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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 0 132 103 it is the complementary color RGB 255 123 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 0 132 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 0 132 103 shade: RGB 5 132 98, RGB 22 150 117, RGB 39 168 136, RGB 56 186 155 and RGB 73 204 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 0 132 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 0 132 103 shade: RGB 0 132 103, RGB 0 114 84, RGB 0 96 65, RGB 0 78 46 and RGB 0 60 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 0 132 103 shade: RGB 0 132 103, RGB 0 132 67, RGB 0 132 31, RGB 3 132 0 and RGB 39 132 0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 0 132 103 shade: RGB 0 132 103, RGB 0 125 132, RGB 0 90 132, RGB 0 54 132 and RGB 0 18 132

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 0 132 103 shade matches the following richer shades: RGB 0 132 103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 0 132 103 shade: RGB 0 132 103, RGB 10 121 97, RGB 21 111 91, RGB 32 100 85 and RGB 42 89 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 0 132 103 shade: RGB 0 132 30, RGB 0 132 66, RGB 0 132 101, RGB 0 128 132 and RGB 0 92 132

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 0 132 103 shade: RGB 0 50 39, RGB 0 91 71, RGB 0 132 103, RGB 0 173 135 and RGB 0 215 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 0 132 103 shade: RGB 0 132 103, RGB 0 4 132 and RGB 132 48 0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 0 132 103 shade: RGB 0 132 103, RGB 101 0 132 and RGB 132 101 0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 0 132 103 shade: RGB 0 132 103, RGB 0 4 132, RGB 132 0 30 and RGB 132 128 0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 0 132 103 shade: RGB 0 132 103, RGB 35 0 132, RGB 132 0 30 and RGB 97 132 0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 22 / 48

HEX #008467

RGB 0 132 103

HSL 166.82, 1%, 0.26%

LAB 48.86, -38.15, 7.08

 

Complementary color

CMYK 0 / 52 / 40 / 0

HEX #FF7B98

RGB 255 123 152

HSL 346.82, 1%, 0.74%

LAB 67.79, 52.91, 8.61

 

CMYK 96 / 0 / 26 / 48

HEX #058462

RGB 5 132 98

HSL 163.94, 0.93%, 0.27%

LAB 48.78, -39.17, 9.88

 

CMYK 85 / 0 / 22 / 41

HEX #169675

RGB 22 150 117

HSL 164.53, 0.74%, 0.34%

LAB 55.35, -40.68, 8.27

 

CMYK 77 / 0 / 19 / 34

HEX #27A888

RGB 39 168 136

HSL 165.12, 0.62%, 0.41%

LAB 61.84, -41.71, 6.86

 

CMYK 70 / 0 / 17 / 27

HEX #38BA9B

RGB 56 186 155

HSL 165.69, 0.54%, 0.47%

LAB 68.26, -42.38, 5.6

 

CMYK 64 / 0 / 15 / 20

HEX #49CCAE

RGB 73 204 174

HSL 166.26, 0.56%, 0.54%

LAB 74.61, -42.79, 4.48

 

CMYK 100 / 0 / 22 / 48

HEX #008467

RGB 0 132 103

HSL 166.82, 1%, 0.26%

LAB 48.86, -38.15, 7.08

 

CMYK 100 / 0 / 26 / 55

HEX #007254

RGB 0 114 84

HSL 164.21, 1%, 0.22%

LAB 42.27, -35.59, 8.95

 

CMYK 100 / 0 / 32 / 62

HEX #006041

RGB 0 96 65

HSL 160.63, 1%, 0.19%

LAB 35.49, -32.91, 10.94

 

CMYK 100 / 0 / 41 / 69

HEX #004E2E

RGB 0 78 46

HSL 155.38, 1%, 0.15%

LAB 28.5, -30.07, 13.1

 

CMYK 100 / 0 / 55 / 76

HEX #003C1B

RGB 0 60 27

HSL 147, 1%, 0.12%

LAB 21.25, -26.94, 15.43

 

CMYK 100 / 0 / 22 / 48

HEX #008467

RGB 0 132 103

HSL 166.82, 1%, 0.26%

LAB 48.86, -38.15, 7.08

 

CMYK 100 / 0 / 49 / 48

HEX #008443

RGB 0 132 67

HSL 150.45, 1%, 0.26%

LAB 48.14, -46.37, 26.53

 

CMYK 100 / 0 / 77 / 48

HEX #00841F

RGB 0 132 31

HSL 134.09, 1%, 0.26%

LAB 47.75, -51.22, 43.14

 

CMYK 98 / 0 / 100 / 48

HEX #038400

RGB 3 132 0

HSL 118.64, 1%, 0.26%

LAB 47.65, -52.63, 51.05

 

CMYK 70 / 0 / 100 / 48

HEX #278400

RGB 39 132 0

HSL 102.27, 1%, 0.26%

LAB 48.18, -47.99, 51.69

 

CMYK 100 / 0 / 22 / 48

HEX #008467

RGB 0 132 103

HSL 166.82, 1%, 0.26%

LAB 48.86, -38.15, 7.08

 

CMYK 100 / 5 / 0 / 48

HEX #007D84

RGB 0 125 132

HSL 183.18, 1%, 0.26%

LAB 47.41, -26.02, -12.12

 

CMYK 100 / 32 / 0 / 48

HEX #005A84

RGB 0 90 132

HSL 199.09, 1%, 0.26%

LAB 35.94, -6.41, -29.81

 

CMYK 100 / 59 / 0 / 48

HEX #003684

RGB 0 54 132

HSL 215.45, 1%, 0.26%

LAB 24.65, 17.98, -47.93

 

CMYK 100 / 86 / 0 / 48

HEX #001284

RGB 0 18 132

HSL 231.82, 1%, 0.26%

LAB 16, 41.36, -62.2

 

CMYK 100 / 0 / 22 / 48

HEX #008467

RGB 0 132 103

HSL 166.82, 1%, 0.26%

LAB 48.86, -38.15, 7.08

 

CMYK 100 / 0 / 22 / 48

HEX #008467

RGB 0 132 103

HSL 166.82, 1%, 0.26%

LAB 48.86, -38.15, 7.08

 

CMYK 92 / 0 / 20 / 53

HEX #0A7961

RGB 10 121 97

HSL 167.03, 0.85%, 0.26%

LAB 45.08, -34.39, 5.23

 

CMYK 81 / 0 / 18 / 56

HEX #156F5B

RGB 21 111 91

HSL 166.67, 0.68%, 0.26%

LAB 41.66, -30.51, 3.92

 

CMYK 68 / 0 / 15 / 61

HEX #206455

RGB 32 100 85

HSL 166.76, 0.52%, 0.26%

LAB 37.98, -25.18, 2.29

 

CMYK 53 / 0 / 11 / 65

HEX #2A594F

RGB 42 89 79

HSL 167.23, 0.36%, 0.26%

LAB 34.4, -18.83, 0.86

 

CMYK 100 / 0 / 77 / 48

HEX #00841E

RGB 0 132 30

HSL 133.64, 1%, 0.26%

LAB 47.75, -51.3, 43.51

 

CMYK 100 / 0 / 50 / 48

HEX #008442

RGB 0 132 66

HSL 150, 1%, 0.26%

LAB 48.13, -46.56, 27.05

 

CMYK 100 / 0 / 23 / 48

HEX #008465

RGB 0 132 101

HSL 165.91, 1%, 0.26%

LAB 48.81, -38.69, 8.18

 

CMYK 100 / 3 / 0 / 48

HEX #008084

RGB 0 128 132

HSL 181.82, 1%, 0.26%

LAB 48.39, -27.53, -10.64

 

CMYK 100 / 30 / 0 / 48

HEX #005C84

RGB 0 92 132

HSL 198.18, 1%, 0.26%

LAB 36.59, -7.65, -28.79

 

CMYK 100 / 0 / 22 / 80

HEX #003227

RGB 0 50 39

HSL 166.8, 1%, 0.1%

LAB 17.59, -19.17, 2.56

 

CMYK 100 / 0 / 22 / 64

HEX #005B47

RGB 0 91 71

HSL 166.81, 1%, 0.18%

LAB 33.85, -29.06, 4.94

 

CMYK 100 / 0 / 22 / 48

HEX #008467

RGB 0 132 103

HSL 166.82, 1%, 0.26%

LAB 48.86, -38.15, 7.08

 

CMYK 100 / 0 / 22 / 32

HEX #00AD87

RGB 0 173 135

HSL 166.82, 1%, 0.34%

LAB 63.04, -46.73, 9.08

 

CMYK 100 / 0 / 22 / 16

HEX #00D7A7

RGB 0 215 167

HSL 166.6, 1%, 0.42%

LAB 76.92, -55.31, 11.41

 

CMYK 100 / 0 / 22 / 48

HEX #008467

RGB 0 132 103

HSL 166.82, 1%, 0.26%

LAB 48.86, -38.15, 7.08

 

CMYK 100 / 97 / 0 / 48

HEX #000484

RGB 0 4 132

HSL 238.18, 1%, 0.26%

LAB 14.13, 47, -65.31

 

CMYK 0 / 64 / 100 / 48

HEX #843000

RGB 132 48 0

HSL 21.82, 1%, 0.26%

LAB 31.85, 34.21, 43.51

 

CMYK 100 / 0 / 22 / 48

HEX #008467

RGB 0 132 103

HSL 166.82, 1%, 0.26%

LAB 48.86, -38.15, 7.08

 

CMYK 23 / 100 / 0 / 48

HEX #650084

RGB 101 0 132

HSL 285.91, 1%, 0.26%

LAB 25.05, 55.35, -46.9

 

CMYK 0 / 23 / 100 / 48

HEX #846500

RGB 132 101 0

HSL 45.91, 1%, 0.26%

LAB 44.54, 4.18, 51.63

 

CMYK 100 / 0 / 22 / 48

HEX #008467

RGB 0 132 103

HSL 166.82, 1%, 0.26%

LAB 48.86, -38.15, 7.08

 

CMYK 100 / 97 / 0 / 48

HEX #000484

RGB 0 4 132

HSL 238.18, 1%, 0.26%

LAB 14.13, 47, -65.31

 

CMYK 0 / 100 / 77 / 48

HEX #84001E

RGB 132 0 30

HSL 346.36, 1%, 0.26%

LAB 26.73, 49.87, 23.89

 

CMYK 0 / 3 / 100 / 48

HEX #848000

RGB 132 128 0

HSL 58.18, 1%, 0.26%

LAB 52.22, -11.06, 57.1

 

CMYK 100 / 0 / 22 / 48

HEX #008467

RGB 0 132 103

HSL 166.82, 1%, 0.26%

LAB 48.86, -38.15, 7.08

 

CMYK 73 / 100 / 0 / 48

HEX #230084

RGB 35 0 132

HSL 255.91, 1%, 0.26%

LAB 15.61, 49.31, -62.8

 

CMYK 0 / 100 / 77 / 48

HEX #84001E

RGB 132 0 30

HSL 346.36, 1%, 0.26%

LAB 26.73, 49.87, 23.89

 

CMYK 27 / 0 / 100 / 48

HEX #618400

RGB 97 132 0

HSL 75.91, 1%, 0.26%

LAB 50.74, -28.86, 54.79

 

Description

Color code: RGB 0 132 103 | qconv.com Color code: RGB 0 132 103 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 132 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 132 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 22 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 22% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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