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Color name
RGB 99 235 19

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99 235 19 it is the complementary color RGB 156 20 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99 235 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 99 235 19 shade: RGB 104 235 14, RGB 121 253 33, RGB 138 255 52, RGB 155 255 71 and RGB 172 255 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99 235 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 99 235 19 shade: RGB 99 235 19, RGB 82 217 0, RGB 65 199 0, RGB 48 181 0 and RGB 31 163 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 99 235 19 shade: RGB 99 235 19, RGB 157 235 19, RGB 216 235 19, RGB 235 197 19 and RGB 235 138 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 99 235 19 shade: RGB 99 235 19, RGB 40 235 19, RGB 19 235 55, RGB 19 235 114 and RGB 19 235 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 99 235 19 shade matches the following richer shades: RGB 99 235 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 99 235 19 shade: RGB 99 235 19, RGB 104 215 39, RGB 110 194 60, RGB 115 173 81 and RGB 120 153 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 99 235 19 shade: RGB 217 235 19, RGB 160 235 19, RGB 102 235 19, RGB 44 235 19 and RGB 19 235 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 99 235 19 shade: RGB 67 159 12, RGB 83 197 16, RGB 99 235 19, RGB 124 238 57 and RGB 149 242 95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 99 235 19 shade: RGB 99 235 19, RGB 19 235 196 and RGB 235 19 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 99 235 19 shade: RGB 99 235 19, RGB 19 102 235 and RGB 235 19 102

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 99 235 19 shade: RGB 99 235 19, RGB 19 235 196, RGB 152 19 235 and RGB 235 19 58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 99 235 19 shade: RGB 99 235 19, RGB 19 210 235, RGB 152 19 235 and RGB 235 44 19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 92 / 8

HEX #63EB13

RGB 99 235 19

HSL 97.78, 0.85%, 0.5%

LAB 82.98, -68.33, 78.17

 

Complementary color

CMYK 34 / 92 / 0 / 7

HEX #9C14EC

RGB 156 20 236

HSL 277.78, 0.85%, 0.5%

LAB 43.69, 79.71, -77.9

 

CMYK 56 / 0 / 94 / 8

HEX #68EB0E

RGB 104 235 14

HSL 95.57, 0.89%, 0.49%

LAB 83.12, -67.18, 78.93

 

CMYK 52 / 0 / 87 / 1

HEX #79FD21

RGB 121 253 33

HSL 96, 0.98%, 0.56%

LAB 89.12, -68.43, 81.46

 

CMYK 46 / 0 / 80 / 0

HEX #8AFF34

RGB 138 255 52

HSL 94.58, 1%, 0.6%

LAB 90.4, -63.62, 78.63

 

CMYK 39 / 0 / 72 / 0

HEX #9BFF47

RGB 155 255 71

HSL 92.61, 1%, 0.64%

LAB 91.21, -57.37, 73.99

 

CMYK 33 / 0 / 65 / 0

HEX #ACFF5A

RGB 172 255 90

HSL 90.18, 1%, 0.68%

LAB 92.14, -50.45, 68.33

 

CMYK 58 / 0 / 92 / 8

HEX #63EB13

RGB 99 235 19

HSL 97.78, 0.85%, 0.5%

LAB 82.98, -68.33, 78.17

 

CMYK 62 / 0 / 100 / 15

HEX #52D900

RGB 82 217 0

HSL 97.33, 1%, 0.43%

LAB 76.93, -66.72, 74.97

 

CMYK 67 / 0 / 100 / 22

HEX #41C700

RGB 65 199 0

HSL 100.4, 1%, 0.39%

LAB 70.85, -64.58, 69.97

 

CMYK 73 / 0 / 100 / 29

HEX #30B500

RGB 48 181 0

HSL 104.09, 1%, 0.35%

LAB 64.7, -62.11, 64.92

 

CMYK 81 / 0 / 100 / 36

HEX #1FA300

RGB 31 163 0

HSL 108.59, 1%, 0.32%

LAB 58.5, -59.18, 59.85

 

CMYK 58 / 0 / 92 / 8

HEX #63EB13

RGB 99 235 19

HSL 97.78, 0.85%, 0.5%

LAB 82.98, -68.33, 78.17

 

CMYK 33 / 0 / 92 / 8

HEX #9DEB13

RGB 157 235 19

HSL 81.67, 0.85%, 0.5%

LAB 85.32, -50.72, 81.05

 

CMYK 8 / 0 / 92 / 8

HEX #D8EB13

RGB 216 235 19

HSL 65.28, 0.85%, 0.5%

LAB 88.95, -27.93, 85.47

 

CMYK 0 / 16 / 92 / 8

HEX #EBC513

RGB 235 197 19

HSL 49.44, 0.85%, 0.5%

LAB 80.54, -1.12, 79.72

 

CMYK 0 / 41 / 92 / 8

HEX #EB8A13

RGB 235 138 19

HSL 33.06, 0.85%, 0.5%

LAB 66.43, 29.91, 69.32

 

CMYK 58 / 0 / 92 / 8

HEX #63EB13

RGB 99 235 19

HSL 97.78, 0.85%, 0.5%

LAB 82.98, -68.33, 78.17

 

CMYK 83 / 0 / 92 / 8

HEX #28EB13

RGB 40 235 19

HSL 114.17, 0.85%, 0.5%

LAB 81.79, -78.45, 76.71

 

CMYK 92 / 0 / 77 / 8

HEX #13EB37

RGB 19 235 55

HSL 130, 0.85%, 0.5%

LAB 81.75, -78.38, 68.68

 

CMYK 92 / 0 / 51 / 8

HEX #13EB72

RGB 19 235 114

HSL 146.39, 0.85%, 0.5%

LAB 82.25, -72.04, 45.47

 

CMYK 92 / 0 / 27 / 8

HEX #13EBAC

RGB 19 235 172

HSL 162.5, 0.85%, 0.5%

LAB 83.2, -61.1, 17.63

 

CMYK 58 / 0 / 92 / 8

HEX #63EB13

RGB 99 235 19

HSL 97.78, 0.85%, 0.5%

LAB 82.98, -68.33, 78.17

 

CMYK 58 / 0 / 92 / 8

HEX #63EB13

RGB 99 235 19

HSL 97.78, 0.85%, 0.5%

LAB 82.98, -68.33, 78.17

 

CMYK 52 / 0 / 82 / 16

HEX #68D727

RGB 104 215 39

HSL 97.84, 0.69%, 0.5%

LAB 77.1, -59.43, 69.39

 

CMYK 43 / 0 / 69 / 24

HEX #6EC23C

RGB 110 194 60

HSL 97.61, 0.53%, 0.5%

LAB 71.03, -48.31, 56.82

 

CMYK 34 / 0 / 53 / 32

HEX #73AD51

RGB 115 173 81

HSL 97.83, 0.36%, 0.5%

LAB 65.06, -35.59, 40.95

 

CMYK 22 / 0 / 34 / 40

HEX #789965

RGB 120 153 101

HSL 98.08, 0.2%, 0.5%

LAB 59.63, -21.41, 23.71

 

CMYK 8 / 0 / 92 / 8

HEX #D9EB13

RGB 217 235 19

HSL 65, 0.85%, 0.5%

LAB 89.02, -27.52, 85.56

 

CMYK 32 / 0 / 92 / 8

HEX #A0EB13

RGB 160 235 19

HSL 80.83, 0.85%, 0.5%

LAB 85.47, -49.65, 81.24

 

CMYK 57 / 0 / 92 / 8

HEX #66EB13

RGB 102 235 19

HSL 96.94, 0.85%, 0.5%

LAB 83.07, -67.59, 78.29

 

CMYK 81 / 0 / 92 / 8

HEX #2CEB13

RGB 44 235 19

HSL 113.06, 0.85%, 0.5%

LAB 81.84, -78.04, 76.77

 

CMYK 92 / 0 / 78 / 8

HEX #13EB33

RGB 19 235 51

HSL 128.89, 0.85%, 0.5%

LAB 81.73, -78.64, 69.85

 

CMYK 58 / 0 / 92 / 38

HEX #439F0C

RGB 67 159 12

HSL 97.55, 0.86%, 0.34%

LAB 58.05, -50.32, 58.07

 

CMYK 58 / 0 / 92 / 23

HEX #53C510

RGB 83 197 16

HSL 97.79, 0.85%, 0.42%

LAB 70.74, -59.49, 68.25

 

CMYK 58 / 0 / 92 / 8

HEX #63EB13

RGB 99 235 19

HSL 97.78, 0.85%, 0.5%

LAB 82.98, -68.33, 78.17

 

CMYK 48 / 0 / 76 / 7

HEX #7CEE39

RGB 124 238 57

HSL 97.79, 0.84%, 0.58%

LAB 84.86, -61.21, 71.83

 

CMYK 38 / 0 / 61 / 5

HEX #95F25F

RGB 149 242 95

HSL 97.96, 0.85%, 0.66%

LAB 87.35, -52.3, 60.76

 

CMYK 58 / 0 / 92 / 8

HEX #63EB13

RGB 99 235 19

HSL 97.78, 0.85%, 0.5%

LAB 82.98, -68.33, 78.17

 

CMYK 92 / 0 / 17 / 8

HEX #13EBC4

RGB 19 235 196

HSL 169.17, 0.85%, 0.5%

LAB 83.73, -55.34, 5.83

 

CMYK 0 / 92 / 20 / 8

HEX #EB13BC

RGB 235 19 188

HSL 313.06, 0.85%, 0.5%

LAB 53.77, 84.79, -33.47

 

CMYK 58 / 0 / 92 / 8

HEX #63EB13

RGB 99 235 19

HSL 97.78, 0.85%, 0.5%

LAB 82.98, -68.33, 78.17

 

CMYK 92 / 57 / 0 / 8

HEX #1366EB

RGB 19 102 235

HSL 216.94, 0.85%, 0.5%

LAB 46.5, 28.08, -73.14

 

CMYK 0 / 92 / 57 / 8

HEX #EB1366

RGB 235 19 102

HSL 336.94, 0.85%, 0.5%

LAB 50.79, 76.84, 13.47

 

CMYK 58 / 0 / 92 / 8

HEX #63EB13

RGB 99 235 19

HSL 97.78, 0.85%, 0.5%

LAB 82.98, -68.33, 78.17

 

CMYK 92 / 0 / 17 / 8

HEX #13EBC4

RGB 19 235 196

HSL 169.17, 0.85%, 0.5%

LAB 83.73, -55.34, 5.83

 

CMYK 35 / 92 / 0 / 8

HEX #9813EB

RGB 152 19 235

HSL 276.94, 0.85%, 0.5%

LAB 42.97, 79.2, -78.53

 

CMYK 0 / 92 / 75 / 8

HEX #EB133A

RGB 235 19 58

HSL 349.17, 0.85%, 0.5%

LAB 50.02, 74.7, 38.99

 

CMYK 58 / 0 / 92 / 8

HEX #63EB13

RGB 99 235 19

HSL 97.78, 0.85%, 0.5%

LAB 82.98, -68.33, 78.17

 

CMYK 92 / 11 / 0 / 8

HEX #13D2EB

RGB 19 210 235

HSL 186.94, 0.85%, 0.5%

LAB 77.42, -33.32, -24.28

 

CMYK 35 / 92 / 0 / 8

HEX #9813EB

RGB 152 19 235

HSL 276.94, 0.85%, 0.5%

LAB 42.97, 79.2, -78.53

 

CMYK 0 / 81 / 92 / 8

HEX #EB2C13

RGB 235 44 19

HSL 6.94, 0.85%, 0.5%

LAB 51.28, 69.34, 58.98

 

Description

Color code: RGB 99 235 19 | qconv.com Color code: RGB 99 235 19 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 235 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 235 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 92 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 92% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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