGB 98 228 72

HSL 110, 0.74%, 0.59%

LAB 81.04, -63.53, 62.57

 

CMYK 65 / 0 / 78 / 4

HEX #56F537

RGB 86 245 55

HSL 110.21, 0.9%, 0.59%

LAB 85.79, -73.06, 72.9

 

CMYK 57 / 0 / 68 / 11

HEX #62E448

RGB 98 228 72

HSL 110, 0.74%, 0.59%

LAB 81.04, -63.53, 62.57

 

CMYK 48 / 0 / 58 / 17

HEX #6DD358

RGB 109 211 88

HSL 109.76, 0.58%, 0.59%

LAB 76.4, -52.78, 50.92

 

CMYK 38 / 0 / 46 / 24

HEX #78C369

RGB 120 195 105

HSL 110, 0.43%, 0.59%

LAB 72.26, -40.71, 37.92

 

CMYK 26 / 0 / 31 / 30

HEX #83B27A

RGB 131 178 122

HSL 110.36, 0.27%, 0.59%

LAB 68.07, -26.58, 23.73

 

CMYK 11 / 0 / 14 / 37

HEX #8FA18B

RGB 143 161 139

HSL 109.09, 0.1%, 0.59%

LAB 64.32, -10.63, 9.33

 

CMYK 21 / 0 / 68 / 11

HEX #B5E448

RGB 181 228 72

HSL 78.08, 0.74%, 0.59%

LAB 84.88, -36.75, 67.74

 

CMYK 39 / 0 / 68 / 11

HEX #8BE448

RGB 139 228 72

HSL 94.23, 0.74%, 0.59%

LAB 82.62, -51.75, 64.7

 

CMYK 57 / 0 / 68 / 11

HEX #62E448

RGB 98 228 72

HSL 110, 0.74%, 0.59%

LAB 81.04, -63.53, 62.57

 

CMYK 68 / 0 / 62 / 11

HEX #48E457

RGB 72 228 87

HSL 125.77, 0.74%, 0.59%

LAB 80.49, -67.57, 55.72

 

CMYK 68 / 0 / 43 / 11

HEX #48E481

RGB 72 228 129

HSL 141.92, 0.74%, 0.59%

LAB 80.99, -61.8, 36.73

 

CMYK 72 / 0 / 86 / 25

HEX #36BF1B

RGB 54 191 27

HSL 110.12, 0.75%, 0.43%

LAB 68.11, -63.43, 63.69

 

CMYK 70 / 0 / 84 / 13

HEX #43DF23

RGB 67 223 35

HSL 109.79, 0.75%, 0.51%

LAB 78.51, -70.76, 71.24

 

CMYK 57 / 0 / 68 / 11

HEX #62E448

RGB 98 228 72

HSL 110, 0.74%, 0.59%

LAB 81.04, -63.53, 62.57

 

CMYK 45 / 0 / 54 / 8

HEX #80EA6C

RGB 128 234 108

HSL 110.48, 0.75%, 0.67%

LAB 84.23, -54.16, 51.21

 

CMYK 33 / 0 / 40 / 6

HEX #9FEF90

RGB 159 239 144

HSL 110.53, 0.75%, 0.75%

LAB 87.54, -42.14, 38.37

 

CMYK 57 / 0 / 69 / 10

HEX #62E548

RGB 98 229 72

HSL 110.06, 0.75%, 0.59%

LAB 81.35, -63.88, 62.89

 

CMYK 68 / 2 / 0 / 11

HEX #48DFE4

RGB 72 223 228

HSL 181.92, 0.74%, 0.59%

LAB 81.7, -37.11, -14

 

CMYK 0 / 68 / 30 / 11

HEX #E448A0

RGB 228 72 160

HSL 326.15, 0.74%, 0.59%

LAB 55.75, 67.46, -14.18

 

CMYK 57 / 0 / 69 / 10

HEX #62E548

RGB 98 229 72

HSL 110.06, 0.75%, 0.59%

LAB 81.35, -63.88, 62.89

 

CMYK 68 / 57 / 0 / 11

HEX #4862E4

RGB 72 98 228

HSL 230, 0.74%, 0.59%

LAB 46.6, 32.66, -68.96

 

CMYK 0 / 68 / 57 / 11

HEX #E44862

RGB 228 72 98

HSL 350, 0.74%, 0.59%

LAB 54.04, 61.6, 20.1

 

CMYK 57 / 0 / 69 / 10

HEX #62E548

RGB 98 229 72

HSL 110.06, 0.75%, 0.59%

LAB 81.35, -63.88, 62.89

 

CMYK 68 / 2 / 0 / 11

HEX #48DFE4

RGB 72 223 228

HSL 181.92, 0.74%, 0.59%

LAB 81.7, -37.11, -14

 

CMYK 11 / 68 / 0 / 11

HEX #CA48E4

RGB 202 72 228

HSL 290, 0.74%, 0.59%

LAB 54.86, 71.38, -54.97

 

CMYK 0 / 66 / 68 / 11

HEX #E44D48

RGB 228 77 72

HSL 1.92, 0.74%, 0.59%

LAB 54.31, 58.09, 35.61

 

CMYK 57 / 0 / 69 / 10

HEX #62E548

RGB 98 229 72

HSL 110.06, 0.75%, 0.59%

LAB 81.35, -63.88, 62.89

 

CMYK 68 / 23 / 0 / 11

HEX #48B0E4

RGB 72 176 228

HSL 200, 0.74%, 0.59%

LAB 68.04, -13.69, -34.85

 

CMYK 11 / 68 / 0 / 11

HEX #CA48E4

RGB 202 72 228

HSL 290, 0.74%, 0.59%

LAB 54.86, 71.38, -54.97

 

CMYK 0 / 46 / 68 / 11

HEX #E47C48

RGB 228 124 72

HSL 20, 0.74%, 0.59%

LAB 62.82, 36.09, 45.49

 

Description

Color code: RGB 98 229 72 | qconv.com Color code: RGB 98 229 72 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 229 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 229 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 69 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 69% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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