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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 100 106 134 it is the complementary color RGB 155 149 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 100 106 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 100 106 134 shade: RGB 105 106 129, RGB 122 124 148, RGB 139 142 167, RGB 156 160 186 and RGB 173 178 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 100 106 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 100 106 134 shade: RGB 100 106 134, RGB 83 88 115, RGB 66 70 96, RGB 49 52 77 and RGB 32 34 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 100 106 134 shade: RGB 99 105 134, RGB 102 99 134, RGB 112 99 134, RGB 121 99 134 and RGB 131 99 134

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 100 106 134 shade: RGB 99 105 134 and RGB 99 99 134

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 100 106 134 shade matches the following richer shades: RGB 99 105 134, RGB 80 93 153, RGB 61 81 172, RGB 42 69 191 and RGB 23 56 210

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 100 106 134 shade: RGB 99 105 134, RGB 118 118 115, RGB 137 130 96, RGB 156 142 77 and RGB 175 155 58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 100 106 134 shade: RGB 99 124 134, RGB 99 115 134, RGB 99 106 134, RGB 102 99 134 and RGB 112 99 134

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 100 106 134 shade: RGB 64 68 87, RGB 82 87 111, RGB 99 105 134, RGB 120 126 155 and RGB 144 149 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 100 106 134 shade: RGB 100 106 134, RGB 134 99 134 and RGB 120 134 99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 100 106 134 shade: RGB 100 106 134, RGB 134 99 106 and RGB 106 134 99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 100 106 134 shade: RGB 100 106 134, RGB 134 99 134, RGB 134 128 99 and RGB 99 134 100

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 100 106 134 shade: RGB 100 106 134, RGB 134 99 123, RGB 134 128 99 and RGB 99 134 110

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 21 / 0 / 47

HEX #646A86

RGB 100 106 134

HSL 229.41, 0.15%, 0.46%

LAB 45.27, 4.35, -16.21

 

Complementary color

CMYK 0 / 4 / 22 / 39

HEX #9B9579

RGB 155 149 121

HSL 49.41, 0.15%, 0.54%

LAB 61.52, -2.57, 15.61

 

CMYK 19 / 18 / 0 / 49

HEX #696A81

RGB 105 106 129

HSL 237.5, 0.1%, 0.46%

LAB 45.49, 4.8, -12.84

 

CMYK 18 / 16 / 0 / 42

HEX #7A7C94

RGB 122 124 148

HSL 235.38, 0.11%, 0.53%

LAB 52.61, 4.51, -13.18

 

CMYK 17 / 15 / 0 / 35

HEX #8B8EA7

RGB 139 142 167

HSL 233.57, 0.14%, 0.6%

LAB 59.55, 4.24, -13.52

 

CMYK 16 / 14 / 0 / 27

HEX #9CA0BA

RGB 156 160 186

HSL 232, 0.18%, 0.67%

LAB 66.33, 3.99, -13.88

 

CMYK 16 / 13 / 0 / 20

HEX #ADB2CD

RGB 173 178 205

HSL 230.63, 0.24%, 0.74%

LAB 72.98, 3.77, -14.24

 

CMYK 25 / 21 / 0 / 47

HEX #646A86

RGB 100 106 134

HSL 229.41, 0.15%, 0.46%

LAB 45.27, 4.35, -16.21

 

CMYK 28 / 23 / 0 / 55

HEX #535873

RGB 83 88 115

HSL 230.63, 0.16%, 0.39%

LAB 37.94, 4.72, -15.99

 

CMYK 31 / 27 / 0 / 62

HEX #424660

RGB 66 70 96

HSL 232, 0.19%, 0.32%

LAB 30.36, 5.15, -15.84

 

CMYK 36 / 32 / 0 / 70

HEX #31344D

RGB 49 52 77

HSL 233.57, 0.22%, 0.25%

LAB 22.46, 5.7, -15.76

 

CMYK 45 / 41 / 0 / 77

HEX #20223A

RGB 32 34 58

HSL 235.38, 0.29%, 0.18%

LAB 14.15, 6.47, -15.8

 

CMYK 26 / 22 / 0 / 47

HEX #636986

RGB 99 105 134

HSL 229.71, 0.15%, 0.46%

LAB 44.91, 4.63, -16.77

 

CMYK 24 / 26 / 0 / 47

HEX #666386

RGB 102 99 134

HSL 245.14, 0.15%, 0.46%

LAB 43.46, 9.28, -18.96

 

CMYK 16 / 26 / 0 / 47

HEX #706386

RGB 112 99 134

HSL 262.29, 0.15%, 0.46%

LAB 44.36, 12.68, -17.51

 

CMYK 10 / 26 / 0 / 47

HEX #796386

RGB 121 99 134

HSL 277.71, 0.15%, 0.46%

LAB 45.23, 15.83, -16.1

 

CMYK 2 / 26 / 0 / 47

HEX #836386

RGB 131 99 134

HSL 294.86, 0.15%, 0.46%

LAB 46.27, 19.38, -14.42

 

CMYK 26 / 22 / 0 / 47

HEX #636986

RGB 99 105 134

HSL 229.71, 0.15%, 0.46%

LAB 44.91, 4.63, -16.77

 

CMYK 26 / 26 / 0 / 47

HEX #636386

RGB 99 99 134

HSL 240, 0.15%, 0.46%

LAB 43.21, 8.29, -19.38

 

CMYK 26 / 22 / 0 / 47

HEX #636986

RGB 99 105 134

HSL 229.71, 0.15%, 0.46%

LAB 44.91, 4.63, -16.77

 

CMYK 48 / 39 / 0 / 40

HEX #505D99

RGB 80 93 153

HSL 229.32, 0.31%, 0.46%

LAB 40.95, 11.95, -34.42

 

CMYK 65 / 53 / 0 / 33

HEX #3D51AC

RGB 61 81 172

HSL 229.19, 0.48%, 0.46%

LAB 37.58, 22.04, -51.19

 

CMYK 78 / 64 / 0 / 25

HEX #2A45BF

RGB 42 69 191

HSL 229.13, 0.64%, 0.46%

LAB 35.02, 34.25, -66.61

 

CMYK 89 / 73 / 0 / 18

HEX #1738D2

RGB 23 56 210

HSL 229.41, 0.8%, 0.46%

LAB 33.27, 47.85, -80.59

 

CMYK 26 / 22 / 0 / 47

HEX #636986

RGB 99 105 134

HSL 229.71, 0.15%, 0.46%

LAB 44.91, 4.63, -16.77

 

CMYK 0 / 0 / 3 / 54

HEX #767673

RGB 118 118 115

HSL 60, 0.01%, 0.46%

LAB 49.55, -0.6, 1.64

 

CMYK 0 / 5 / 30 / 46

HEX #898260

RGB 137 130 96

HSL 49.76, 0.18%, 0.46%

LAB 54.16, -3.01, 19.4

 

CMYK 0 / 9 / 51 / 39

HEX #9C8E4D

RGB 156 142 77

HSL 49.37, 0.34%, 0.46%

LAB 58.93, -3.79, 36.26

 

CMYK 0 / 11 / 67 / 31

HEX #AF9B3A

RGB 175 155 58

HSL 49.74, 0.5%, 0.46%

LAB 64.05, -3.99, 51.69

 

CMYK 26 / 7 / 0 / 47

HEX #637C86

RGB 99 124 134

HSL 197.14, 0.15%, 0.46%

LAB 50.44, -6.58, -8.41

 

CMYK 26 / 14 / 0 / 47

HEX #637386

RGB 99 115 134

HSL 212.57, 0.15%, 0.46%

LAB 47.8, -1.35, -12.38

 

CMYK 26 / 21 / 0 / 47

HEX #636A86

RGB 99 106 134

HSL 228, 0.15%, 0.46%

LAB 45.2, 4.02, -16.33

 

CMYK 24 / 26 / 0 / 47

HEX #666386

RGB 102 99 134

HSL 245.14, 0.15%, 0.46%

LAB 43.46, 9.28, -18.96

 

CMYK 16 / 26 / 0 / 47

HEX #706386

RGB 112 99 134

HSL 262.29, 0.15%, 0.46%

LAB 44.36, 12.68, -17.51

 

CMYK 26 / 22 / 0 / 66

HEX #404457

RGB 64 68 87

HSL 229.57, 0.15%, 0.3%

LAB 29.19, 3.21, -11.86

 

CMYK 26 / 22 / 0 / 56

HEX #52576F

RGB 82 87 111

HSL 229.66, 0.15%, 0.38%

LAB 37.4, 3.92, -14.35

 

CMYK 26 / 22 / 0 / 47

HEX #636986

RGB 99 105 134

HSL 229.71, 0.15%, 0.46%

LAB 44.91, 4.63, -16.77

 

CMYK 23 / 19 / 0 / 39

HEX #787E9B

RGB 120 126 155

HSL 229.71, 0.15%, 0.54%

LAB 53.26, 4.34, -16.29

 

CMYK 17 / 14 / 0 / 32

HEX #9095AD

RGB 144 149 173

HSL 229.66, 0.15%, 0.62%

LAB 62.03, 3.29, -13.14

 

CMYK 25 / 21 / 0 / 47

HEX #646A86

RGB 100 106 134

HSL 229.41, 0.15%, 0.46%

LAB 45.27, 4.35, -16.21

 

CMYK 0 / 26 / 0 / 47

HEX #866386

RGB 134 99 134

HSL 300, 0.15%, 0.46%

LAB 46.6, 20.46, -13.9

 

CMYK 10 / 0 / 26 / 47

HEX #788663

RGB 120 134 99

HSL 84, 0.15%, 0.46%

LAB 53.97, -11.7, 17.19

 

CMYK 25 / 21 / 0 / 47

HEX #646A86

RGB 100 106 134

HSL 229.41, 0.15%, 0.46%

LAB 45.27, 4.35, -16.21

 

CMYK 0 / 26 / 21 / 47

HEX #86636A

RGB 134 99 106

HSL 348, 0.15%, 0.46%

LAB 45.68, 15.27, 1.59

 

CMYK 21 / 0 / 26 / 47

HEX #6A8663

RGB 106 134 99

HSL 108, 0.15%, 0.46%

LAB 52.97, -17.1, 15.66

 

CMYK 25 / 21 / 0 / 47

HEX #646A86

RGB 100 106 134

HSL 229.41, 0.15%, 0.46%

LAB 45.27, 4.35, -16.21

 

CMYK 0 / 26 / 0 / 47

HEX #866386

RGB 134 99 134

HSL 300, 0.15%, 0.46%

LAB 46.6, 20.46, -13.9

 

CMYK 0 / 4 / 26 / 47

HEX #868063

RGB 134 128 99

HSL 49.71, 0.15%, 0.46%

LAB 53.39, -2.69, 16.6

 

CMYK 26 / 0 / 25 / 47

HEX #638664

RGB 99 134 100

HSL 121.71, 0.15%, 0.46%

LAB 52.53, -19.5, 14.42

 

CMYK 25 / 21 / 0 / 47

HEX #646A86

RGB 100 106 134

HSL 229.41, 0.15%, 0.46%

LAB 45.27, 4.35, -16.21

 

CMYK 0 / 26 / 8 / 47

HEX #86637B

RGB 134 99 123

HSL 318.86, 0.15%, 0.46%

LAB 46.21, 18.3, -7.88

 

CMYK 0 / 4 / 26 / 47

HEX #868063

RGB 134 128 99

HSL 49.71, 0.15%, 0.46%

LAB 53.39, -2.69, 16.6

 

CMYK 26 / 0 / 18 / 47

HEX #63866E

RGB 99 134 110

HSL 138.86, 0.15%, 0.46%

LAB 52.76, -17.55, 8.99

 

Description

Color code: RGB 100 106 134 | qconv.com Color code: RGB 100 106 134 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 106 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 106 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 21 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 21% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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