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Color name
RGB 13 110 108

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 110 108 it is the complementary color RGB 242 145 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 110 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 110 108 shade: RGB 18 110 103, RGB 35 128 122, RGB 52 146 141, RGB 69 164 160 and RGB 86 182 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 110 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 110 108 shade: RGB 13 110 108, RGB 0 92 89, RGB 0 74 70, RGB 0 56 51 and RGB 0 38 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 110 108 shade: RGB 12 109 107, RGB 12 109 81, RGB 12 109 55, RGB 12 109 29 and RGB 22 109 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 110 108 shade: RGB 12 109 107, RGB 12 85 109, RGB 12 59 109, RGB 12 33 109 and RGB 12 12 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 110 108 shade matches the following richer shades: RGB 12 109 107 and RGB 2 119 117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 110 108 shade: RGB 12 109 107, RGB 22 99 98, RGB 32 89 88, RGB 42 79 79 and RGB 52 69 69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 110 108 shade: RGB 12 109 54, RGB 12 109 80, RGB 12 109 106, RGB 12 86 109 and RGB 12 61 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 13 110 108 shade: RGB 4 35 35, RGB 8 72 71, RGB 12 109 107, RGB 17 146 143 and RGB 21 183 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 110 108 shade: RGB 13 110 108, RGB 28 12 109 and RGB 109 67 12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 110 108 shade: RGB 13 110 108, RGB 106 12 109 and RGB 109 106 12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 110 108 shade: RGB 13 110 108, RGB 28 12 109, RGB 109 12 16 and RGB 93 109 12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 110 108 shade: RGB 13 110 108, RGB 57 12 109, RGB 109 12 16 and RGB 64 109 12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 2 / 57

HEX #0D6E6C

RGB 13 110 108

HSL 178.76, 0.79%, 0.24%

LAB 41.72, -25.65, -6.29

 

Complementary color

CMYK 0 / 40 / 39 / 5

HEX #F29193

RGB 242 145 147

HSL 358.76, 0.79%, 0.76%

LAB 70.34, 36.81, 14.76

 

CMYK 84 / 0 / 6 / 57

HEX #126E67

RGB 18 110 103

HSL 175.43, 0.72%, 0.25%

LAB 41.63, -26.8, -3.39

 

CMYK 73 / 0 / 5 / 50

HEX #23807A

RGB 35 128 122

HSL 176.13, 0.57%, 0.32%

LAB 48.51, -27.76, -4.52

 

CMYK 64 / 0 / 3 / 43

HEX #34928D

RGB 52 146 141

HSL 176.81, 0.47%, 0.39%

LAB 55.29, -28.34, -5.49

 

CMYK 58 / 0 / 2 / 36

HEX #45A4A0

RGB 69 164 160

HSL 177.47, 0.41%, 0.46%

LAB 61.96, -28.69, -6.34

 

CMYK 53 / 0 / 2 / 29

HEX #56B6B3

RGB 86 182 179

HSL 178.13, 0.4%, 0.53%

LAB 68.53, -28.88, -7.12

 

CMYK 88 / 0 / 2 / 57

HEX #0D6E6C

RGB 13 110 108

HSL 178.76, 0.79%, 0.24%

LAB 41.72, -25.65, -6.29

 

CMYK 100 / 0 / 3 / 64

HEX #005C59

RGB 0 92 89

HSL 178.04, 1%, 0.18%

LAB 34.75, -23.85, -4.99

 

CMYK 100 / 0 / 5 / 71

HEX #004A46

RGB 0 74 70

HSL 176.76, 1%, 0.15%

LAB 27.68, -21.08, -3.4

 

CMYK 100 / 0 / 9 / 78

HEX #003833

RGB 0 56 51

HSL 174.64, 1%, 0.11%

LAB 20.31, -18.21, -1.69

 

CMYK 100 / 0 / 16 / 85

HEX #002620

RGB 0 38 32

HSL 170.53, 1%, 0.07%

LAB 12.55, -15.2, 0.19

 

CMYK 89 / 0 / 2 / 57

HEX #0C6D6B

RGB 12 109 107

HSL 178.76, 0.8%, 0.24%

LAB 41.34, -25.55, -6.25

 

CMYK 89 / 0 / 26 / 57

HEX #0C6D51

RGB 12 109 81

HSL 162.68, 0.8%, 0.24%

LAB 40.59, -33.29, 8.39

 

CMYK 89 / 0 / 50 / 57

HEX #0C6D37

RGB 12 109 55

HSL 146.6, 0.8%, 0.24%

LAB 40.07, -39.21, 22.91

 

CMYK 89 / 0 / 73 / 57

HEX #0C6D1D

RGB 12 109 29

HSL 130.52, 0.8%, 0.24%

LAB 39.76, -43, 35.74

 

CMYK 80 / 0 / 89 / 57

HEX #166D0C

RGB 22 109 12

HSL 113.81, 0.8%, 0.24%

LAB 39.81, -42.95, 41.84

 

CMYK 89 / 0 / 2 / 57

HEX #0C6D6B

RGB 12 109 107

HSL 178.76, 0.8%, 0.24%

LAB 41.34, -25.55, -6.25

 

CMYK 89 / 22 / 0 / 57

HEX #0C556D

RGB 12 85 109

HSL 194.85, 0.8%, 0.24%

LAB 33.31, -11.68, -19.7

 

CMYK 89 / 46 / 0 / 57

HEX #0C3B6D

RGB 12 59 109

HSL 210.93, 0.8%, 0.24%

LAB 24.67, 5.25, -33.32

 

CMYK 89 / 70 / 0 / 57

HEX #0C216D

RGB 12 33 109

HSL 227.01, 0.8%, 0.24%

LAB 16.84, 24.07, -46.03

 

CMYK 89 / 89 / 0 / 57

HEX #0C0C6D

RGB 12 12 109

HSL 240, 0.8%, 0.24%

LAB 12.26, 36.98, -53.62

 

CMYK 89 / 0 / 2 / 57

HEX #0C6D6B

RGB 12 109 107

HSL 178.76, 0.8%, 0.24%

LAB 41.34, -25.55, -6.25

 

CMYK 98 / 0 / 2 / 53

HEX #027775

RGB 2 119 117

HSL 178.97, 0.97%, 0.24%

LAB 44.93, -27.91, -6.92

 

CMYK 89 / 0 / 2 / 57

HEX #0C6D6B

RGB 12 109 107

HSL 178.76, 0.8%, 0.24%

LAB 41.34, -25.55, -6.25

 

CMYK 78 / 0 / 1 / 61

HEX #166362

RGB 22 99 98

HSL 179.22, 0.64%, 0.24%

LAB 37.8, -22.34, -6.01

 

CMYK 64 / 0 / 1 / 65

HEX #205958

RGB 32 89 88

HSL 178.95, 0.47%, 0.24%

LAB 34.31, -18.54, -4.96

 

CMYK 47 / 0 / 0 / 69

HEX #2A4F4F

RGB 42 79 79

HSL 180, 0.31%, 0.24%

LAB 30.99, -13.21, -4.15

 

CMYK 25 / 0 / 0 / 73

HEX #344545

RGB 52 69 69

HSL 180, 0.14%, 0.24%

LAB 27.89, -6.72, -2.22

 

CMYK 89 / 0 / 50 / 57

HEX #0C6D36

RGB 12 109 54

HSL 145.98, 0.8%, 0.24%

LAB 40.05, -39.4, 23.45

 

CMYK 89 / 0 / 27 / 57

HEX #0C6D50

RGB 12 109 80

HSL 162.06, 0.8%, 0.24%

LAB 40.56, -33.55, 8.96

 

CMYK 89 / 0 / 3 / 57

HEX #0C6D6A

RGB 12 109 106

HSL 178.14, 0.8%, 0.24%

LAB 41.31, -25.88, -5.69

 

CMYK 89 / 21 / 0 / 57

HEX #0C566D

RGB 12 86 109

HSL 194.23, 0.8%, 0.24%

LAB 33.64, -12.28, -19.18

 

CMYK 89 / 44 / 0 / 57

HEX #0C3D6D

RGB 12 61 109

HSL 209.69, 0.8%, 0.24%

LAB 25.32, 3.85, -32.28

 

CMYK 89 / 0 / 0 / 86

HEX #042323

RGB 4 35 35

HSL 180, 0.79%, 0.08%

LAB 11.62, -11.16, -3.34

 

CMYK 89 / 0 / 1 / 72

HEX #084847

RGB 8 72 71

HSL 179.06, 0.8%, 0.16%

LAB 27.13, -18.71, -4.85

 

CMYK 89 / 0 / 2 / 57

HEX #0C6D6B

RGB 12 109 107

HSL 178.76, 0.8%, 0.24%

LAB 41.34, -25.55, -6.25

 

CMYK 88 / 0 / 2 / 43

HEX #11928F

RGB 17 146 143

HSL 178.6, 0.79%, 0.32%

LAB 54.72, -31.85, -7.55

 

CMYK 89 / 0 / 2 / 28

HEX #15B7B4

RGB 21 183 180

HSL 178.89, 0.79%, 0.4%

LAB 67.52, -37.59, -9.31

 

CMYK 88 / 0 / 2 / 57

HEX #0D6E6C

RGB 13 110 108

HSL 178.76, 0.79%, 0.24%

LAB 41.72, -25.65, -6.29

 

CMYK 74 / 89 / 0 / 57

HEX #1C0C6D

RGB 28 12 109

HSL 249.9, 0.8%, 0.24%

LAB 13.31, 37.91, -51.83

 

CMYK 0 / 39 / 89 / 57

HEX #6D430C

RGB 109 67 12

HSL 34.02, 0.8%, 0.24%

LAB 32.46, 13.65, 37.69

 

CMYK 88 / 0 / 2 / 57

HEX #0D6E6C

RGB 13 110 108

HSL 178.76, 0.79%, 0.24%

LAB 41.72, -25.65, -6.29

 

CMYK 3 / 89 / 0 / 57

HEX #6A0C6D

RGB 106 12 109

HSL 298.14, 0.8%, 0.24%

LAB 25.05, 49.57, -32.19

 

CMYK 0 / 3 / 89 / 57

HEX #6D6A0C

RGB 109 106 12

HSL 58.14, 0.8%, 0.24%

LAB 43.63, -9.55, 47.03

 

CMYK 88 / 0 / 2 / 57

HEX #0D6E6C

RGB 13 110 108

HSL 178.76, 0.79%, 0.24%

LAB 41.72, -25.65, -6.29

 

CMYK 74 / 89 / 0 / 57

HEX #1C0C6D

RGB 28 12 109

HSL 249.9, 0.8%, 0.24%

LAB 13.31, 37.91, -51.83

 

CMYK 0 / 89 / 85 / 57

HEX #6D0C10

RGB 109 12 16

HSL 357.53, 0.8%, 0.24%

LAB 22.13, 40.45, 26.26

 

CMYK 15 / 0 / 89 / 57

HEX #5D6D0C

RGB 93 109 12

HSL 69.9, 0.8%, 0.24%

LAB 43.2, -18.74, 46.12

 

CMYK 88 / 0 / 2 / 57

HEX #0D6E6C

RGB 13 110 108

HSL 178.76, 0.79%, 0.24%

LAB 41.72, -25.65, -6.29

 

CMYK 48 / 89 / 0 / 57

HEX #390C6D

RGB 57 12 109

HSL 267.84, 0.8%, 0.24%

LAB 16.68, 41.05, -46.15

 

CMYK 0 / 89 / 85 / 57

HEX #6D0C10

RGB 109 12 16

HSL 357.53, 0.8%, 0.24%

LAB 22.13, 40.45, 26.26

 

CMYK 41 / 0 / 89 / 57

HEX #406D0C

RGB 64 109 12

HSL 87.84, 0.8%, 0.24%

LAB 41.3, -31.12, 43.74

 

Description

Color code: RGB 13 110 108 | qconv.com Color code: RGB 13 110 108 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 110 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 110 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 2 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 2% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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