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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 0 107 183 it is the complementary color RGB 255 148 72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 0 107 183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 0 107 183 shade: RGB 5 107 178, RGB 22 125 197, RGB 39 143 216, RGB 56 161 235 and RGB 73 179 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 0 107 183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 0 107 183 shade: RGB 0 107 183, RGB 0 89 164, RGB 0 71 145, RGB 0 53 126 and RGB 0 35 107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 0 107 183 shade: RGB 0 107 183, RGB 0 57 183, RGB 0 8 183, RGB 41 0 183 and RGB 90 0 183

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 0 107 183 shade: RGB 0 107 183, RGB 0 57 183, RGB 0 8 183 and RGB 0 0 183

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 0 107 183 shade matches the following richer shades: RGB 0 107 183

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 0 107 183 shade: RGB 0 107 183, RGB 14 104 168, RGB 29 102 153, RGB 44 99 139 and RGB 59 97 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 0 107 183 shade: RGB 0 183 159, RGB 0 159 183, RGB 0 110 183, RGB 0 61 183 and RGB 0 12 183

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 0 107 183 shade: RGB 0 59 101, RGB 0 83 142, RGB 0 107 183, RGB 0 131 224 and RGB 11 153 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 0 107 183 shade: RGB 0 107 183, RGB 110 0 183 and RGB 183 183 0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 0 107 183 shade: RGB 0 107 183, RGB 183 0 110 and RGB 110 183 0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 0 107 183 shade: RGB 0 107 183, RGB 110 0 183, RGB 183 73 0 and RGB 73 183 0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 0 107 183 shade: RGB 0 107 183, RGB 165 0 183, RGB 183 73 0 and RGB 18 183 0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 42 / 0 / 28

HEX #006BB7

RGB 0 107 183

HSL 204.92, 1%, 0.36%

LAB 44.14, 3.61, -47.21

 

Complementary color

CMYK 0 / 42 / 72 / 0

HEX #FF9448

RGB 255 148 72

HSL 24.92, 1%, 0.64%

LAB 71.49, 34.42, 55.98

 

CMYK 97 / 40 / 0 / 30

HEX #056BB2

RGB 5 107 178

HSL 204.62, 0.95%, 0.36%

LAB 43.89, 1.8, -44.69

 

CMYK 89 / 37 / 0 / 23

HEX #167DC5

RGB 22 125 197

HSL 204.69, 0.8%, 0.43%

LAB 50.53, -1.03, -45.08

 

CMYK 82 / 34 / 0 / 15

HEX #278FD8

RGB 39 143 216

HSL 204.75, 0.69%, 0.5%

LAB 57.11, -3.3, -45.39

 

CMYK 76 / 31 / 0 / 8

HEX #38A1EB

RGB 56 161 235

HSL 204.8, 0.82%, 0.57%

LAB 63.61, -5.13, -45.65

 

CMYK 71 / 30 / 0 / 0

HEX #49B3FE

RGB 73 179 254

HSL 204.86, 0.99%, 0.64%

LAB 70.04, -6.6, -45.86

 

CMYK 100 / 42 / 0 / 28

HEX #006BB7

RGB 0 107 183

HSL 204.92, 1%, 0.36%

LAB 44.14, 3.61, -47.21

 

CMYK 100 / 46 / 0 / 36

HEX #0059A4

RGB 0 89 164

HSL 207.44, 1%, 0.32%

LAB 37.53, 7.45, -46.62

 

CMYK 100 / 51 / 0 / 43

HEX #004791

RGB 0 71 145

HSL 210.62, 1%, 0.28%

LAB 30.76, 11.6, -46.05

 

CMYK 100 / 58 / 0 / 51

HEX #00357E

RGB 0 53 126

HSL 214.76, 1%, 0.25%

LAB 23.84, 16.09, -45.47

 

CMYK 100 / 67 / 0 / 58

HEX #00236B

RGB 0 35 107

HSL 220.37, 1%, 0.21%

LAB 16.81, 20.93, -44.79

 

CMYK 100 / 42 / 0 / 28

HEX #006BB7

RGB 0 107 183

HSL 204.92, 1%, 0.36%

LAB 44.14, 3.61, -47.21

 

CMYK 100 / 69 / 0 / 28

HEX #0039B7

RGB 0 57 183

HSL 221.31, 1%, 0.36%

LAB 30.27, 36.7, -69.75

 

CMYK 100 / 96 / 0 / 28

HEX #0008B7

RGB 0 8 183

HSL 237.38, 1%, 0.36%

LAB 22.28, 59.78, -83.02

 

CMYK 78 / 100 / 0 / 28

HEX #2900B7

RGB 41 0 183

HSL 253.44, 1%, 0.36%

LAB 23.31, 62.31, -81.26

 

CMYK 51 / 100 / 0 / 28

HEX #5A00B7

RGB 90 0 183

HSL 269.51, 1%, 0.36%

LAB 28.36, 64.84, -72.72

 

CMYK 100 / 42 / 0 / 28

HEX #006BB7

RGB 0 107 183

HSL 204.92, 1%, 0.36%

LAB 44.14, 3.61, -47.21

 

CMYK 100 / 69 / 0 / 28

HEX #0039B7

RGB 0 57 183

HSL 221.31, 1%, 0.36%

LAB 30.27, 36.7, -69.75

 

CMYK 100 / 96 / 0 / 28

HEX #0008B7

RGB 0 8 183

HSL 237.38, 1%, 0.36%

LAB 22.28, 59.78, -83.02

 

CMYK 100 / 100 / 0 / 28

HEX #0000B7

RGB 0 0 183

HSL 240, 1%, 0.36%

LAB 21.65, 61.73, -84.07

 

CMYK 100 / 42 / 0 / 28

HEX #006BB7

RGB 0 107 183

HSL 204.92, 1%, 0.36%

LAB 44.14, 3.61, -47.21

 

CMYK 100 / 42 / 0 / 28

HEX #006BB7

RGB 0 107 183

HSL 204.92, 1%, 0.36%

LAB 44.14, 3.61, -47.21

 

CMYK 92 / 38 / 0 / 34

HEX #0E68A8

RGB 14 104 168

HSL 204.94, 0.85%, 0.36%

LAB 42.49, 0.09, -41.04

 

CMYK 81 / 33 / 0 / 40

HEX #1D6699

RGB 29 102 153

HSL 204.68, 0.68%, 0.36%

LAB 41.32, -3.34, -33.99

 

CMYK 68 / 29 / 0 / 45

HEX #2C638B

RGB 44 99 139

HSL 205.26, 0.52%, 0.36%

LAB 40.12, -4.59, -27.44

 

CMYK 52 / 22 / 0 / 51

HEX #3B617C

RGB 59 97 124

HSL 204.92, 0.36%, 0.36%

LAB 39.47, -5.3, -19.3

 

CMYK 100 / 0 / 13 / 28

HEX #00B79F

RGB 0 183 159

HSL 172.13, 1%, 0.36%

LAB 66.8, -44.46, 1.21

 

CMYK 100 / 13 / 0 / 28

HEX #009FB7

RGB 0 159 183

HSL 187.87, 1%, 0.36%

LAB 60.08, -25.93, -22.24

 

CMYK 100 / 40 / 0 / 28

HEX #006EB7

RGB 0 110 183

HSL 203.93, 1%, 0.36%

LAB 45.04, 1.72, -45.77

 

CMYK 100 / 67 / 0 / 28

HEX #003DB7

RGB 0 61 183

HSL 220, 1%, 0.36%

LAB 31.25, 34.08, -68.14

 

CMYK 100 / 93 / 0 / 28

HEX #000CB7

RGB 0 12 183

HSL 236.07, 1%, 0.36%

LAB 22.59, 58.81, -82.5

 

CMYK 100 / 42 / 0 / 60

HEX #003B65

RGB 0 59 101

HSL 204.95, 1%, 0.2%

LAB 23.89, 0.69, -29.42

 

CMYK 100 / 42 / 0 / 44

HEX #00538E

RGB 0 83 142

HSL 204.93, 1%, 0.28%

LAB 34.27, 2.21, -38.57

 

CMYK 100 / 42 / 0 / 28

HEX #006BB7

RGB 0 107 183

HSL 204.92, 1%, 0.36%

LAB 44.14, 3.61, -47.21

 

CMYK 100 / 42 / 0 / 12

HEX #0083E0

RGB 0 131 224

HSL 204.91, 1%, 0.44%

LAB 53.62, 4.92, -55.46

 

CMYK 96 / 40 / 0 / 0

HEX #0B99FF

RGB 11 153 255

HSL 205.08, 1%, 0.52%

LAB 61.72, 3.84, -59.66

 

CMYK 100 / 42 / 0 / 28

HEX #006BB7

RGB 0 107 183

HSL 204.92, 1%, 0.36%

LAB 44.14, 3.61, -47.21

 

CMYK 40 / 100 / 0 / 28

HEX #6E00B7

RGB 110 0 183

HSL 276.07, 1%, 0.36%

LAB 31.19, 66.65, -67.95

 

CMYK 0 / 0 / 100 / 28

HEX #B7B700

RGB 183 183 0

HSL 60, 1%, 0.36%

LAB 72.18, -16.8, 73.64

 

CMYK 100 / 42 / 0 / 28

HEX #006BB7

RGB 0 107 183

HSL 204.92, 1%, 0.36%

LAB 44.14, 3.61, -47.21

 

CMYK 0 / 100 / 40 / 28

HEX #B7006E

RGB 183 0 110

HSL 323.93, 1%, 0.36%

LAB 39.9, 67.62, -8.57

 

CMYK 40 / 0 / 100 / 28

HEX #6EB700

RGB 110 183 0

HSL 83.93, 1%, 0.36%

LAB 67.41, -46.33, 67.94

 

CMYK 100 / 42 / 0 / 28

HEX #006BB7

RGB 0 107 183

HSL 204.92, 1%, 0.36%

LAB 44.14, 3.61, -47.21

 

CMYK 40 / 100 / 0 / 28

HEX #6E00B7

RGB 110 0 183

HSL 276.07, 1%, 0.36%

LAB 31.19, 66.65, -67.95

 

CMYK 0 / 60 / 100 / 28

HEX #B74900

RGB 183 73 0

HSL 23.93, 1%, 0.36%

LAB 45.4, 41.91, 55.8

 

CMYK 60 / 0 / 100 / 28

HEX #49B700

RGB 73 183 0

HSL 96.07, 1%, 0.36%

LAB 65.97, -57.51, 66.19

 

CMYK 100 / 42 / 0 / 28

HEX #006BB7

RGB 0 107 183

HSL 204.92, 1%, 0.36%

LAB 44.14, 3.61, -47.21

 

CMYK 10 / 100 / 0 / 28

HEX #A500B7

RGB 165 0 183

HSL 294.1, 1%, 0.36%

LAB 40.28, 73.74, -52.75

 

CMYK 0 / 60 / 100 / 28

HEX #B74900

RGB 183 73 0

HSL 23.93, 1%, 0.36%

LAB 45.4, 41.91, 55.8

 

CMYK 90 / 0 / 100 / 28

HEX #12B700

RGB 18 183 0

HSL 114.1, 1%, 0.36%

LAB 64.96, -66.24, 64.96

 

Description

Color code: RGB 0 107 183 | qconv.com Color code: RGB 0 107 183 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 107 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 107 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 42 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 42% 0% 28% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

51% - Make-A-Wish® America
Link: http://wish.org

27% - Visual Studio 2015 D...
Link: https://www.visualstudio.com

57% - Spinal Cord Injuries...
Link: http://scia.org.au

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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