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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 0 137 106 it is the complementary color RGB 255 118 149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 0 137 106. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 0 137 106 shade: RGB 5 137 101, RGB 22 155 120, RGB 39 173 139, RGB 56 191 158 and RGB 73 209 177

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 0 137 106. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 0 137 106 shade: RGB 0 137 106, RGB 0 119 87, RGB 0 101 68, RGB 0 83 49 and RGB 0 65 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 0 137 106 shade: RGB 0 137 106, RGB 0 137 69, RGB 0 137 32, RGB 4 137 0 and RGB 41 137 0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 0 137 106 shade: RGB 0 137 106, RGB 0 131 137, RGB 0 94 137, RGB 0 57 137 and RGB 0 20 137

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 0 137 106 shade matches the following richer shades: RGB 0 137 106

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 0 137 106 shade: RGB 0 137 106, RGB 11 126 100, RGB 22 115 94, RGB 33 104 88 and RGB 44 93 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 0 137 106 shade: RGB 0 137 32, RGB 0 137 68, RGB 0 137 105, RGB 0 133 137 and RGB 0 96 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 0 137 106 shade: RGB 0 55 42, RGB 0 96 74, RGB 0 137 106, RGB 0 178 138 and RGB 0 220 170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 0 137 106 shade: RGB 0 137 106, RGB 0 4 137 and RGB 137 50 0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 0 137 106 shade: RGB 0 137 106, RGB 105 0 137 and RGB 137 105 0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 0 137 106 shade: RGB 0 137 106, RGB 0 4 137, RGB 137 0 32 and RGB 137 133 0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 0 137 106 shade: RGB 0 137 106, RGB 36 0 137, RGB 137 0 32 and RGB 100 137 0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 23 / 46

HEX #00896A

RGB 0 137 106

HSL 166.42, 1%, 0.27%

LAB 50.61, -39.46, 7.82

 

Complementary color

CMYK 0 / 54 / 42 / 0

HEX #FF7695

RGB 255 118 149

HSL 346.42, 1%, 0.73%

LAB 66.81, 54.96, 8.91

 

CMYK 96 / 0 / 26 / 46

HEX #058965

RGB 5 137 101

HSL 163.64, 0.93%, 0.28%

LAB 50.53, -40.48, 10.6

 

CMYK 86 / 0 / 23 / 39

HEX #169B78

RGB 22 155 120

HSL 164.21, 0.75%, 0.35%

LAB 57.05, -42.02, 8.98

 

CMYK 77 / 0 / 20 / 32

HEX #27AD8B

RGB 39 173 139

HSL 164.78, 0.63%, 0.42%

LAB 63.49, -43.08, 7.55

 

CMYK 71 / 0 / 17 / 25

HEX #38BF9E

RGB 56 191 158

HSL 165.33, 0.55%, 0.48%

LAB 69.87, -43.78, 6.28

 

CMYK 65 / 0 / 15 / 18

HEX #49D1B1

RGB 73 209 177

HSL 165.88, 0.6%, 0.55%

LAB 76.19, -44.23, 5.14

 

CMYK 100 / 0 / 23 / 46

HEX #00896A

RGB 0 137 106

HSL 166.42, 1%, 0.27%

LAB 50.61, -39.46, 7.82

 

CMYK 100 / 0 / 27 / 53

HEX #007757

RGB 0 119 87

HSL 163.87, 1%, 0.23%

LAB 44.06, -36.91, 9.69

 

CMYK 100 / 0 / 33 / 60

HEX #006544

RGB 0 101 68

HSL 160.4, 1%, 0.2%

LAB 37.34, -34.25, 11.68

 

CMYK 100 / 0 / 41 / 67

HEX #005331

RGB 0 83 49

HSL 155.42, 1%, 0.16%

LAB 30.42, -31.43, 13.82

 

CMYK 100 / 0 / 54 / 75

HEX #00411E

RGB 0 65 30

HSL 147.69, 1%, 0.13%

LAB 23.25, -28.34, 16.13

 

CMYK 100 / 0 / 23 / 46

HEX #00896A

RGB 0 137 106

HSL 166.42, 1%, 0.27%

LAB 50.61, -39.46, 7.82

 

CMYK 100 / 0 / 50 / 46

HEX #008945

RGB 0 137 69

HSL 150.22, 1%, 0.27%

LAB 49.88, -47.78, 27.65

 

CMYK 100 / 0 / 77 / 46

HEX #008920

RGB 0 137 32

HSL 134.01, 1%, 0.27%

LAB 49.49, -52.66, 44.52

 

CMYK 97 / 0 / 100 / 46

HEX #048900

RGB 4 137 0

HSL 118.25, 1%, 0.27%

LAB 49.4, -54.02, 52.45

 

CMYK 70 / 0 / 100 / 46

HEX #298900

RGB 41 137 0

HSL 102.04, 1%, 0.27%

LAB 49.93, -49.26, 53.11

 

CMYK 100 / 0 / 23 / 46

HEX #00896A

RGB 0 137 106

HSL 166.42, 1%, 0.27%

LAB 50.61, -39.46, 7.82

 

CMYK 100 / 4 / 0 / 46

HEX #008389

RGB 0 131 137

HSL 182.63, 1%, 0.27%

LAB 49.54, -27.35, -11.84

 

CMYK 100 / 31 / 0 / 46

HEX #005E89

RGB 0 94 137

HSL 198.83, 1%, 0.27%

LAB 37.5, -6.86, -30.41

 

CMYK 100 / 58 / 0 / 46

HEX #003989

RGB 0 57 137

HSL 215.04, 1%, 0.27%

LAB 25.96, 17.99, -48.91

 

CMYK 100 / 85 / 0 / 46

HEX #001489

RGB 0 20 137

HSL 231.24, 1%, 0.27%

LAB 17.02, 42.05, -63.65

RGB 0 20 137

CMYK 100 / 0 / 23 / 46

HEX #00896A

RGB 0 137 106

HSL 166.42, 1%, 0.27%

LAB 50.61, -39.46, 7.82

 

CMYK 100 / 0 / 23 / 46

HEX #00896A

RGB 0 137 106

HSL 166.42, 1%, 0.27%

LAB 50.61, -39.46, 7.82

 

CMYK 91 / 0 / 21 / 51

HEX #0B7E64

RGB 11 126 100

HSL 166.43, 0.84%, 0.27%

LAB 46.86, -35.7, 6

 

CMYK 81 / 0 / 18 / 55

HEX #16735E

RGB 22 115 94

HSL 166.45, 0.68%, 0.27%

LAB 43.12, -31.4, 4.22

 

CMYK 68 / 0 / 15 / 59

HEX #216858

RGB 33 104 88

HSL 166.48, 0.52%, 0.27%

LAB 39.46, -26.14, 2.6

 

CMYK 53 / 0 / 12 / 64

HEX #2C5D52

RGB 44 93 82

HSL 166.53, 0.36%, 0.27%

LAB 35.93, -19.63, 1.23

 

CMYK 100 / 0 / 77 / 46

HEX #008920

RGB 0 137 32

HSL 134.01, 1%, 0.27%

LAB 49.49, -52.66, 44.52

 

CMYK 100 / 0 / 50 / 46

HEX #008944

RGB 0 137 68

HSL 149.78, 1%, 0.27%

LAB 49.87, -47.96, 28.17

 

CMYK 100 / 0 / 23 / 46

HEX #008969

RGB 0 137 105

HSL 165.99, 1%, 0.27%

LAB 50.58, -39.73, 8.37

 

CMYK 100 / 3 / 0 / 46

HEX #008589

RGB 0 133 137

HSL 181.75, 1%, 0.27%

LAB 50.19, -28.34, -10.86

 

CMYK 100 / 30 / 0 / 46

HEX #006089

RGB 0 96 137

HSL 197.96, 1%, 0.27%

LAB 38.15, -8.08, -29.39

 

CMYK 100 / 0 / 24 / 78

HEX #00372A

RGB 0 55 42

HSL 165.82, 1%, 0.11%

LAB 19.64, -20.73, 3.44

 

CMYK 100 / 0 / 23 / 62

HEX #00604A

RGB 0 96 74

HSL 166.25, 1%, 0.19%

LAB 35.71, -30.46, 5.73

 

CMYK 100 / 0 / 23 / 46

HEX #00896A

RGB 0 137 106

HSL 166.42, 1%, 0.27%

LAB 50.61, -39.46, 7.82

 

CMYK 100 / 0 / 22 / 30

HEX #00B28A

RGB 0 178 138

HSL 166.52, 1%, 0.35%

LAB 64.7, -47.97, 9.78

 

CMYK 100 / 0 / 23 / 14

HEX #00DCAA

RGB 0 220 170

HSL 166.36, 1%, 0.43%

LAB 78.51, -56.5, 12.08

 

CMYK 100 / 0 / 23 / 46

HEX #00896A

RGB 0 137 106

HSL 166.42, 1%, 0.27%

LAB 50.61, -39.46, 7.82

 

CMYK 100 / 97 / 0 / 46

HEX #000489

RGB 0 4 137

HSL 238.25, 1%, 0.27%

LAB 14.92, 48.41, -67.16

 

CMYK 0 / 64 / 100 / 46

HEX #893200

RGB 137 50 0

HSL 21.9, 1%, 0.27%

LAB 33.13, 35.2, 44.78

 

CMYK 100 / 0 / 23 / 46

HEX #00896A

RGB 0 137 106

HSL 166.42, 1%, 0.27%

LAB 50.61, -39.46, 7.82

 

CMYK 23 / 100 / 0 / 46

HEX #690089

RGB 105 0 137

HSL 285.99, 1%, 0.27%

LAB 26.18, 56.87, -48.16

 

CMYK 0 / 23 / 100 / 46

HEX #896900

RGB 137 105 0

HSL 45.99, 1%, 0.27%

LAB 46.21, 4.26, 53.06

 

CMYK 100 / 0 / 23 / 46

HEX #00896A

RGB 0 137 106

HSL 166.42, 1%, 0.27%

LAB 50.61, -39.46, 7.82

 

CMYK 100 / 97 / 0 / 46

HEX #000489

RGB 0 4 137

HSL 238.25, 1%, 0.27%

LAB 14.92, 48.41, -67.16

 

CMYK 0 / 100 / 77 / 46

HEX #890020

RGB 137 0 32

HSL 345.99, 1%, 0.27%

LAB 27.91, 51.25, 24.23

 

CMYK 0 / 3 / 100 / 46

HEX #898500

RGB 137 133 0

HSL 58.25, 1%, 0.27%

LAB 54.13, -11.44, 58.69

 

CMYK 100 / 0 / 23 / 46

HEX #00896A

RGB 0 137 106

HSL 166.42, 1%, 0.27%

LAB 50.61, -39.46, 7.82

 

CMYK 74 / 100 / 0 / 46

HEX #240089

RGB 36 0 137

HSL 255.77, 1%, 0.27%

LAB 16.41, 50.63, -64.62

 

CMYK 0 / 100 / 77 / 46

HEX #890020

RGB 137 0 32

HSL 345.99, 1%, 0.27%

LAB 27.91, 51.25, 24.23

 

CMYK 27 / 0 / 100 / 46

HEX #648900

RGB 100 137 0

HSL 76.2, 1%, 0.27%

LAB 52.51, -29.98, 56.22

 

Description

Color code: RGB 0 137 106 | qconv.com Color code: RGB 0 137 106 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 137 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 137 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 23 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 23% 46% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

37% - Veebimeister -
Link: http://veebimeister.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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