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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99 232 119 it is the complementary color RGB 156 23 136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99 232 119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 99 232 119 shade: RGB 104 232 114, RGB 121 250 133, RGB 138 255 152, RGB 155 255 171 and RGB 172 255 190

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99 232 119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 99 232 119 shade: RGB 99 232 119, RGB 82 214 100, RGB 65 196 81, RGB 48 178 62 and RGB 31 160 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 99 232 119 shade: RGB 99 231 119, RGB 115 231 99, RGB 151 231 99, RGB 186 231 99 and RGB 222 231 99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 99 232 119 shade: RGB 99 231 119, RGB 99 231 155, RGB 99 231 190, RGB 99 231 226 and RGB 99 201 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 99 232 119 shade matches the following richer shades: RGB 99 231 119 and RGB 85 246 109

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 99 232 119 shade: RGB 99 231 119, RGB 114 217 129, RGB 128 202 139, RGB 143 188 149 and RGB 157 174 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 99 232 119 shade: RGB 150 231 99, RGB 115 231 99, RGB 99 231 119, RGB 99 231 154 and RGB 99 231 189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 99 232 119 shade: RGB 32 216 60, RGB 63 226 88, RGB 99 231 119, RGB 135 237 150 and RGB 171 242 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 99 232 119 shade: RGB 99 232 119, RGB 99 185 231 and RGB 231 99 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 99 232 119 shade: RGB 99 232 119, RGB 119 99 231 and RGB 231 119 99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 99 232 119 shade: RGB 99 232 119, RGB 99 185 231, RGB 231 99 211 and RGB 231 145 99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 99 232 119 shade: RGB 99 232 119, RGB 99 145 231, RGB 231 99 211 and RGB 231 185 99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 49 / 9

HEX #63E877

RGB 99 232 119

HSL 129.02, 0.74%, 0.65%

LAB 82.75, -59.49, 44

 

Complementary color

CMYK 0 / 85 / 13 / 39

HEX #9C1788

RGB 156 23 136

HSL 309.02, 0.74%, 0.35%

LAB 36.85, 61.75, -29.93

 

CMYK 55 / 0 / 51 / 9

HEX #68E872

RGB 104 232 114

HSL 124.69, 0.74%, 0.66%

LAB 82.84, -59, 46.53

 

CMYK 52 / 0 / 47 / 2

HEX #79FA85

RGB 121 250 133

HSL 125.58, 0.93%, 0.73%

LAB 88.98, -59.09, 45.24

 

CMYK 46 / 0 / 40 / 0

HEX #8AFF98

RGB 138 255 152

HSL 127.18, 1%, 0.77%

LAB 91.32, -53.89, 39.15

 

CMYK 39 / 0 / 33 / 0

HEX #9BFFAB

RGB 155 255 171

HSL 129.6, 1%, 0.8%

LAB 92.32, -46.18, 31.18

 

CMYK 33 / 0 / 25 / 0

HEX #ACFFBE

RGB 172 255 190

HSL 133.01, 1%, 0.84%

LAB 93.45, -38, 23.25

 

CMYK 57 / 0 / 49 / 9

HEX #63E877

RGB 99 232 119

HSL 129.02, 0.74%, 0.65%

LAB 82.75, -59.49, 44

 

CMYK 62 / 0 / 53 / 16

HEX #52D664

RGB 82 214 100

HSL 128.18, 0.62%, 0.58%

LAB 76.56, -59.2, 45.35

 

CMYK 67 / 0 / 59 / 23

HEX #41C451

RGB 65 196 81

HSL 127.33, 0.53%, 0.51%

LAB 70.31, -58.65, 46.68

 

CMYK 73 / 0 / 65 / 30

HEX #30B23E

RGB 48 178 62

HSL 126.46, 0.58%, 0.44%

LAB 64.01, -57.7, 47.89

 

CMYK 81 / 0 / 73 / 37

HEX #1FA02B

RGB 31 160 43

HSL 125.58, 0.68%, 0.37%

LAB 57.66, -56.17, 48.79

 

CMYK 57 / 0 / 48 / 9

HEX #63E777

RGB 99 231 119

HSL 129.09, 0.73%, 0.65%

LAB 82.45, -59.11, 43.63

 

CMYK 50 / 0 / 57 / 9

HEX #73E763

RGB 115 231 99

HSL 112.73, 0.73%, 0.65%

LAB 82.75, -57.64, 53.41

 

CMYK 35 / 0 / 57 / 9

HEX #97E763

RGB 151 231 99

HSL 96.36, 0.73%, 0.65%

LAB 84.29, -46.71, 55.59

 

CMYK 19 / 0 / 57 / 9

HEX #BAE763

RGB 186 231 99

HSL 80.45, 0.73%, 0.65%

LAB 86.25, -34.23, 58.35

 

CMYK 4 / 0 / 57 / 9

HEX #DEE763

RGB 222 231 99

HSL 64.09, 0.73%, 0.65%

LAB 88.72, -20.22, 61.8

 

CMYK 57 / 0 / 48 / 9

HEX #63E777

RGB 99 231 119

HSL 129.09, 0.73%, 0.65%

LAB 82.45, -59.11, 43.63

 

CMYK 57 / 0 / 33 / 9

HEX #63E79B

RGB 99 231 155

HSL 145.45, 0.73%, 0.65%

LAB 83, -53.18, 26.37

 

CMYK 57 / 0 / 18 / 9

HEX #63E7BE

RGB 99 231 190

HSL 161.36, 0.73%, 0.65%

LAB 83.72, -45.93, 9.14

 

CMYK 57 / 0 / 2 / 9

HEX #63E7E2

RGB 99 231 226

HSL 177.73, 0.73%, 0.65%

LAB 84.64, -37.13, -8.49

 

CMYK 57 / 13 / 0 / 9

HEX #63C9E7

RGB 99 201 231

HSL 193.64, 0.73%, 0.65%

LAB 76.19, -21.25, -23.87

 

CMYK 57 / 0 / 48 / 9

HEX #63E777

RGB 99 231 119

HSL 129.09, 0.73%, 0.65%

LAB 82.45, -59.11, 43.63

 

CMYK 65 / 0 / 56 / 4

HEX #55F66D

RGB 85 246 109

HSL 128.94, 0.9%, 0.65%

LAB 86.48, -68.71, 53.09

 

CMYK 57 / 0 / 48 / 9

HEX #63E777

RGB 99 231 119

HSL 129.09, 0.73%, 0.65%

LAB 82.45, -59.11, 43.63

 

CMYK 47 / 0 / 41 / 15

HEX #72D981

RGB 114 217 129

HSL 128.74, 0.58%, 0.65%

LAB 78.92, -48.33, 34.29

 

CMYK 37 / 0 / 31 / 21

HEX #80CA8B

RGB 128 202 139

HSL 128.92, 0.41%, 0.65%

LAB 75.26, -36.07, 24.38

 

CMYK 24 / 0 / 21 / 26

HEX #8FBC95

RGB 143 188 149

HSL 128, 0.25%, 0.65%

LAB 72.21, -22.75, 14.97

 

CMYK 10 / 0 / 9 / 32

HEX #9DAE9F

RGB 157 174 159

HSL 127.06, 0.09%, 0.65%

LAB 69.43, -8.83, 5.68

 

CMYK 35 / 0 / 57 / 9

HEX #96E763

RGB 150 231 99

HSL 96.82, 0.73%, 0.65%

LAB 84.24, -47.05, 55.52

 

CMYK 50 / 0 / 57 / 9

HEX #73E763

RGB 115 231 99

HSL 112.73, 0.73%, 0.65%

LAB 82.75, -57.64, 53.41

 

CMYK 57 / 0 / 48 / 9

HEX #63E777

RGB 99 231 119

HSL 129.09, 0.73%, 0.65%

LAB 82.45, -59.11, 43.63

 

CMYK 57 / 0 / 33 / 9

HEX #63E79A

RGB 99 231 154

HSL 145, 0.73%, 0.65%

LAB 82.99, -53.37, 26.86

 

CMYK 57 / 0 / 18 / 9

HEX #63E7BD

RGB 99 231 189

HSL 160.91, 0.73%, 0.65%

LAB 83.69, -46.15, 9.63

 

CMYK 85 / 0 / 72 / 15

HEX #20D83C

RGB 32 216 60

HSL 129.13, 0.74%, 0.49%

LAB 75.91, -71.74, 61.25

 

CMYK 72 / 0 / 61 / 11

HEX #3FE258

RGB 63 226 88

HSL 129.2, 0.74%, 0.57%

LAB 79.7, -68.3, 54.36

 

CMYK 57 / 0 / 48 / 9

HEX #63E777

RGB 99 231 119

HSL 129.09, 0.73%, 0.65%

LAB 82.45, -59.11, 43.63

 

CMYK 43 / 0 / 37 / 7

HEX #87ED96

RGB 135 237 150

HSL 128.82, 0.74%, 0.73%

LAB 85.97, -47.57, 33.1

 

CMYK 29 / 0 / 25 / 5

HEX #ABF2B6

RGB 171 242 182

HSL 129.3, 0.73%, 0.81%

LAB 89.65, -33.74, 22.07

 

CMYK 57 / 0 / 49 / 9

HEX #63E877

RGB 99 232 119

HSL 129.02, 0.74%, 0.65%

LAB 82.75, -59.49, 44

 

CMYK 57 / 20 / 0 / 9

HEX #63B9E7

RGB 99 185 231

HSL 200.91, 0.73%, 0.65%

LAB 71.64, -12.93, -30.85

 

CMYK 0 / 57 / 43 / 9

HEX #E76384

RGB 231 99 132

HSL 345, 0.73%, 0.65%

LAB 59.51, 54.11, 7.78

 

CMYK 57 / 0 / 49 / 9

HEX #63E877

RGB 99 232 119

HSL 129.02, 0.74%, 0.65%

LAB 82.75, -59.49, 44

 

CMYK 48 / 57 / 0 / 9

HEX #7763E7

RGB 119 99 231

HSL 249.09, 0.73%, 0.65%

LAB 50.23, 41.12, -64.6

 

CMYK 0 / 48 / 57 / 9

HEX #E77763

RGB 231 119 99

HSL 9.09, 0.73%, 0.65%

LAB 62.58, 41.55, 30.82

 

CMYK 57 / 0 / 49 / 9

HEX #63E877

RGB 99 232 119

HSL 129.02, 0.74%, 0.65%

LAB 82.75, -59.49, 44

 

CMYK 57 / 20 / 0 / 9

HEX #63B9E7

RGB 99 185 231

HSL 200.91, 0.73%, 0.65%

LAB 71.64, -12.93, -30.85

 

CMYK 0 / 57 / 9 / 9

HEX #E763D3

RGB 231 99 211

HSL 309.09, 0.73%, 0.65%

LAB 62.18, 64.4, -33.56

 

CMYK 0 / 37 / 57 / 9

HEX #E79163

RGB 231 145 99

HSL 20.91, 0.73%, 0.65%

LAB 68.12, 28.05, 37.82

 

CMYK 57 / 0 / 49 / 9

HEX #63E877

RGB 99 232 119

HSL 129.02, 0.74%, 0.65%

LAB 82.75, -59.49, 44

 

CMYK 57 / 37 / 0 / 9

HEX #6391E7

RGB 99 145 231

HSL 219.09, 0.73%, 0.65%

LAB 60.49, 9.57, -48.26

 

CMYK 0 / 57 / 9 / 9

HEX #E763D3

RGB 231 99 211

HSL 309.09, 0.73%, 0.65%

LAB 62.18, 64.4, -33.56

 

CMYK 0 / 20 / 57 / 9

HEX #E7B963

RGB 231 185 99

HSL 39.09, 0.73%, 0.65%

LAB 77.63, 6.81, 49.31

 

Description

Color code: RGB 99 232 119 | qconv.com Color code: RGB 99 232 119 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 232 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 232 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 49 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 49% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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