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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 0 165 249 it is the complementary color RGB 255 90 6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 0 165 249. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 0 165 249 shade: RGB 5 165 244, RGB 22 183 255, RGB 39 201 255, RGB 56 219 255 and RGB 73 237 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 0 165 249. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 0 165 249 shade: RGB 0 165 249, RGB 0 147 230, RGB 0 129 211, RGB 0 111 192 and RGB 0 93 173

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 0 165 249 shade: RGB 0 165 249, RGB 0 98 249, RGB 0 30 249, RGB 36 0 249 and RGB 103 0 249

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 0 165 249 shade: RGB 0 165 249, RGB 0 98 249, RGB 0 30 249 and RGB 0 0 249

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 0 165 249 shade matches the following richer shades: RGB 0 165 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 0 165 249 shade: RGB 0 165 249, RGB 20 159 229, RGB 40 152 209, RGB 60 145 189 and RGB 80 139 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 0 165 249 shade: RGB 0 249 199, RGB 0 233 249, RGB 0 166 249, RGB 0 99 249 and RGB 0 33 249

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 0 165 249 shade: RGB 0 110 167, RGB 0 138 208, RGB 0 165 249, RGB 36 181 255 and RGB 77 195 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 0 165 249 shade: RGB 0 165 249, RGB 133 0 249 and RGB 249 233 0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 0 165 249 shade: RGB 0 165 249, RGB 249 0 166 and RGB 166 249 0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 0 165 249 shade: RGB 0 165 249, RGB 133 0 249, RGB 249 83 0 and RGB 116 249 0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 0 165 249 shade: RGB 0 165 249, RGB 208 0 249, RGB 249 83 0 and RGB 41 249 0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 34 / 0 / 2

HEX #00A5F9

RGB 0 165 249

HSL 200.24, 1%, 0.49%

LAB 64.76, -5.6, -51.55

 

Complementary color

CMYK 0 / 65 / 98 / 0

HEX #FF5A06

RGB 255 90 6

HSL 20.24, 1%, 0.51%

LAB 60.41, 60.12, 69.25

 

CMYK 98 / 32 / 0 / 4

HEX #05A5F4

RGB 5 165 244

HSL 199.83, 0.96%, 0.49%

LAB 64.54, -7.32, -49.16

 

CMYK 91 / 28 / 0 / 0

HEX #16B7FF

RGB 22 183 255

HSL 198.54, 1%, 0.54%

LAB 70.36, -12.77, -45.98

 

CMYK 85 / 21 / 0 / 0

HEX #27C9FF

RGB 39 201 255

HSL 195, 1%, 0.58%

LAB 75.71, -21.34, -37.6

 

CMYK 78 / 14 / 0 / 0

HEX #38DBFF

RGB 56 219 255

HSL 190.85, 1%, 0.61%

LAB 81.14, -28.97, -29.21

 

CMYK 71 / 7 / 0 / 0

HEX #49EDFF

RGB 73 237 255

HSL 185.93, 1%, 0.64%

LAB 86.61, -35.75, -20.86

 

CMYK 100 / 34 / 0 / 2

HEX #00A5F9

RGB 0 165 249

HSL 200.24, 1%, 0.49%

LAB 64.76, -5.6, -51.55

 

CMYK 100 / 36 / 0 / 10

HEX #0093E6

RGB 0 147 230

HSL 201.65, 1%, 0.45%

LAB 58.58, -2.34, -50.89

 

CMYK 100 / 39 / 0 / 17

HEX #0081D3

RGB 0 129 211

HSL 203.32, 1%, 0.41%

LAB 52.29, 1.08, -50.26

 

CMYK 100 / 42 / 0 / 25

HEX #006FC0

RGB 0 111 192

HSL 205.31, 1%, 0.38%

LAB 45.87, 4.7, -49.65

 

CMYK 100 / 46 / 0 / 32

HEX #005DAD

RGB 0 93 173

HSL 207.75, 1%, 0.34%

LAB 39.32, 8.55, -49.07

 

CMYK 100 / 34 / 0 / 2

HEX #00A5F9

RGB 0 165 249

HSL 200.24, 1%, 0.49%

LAB 64.76, -5.6, -51.55

 

CMYK 100 / 61 / 0 / 2

HEX #0062F9

RGB 0 98 249

HSL 216.39, 1%, 0.49%

LAB 46.41, 35.48, -81.13

 

CMYK 100 / 88 / 0 / 2

HEX #001EF9

RGB 0 30 249

HSL 232.77, 1%, 0.49%

LAB 33.5, 71.45, -102.5

 

CMYK 86 / 100 / 0 / 2

HEX #2400F9

RGB 36 0 249

HSL 248.67, 1%, 0.49%

LAB 32.29, 78.06, -104.49

 

CMYK 59 / 100 / 0 / 2

HEX #6700F9

RGB 103 0 249

HSL 264.82, 1%, 0.49%

LAB 37.34, 80.27, -95.94

 

CMYK 100 / 34 / 0 / 2

HEX #00A5F9

RGB 0 165 249

HSL 200.24, 1%, 0.49%

LAB 64.76, -5.6, -51.55

 

CMYK 100 / 61 / 0 / 2

HEX #0062F9

RGB 0 98 249

HSL 216.39, 1%, 0.49%

LAB 46.41, 35.48, -81.13

 

CMYK 100 / 88 / 0 / 2

HEX #001EF9

RGB 0 30 249

HSL 232.77, 1%, 0.49%

LAB 33.5, 71.45, -102.5

 

CMYK 100 / 100 / 0 / 2

HEX #0000F9

RGB 0 0 249

HSL 240, 1%, 0.49%

LAB 31.44, 77.78, -105.93

 

CMYK 100 / 34 / 0 / 2

HEX #00A5F9

RGB 0 165 249

HSL 200.24, 1%, 0.49%

LAB 64.76, -5.6, -51.55

 

CMYK 100 / 34 / 0 / 2

HEX #00A5F9

RGB 0 165 249

HSL 200.24, 1%, 0.49%

LAB 64.76, -5.6, -51.55

 

CMYK 91 / 31 / 0 / 10

HEX #149FE5

RGB 20 159 229

HSL 200.1, 0.84%, 0.49%

LAB 62.17, -8.95, -44.65

 

CMYK 81 / 27 / 0 / 18

HEX #2898D1

RGB 40 152 209

HSL 200.24, 0.68%, 0.49%

LAB 59.44, -10.87, -37.79

 

CMYK 68 / 23 / 0 / 26

HEX #3C91BD

RGB 60 145 189

HSL 200.47, 0.52%, 0.49%

LAB 56.96, -11.39, -30.36

 

CMYK 53 / 18 / 0 / 34

HEX #508BA9

RGB 80 139 169

HSL 200.22, 0.36%, 0.49%

LAB 55.11, -10.59, -21.76

 

CMYK 100 / 0 / 20 / 2

HEX #00F9C7

RGB 0 249 199

HSL 167.95, 1%, 0.49%

LAB 87.91, -60.55, 10.25

 

CMYK 100 / 6 / 0 / 2

HEX #00E9F9

RGB 0 233 249

HSL 183.86, 1%, 0.49%

LAB 84.54, -40.14, -20.89

 

CMYK 100 / 33 / 0 / 2

HEX #00A6F9

RGB 0 166 249

HSL 200, 1%, 0.49%

LAB 65.05, -6.17, -51.09

 

CMYK 100 / 60 / 0 / 2

HEX #0063F9

RGB 0 99 249

HSL 216.14, 1%, 0.49%

LAB 46.66, 34.84, -80.72

 

CMYK 100 / 87 / 0 / 2

HEX #0021F9

RGB 0 33 249

HSL 232.05, 1%, 0.49%

LAB 33.83, 70.43, -101.94

 

CMYK 100 / 34 / 0 / 35

HEX #006EA7

RGB 0 110 167

HSL 200.48, 1%, 0.33%

LAB 44.15, -4.65, -37.83

 

CMYK 100 / 34 / 0 / 18

HEX #008AD0

RGB 0 138 208

HSL 200.19, 1%, 0.41%

LAB 54.79, -5.42, -44.58

 

CMYK 100 / 34 / 0 / 2

HEX #00A5F9

RGB 0 165 249

HSL 200.24, 1%, 0.49%

LAB 64.76, -5.6, -51.55

 

CMYK 86 / 29 / 0 / 0

HEX #24B5FF

RGB 36 181 255

HSL 200.27, 1%, 0.57%

LAB 69.92, -10.96, -46.64

 

CMYK 70 / 24 / 0 / 0

HEX #4DC3FF

RGB 77 195 255

HSL 200.22, 1%, 0.65%

LAB 74.72, -14.38, -39.09

 

CMYK 100 / 34 / 0 / 2

HEX #00A5F9

RGB 0 165 249

HSL 200.24, 1%, 0.49%

LAB 64.76, -5.6, -51.55

 

CMYK 47 / 100 / 0 / 2

HEX #8500F9

RGB 133 0 249

HSL 272.05, 1%, 0.49%

LAB 40.94, 82.33, -89.87

 

CMYK 0 / 6 / 100 / 2

HEX #F9E900

RGB 249 233 0

HSL 56.14, 1%, 0.49%

LAB 90.97, -13.44, 89.78

 

CMYK 100 / 34 / 0 / 2

HEX #00A5F9

RGB 0 165 249

HSL 200.24, 1%, 0.49%

LAB 64.76, -5.6, -51.55

 

CMYK 0 / 100 / 33 / 2

HEX #F900A6

RGB 249 0 166

HSL 320, 1%, 0.49%

LAB 54.96, 86.55, -18.55

 

CMYK 33 / 0 / 100 / 2

HEX #A6F900

RGB 166 249 0

HSL 80, 1%, 0.49%

LAB 89.79, -53.45, 86.44

 

CMYK 100 / 34 / 0 / 2

HEX #00A5F9

RGB 0 165 249

HSL 200.24, 1%, 0.49%

LAB 64.76, -5.6, -51.55

 

CMYK 47 / 100 / 0 / 2

HEX #8500F9

RGB 133 0 249

HSL 272.05, 1%, 0.49%

LAB 40.94, 82.33, -89.87

 

CMYK 0 / 67 / 100 / 2

HEX #F95300

RGB 249 83 0

HSL 20, 1%, 0.49%

LAB 58.35, 60.87, 68.73

 

CMYK 53 / 0 / 100 / 2

HEX #74F900

RGB 116 249 0

HSL 92.05, 1%, 0.49%

LAB 87.71, -69, 83.92

 

CMYK 100 / 34 / 0 / 2

HEX #00A5F9

RGB 0 165 249

HSL 200.24, 1%, 0.49%

LAB 64.76, -5.6, -51.55

 

CMYK 16 / 100 / 0 / 2

HEX #D000F9

RGB 208 0 249

HSL 290.12, 1%, 0.49%

LAB 52.12, 90.56, -71.12

 

CMYK 0 / 67 / 100 / 2

HEX #F95300

RGB 249 83 0

HSL 20, 1%, 0.49%

LAB 58.35, 60.87, 68.73

 

CMYK 84 / 0 / 100 / 2

HEX #29F900

RGB 41 249 0

HSL 110.12, 1%, 0.49%

LAB 86.12, -82.5, 81.98

 

Description

Color code: RGB 0 165 249 | qconv.com Color code: RGB 0 165 249 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 165 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 165 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 34 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 34% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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