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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99 255 171 it is the complementary color RGB 156 0 84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99 255 171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 99 255 171 shade: RGB 104 255 166, RGB 121 255 185, RGB 138 255 204, RGB 155 255 223 and RGB 172 255 242

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99 255 171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 99 255 171 shade: RGB 99 255 171, RGB 82 237 152, RGB 65 219 133, RGB 48 201 114 and RGB 31 183 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 99 255 171 shade: RGB 96 255 169, RGB 96 255 127, RGB 109 255 96, RGB 151 255 96 and RGB 194 255 96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 99 255 171 shade: RGB 96 255 169, RGB 96 255 212, RGB 96 254 255, RGB 96 212 255 and RGB 96 169 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 99 255 171 shade matches the following richer shades: RGB 96 255 169

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 99 255 171 shade: RGB 96 255 169, RGB 109 242 170, RGB 122 229 171, RGB 135 216 172 and RGB 148 203 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 99 255 171 shade: RGB 110 255 96, RGB 96 255 125, RGB 96 255 168, RGB 96 255 210 and RGB 96 255 252

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 99 255 171 shade: RGB 14 255 125, RGB 55 255 147, RGB 96 255 169, RGB 138 255 192 and RGB 179 255 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 99 255 171 shade: RGB 99 255 171, RGB 96 152 255 and RGB 255 104 96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 99 255 171 shade: RGB 99 255 171, RGB 168 96 255 and RGB 255 168 96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 99 255 171 shade: RGB 99 255 171, RGB 96 152 255, RGB 255 96 183 and RGB 255 199 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 99 255 171 shade: RGB 99 255 171, RGB 96 104 255, RGB 255 96 183 and RGB 255 247 96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 33 / 0

HEX #63FFAB

RGB 99 255 171

HSL 147.69, 1%, 0.69%

LAB 90.37, -59.63, 28.21

 

Complementary color

CMYK 0 / 100 / 46 / 39

HEX #9C0054

RGB 156 0 84

HSL 327.69, 1%, 0.31%

LAB 33.37, 59.26, -2.23

 

CMYK 59 / 0 / 35 / 0

HEX #68FFA6

RGB 104 255 166

HSL 144.64, 1%, 0.7%

LAB 90.42, -59.57, 30.81

 

CMYK 53 / 0 / 27 / 0

HEX #79FFB9

RGB 121 255 185

HSL 148.66, 1%, 0.74%

LAB 91.27, -52.4, 22.45

 

CMYK 46 / 0 / 20 / 0

HEX #8AFFCC

RGB 138 255 204

HSL 153.85, 1%, 0.77%

LAB 92.26, -44.63, 14.2

 

CMYK 39 / 0 / 13 / 0

HEX #9BFFDF

RGB 155 255 223

HSL 160.8, 1%, 0.8%

LAB 93.37, -36.41, 6.1

 

CMYK 33 / 0 / 5 / 0

HEX #ACFFF2

RGB 172 255 242

HSL 170.6, 1%, 0.84%

LAB 94.61, -27.83, -1.81

 

CMYK 61 / 0 / 33 / 0

HEX #63FFAB

RGB 99 255 171

HSL 147.69, 1%, 0.69%

LAB 90.37, -59.63, 28.21

 

CMYK 65 / 0 / 36 / 7

HEX #52ED98

RGB 82 237 152

HSL 147.1, 0.81%, 0.63%

LAB 84.29, -59.38, 29.56

 

CMYK 70 / 0 / 39 / 14

HEX #41DB85

RGB 65 219 133

HSL 146.49, 0.68%, 0.56%

LAB 78.16, -58.94, 31

 

CMYK 76 / 0 / 43 / 21

HEX #30C972

RGB 48 201 114

HSL 145.88, 0.61%, 0.49%

LAB 71.97, -58.22, 32.54

 

CMYK 83 / 0 / 48 / 28

HEX #1FB75F

RGB 31 183 95

HSL 145.26, 0.71%, 0.42%

LAB 65.74, -57.09, 34.19

 

CMYK 62 / 0 / 34 / 0

HEX #60FFA9

RGB 96 255 169

HSL 147.55, 1%, 0.69%

LAB 90.26, -60.56, 29.06

 

CMYK 62 / 0 / 50 / 0

HEX #60FF7F

RGB 96 255 127

HSL 131.7, 1%, 0.69%

LAB 89.64, -67.37, 48.74

 

CMYK 57 / 0 / 62 / 0

HEX #6DFF60

RGB 109 255 96

HSL 115.09, 1%, 0.69%

LAB 89.68, -68.21, 62.52

 

CMYK 41 / 0 / 62 / 0

HEX #97FF60

RGB 151 255 96

HSL 99.25, 1%, 0.69%

LAB 91.21, -56.78, 64.64

 

CMYK 24 / 0 / 62 / 0

HEX #C2FF60

RGB 194 255 96

HSL 83.02, 1%, 0.69%

LAB 93.38, -42.26, 67.64

 

CMYK 62 / 0 / 34 / 0

HEX #60FFA9

RGB 96 255 169

HSL 147.55, 1%, 0.69%

LAB 90.26, -60.56, 29.06

 

CMYK 62 / 0 / 17 / 0

HEX #60FFD4

RGB 96 255 212

HSL 163.77, 1%, 0.69%

LAB 91.13, -51.59, 8.29

 

CMYK 62 / 0 / 0 / 0

HEX #60FEFF

RGB 96 254 255

HSL 180.38, 1%, 0.69%

LAB 91.95, -40.43, -12.78

 

CMYK 62 / 17 / 0 / 0

HEX #60D4FF

RGB 96 212 255

HSL 196.23, 1%, 0.69%

LAB 80.06, -20.32, -30.78

 

CMYK 62 / 34 / 0 / 0

HEX #60A9FF

RGB 96 169 255

HSL 212.45, 1%, 0.69%

LAB 68.08, 2.87, -49.44

 

CMYK 62 / 0 / 34 / 0

HEX #60FFA9

RGB 96 255 169

HSL 147.55, 1%, 0.69%

LAB 90.26, -60.56, 29.06

 

CMYK 62 / 0 / 34 / 0

HEX #60FFA9

RGB 96 255 169

HSL 147.55, 1%, 0.69%

LAB 90.26, -60.56, 29.06

 

CMYK 55 / 0 / 30 / 5

HEX #6DF2AA

RGB 109 242 170

HSL 147.52, 0.84%, 0.69%

LAB 86.83, -52.62, 23.94

 

CMYK 47 / 0 / 25 / 10

HEX #7AE5AB

RGB 122 229 171

HSL 147.48, 0.67%, 0.69%

LAB 83.5, -43.88, 18.9

 

CMYK 38 / 0 / 20 / 15

HEX #87D8AC

RGB 135 216 172

HSL 147.41, 0.51%, 0.69%

LAB 80.32, -34.33, 13.99

 

CMYK 27 / 0 / 15 / 20

HEX #94CBAD

RGB 148 203 173

HSL 147.27, 0.35%, 0.69%

LAB 77.3, -24, 9.27

 

CMYK 57 / 0 / 62 / 0

HEX #6EFF60

RGB 110 255 96

HSL 114.72, 1%, 0.69%

LAB 89.71, -67.98, 62.57

 

CMYK 62 / 0 / 51 / 0

HEX #60FF7D

RGB 96 255 125

HSL 130.94, 1%, 0.69%

LAB 89.62, -67.64, 49.64

 

CMYK 62 / 0 / 34 / 0

HEX #60FFA8

RGB 96 255 168

HSL 147.17, 1%, 0.69%

LAB 90.25, -60.75, 29.54

 

CMYK 62 / 0 / 18 / 0

HEX #60FFD2

RGB 96 255 210

HSL 163.02, 1%, 0.69%

LAB 91.08, -52.05, 9.25

 

CMYK 62 / 0 / 1 / 0

HEX #60FFFC

RGB 96 255 252

HSL 178.87, 1%, 0.69%

LAB 92.15, -41.68, -10.93

 

CMYK 95 / 0 / 51 / 0

HEX #0EFF7D

RGB 14 255 125

HSL 147.63, 1%, 0.53%

LAB 88.49, -76.82, 47.99

 

CMYK 78 / 0 / 42 / 0

HEX #37FF93

RGB 55 255 147

HSL 147.6, 1%, 0.61%

LAB 89.13, -70.5, 38.35

 

CMYK 62 / 0 / 34 / 0

HEX #60FFA9

RGB 96 255 169

HSL 147.55, 1%, 0.69%

LAB 90.26, -60.56, 29.06

 

CMYK 46 / 0 / 25 / 0

HEX #8AFFC0

RGB 138 255 192

HSL 147.69, 1%, 0.77%

LAB 92.01, -47.01, 20

 

CMYK 30 / 0 / 16 / 0

HEX #B3FFD6

RGB 179 255 214

HSL 147.63, 1%, 0.85%

LAB 94.29, -31.56, 12.2

 

CMYK 61 / 0 / 33 / 0

HEX #63FFAB

RGB 99 255 171

HSL 147.69, 1%, 0.69%

LAB 90.37, -59.63, 28.21

 

CMYK 62 / 40 / 0 / 0

HEX #6098FF

RGB 96 152 255

HSL 218.87, 1%, 0.69%

LAB 63.48, 12.72, -56.74

 

CMYK 0 / 59 / 62 / 0

HEX #FF6860

RGB 255 104 96

HSL 3.02, 1%, 0.69%

LAB 63.35, 56.99, 34.21

 

CMYK 61 / 0 / 33 / 0

HEX #63FFAB

RGB 99 255 171

HSL 147.69, 1%, 0.69%

LAB 90.37, -59.63, 28.21

 

CMYK 34 / 62 / 0 / 0

HEX #A860FF

RGB 168 96 255

HSL 267.17, 1%, 0.69%

LAB 56, 59.23, -68.44

 

CMYK 0 / 34 / 62 / 0

HEX #FFA860

RGB 255 168 96

HSL 27.17, 1%, 0.69%

LAB 76.14, 25.38, 49.67

 

CMYK 61 / 0 / 33 / 0

HEX #63FFAB

RGB 99 255 171

HSL 147.69, 1%, 0.69%

LAB 90.37, -59.63, 28.21

 

CMYK 62 / 40 / 0 / 0

HEX #6098FF

RGB 96 152 255

HSL 218.87, 1%, 0.69%

LAB 63.48, 12.72, -56.74

 

CMYK 0 / 62 / 28 / 0

HEX #FF60B7

RGB 255 96 183

HSL 327.17, 1%, 0.69%

LAB 64.2, 68.36, -14.3

 

CMYK 0 / 22 / 62 / 0

HEX #FFC760

RGB 255 199 96

HSL 38.87, 1%, 0.69%

LAB 83.42, 9.21, 57.99

 

CMYK 61 / 0 / 33 / 0

HEX #63FFAB

RGB 99 255 171

HSL 147.69, 1%, 0.69%

LAB 90.37, -59.63, 28.21

 

CMYK 62 / 59 / 0 / 0

HEX #6068FF

RGB 96 104 255

HSL 236.98, 1%, 0.69%

LAB 51.39, 41.52, -76.2

 

CMYK 0 / 62 / 28 / 0

HEX #FF60B7

RGB 255 96 183

HSL 327.17, 1%, 0.69%

LAB 64.2, 68.36, -14.3

 

CMYK 0 / 3 / 62 / 0

HEX #FFF760

RGB 255 247 96

HSL 56.98, 1%, 0.69%

LAB 95.42, -14.95, 71.07

 

Description

Color code: RGB 99 255 171 | qconv.com Color code: RGB 99 255 171 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 255 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 255 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 33 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 33% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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