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Color name
RGB 99 142 185

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99 142 185 it is the complementary color RGB 156 113 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99 142 185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 99 142 185 shade: RGB 104 142 180, RGB 121 160 199, RGB 138 178 218, RGB 155 196 237 and RGB 172 214 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99 142 185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 99 142 185 shade: RGB 99 142 185, RGB 82 124 166, RGB 65 106 147, RGB 48 88 128 and RGB 31 70 109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 99 142 185 shade: RGB 100 142 185, RGB 100 119 185, RGB 103 100 185, RGB 126 100 185 and RGB 149 100 185

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 99 142 185 shade: RGB 100 142 185, RGB 100 119 185 and RGB 100 100 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 99 142 185 shade matches the following richer shades: RGB 100 142 185, RGB 82 142 203, RGB 63 142 221 and RGB 45 142 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 99 142 185 shade: RGB 100 142 185, RGB 118 142 167, RGB 136 142 149, RGB 154 142 130 and RGB 172 142 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 99 142 185 shade: RGB 100 185 182, RGB 100 165 185, RGB 100 142 185, RGB 100 120 185 and RGB 103 100 185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 99 142 185 shade: RGB 62 101 140, RGB 75 122 168, RGB 100 142 185, RGB 128 163 198 and RGB 157 184 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 99 142 185 shade: RGB 99 142 185, RGB 159 100 185 and RGB 176 185 100

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 99 142 185 shade: RGB 99 142 185, RGB 185 100 142 and RGB 142 185 100

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 99 142 185 shade: RGB 99 142 185, RGB 159 100 185, RGB 185 142 100 and RGB 125 185 100

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 99 142 185 shade: RGB 99 142 185, RGB 185 100 185, RGB 185 142 100 and RGB 100 185 100

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 23 / 0 / 27

HEX #638EB9

RGB 99 142 185

HSL 210, 0.38%, 0.56%

LAB 57.56, -2.92, -27.04

 

Complementary color

CMYK 0 / 28 / 55 / 39

HEX #9C7146

RGB 156 113 70

HSL 30, 0.38%, 0.44%

LAB 51.06, 11.87, 30.37

 

CMYK 42 / 21 / 0 / 29

HEX #688EB4

RGB 104 142 180

HSL 210, 0.34%, 0.56%

LAB 57.64, -3.06, -24.05

 

CMYK 39 / 20 / 0 / 22

HEX #79A0C7

RGB 121 160 199

HSL 210, 0.41%, 0.63%

LAB 64.43, -3.37, -24.24

 

CMYK 37 / 18 / 0 / 15

HEX #8AB2DA

RGB 138 178 218

HSL 210, 0.52%, 0.7%

LAB 71.08, -3.63, -24.45

 

CMYK 35 / 17 / 0 / 7

HEX #9BC4ED

RGB 155 196 237

HSL 210, 0.69%, 0.77%

LAB 77.62, -3.85, -24.68

 

CMYK 33 / 16 / 0 / 0

HEX #ACD6FF

RGB 172 214 255

HSL 209.64, 1%, 0.84%

LAB 84.01, -4.29, -24.45

 

CMYK 46 / 23 / 0 / 27

HEX #638EB9

RGB 99 142 185

HSL 210, 0.38%, 0.56%

LAB 57.56, -2.92, -27.04

 

CMYK 51 / 25 / 0 / 35

HEX #527CA6

RGB 82 124 166

HSL 210, 0.34%, 0.49%

LAB 50.64, -2.43, -26.9

 

CMYK 56 / 28 / 0 / 42

HEX #416A93

RGB 65 106 147

HSL 210, 0.39%, 0.42%

LAB 43.56, -1.79, -26.8

 

CMYK 63 / 31 / 0 / 50

HEX #305880

RGB 48 88 128

HSL 210, 0.45%, 0.35%

LAB 36.3, -0.93, -26.71

 

CMYK 72 / 36 / 0 / 57

HEX #1F466D

RGB 31 70 109

HSL 210, 0.56%, 0.27%

LAB 28.84, 0.3, -26.65

 

CMYK 46 / 23 / 0 / 27

HEX #648EB9

RGB 100 142 185

HSL 210.35, 0.38%, 0.56%

LAB 57.62, -2.66, -26.95

 

CMYK 46 / 36 / 0 / 27

HEX #6477B9

RGB 100 119 185

HSL 226.59, 0.38%, 0.56%

LAB 51.16, 10.91, -37.01

 

CMYK 44 / 46 / 0 / 27

HEX #6764B9

RGB 103 100 185

HSL 242.12, 0.38%, 0.56%

LAB 46.31, 23.29, -44.67

 

CMYK 32 / 46 / 0 / 27

HEX #7E64B9

RGB 126 100 185

HSL 258.35, 0.38%, 0.56%

LAB 48.33, 29.35, -41.34

 

CMYK 19 / 46 / 0 / 27

HEX #9564B9

RGB 149 100 185

HSL 274.59, 0.38%, 0.56%

LAB 50.7, 35.88, -37.45

 

CMYK 46 / 23 / 0 / 27

HEX #648EB9

RGB 100 142 185

HSL 210.35, 0.38%, 0.56%

LAB 57.62, -2.66, -26.95

 

CMYK 46 / 36 / 0 / 27

HEX #6477B9

RGB 100 119 185

HSL 226.59, 0.38%, 0.56%

LAB 51.16, 10.91, -37.01

 

CMYK 46 / 46 / 0 / 27

HEX #6464B9

RGB 100 100 185

HSL 240, 0.38%, 0.56%

LAB 46.08, 22.55, -45.06

 

CMYK 46 / 23 / 0 / 27

HEX #648EB9

RGB 100 142 185

HSL 210.35, 0.38%, 0.56%

LAB 57.62, -2.66, -26.95

 

CMYK 60 / 30 / 0 / 20

HEX #528ECB

RGB 82 142 203

HSL 210.25, 0.54%, 0.56%

LAB 57.51, -1.13, -37.36

 

CMYK 71 / 36 / 0 / 13

HEX #3F8EDD

RGB 63 142 221

HSL 210, 0.7%, 0.56%

LAB 57.68, 1.81, -47.25

 

CMYK 81 / 41 / 0 / 6

HEX #2D8EEF

RGB 45 142 239

HSL 210, 0.86%, 0.56%

LAB 58.17, 6.28, -56.51

 

CMYK 46 / 23 / 0 / 27

HEX #648EB9

RGB 100 142 185

HSL 210.35, 0.38%, 0.56%

LAB 57.62, -2.66, -26.95

 

CMYK 29 / 15 / 0 / 35

HEX #768EA7

RGB 118 142 167

HSL 210.61, 0.22%, 0.56%

LAB 58.03, -2.52, -15.97

 

CMYK 9 / 5 / 0 / 42

HEX #888E95

RGB 136 142 149

HSL 212.31, 0.06%, 0.56%

LAB 58.74, -0.74, -4.47

 

CMYK 0 / 8 / 16 / 40

HEX #9A8E82

RGB 154 142 130

HSL 30, 0.11%, 0.56%

LAB 59.73, 2.37, 8

 

CMYK 0 / 17 / 35 / 33

HEX #AC8E70

RGB 172 142 112

HSL 30, 0.27%, 0.56%

LAB 61.03, 6.91, 20.23

 

CMYK 46 / 0 / 2 / 27

HEX #64B9B6

RGB 100 185 182

HSL 177.88, 0.38%, 0.56%

LAB 70.02, -26.45, -6.49

 

CMYK 46 / 11 / 0 / 27

HEX #64A5B9

RGB 100 165 185

HSL 194.12, 0.38%, 0.56%

LAB 64.26, -15.38, -16.79

 

CMYK 46 / 23 / 0 / 27

HEX #648EB9

RGB 100 142 185

HSL 210.35, 0.38%, 0.56%

LAB 57.62, -2.66, -26.95

 

CMYK 46 / 35 / 0 / 27

HEX #6478B9

RGB 100 120 185

HSL 225.88, 0.38%, 0.56%

LAB 51.43, 10.3, -36.58

 

CMYK 44 / 46 / 0 / 27

HEX #6764B9

RGB 103 100 185

HSL 242.12, 0.38%, 0.56%

LAB 46.31, 23.29, -44.67

 

CMYK 56 / 28 / 0 / 45

HEX #3E658C

RGB 62 101 140

HSL 210, 0.39%, 0.4%

LAB 41.57, -1.76, -25.72

 

CMYK 55 / 27 / 0 / 34

HEX #4B7AA8

RGB 75 122 168

HSL 209.68, 0.38%, 0.48%

LAB 49.79, -2.25, -29.42

 

CMYK 46 / 23 / 0 / 27

HEX #648EB9

RGB 100 142 185

HSL 210.35, 0.38%, 0.56%

LAB 57.62, -2.66, -26.95

 

CMYK 35 / 18 / 0 / 22

HEX #80A3C6

RGB 128 163 198

HSL 210, 0.38%, 0.64%

LAB 65.64, -3.37, -21.79

 

CMYK 26 / 13 / 0 / 17

HEX #9DB8D3

RGB 157 184 211

HSL 210, 0.38%, 0.72%

LAB 73.64, -3.15, -16.63

 

CMYK 46 / 23 / 0 / 27

HEX #638EB9

RGB 99 142 185

HSL 210, 0.38%, 0.56%

LAB 57.56, -2.92, -27.04

 

CMYK 14 / 46 / 0 / 27

HEX #9F64B9

RGB 159 100 185

HSL 281.65, 0.38%, 0.56%

LAB 51.82, 38.81, -35.6

 

CMYK 5 / 0 / 46 / 27

HEX #B0B964

RGB 176 185 100

HSL 66.35, 0.38%, 0.56%

LAB 72.79, -15.83, 41.85

 

CMYK 46 / 23 / 0 / 27

HEX #638EB9

RGB 99 142 185

HSL 210, 0.38%, 0.56%

LAB 57.56, -2.92, -27.04

 

CMYK 0 / 46 / 23 / 27

HEX #B9648E

RGB 185 100 142

HSL 330.35, 0.38%, 0.56%

LAB 53.36, 39.34, -7.84

 

CMYK 23 / 0 / 46 / 27

HEX #8EB964

RGB 142 185 100

HSL 90.35, 0.38%, 0.56%

LAB 70.43, -29.11, 38.41

 

CMYK 46 / 23 / 0 / 27

HEX #638EB9

RGB 99 142 185

HSL 210, 0.38%, 0.56%

LAB 57.56, -2.92, -27.04

 

CMYK 14 / 46 / 0 / 27

HEX #9F64B9

RGB 159 100 185

HSL 281.65, 0.38%, 0.56%

LAB 51.82, 38.81, -35.6

 

CMYK 0 / 23 / 46 / 27

HEX #B98E64

RGB 185 142 100

HSL 29.65, 0.38%, 0.56%

LAB 62.15, 10.9, 28.61

 

CMYK 32 / 0 / 46 / 27

HEX #7DB964

RGB 125 185 100

HSL 102.35, 0.38%, 0.56%

LAB 69.45, -35.22, 36.98

 

CMYK 46 / 23 / 0 / 27

HEX #638EB9

RGB 99 142 185

HSL 210, 0.38%, 0.56%

LAB 57.56, -2.92, -27.04

 

CMYK 0 / 46 / 0 / 27

HEX #B964B9

RGB 185 100 185

HSL 300, 0.38%, 0.56%

LAB 55, 46.52, -30.4

 

CMYK 0 / 23 / 46 / 27

HEX #B98E64

RGB 185 142 100

HSL 29.65, 0.38%, 0.56%

LAB 62.15, 10.9, 28.61

 

CMYK 46 / 0 / 46 / 27

HEX #64B964

RGB 100 185 100

HSL 120, 0.38%, 0.56%

LAB 68.26, -43.24, 35.22

 

Description

Color code: RGB 99 142 185 | qconv.com Color code: RGB 99 142 185 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 142 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 142 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 23 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 23% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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