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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99 207 236 it is the complementary color RGB 156 48 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99 207 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 99 207 236 shade: RGB 104 207 231, RGB 121 225 250, RGB 138 243 255, RGB 155 255 255 and RGB 172 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99 207 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 99 207 236 shade: RGB 99 207 236, RGB 82 189 217, RGB 65 171 198, RGB 48 153 179 and RGB 31 135 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 99 207 236 shade: RGB 100 207 235, RGB 100 170 235, RGB 100 134 235, RGB 103 100 235 and RGB 139 100 235

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 99 207 236 shade: RGB 100 207 235, RGB 100 170 235, RGB 100 134 235 and RGB 100 100 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 99 207 236 shade matches the following richer shades: RGB 100 207 235 and RGB 86 215 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 99 207 236 shade: RGB 100 207 235, RGB 114 199 221, RGB 128 191 207, RGB 142 183 193 and RGB 156 174 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 99 207 236 shade: RGB 100 235 190, RGB 100 235 226, RGB 100 208 235, RGB 100 172 235 and RGB 100 136 235

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 99 207 236 shade: RGB 27 184 226, RGB 63 195 231, RGB 100 207 235, RGB 137 218 240 and RGB 174 229 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 99 207 236 shade: RGB 99 207 236, RGB 154 100 235 and RGB 235 208 100

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 99 207 236 shade: RGB 99 207 236, RGB 235 100 208 and RGB 208 235 100

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 99 207 236 shade: RGB 99 207 236, RGB 154 100 235, RGB 235 127 100 and RGB 181 235 100

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 99 207 236 shade: RGB 99 207 236, RGB 195 100 235, RGB 235 127 100 and RGB 141 235 100

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 12 / 0 / 7

HEX #63CFEC

RGB 99 207 236

HSL 192.7, 0.78%, 0.66%

LAB 78.07, -22.84, -23.68

 

Complementary color

CMYK 0 / 69 / 88 / 39

HEX #9C3013

RGB 156 48 19

HSL 12.7, 0.78%, 0.34%

LAB 36.42, 43.55, 41.26

 

CMYK 55 / 10 / 0 / 9

HEX #68CFE7

RGB 104 207 231

HSL 191.34, 0.73%, 0.66%

LAB 78.07, -23.31, -20.98

 

CMYK 52 / 10 / 0 / 2

HEX #79E1FA

RGB 121 225 250

HSL 191.63, 0.93%, 0.73%

LAB 84.39, -23.6, -21.46

 

CMYK 46 / 5 / 0 / 0

HEX #8AF3FF

RGB 138 243 255

HSL 186.15, 1%, 0.77%

LAB 90.19, -27.44, -15.26

 

CMYK 39 / 0 / 0 / 0

HEX #9BFFFF

RGB 155 255 255

HSL 180, 1%, 0.8%

LAB 94.19, -29.23, -9.23

 

CMYK 33 / 0 / 0 / 0

HEX #ACFFFF

RGB 172 255 255

HSL 180, 1%, 0.84%

LAB 94.95, -24.96, -8.01

 

CMYK 58 / 12 / 0 / 7

HEX #63CFEC

RGB 99 207 236

HSL 192.7, 0.78%, 0.66%

LAB 78.07, -22.84, -23.68

 

CMYK 62 / 13 / 0 / 15

HEX #52BDD9

RGB 82 189 217

HSL 192.44, 0.64%, 0.59%

LAB 71.69, -22.34, -23.2

 

CMYK 67 / 14 / 0 / 22

HEX #41ABC6

RGB 65 171 198

HSL 192.18, 0.54%, 0.52%

LAB 65.22, -21.67, -22.68

 

CMYK 73 / 15 / 0 / 30

HEX #3099B3

RGB 48 153 179

HSL 191.91, 0.58%, 0.45%

LAB 58.66, -20.77, -22.1

 

CMYK 81 / 16 / 0 / 37

HEX #1F87A0

RGB 31 135 160

HSL 191.63, 0.68%, 0.37%

LAB 52.01, -19.56, -21.45

 

CMYK 57 / 12 / 0 / 8

HEX #64CFEB

RGB 100 207 235

HSL 192.44, 0.77%, 0.66%

LAB 78.07, -22.95, -23.15

 

CMYK 57 / 28 / 0 / 8

HEX #64AAEB

RGB 100 170 235

HSL 208.89, 0.77%, 0.66%

LAB 67.62, -3.32, -39.26

 

CMYK 57 / 43 / 0 / 8

HEX #6486EB

RGB 100 134 235

HSL 224.89, 0.77%, 0.66%

LAB 57.81, 17.61, -54.75

 

CMYK 56 / 57 / 0 / 8

HEX #6764EB

RGB 103 100 235

HSL 241.33, 0.77%, 0.66%

LAB 49.49, 38.69, -68.11

 

CMYK 41 / 57 / 0 / 8

HEX #8B64EB

RGB 139 100 235

HSL 257.33, 0.77%, 0.66%

LAB 52.51, 45.88, -63.08

 

CMYK 57 / 12 / 0 / 8

HEX #64CFEB

RGB 100 207 235

HSL 192.44, 0.77%, 0.66%

LAB 78.07, -22.95, -23.15

 

CMYK 57 / 28 / 0 / 8

HEX #64AAEB

RGB 100 170 235

HSL 208.89, 0.77%, 0.66%

LAB 67.62, -3.32, -39.26

 

CMYK 57 / 43 / 0 / 8

HEX #6486EB

RGB 100 134 235

HSL 224.89, 0.77%, 0.66%

LAB 57.81, 17.61, -54.75

 

CMYK 57 / 57 / 0 / 8

HEX #6464EB

RGB 100 100 235

HSL 240, 0.77%, 0.66%

LAB 49.28, 38.16, -68.47

 

CMYK 57 / 12 / 0 / 8

HEX #64CFEB

RGB 100 207 235

HSL 192.44, 0.77%, 0.66%

LAB 78.07, -22.95, -23.15

 

CMYK 65 / 14 / 0 / 2

HEX #56D7F9

RGB 86 215 249

HSL 192.52, 0.93%, 0.66%

LAB 80.41, -25.2, -27.08

 

CMYK 57 / 12 / 0 / 8

HEX #64CFEB

RGB 100 207 235

HSL 192.44, 0.77%, 0.66%

LAB 78.07, -22.95, -23.15

 

CMYK 48 / 10 / 0 / 13

HEX #72C7DD

RGB 114 199 221

HSL 192.34, 0.61%, 0.66%

LAB 75.85, -19.93, -18.94

 

CMYK 38 / 8 / 0 / 19

HEX #80BFCF

RGB 128 191 207

HSL 192.15, 0.45%, 0.66%

LAB 73.78, -16.07, -14.42

 

CMYK 26 / 5 / 0 / 24

HEX #8EB7C1

RGB 142 183 193

HSL 191.76, 0.29%, 0.66%

LAB 71.87, -11.34, -9.55

 

CMYK 13 / 3 / 0 / 30

HEX #9CAEB3

RGB 156 174 179

HSL 193.04, 0.13%, 0.66%

LAB 69.89, -5.19, -4.69

 

CMYK 57 / 0 / 19 / 8

HEX #64EBBE

RGB 100 235 190

HSL 160, 0.77%, 0.66%

LAB 84.92, -47.44, 10.86

 

CMYK 57 / 0 / 4 / 8

HEX #64EBE2

RGB 100 235 226

HSL 176, 0.77%, 0.66%

LAB 85.81, -38.78, -6.74

 

CMYK 57 / 11 / 0 / 8

HEX #64D0EB

RGB 100 208 235

HSL 192, 0.77%, 0.66%

LAB 78.36, -23.45, -22.71

 

CMYK 57 / 27 / 0 / 8

HEX #64ACEB

RGB 100 172 235

HSL 208, 0.77%, 0.66%

LAB 68.18, -4.44, -38.39

 

CMYK 57 / 42 / 0 / 8

HEX #6488EB

RGB 100 136 235

HSL 224, 0.77%, 0.66%

LAB 58.34, 16.41, -53.9

 

CMYK 88 / 19 / 0 / 11

HEX #1BB8E2

RGB 27 184 226

HSL 192.66, 0.79%, 0.5%

LAB 69.47, -23.06, -31.6

 

CMYK 73 / 16 / 0 / 9

HEX #3FC3E7

RGB 63 195 231

HSL 192.86, 0.78%, 0.58%

LAB 73.45, -23.84, -28.14

 

CMYK 57 / 12 / 0 / 8

HEX #64CFEB

RGB 100 207 235

HSL 192.44, 0.77%, 0.66%

LAB 78.07, -22.95, -23.15

 

CMYK 43 / 9 / 0 / 6

HEX #89DAF0

RGB 137 218 240

HSL 192.82, 0.77%, 0.74%

LAB 82.78, -19.17, -18.53

 

CMYK 29 / 7 / 0 / 4

HEX #AEE5F5

RGB 174 229 245

HSL 193.52, 0.78%, 0.82%

LAB 87.79, -13.84, -13.46

 

CMYK 58 / 12 / 0 / 7

HEX #63CFEC

RGB 99 207 236

HSL 192.7, 0.78%, 0.66%

LAB 78.07, -22.84, -23.68

 

CMYK 34 / 57 / 0 / 8

HEX #9A64EB

RGB 154 100 235

HSL 264, 0.77%, 0.66%

LAB 54.01, 49.23, -60.6

 

CMYK 0 / 11 / 57 / 8

HEX #EBD064

RGB 235 208 100

HSL 48, 0.77%, 0.66%

LAB 83.81, -3.4, 56.1

 

CMYK 58 / 12 / 0 / 7

HEX #63CFEC

RGB 99 207 236

HSL 192.7, 0.78%, 0.66%

LAB 78.07, -22.84, -23.68

 

CMYK 0 / 57 / 11 / 8

HEX #EB64D0

RGB 235 100 208

HSL 312, 0.77%, 0.66%

LAB 62.79, 64.58, -30.89

 

CMYK 11 / 0 / 57 / 8

HEX #D0EB64

RGB 208 235 100

HSL 72, 0.77%, 0.66%

LAB 88.8, -27.59, 61.18

 

CMYK 58 / 12 / 0 / 7

HEX #63CFEC

RGB 99 207 236

HSL 192.7, 0.78%, 0.66%

LAB 78.07, -22.84, -23.68

 

CMYK 34 / 57 / 0 / 8

HEX #9A64EB

RGB 154 100 235

HSL 264, 0.77%, 0.66%

LAB 54.01, 49.23, -60.6

 

CMYK 0 / 46 / 57 / 8

HEX #EB7F64

RGB 235 127 100

HSL 12, 0.77%, 0.66%

LAB 64.77, 39.07, 33.18

 

CMYK 23 / 0 / 57 / 8

HEX #B5EB64

RGB 181 235 100

HSL 84, 0.77%, 0.66%

LAB 87.08, -37.82, 58.77

 

CMYK 58 / 12 / 0 / 7

HEX #63CFEC

RGB 99 207 236

HSL 192.7, 0.78%, 0.66%

LAB 78.07, -22.84, -23.68

 

CMYK 17 / 57 / 0 / 8

HEX #C364EB

RGB 195 100 235

HSL 282.22, 0.77%, 0.66%

LAB 58.71, 58.99, -52.81

 

CMYK 0 / 46 / 57 / 8

HEX #EB7F64

RGB 235 127 100

HSL 12, 0.77%, 0.66%

LAB 64.77, 39.07, 33.18

 

CMYK 40 / 0 / 57 / 8

HEX #8DEB64

RGB 141 235 100

HSL 101.78, 0.77%, 0.66%

LAB 85, -51.51, 55.84

 

Description

Color code: RGB 99 207 236 | qconv.com Color code: RGB 99 207 236 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 207 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 207 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 12 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 12% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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