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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99 214 199 it is the complementary color RGB 156 41 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99 214 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 99 214 199 shade: RGB 104 214 194, RGB 121 232 213, RGB 138 250 232, RGB 155 255 251 and RGB 172 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99 214 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 99 214 199 shade: RGB 99 214 199, RGB 82 196 180, RGB 65 178 161, RGB 48 160 142 and RGB 31 142 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 99 214 199 shade: RGB 97 213 198, RGB 97 213 167, RGB 97 213 135, RGB 97 213 104 and RGB 121 213 97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 99 214 199 shade: RGB 97 213 198, RGB 97 197 213, RGB 97 166 213, RGB 97 134 213 and RGB 97 103 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 99 214 199 shade matches the following richer shades: RGB 97 213 198, RGB 81 229 210 and RGB 65 245 221

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 99 214 199 shade: RGB 97 213 198, RGB 113 197 186, RGB 130 181 174, RGB 146 164 162 and RGB 162 148 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 99 214 199 shade: RGB 97 213 136, RGB 97 213 167, RGB 97 213 197, RGB 97 197 213 and RGB 97 167 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 99 214 199 shade: RGB 48 180 163, RGB 65 204 186, RGB 97 213 198, RGB 130 221 209 and RGB 163 230 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 99 214 199 shade: RGB 99 214 199, RGB 105 97 213 and RGB 213 151 97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 99 214 199 shade: RGB 99 214 199, RGB 197 97 213 and RGB 213 197 97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 99 214 199 shade: RGB 99 214 199, RGB 105 97 213, RGB 213 97 113 and RGB 205 213 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 99 214 199 shade: RGB 99 214 199, RGB 140 97 213, RGB 213 97 113 and RGB 170 213 97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 7 / 16

HEX #63D6C7

RGB 99 214 199

HSL 172.17, 0.58%, 0.61%

LAB 78.97, -36.21, -2.52

 

Complementary color

CMYK 0 / 74 / 64 / 39

HEX #9C2938

RGB 156 41 56

HSL 352.17, 0.58%, 0.39%

LAB 35.87, 47.93, 19.44

 

CMYK 51 / 0 / 9 / 16

HEX #68D6C2

RGB 104 214 194

HSL 169.09, 0.57%, 0.62%

LAB 79, -36.38, 0.23

 

CMYK 48 / 0 / 8 / 9

HEX #79E8D5

RGB 121 232 213

HSL 169.73, 0.71%, 0.69%

LAB 85.29, -36.37, -0.59

 

CMYK 45 / 0 / 7 / 2

HEX #8AFAE8

RGB 138 250 232

HSL 170.36, 0.92%, 0.76%

LAB 91.51, -36.3, -1.36

 

CMYK 39 / 0 / 2 / 0

HEX #9BFFFB

RGB 155 255 251

HSL 177.6, 1%, 0.8%

LAB 94.08, -30.17, -7.33

 

CMYK 33 / 0 / 0 / 0

HEX #ACFFFF

RGB 172 255 255

HSL 180, 1%, 0.84%

LAB 94.95, -24.96, -8.01

 

CMYK 54 / 0 / 7 / 16

HEX #63D6C7

RGB 99 214 199

HSL 172.17, 0.58%, 0.61%

LAB 78.97, -36.21, -2.52

 

CMYK 58 / 0 / 8 / 23

HEX #52C4B4

RGB 82 196 180

HSL 171.58, 0.49%, 0.55%

LAB 72.61, -36.07, -1.66

 

CMYK 63 / 0 / 10 / 30

HEX #41B2A1

RGB 65 178 161

HSL 170.97, 0.47%, 0.48%

LAB 66.17, -35.81, -0.72

 

CMYK 70 / 0 / 11 / 37

HEX #30A08E

RGB 48 160 142

HSL 170.36, 0.54%, 0.41%

LAB 59.64, -35.36, 0.33

 

CMYK 78 / 0 / 13 / 44

HEX #1F8E7B

RGB 31 142 123

HSL 169.73, 0.64%, 0.34%

LAB 53.02, -34.63, 1.51

 

CMYK 54 / 0 / 7 / 16

HEX #61D5C6

RGB 97 213 198

HSL 172.24, 0.58%, 0.61%

LAB 78.58, -36.4, -2.55

 

CMYK 54 / 0 / 22 / 16

HEX #61D5A7

RGB 97 213 167

HSL 156.21, 0.58%, 0.61%

LAB 77.83, -43.68, 12.92

 

CMYK 54 / 0 / 37 / 16

HEX #61D587

RGB 97 213 135

HSL 139.66, 0.58%, 0.61%

LAB 77.21, -49.99, 28.86

 

CMYK 54 / 0 / 51 / 16

HEX #61D568

RGB 97 213 104

HSL 123.62, 0.58%, 0.61%

LAB 76.76, -54.82, 43.79

 

CMYK 43 / 0 / 54 / 16

HEX #79D561

RGB 121 213 97

HSL 107.59, 0.58%, 0.61%

LAB 77.59, -49.03, 48.31

 

CMYK 54 / 0 / 7 / 16

HEX #61D5C6

RGB 97 213 198

HSL 172.24, 0.58%, 0.61%

LAB 78.58, -36.4, -2.55

 

CMYK 54 / 8 / 0 / 16

HEX #61C5D5

RGB 97 197 213

HSL 188.28, 0.58%, 0.61%

LAB 74.37, -24.74, -16.92

 

CMYK 54 / 22 / 0 / 16

HEX #61A6D5

RGB 97 166 213

HSL 204.31, 0.58%, 0.61%

LAB 65.45, -8.48, -30.54

 

CMYK 54 / 37 / 0 / 16

HEX #6186D5

RGB 97 134 213

HSL 220.86, 0.58%, 0.61%

LAB 56.48, 9.91, -44.56

 

CMYK 54 / 52 / 0 / 16

HEX #6167D5

RGB 97 103 213

HSL 236.9, 0.58%, 0.61%

LAB 48.32, 28.78, -57.59

 

CMYK 54 / 0 / 7 / 16

HEX #61D5C6

RGB 97 213 198

HSL 172.24, 0.58%, 0.61%

LAB 78.58, -36.4, -2.55

 

CMYK 65 / 0 / 8 / 10

HEX #51E5D2

RGB 81 229 210

HSL 172.3, 0.74%, 0.61%

LAB 83.15, -43.39, -2.29

 

CMYK 73 / 0 / 10 / 4

HEX #41F5DD

RGB 65 245 221

HSL 172, 0.9%, 0.61%

LAB 87.8, -49.56, -1.29

 

CMYK 54 / 0 / 7 / 16

HEX #61D5C6

RGB 97 213 198

HSL 172.24, 0.58%, 0.61%

LAB 78.58, -36.4, -2.55

 

CMYK 43 / 0 / 6 / 23

HEX #71C5BA

RGB 113 197 186

HSL 172.14, 0.42%, 0.61%

LAB 74.18, -28.17, -2.48

 

CMYK 28 / 0 / 4 / 29

HEX #82B5AE

RGB 130 181 174

HSL 171.76, 0.26%, 0.61%

LAB 70.07, -18.26, -1.86

 

CMYK 11 / 0 / 1 / 36

HEX #92A4A2

RGB 146 164 162

HSL 173.33, 0.09%, 0.61%

LAB 65.96, -6.7, -1.12

 

CMYK 0 / 9 / 7 / 36

HEX #A29496

RGB 162 148 150

HSL 351.43, 0.07%, 0.61%

LAB 62.56, 5.53, 0.81

 

CMYK 54 / 0 / 36 / 16

HEX #61D588

RGB 97 213 136

HSL 140.17, 0.58%, 0.61%

LAB 77.23, -49.82, 28.37

 

CMYK 54 / 0 / 22 / 16

HEX #61D5A7

RGB 97 213 167

HSL 156.21, 0.58%, 0.61%

LAB 77.83, -43.68, 12.92

 

CMYK 54 / 0 / 8 / 16

HEX #61D5C5

RGB 97 213 197

HSL 171.72, 0.58%, 0.61%

LAB 78.56, -36.65, -2.06

 

CMYK 54 / 8 / 0 / 16

HEX #61C5D5

RGB 97 197 213

HSL 188.28, 0.58%, 0.61%

LAB 74.37, -24.74, -16.92

 

CMYK 54 / 22 / 0 / 16

HEX #61A7D5

RGB 97 167 213

HSL 203.79, 0.58%, 0.61%

LAB 65.74, -9.03, -30.1

 

CMYK 73 / 0 / 9 / 29

HEX #30B4A3

RGB 48 180 163

HSL 172.27, 0.58%, 0.45%

LAB 66.46, -38.72, -1.44

 

CMYK 68 / 0 / 9 / 20

HEX #41CCBA

RGB 65 204 186

HSL 172.23, 0.58%, 0.53%

LAB 74.73, -40.97, -1.85

 

CMYK 54 / 0 / 7 / 16

HEX #61D5C6

RGB 97 213 198

HSL 172.24, 0.58%, 0.61%

LAB 78.58, -36.4, -2.55

 

CMYK 41 / 0 / 5 / 13

HEX #82DDD1

RGB 130 221 209

HSL 172.09, 0.57%, 0.69%

LAB 82.41, -30.01, -2.65

 

CMYK 29 / 0 / 4 / 10

HEX #A3E6DD

RGB 163 230 221

HSL 171.94, 0.57%, 0.77%

LAB 86.8, -22.81, -2.37

 

CMYK 54 / 0 / 7 / 16

HEX #63D6C7

RGB 99 214 199

HSL 172.17, 0.58%, 0.61%

LAB 78.97, -36.21, -2.52

 

CMYK 51 / 54 / 0 / 16

HEX #6961D5

RGB 105 97 213

HSL 244.14, 0.58%, 0.61%

LAB 47.44, 34.06, -58.97

 

CMYK 0 / 29 / 54 / 16

HEX #D59761

RGB 213 151 97

HSL 27.93, 0.58%, 0.61%

LAB 67.38, 17.35, 37.49

 

CMYK 54 / 0 / 7 / 16

HEX #63D6C7

RGB 99 214 199

HSL 172.17, 0.58%, 0.61%

LAB 78.97, -36.21, -2.52

 

CMYK 8 / 54 / 0 / 16

HEX #C561D5

RGB 197 97 213

HSL 291.72, 0.58%, 0.61%

LAB 57.29, 56.61, -42.68

 

CMYK 0 / 8 / 54 / 16

HEX #D5C561

RGB 213 197 97

HSL 51.72, 0.58%, 0.61%

LAB 79.01, -7.06, 51.46

 

CMYK 54 / 0 / 7 / 16

HEX #63D6C7

RGB 99 214 199

HSL 172.17, 0.58%, 0.61%

LAB 78.97, -36.21, -2.52

 

CMYK 51 / 54 / 0 / 16

HEX #6961D5

RGB 105 97 213

HSL 244.14, 0.58%, 0.61%

LAB 47.44, 34.06, -58.97

 

CMYK 0 / 54 / 47 / 16

HEX #D56171

RGB 213 97 113

HSL 351.72, 0.58%, 0.61%

LAB 55.98, 47.1, 13.51

 

CMYK 4 / 0 / 54 / 16

HEX #CDD561

RGB 205 213 97

HSL 64.14, 0.58%, 0.61%

LAB 82.61, -18.4, 55.44

 

CMYK 54 / 0 / 7 / 16

HEX #63D6C7

RGB 99 214 199

HSL 172.17, 0.58%, 0.61%

LAB 78.97, -36.21, -2.52

 

CMYK 34 / 54 / 0 / 16

HEX #8C61D5

RGB 140 97 213

HSL 262.24, 0.58%, 0.61%

LAB 50.6, 42, -53.72

 

CMYK 0 / 54 / 47 / 16

HEX #D56171

RGB 213 97 113

HSL 351.72, 0.58%, 0.61%

LAB 55.98, 47.1, 13.51

 

CMYK 20 / 0 / 54 / 16

HEX #AAD561

RGB 170 213 97

HSL 82.24, 0.58%, 0.61%

LAB 80.18, -32.13, 52

 

Description

Color code: RGB 99 214 199 | qconv.com Color code: RGB 99 214 199 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 214 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 214 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 7 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 7% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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