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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 9 128 106 it is the complementary color RGB 246 127 149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 9 128 106. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 9 128 106 shade: RGB 14 128 101, RGB 31 146 120, RGB 48 164 139, RGB 65 182 158 and RGB 82 200 177

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 9 128 106. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 9 128 106 shade: RGB 9 128 106, RGB 0 110 87, RGB 0 92 68, RGB 0 74 49 and RGB 0 56 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 9 128 106 shade: RGB 8 128 106, RGB 8 128 74, RGB 8 128 41, RGB 8 128 9 and RGB 40 128 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 9 128 106 shade: RGB 8 128 106, RGB 8 118 128, RGB 8 86 128, RGB 8 53 128 and RGB 8 21 128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 9 128 106 shade matches the following richer shades: RGB 8 128 106

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 9 128 106 shade: RGB 8 128 106, RGB 20 117 99, RGB 31 106 92, RGB 42 95 85 and RGB 53 84 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 9 128 106 shade: RGB 8 128 40, RGB 8 128 72, RGB 8 128 104, RGB 8 120 128 and RGB 8 88 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 9 128 106 shade: RGB 3 51 42, RGB 6 90 74, RGB 8 128 106, RGB 11 167 138 and RGB 14 205 170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 9 128 106 shade: RGB 9 128 106, RGB 8 8 128 and RGB 128 56 8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 9 128 106 shade: RGB 9 128 106, RGB 104 8 128 and RGB 128 104 8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 9 128 106 shade: RGB 9 128 106, RGB 8 8 128, RGB 128 8 32 and RGB 128 128 8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 9 128 106 shade: RGB 9 128 106, RGB 44 8 128, RGB 128 8 32 and RGB 92 128 8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 17 / 50

HEX #09806A

RGB 9 128 106

HSL 168.91, 0.87%, 0.27%

LAB 47.67, -35.04, 3.63

 

Complementary color

CMYK 0 / 48 / 39 / 4

HEX #F67F95

RGB 246 127 149

HSL 348.91, 0.87%, 0.73%

LAB 67.23, 47.59, 9.33

 

CMYK 89 / 0 / 21 / 50

HEX #0E8065

RGB 14 128 101

HSL 165.79, 0.8%, 0.28%

LAB 47.59, -36.09, 6.45

 

CMYK 79 / 0 / 18 / 43

HEX #1F9278

RGB 31 146 120

HSL 166.43, 0.65%, 0.35%

LAB 54.24, -37.25, 5

 

CMYK 71 / 0 / 15 / 36

HEX #30A48B

RGB 48 164 139

HSL 167.07, 0.55%, 0.42%

LAB 60.82, -37.98, 3.74

 

CMYK 64 / 0 / 13 / 29

HEX #41B69E

RGB 65 182 158

HSL 167.69, 0.47%, 0.48%

LAB 67.31, -38.41, 2.61

 

CMYK 59 / 0 / 12 / 22

HEX #52C8B1

RGB 82 200 177

HSL 168.31, 0.52%, 0.55%

LAB 73.72, -38.66, 1.6

 

CMYK 93 / 0 / 17 / 50

HEX #09806A

RGB 9 128 106

HSL 168.91, 0.87%, 0.27%

LAB 47.67, -35.04, 3.63

 

CMYK 100 / 0 / 21 / 57

HEX #006E57

RGB 0 110 87

HSL 167.45, 1%, 0.22%

LAB 40.96, -33.02, 5.29

 

CMYK 100 / 0 / 26 / 64

HEX #005C44

RGB 0 92 68

HSL 164.35, 1%, 0.18%

LAB 34.13, -30.37, 7.2

 

CMYK 100 / 0 / 34 / 71

HEX #004A31

RGB 0 74 49

HSL 159.73, 1%, 0.15%

LAB 27.07, -27.59, 9.27

 

CMYK 100 / 0 / 46 / 78

HEX #00381E

RGB 0 56 30

HSL 152.14, 1%, 0.11%

LAB 19.73, -24.58, 11.56

 

CMYK 94 / 0 / 17 / 50

HEX #08806A

RGB 8 128 106

HSL 169, 0.88%, 0.27%

LAB 47.66, -35.1, 3.62

 

CMYK 94 / 0 / 42 / 50

HEX #08804A

RGB 8 128 74

HSL 153, 0.88%, 0.27%

LAB 46.95, -42.99, 21.14

 

CMYK 94 / 0 / 68 / 50

HEX #088029

RGB 8 128 41

HSL 136.5, 0.88%, 0.27%

LAB 46.51, -48.34, 37.69

 

CMYK 94 / 0 / 93 / 50

HEX #088009

RGB 8 128 9

HSL 120.5, 0.88%, 0.27%

LAB 46.32, -50.72, 48.16

 

CMYK 69 / 0 / 94 / 50

HEX #288008

RGB 40 128 8

HSL 104, 0.88%, 0.27%

LAB 46.85, -46.11, 49.02

 

CMYK 94 / 0 / 17 / 50

HEX #08806A

RGB 8 128 106

HSL 169, 0.88%, 0.27%

LAB 47.66, -35.1, 3.62

 

CMYK 94 / 8 / 0 / 50

HEX #087680

RGB 8 118 128

HSL 185, 0.88%, 0.27%

LAB 45.04, -23.36, -13.33

 

CMYK 94 / 33 / 0 / 50

HEX #085680

RGB 8 86 128

HSL 201, 0.88%, 0.27%

LAB 34.53, -5.03, -29.58

 

CMYK 94 / 59 / 0 / 50

HEX #083580

RGB 8 53 128

HSL 217.5, 0.88%, 0.27%

LAB 24.18, 17.46, -46.18

 

CMYK 94 / 84 / 0 / 50

HEX #081580

RGB 8 21 128

HSL 233.5, 0.88%, 0.27%

LAB 16.24, 38.71, -59.25

 

CMYK 94 / 0 / 17 / 50

HEX #08806A

RGB 8 128 106

HSL 169, 0.88%, 0.27%

LAB 47.66, -35.1, 3.62

 

CMYK 94 / 0 / 17 / 50

HEX #08806A

RGB 8 128 106

HSL 169, 0.88%, 0.27%

LAB 47.66, -35.1, 3.62

 

CMYK 83 / 0 / 15 / 54

HEX #147563

RGB 20 117 99

HSL 168.87, 0.71%, 0.27%

LAB 43.9, -31.14, 2.35

 

CMYK 71 / 0 / 13 / 58

HEX #1F6A5C

RGB 31 106 92

HSL 168.8, 0.55%, 0.27%

LAB 40.2, -26.35, 1.23

 

CMYK 56 / 0 / 11 / 63

HEX #2A5F55

RGB 42 95 85

HSL 168.68, 0.39%, 0.27%

LAB 36.62, -20.39, 0.35

 

CMYK 37 / 0 / 7 / 67

HEX #35544E

RGB 53 84 78

HSL 168.39, 0.23%, 0.27%

LAB 33.24, -13, -0.14

 

CMYK 94 / 0 / 69 / 50

HEX #088028

RGB 8 128 40

HSL 136, 0.88%, 0.27%

LAB 46.5, -48.45, 38.13

 

CMYK 94 / 0 / 44 / 50

HEX #088048

RGB 8 128 72

HSL 152, 0.88%, 0.27%

LAB 46.92, -43.4, 22.22

 

CMYK 94 / 0 / 19 / 50

HEX #088068

RGB 8 128 104

HSL 168, 0.88%, 0.27%

LAB 47.61, -35.66, 4.72

 

CMYK 94 / 6 / 0 / 50

HEX #087880

RGB 8 120 128

HSL 184, 0.88%, 0.27%

LAB 45.69, -24.4, -12.33

 

CMYK 94 / 31 / 0 / 50

HEX #085880

RGB 8 88 128

HSL 200, 0.88%, 0.27%

LAB 35.18, -6.28, -28.55

 

CMYK 94 / 0 / 18 / 80

HEX #03332A

RGB 3 51 42

HSL 168.75, 0.89%, 0.11%

LAB 18.16, -18.07, 1.33

 

CMYK 93 / 0 / 18 / 65

HEX #065A4A

RGB 6 90 74

HSL 168.57, 0.88%, 0.19%

LAB 33.66, -27.11, 2.8

 

CMYK 94 / 0 / 17 / 50

HEX #08806A

RGB 8 128 106

HSL 169, 0.88%, 0.27%

LAB 47.66, -35.1, 3.62

 

CMYK 93 / 0 / 17 / 35

HEX #0BA78A

RGB 11 167 138

HSL 168.85, 0.88%, 0.35%

LAB 61.26, -43.01, 4.87

 

CMYK 93 / 0 / 17 / 20

HEX #0ECDAA

RGB 14 205 170

HSL 169.01, 0.87%, 0.43%

LAB 73.97, -50.16, 5.6

 

CMYK 93 / 0 / 17 / 50

HEX #09806A

RGB 9 128 106

HSL 168.91, 0.87%, 0.27%

LAB 47.67, -35.04, 3.63

 

CMYK 94 / 94 / 0 / 50

HEX #080880

RGB 8 8 128

HSL 240, 0.88%, 0.27%

LAB 14.31, 44.47, -62.47

 

CMYK 0 / 56 / 94 / 50

HEX #803808

RGB 128 56 8

HSL 24, 0.88%, 0.27%

LAB 32.78, 28.59, 40.62

 

CMYK 93 / 0 / 17 / 50

HEX #09806A

RGB 9 128 106

HSL 168.91, 0.87%, 0.27%

LAB 47.67, -35.04, 3.63

 

CMYK 19 / 94 / 0 / 50

HEX #680880

RGB 104 8 128

HSL 288, 0.88%, 0.27%

LAB 25.79, 53.47, -43.16

 

CMYK 0 / 19 / 94 / 50

HEX #806808

RGB 128 104 8

HSL 48, 0.88%, 0.27%

LAB 44.95, 0.68, 49.82

 

CMYK 93 / 0 / 17 / 50

HEX #09806A

RGB 9 128 106

HSL 168.91, 0.87%, 0.27%

LAB 47.67, -35.04, 3.63

 

CMYK 94 / 94 / 0 / 50

HEX #080880

RGB 8 8 128

HSL 240, 0.88%, 0.27%

LAB 14.31, 44.47, -62.47

 

CMYK 0 / 94 / 75 / 50

HEX #800820

RGB 128 8 32

HSL 348, 0.88%, 0.27%

LAB 26.35, 47.43, 21.9

 

CMYK 0 / 0 / 94 / 50

HEX #808008

RGB 128 128 8

HSL 60, 0.88%, 0.27%

LAB 51.89, -12.77, 55.2

 

CMYK 93 / 0 / 17 / 50

HEX #09806A

RGB 9 128 106

HSL 168.91, 0.87%, 0.27%

LAB 47.67, -35.04, 3.63

 

CMYK 66 / 94 / 0 / 50

HEX #2C0880

RGB 44 8 128

HSL 258, 0.88%, 0.27%

LAB 16.83, 46.1, -58.2

 

CMYK 0 / 94 / 75 / 50

HEX #800820

RGB 128 8 32

HSL 348, 0.88%, 0.27%

LAB 26.35, 47.43, 21.9

 

CMYK 28 / 0 / 94 / 50

HEX #5C8008

RGB 92 128 8

HSL 78, 0.88%, 0.27%

LAB 49.17, -28.84, 51.88

 

Description

Color code: RGB 9 128 106 | qconv.com Color code: RGB 9 128 106 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 128 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 128 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 17 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 17% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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