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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 184 91 it is the complementary color RGB 242 71 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 184 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 184 91 shade: RGB 18 184 86, RGB 35 202 105, RGB 52 220 124, RGB 69 238 143 and RGB 86 255 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 184 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 184 91 shade: RGB 13 184 91, RGB 0 166 72, RGB 0 148 53, RGB 0 130 34 and RGB 0 112 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 184 91 shade: RGB 12 185 91, RGB 12 185 45, RGB 27 185 12, RGB 73 185 12 and RGB 120 185 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 184 91 shade: RGB 12 185 91, RGB 12 185 138, RGB 12 185 185, RGB 12 140 185 and RGB 12 93 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 184 91 shade matches the following richer shades: RGB 12 185 91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 184 91 shade: RGB 12 185 91, RGB 29 169 93, RGB 45 153 94, RGB 61 137 96 and RGB 77 121 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 184 91 shade: RGB 27 185 12, RGB 12 185 44, RGB 12 185 90, RGB 12 185 136 and RGB 12 185 183

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 13 184 91 shade: RGB 7 108 53, RGB 10 147 72, RGB 12 185 91, RGB 15 224 110 and RGB 41 240 131

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 184 91 shade: RGB 13 184 91, RGB 12 73 185 and RGB 185 21 12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 184 91 shade: RGB 13 184 91, RGB 90 12 185 and RGB 185 90 12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 184 91 shade: RGB 13 184 91, RGB 12 73 185, RGB 185 12 108 and RGB 185 125 12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 184 91 shade: RGB 13 184 91, RGB 12 21 185, RGB 185 12 108 and RGB 185 177 12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 51 / 28

HEX #0DB85B

RGB 13 184 91

HSL 147.37, 0.87%, 0.39%

LAB 65.84, -59.42, 36.31

 

Complementary color

CMYK 0 / 71 / 32 / 5

HEX #F247A4

RGB 242 71 164

HSL 327.37, 0.87%, 0.61%

LAB 58.1, 71.96, -12.75

 

CMYK 90 / 0 / 53 / 28

HEX #12B856

RGB 18 184 86

HSL 144.58, 0.82%, 0.4%

LAB 65.81, -59.93, 38.76

 

CMYK 83 / 0 / 48 / 21

HEX #23CA69

RGB 35 202 105

HSL 145.15, 0.7%, 0.46%

LAB 71.97, -61.58, 37.05

 

CMYK 76 / 0 / 44 / 14

HEX #34DC7C

RGB 52 220 124

HSL 145.71, 0.71%, 0.53%

LAB 78.09, -62.71, 35.42

 

CMYK 71 / 0 / 40 / 7

HEX #45EE8F

RGB 69 238 143

HSL 146.27, 0.83%, 0.6%

LAB 84.17, -63.48, 33.89

 

CMYK 66 / 0 / 36 / 0

HEX #56FFA2

RGB 86 255 162

HSL 146.98, 1%, 0.67%

LAB 89.91, -63.6, 32.05

 

CMYK 93 / 0 / 51 / 28

HEX #0DB85B

RGB 13 184 91

HSL 147.37, 0.87%, 0.39%

LAB 65.84, -59.42, 36.31

 

CMYK 100 / 0 / 57 / 35

HEX #00A648

RGB 0 166 72

HSL 146.02, 1%, 0.33%

LAB 59.65, -57.06, 38.13

 

CMYK 100 / 0 / 64 / 42

HEX #009435

RGB 0 148 53

HSL 141.49, 1%, 0.29%

LAB 53.42, -53.88, 39.91

 

CMYK 100 / 0 / 74 / 49

HEX #008222

RGB 0 130 34

HSL 135.69, 1%, 0.25%

LAB 47.08, -50.32, 41.28

 

CMYK 100 / 0 / 87 / 56

HEX #00700F

RGB 0 112 15

HSL 128.04, 1%, 0.22%

LAB 40.61, -46.26, 41.64

 

CMYK 94 / 0 / 51 / 27

HEX #0CB95B

RGB 12 185 91

HSL 147.4, 0.88%, 0.39%

LAB 66.16, -59.8, 36.7

 

CMYK 94 / 0 / 76 / 27

HEX #0CB92D

RGB 12 185 45

HSL 131.45, 0.88%, 0.39%

LAB 65.72, -65.25, 56.15

 

CMYK 85 / 0 / 94 / 27

HEX #1BB90C

RGB 27 185 12

HSL 114.8, 0.88%, 0.39%

LAB 65.72, -65.8, 64.14

 

CMYK 61 / 0 / 94 / 27

HEX #49B90C

RGB 73 185 12

HSL 98.84, 0.88%, 0.39%

LAB 66.63, -57.95, 65.27

 

CMYK 35 / 0 / 94 / 27

HEX #78B90C

RGB 120 185 12

HSL 82.54, 0.88%, 0.39%

LAB 68.55, -43.38, 67.62

 

CMYK 94 / 0 / 51 / 27

HEX #0CB95B

RGB 12 185 91

HSL 147.4, 0.88%, 0.39%

LAB 66.16, -59.8, 36.7

 

CMYK 94 / 0 / 25 / 27

HEX #0CB98A

RGB 12 185 138

HSL 163.7, 0.88%, 0.39%

LAB 66.98, -50.29, 13.01

 

CMYK 94 / 0 / 0 / 27

HEX #0CB9B9

RGB 12 185 185

HSL 180, 0.88%, 0.39%

LAB 68.23, -37.4, -11.02

 

CMYK 94 / 24 / 0 / 27

HEX #0C8CB9

RGB 12 140 185

HSL 195.61, 0.88%, 0.39%

LAB 54.38, -14.73, -32.17

 

CMYK 94 / 50 / 0 / 27

HEX #0C5DB9

RGB 12 93 185

HSL 211.91, 0.88%, 0.39%

LAB 40.26, 13.93, -54.6

 

CMYK 94 / 0 / 51 / 27

HEX #0CB95B

RGB 12 185 91

HSL 147.4, 0.88%, 0.39%

LAB 66.16, -59.8, 36.7

 

CMYK 94 / 0 / 51 / 27

HEX #0CB95B

RGB 12 185 91

HSL 147.4, 0.88%, 0.39%

LAB 66.16, -59.8, 36.7

 

CMYK 83 / 0 / 45 / 34

HEX #1DA95D

RGB 29 169 93

HSL 147.43, 0.71%, 0.39%

LAB 61.16, -52.69, 29.38

 

CMYK 71 / 0 / 39 / 40

HEX #2D995E

RGB 45 153 94

HSL 147.22, 0.55%, 0.39%

LAB 56.24, -44.24, 22.44

 

CMYK 55 / 0 / 30 / 46

HEX #3D8960

RGB 61 137 96

HSL 147.63, 0.38%, 0.39%

LAB 51.53, -33.58, 15.03

 

CMYK 36 / 0 / 20 / 53

HEX #4D7961

RGB 77 121 97

HSL 147.27, 0.22%, 0.39%

LAB 47.13, -20.87, 8.41

 

CMYK 85 / 0 / 94 / 27

HEX #1BB90C

RGB 27 185 12

HSL 114.8, 0.88%, 0.39%

LAB 65.72, -65.8, 64.14

 

CMYK 94 / 0 / 76 / 27

HEX #0CB92C

RGB 12 185 44

HSL 131.1, 0.88%, 0.39%

LAB 65.72, -65.33, 56.48

 

CMYK 94 / 0 / 51 / 27

HEX #0CB95A

RGB 12 185 90

HSL 147.05, 0.88%, 0.39%

LAB 66.15, -59.96, 37.19

 

CMYK 94 / 0 / 26 / 27

HEX #0CB988

RGB 12 185 136

HSL 163.01, 0.88%, 0.39%

LAB 66.94, -50.77, 14.04

 

CMYK 94 / 0 / 1 / 27

HEX #0CB9B7

RGB 12 185 183

HSL 179.31, 0.88%, 0.39%

LAB 68.16, -38, -10.01

 

CMYK 94 / 0 / 51 / 58

HEX #076C35

RGB 7 108 53

HSL 147.33, 0.88%, 0.23%

LAB 39.63, -39.66, 23.46

 

CMYK 93 / 0 / 51 / 42

HEX #0A9348

RGB 10 147 72

HSL 147.15, 0.87%, 0.31%

LAB 53.38, -50.14, 30.48

 

CMYK 94 / 0 / 51 / 27

HEX #0CB95B

RGB 12 185 91

HSL 147.4, 0.88%, 0.39%

LAB 66.16, -59.8, 36.7

 

CMYK 93 / 0 / 51 / 12

HEX #0FE06E

RGB 15 224 110

HSL 147.27, 0.87%, 0.47%

LAB 78.77, -69.34, 43.07

 

CMYK 83 / 0 / 45 / 6

HEX #29F083

RGB 41 240 131

HSL 147.14, 0.87%, 0.55%

LAB 84.19, -69.51, 39.76

 

CMYK 93 / 0 / 51 / 28

HEX #0DB85B

RGB 13 184 91

HSL 147.37, 0.87%, 0.39%

LAB 65.84, -59.42, 36.31

 

CMYK 94 / 61 / 0 / 27

HEX #0C49B9

RGB 12 73 185

HSL 218.84, 0.88%, 0.39%

LAB 34.69, 27.29, -63.66

 

CMYK 0 / 89 / 94 / 27

HEX #B9150C

RGB 185 21 12

HSL 3.12, 0.88%, 0.39%

LAB 39.37, 60.41, 48.89

 

CMYK 93 / 0 / 51 / 28

HEX #0DB85B

RGB 13 184 91

HSL 147.37, 0.87%, 0.39%

LAB 65.84, -59.42, 36.31

 

CMYK 51 / 94 / 0 / 27

HEX #5A0CB9

RGB 90 12 185

HSL 267.05, 0.88%, 0.39%

LAB 29.26, 63.22, -72.42

 

CMYK 0 / 51 / 94 / 27

HEX #B95A0C

RGB 185 90 12

HSL 27.05, 0.88%, 0.39%

LAB 49.07, 34.35, 55.32

 

CMYK 93 / 0 / 51 / 28

HEX #0DB85B

RGB 13 184 91

HSL 147.37, 0.87%, 0.39%

LAB 65.84, -59.42, 36.31

 

CMYK 94 / 61 / 0 / 27

HEX #0C49B9

RGB 12 73 185

HSL 218.84, 0.88%, 0.39%

LAB 34.69, 27.29, -63.66

 

CMYK 0 / 94 / 42 / 27

HEX #B90C6C

RGB 185 12 108

HSL 326.71, 0.88%, 0.39%

LAB 40.67, 66.61, -6.12

 

CMYK 0 / 32 / 94 / 27

HEX #B97D0C

RGB 185 125 12

HSL 39.19, 0.88%, 0.39%

LAB 57.08, 15.32, 61.05

 

CMYK 93 / 0 / 51 / 28

HEX #0DB85B

RGB 13 184 91

HSL 147.37, 0.87%, 0.39%

LAB 65.84, -59.42, 36.31

 

CMYK 94 / 89 / 0 / 27

HEX #0C15B9

RGB 12 21 185

HSL 236.88, 0.88%, 0.39%

LAB 24.06, 56.73, -81.24

 

CMYK 0 / 94 / 42 / 27

HEX #B90C6C

RGB 185 12 108

HSL 326.71, 0.88%, 0.39%

LAB 40.67, 66.61, -6.12

 

CMYK 0 / 4 / 94 / 27

HEX #B9B10C

RGB 185 177 12

HSL 57.23, 0.88%, 0.39%

LAB 70.72, -12.72, 71.25

 

Description

Color code: RGB 13 184 91 | qconv.com Color code: RGB 13 184 91 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 184 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 184 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 51 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 51% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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