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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 9 156 240 it is the complementary color RGB 246 99 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 9 156 240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 9 156 240 shade: RGB 14 156 235, RGB 31 174 254, RGB 48 192 255, RGB 65 210 255 and RGB 82 228 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 9 156 240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 9 156 240 shade: RGB 9 156 240, RGB 0 138 221, RGB 0 120 202, RGB 0 102 183 and RGB 0 84 164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 9 156 240 shade: RGB 8 156 241, RGB 8 93 241, RGB 8 31 241, RGB 48 8 241 and RGB 111 8 241

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 9 156 240 shade: RGB 8 156 241, RGB 8 93 241, RGB 8 31 241 and RGB 8 8 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 9 156 240 shade matches the following richer shades: RGB 8 156 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 9 156 240 shade: RGB 8 156 241, RGB 28 151 220, RGB 49 145 200, RGB 69 140 180 and RGB 89 134 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 9 156 240 shade: RGB 8 241 198, RGB 8 221 241, RGB 8 159 241, RGB 8 97 241 and RGB 8 35 241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 9 156 240 shade: RGB 5 104 161, RGB 7 130 201, RGB 8 156 241, RGB 43 173 247 and RGB 83 188 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 9 156 240 shade: RGB 9 156 240, RGB 136 8 241 and RGB 241 229 8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 9 156 240 shade: RGB 9 156 240, RGB 241 8 159 and RGB 159 241 8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 9 156 240 shade: RGB 9 156 240, RGB 136 8 241, RGB 241 90 8 and RGB 113 241 8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 9 156 240 shade: RGB 9 156 240, RGB 206 8 241, RGB 241 90 8 and RGB 43 241 8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 35 / 0 / 6

HEX #099CF0

RGB 9 156 240

HSL 201.82, 0.93%, 0.49%

LAB 61.76, -3.57, -51.37

 

Complementary color

CMYK 0 / 60 / 94 / 4

HEX #F6630F

RGB 246 99 15

HSL 21.82, 0.93%, 0.51%

LAB 60.38, 53.27, 66.8

 

CMYK 94 / 34 / 0 / 8

HEX #0E9CEB

RGB 14 156 235

HSL 201.45, 0.89%, 0.49%

LAB 61.54, -5.28, -48.96

 

CMYK 88 / 31 / 0 / 0

HEX #1FAEFE

RGB 31 174 254

HSL 201.52, 0.99%, 0.56%

LAB 67.81, -7.76, -49.43

 

CMYK 81 / 25 / 0 / 0

HEX #30C0FF

RGB 48 192 255

HSL 198.26, 1%, 0.59%

LAB 73.25, -15.98, -41.42

 

CMYK 75 / 18 / 0 / 0

HEX #41D2FF

RGB 65 210 255

HSL 194.21, 1%, 0.63%

LAB 78.72, -23.6, -32.92

 

CMYK 68 / 11 / 0 / 0

HEX #52E4FF

RGB 82 228 255

HSL 189.36, 1%, 0.66%

LAB 84.23, -30.35, -24.45

 

CMYK 96 / 35 / 0 / 6

HEX #099CF0

RGB 9 156 240

HSL 201.82, 0.93%, 0.49%

LAB 61.76, -3.57, -51.37

 

CMYK 100 / 38 / 0 / 13

HEX #008ADD

RGB 0 138 221

HSL 202.53, 1%, 0.43%

LAB 55.48, -0.46, -50.81

 

CMYK 100 / 41 / 0 / 21

HEX #0078CA

RGB 0 120 202

HSL 204.36, 1%, 0.4%

LAB 49.13, 3.06, -50.19

 

CMYK 100 / 44 / 0 / 28

HEX #0066B7

RGB 0 102 183

HSL 206.56, 1%, 0.36%

LAB 42.64, 6.79, -49.6

 

CMYK 100 / 49 / 0 / 36

HEX #0054A4

RGB 0 84 164

HSL 209.27, 1%, 0.32%

LAB 36.02, 10.78, -49.04

 

CMYK 97 / 35 / 0 / 5

HEX #089CF1

RGB 8 156 241

HSL 201.89, 0.94%, 0.49%

LAB 61.81, -3.22, -51.84

 

CMYK 97 / 61 / 0 / 5

HEX #085DF1

RGB 8 93 241

HSL 218.11, 0.94%, 0.49%

LAB 44.56, 35.81, -79.68

 

CMYK 97 / 87 / 0 / 5

HEX #081FF1

RGB 8 31 241

HSL 234.08, 0.94%, 0.49%

LAB 32.66, 68.99, -99.37

 

CMYK 80 / 97 / 0 / 5

HEX #3008F1

RGB 48 8 241

HSL 250.3, 0.94%, 0.49%

LAB 32.15, 75.17, -100.19

 

CMYK 54 / 97 / 0 / 5

HEX #6F08F1

RGB 111 8 241

HSL 266.52, 0.94%, 0.49%

LAB 37.67, 78.06, -90.85

 

CMYK 97 / 35 / 0 / 5

HEX #089CF1

RGB 8 156 241

HSL 201.89, 0.94%, 0.49%

LAB 61.81, -3.22, -51.84

 

CMYK 97 / 61 / 0 / 5

HEX #085DF1

RGB 8 93 241

HSL 218.11, 0.94%, 0.49%

LAB 44.56, 35.81, -79.68

 

CMYK 97 / 87 / 0 / 5

HEX #081FF1

RGB 8 31 241

HSL 234.08, 0.94%, 0.49%

LAB 32.66, 68.99, -99.37

 

CMYK 97 / 97 / 0 / 5

HEX #0808F1

RGB 8 8 241

HSL 240, 0.94%, 0.49%

LAB 30.82, 74.63, -102.44

 

CMYK 97 / 35 / 0 / 5

HEX #089CF1

RGB 8 156 241

HSL 201.89, 0.94%, 0.49%

LAB 61.81, -3.22, -51.84

 

CMYK 97 / 35 / 0 / 5

HEX #089CF1

RGB 8 156 241

HSL 201.89, 0.94%, 0.49%

LAB 61.81, -3.22, -51.84

 

CMYK 87 / 31 / 0 / 14

HEX #1C97DC

RGB 28 151 220

HSL 201.56, 0.77%, 0.49%

LAB 59.48, -7.28, -43.9

 

CMYK 76 / 28 / 0 / 22

HEX #3191C8

RGB 49 145 200

HSL 201.85, 0.61%, 0.49%

LAB 57.15, -9.15, -36.32

 

CMYK 62 / 22 / 0 / 29

HEX #458CB4

RGB 69 140 180

HSL 201.62, 0.45%, 0.49%

LAB 55.4, -10, -27.65

 

CMYK 44 / 16 / 0 / 37

HEX #5986A0

RGB 89 134 160

HSL 201.97, 0.29%, 0.49%

LAB 53.72, -8.22, -18.66

 

CMYK 97 / 0 / 18 / 5

HEX #08F1C6

RGB 8 241 198

HSL 168.93, 0.94%, 0.49%

LAB 85.52, -57.53, 7.36

 

CMYK 97 / 8 / 0 / 5

HEX #08DDF1

RGB 8 221 241

HSL 185.15, 0.94%, 0.49%

LAB 80.8, -36.92, -22.33

 

CMYK 97 / 34 / 0 / 5

HEX #089FF1

RGB 8 159 241

HSL 201.12, 0.94%, 0.49%

LAB 62.68, -4.94, -50.47

 

CMYK 97 / 60 / 0 / 5

HEX #0861F1

RGB 8 97 241

HSL 217.08, 0.94%, 0.49%

LAB 45.57, 33.26, -78.03

 

CMYK 97 / 85 / 0 / 5

HEX #0823F1

RGB 8 35 241

HSL 233.05, 0.94%, 0.49%

LAB 33.15, 67.53, -98.56

 

CMYK 97 / 35 / 0 / 37

HEX #0568A1

RGB 5 104 161

HSL 201.92, 0.94%, 0.33%

LAB 42.01, -3.13, -37.67

 

CMYK 97 / 35 / 0 / 21

HEX #0782C9

RGB 7 130 201

HSL 201.96, 0.93%, 0.41%

LAB 52.09, -3.15, -44.89

 

CMYK 97 / 35 / 0 / 5

HEX #089CF1

RGB 8 156 241

HSL 201.89, 0.94%, 0.49%

LAB 61.81, -3.22, -51.84

 

CMYK 83 / 30 / 0 / 3

HEX #2BADF7

RGB 43 173 247

HSL 201.76, 0.93%, 0.57%

LAB 67.36, -8.87, -46.32

 

CMYK 67 / 24 / 0 / 3

HEX #53BCF8

RGB 83 188 248

HSL 201.82, 0.92%, 0.65%

LAB 72.62, -12.04, -38.58

 

CMYK 96 / 35 / 0 / 6

HEX #099CF0

RGB 9 156 240

HSL 201.82, 0.93%, 0.49%

LAB 61.76, -3.57, -51.37

 

CMYK 44 / 97 / 0 / 5

HEX #8808F1

RGB 136 8 241

HSL 272.96, 0.94%, 0.49%

LAB 40.83, 80.11, -85.53

 

CMYK 0 / 5 / 97 / 5

HEX #F1E508

RGB 241 229 8

HSL 56.91, 0.94%, 0.49%

LAB 89.28, -14.77, 87.62

 

CMYK 96 / 35 / 0 / 6

HEX #099CF0

RGB 9 156 240

HSL 201.82, 0.93%, 0.49%

LAB 61.76, -3.57, -51.37

 

CMYK 0 / 97 / 34 / 5

HEX #F1089F

RGB 241 8 159

HSL 321.12, 0.94%, 0.49%

LAB 53.36, 83.74, -17

 

CMYK 34 / 0 / 97 / 5

HEX #9FF108

RGB 159 241 8

HSL 81.12, 0.94%, 0.49%

LAB 87.14, -52.6, 83.61

 

CMYK 96 / 35 / 0 / 6

HEX #099CF0

RGB 9 156 240

HSL 201.82, 0.93%, 0.49%

LAB 61.76, -3.57, -51.37

 

CMYK 44 / 97 / 0 / 5

HEX #8808F1

RGB 136 8 241

HSL 272.96, 0.94%, 0.49%

LAB 40.83, 80.11, -85.53

 

CMYK 0 / 63 / 97 / 5

HEX #F15A08

RGB 241 90 8

HSL 21.12, 0.94%, 0.49%

LAB 58.07, 55.37, 66.32

 

CMYK 53 / 0 / 97 / 5

HEX #71F108

RGB 113 241 8

HSL 92.96, 0.94%, 0.49%

LAB 85.22, -66.95, 81.27

 

CMYK 96 / 35 / 0 / 6

HEX #099CF0

RGB 9 156 240

HSL 201.82, 0.93%, 0.49%

LAB 61.76, -3.57, -51.37

 

CMYK 15 / 97 / 0 / 5

HEX #CE08F1

RGB 206 8 241

HSL 290.99, 0.94%, 0.49%

LAB 51.43, 88.4, -67.76

 

CMYK 0 / 63 / 97 / 5

HEX #F15A08

RGB 241 90 8

HSL 21.12, 0.94%, 0.49%

LAB 58.07, 55.37, 66.32

 

CMYK 82 / 0 / 97 / 5

HEX #2BF108

RGB 43 241 8

HSL 110.99, 0.94%, 0.49%

LAB 83.67, -80.01, 79.38

 

Description

Color code: RGB 9 156 240 | qconv.com Color code: RGB 9 156 240 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 156 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 156 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 35 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 35% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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