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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 100 82 109 it is the complementary color RGB 155 173 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 100 82 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 100 82 109 shade: RGB 105 82 104, RGB 122 100 123, RGB 139 118 142, RGB 156 136 161 and RGB 173 154 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 100 82 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 100 82 109 shade: RGB 100 82 109, RGB 83 64 90, RGB 66 46 71, RGB 49 28 52 and RGB 32 10 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 100 82 109 shade: RGB 98 81 107, RGB 105 81 107, RGB 107 81 102, RGB 107 81 94 and RGB 107 81 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 100 82 109 shade: RGB 98 81 107, RGB 91 81 107, RGB 84 81 107 and RGB 81 81 107

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 100 82 109 shade matches the following richer shades: RGB 98 81 107, RGB 103 65 122, RGB 108 50 138, RGB 114 35 153 and RGB 119 20 168

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 100 82 109 shade: RGB 98 81 107, RGB 93 96 92, RGB 88 111 77, RGB 83 126 61 and RGB 78 142 46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 100 82 109 shade: RGB 84 81 107, RGB 91 81 107, RGB 98 81 107, RGB 105 81 107 and RGB 107 81 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 100 82 109 shade: RGB 55 45 60, RGB 77 63 84, RGB 98 81 107, RGB 120 98 131 and RGB 141 118 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 100 82 109 shade: RGB 100 82 109, RGB 107 81 84 and RGB 81 107 88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 100 82 109 shade: RGB 100 82 109, RGB 107 98 81 and RGB 81 107 98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 100 82 109 shade: RGB 100 82 109, RGB 107 81 84, RGB 89 107 81 and RGB 81 107 104

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 100 82 109 shade: RGB 100 82 109, RGB 107 85 81, RGB 89 107 81 and RGB 81 103 107

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 25 / 0 / 57

HEX #64526D

RGB 100 82 109

HSL 280, 0.14%, 0.37%

LAB 37.57, 13.01, -12.71

 

Complementary color

CMYK 10 / 0 / 16 / 32

HEX #9BAD92

RGB 155 173 146

HSL 100, 0.14%, 0.63%

LAB 68.7, -11.38, 11.78

 

CMYK 0 / 22 / 1 / 59

HEX #695268

RGB 105 82 104

HSL 302.61, 0.12%, 0.37%

LAB 37.91, 13.79, -9.04

 

CMYK 1 / 19 / 0 / 52

HEX #7A647B

RGB 122 100 123

HSL 297.39, 0.1%, 0.44%

LAB 45.2, 13.21, -9.53

 

CMYK 2 / 17 / 0 / 44

HEX #8B768E

RGB 139 118 142

HSL 292.5, 0.1%, 0.51%

LAB 52.29, 12.7, -10.01

 

CMYK 3 / 16 / 0 / 37

HEX #9C88A1

RGB 156 136 161

HSL 288, 0.12%, 0.58%

LAB 59.2, 12.25, -10.47

 

CMYK 4 / 14 / 0 / 29

HEX #AD9AB4

RGB 173 154 180

HSL 283.85, 0.15%, 0.65%

LAB 65.97, 11.83, -10.92

 

CMYK 8 / 25 / 0 / 57

HEX #64526D

RGB 100 82 109

HSL 280, 0.14%, 0.37%

LAB 37.57, 13.01, -12.71

 

CMYK 8 / 29 / 0 / 65

HEX #53405A

RGB 83 64 90

HSL 283.85, 0.17%, 0.3%

LAB 30.02, 13.65, -12.36

 

CMYK 7 / 35 / 0 / 72

HEX #422E47

RGB 66 46 71

HSL 288, 0.21%, 0.23%

LAB 22.19, 14.41, -12.01

 

CMYK 6 / 46 / 0 / 80

HEX #311C34

RGB 49 28 52

HSL 292.5, 0.3%, 0.16%

LAB 14.01, 15.31, -11.62

 

CMYK 3 / 70 / 0 / 87

HEX #200A21

RGB 32 10 33

HSL 297.39, 0.53%, 0.08%

LAB 5.73, 15.13, -10.59

 

CMYK 8 / 24 / 0 / 58

HEX #62516B

RGB 98 81 107

HSL 279.23, 0.14%, 0.37%

LAB 37.01, 12.43, -12.34

 

CMYK 2 / 24 / 0 / 58

HEX #69516B

RGB 105 81 107

HSL 295.38, 0.14%, 0.37%

LAB 37.75, 15.05, -11.14

 

CMYK 0 / 24 / 5 / 58

HEX #6B5166

RGB 107 81 102

HSL 311.54, 0.14%, 0.37%

LAB 37.79, 14.76, -7.95

 

CMYK 0 / 24 / 12 / 58

HEX #6B515E

RGB 107 81 94

HSL 330, 0.14%, 0.37%

LAB 37.52, 13.19, -3.36

 

CMYK 0 / 24 / 19 / 58

HEX #6B5157

RGB 107 81 87

HSL 346.15, 0.14%, 0.37%

LAB 37.3, 11.9, 0.69

 

CMYK 8 / 24 / 0 / 58

HEX #62516B

RGB 98 81 107

HSL 279.23, 0.14%, 0.37%

LAB 37.01, 12.43, -12.34

 

CMYK 15 / 24 / 0 / 58

HEX #5B516B

RGB 91 81 107

HSL 263.08, 0.14%, 0.37%

LAB 36.31, 9.86, -13.46

 

CMYK 21 / 24 / 0 / 58

HEX #54516B

RGB 84 81 107

HSL 246.92, 0.14%, 0.37%

LAB 35.66, 7.35, -14.52

 

CMYK 24 / 24 / 0 / 58

HEX #51516B

RGB 81 81 107

HSL 240, 0.14%, 0.37%

LAB 35.39, 6.29, -14.95

 

CMYK 8 / 24 / 0 / 58

HEX #62516B

RGB 98 81 107

HSL 279.23, 0.14%, 0.37%

LAB 37.01, 12.43, -12.34

 

CMYK 16 / 47 / 0 / 52

HEX #67417A

RGB 103 65 122

HSL 280, 0.3%, 0.37%

LAB 34.13, 27.57, -26.1

 

CMYK 22 / 64 / 0 / 46

HEX #6C328A

RGB 108 50 138

HSL 279.55, 0.47%, 0.37%

LAB 32.49, 41.21, -38.58

 

CMYK 25 / 77 / 0 / 40

HEX #722399

RGB 114 35 153

HSL 280.17, 0.63%, 0.37%

LAB 31.99, 52.68, -48.56

 

CMYK 29 / 88 / 0 / 34

HEX #7714A8

RGB 119 20 168

HSL 280.14, 0.79%, 0.37%

LAB 32.37, 61.27, -56.99

 

CMYK 8 / 24 / 0 / 58

HEX #62516B

RGB 98 81 107

HSL 279.23, 0.14%, 0.37%

LAB 37.01, 12.43, -12.34

 

CMYK 3 / 0 / 4 / 62

HEX #5D605C

RGB 93 96 92

HSL 105, 0.02%, 0.37%

LAB 40.35, -2.01, 1.87

 

CMYK 21 / 0 / 31 / 56

HEX #586F4D

RGB 88 111 77

HSL 100.59, 0.18%, 0.37%

LAB 44.2, -15.48, 16.24

 

CMYK 34 / 0 / 52 / 51

HEX #537E3D

RGB 83 126 61

HSL 99.69, 0.35%, 0.37%

LAB 48.38, -27.59, 30.54

 

CMYK 45 / 0 / 68 / 44

HEX #4E8E2E

RGB 78 142 46

HSL 100, 0.51%, 0.37%

LAB 53.13, -38.33, 43.21

 

CMYK 21 / 24 / 0 / 58

HEX #54516B

RGB 84 81 107

HSL 246.92, 0.14%, 0.37%

LAB 35.66, 7.35, -14.52

 

CMYK 15 / 24 / 0 / 58

HEX #5B516B

RGB 91 81 107

HSL 263.08, 0.14%, 0.37%

LAB 36.31, 9.86, -13.46

 

CMYK 8 / 24 / 0 / 58

HEX #62516B

RGB 98 81 107

HSL 279.23, 0.14%, 0.37%

LAB 37.01, 12.43, -12.34

 

CMYK 2 / 24 / 0 / 58

HEX #69516B

RGB 105 81 107

HSL 295.38, 0.14%, 0.37%

LAB 37.75, 15.05, -11.14

 

CMYK 0 / 24 / 5 / 58

HEX #6B5166

RGB 107 81 102

HSL 311.54, 0.14%, 0.37%

LAB 37.79, 14.76, -7.95

 

CMYK 8 / 25 / 0 / 76

HEX #372D3C

RGB 55 45 60

HSL 280, 0.14%, 0.21%

LAB 20.1, 7.98, -7.82

 

CMYK 8 / 25 / 0 / 67

HEX #4D3F54

RGB 77 63 84

HSL 280, 0.14%, 0.29%

LAB 28.83, 10.58, -10.35

 

CMYK 8 / 24 / 0 / 58

HEX #62516B

RGB 98 81 107

HSL 279.23, 0.14%, 0.37%

LAB 37.01, 12.43, -12.34

 

CMYK 8 / 25 / 0 / 49

HEX #786283

RGB 120 98 131

HSL 280, 0.14%, 0.45%

LAB 44.75, 15.41, -15.03

 

CMYK 7 / 22 / 0 / 40

HEX #8D7698

RGB 141 118 152

HSL 280.59, 0.14%, 0.53%

LAB 52.83, 15.51, -15.02

 

CMYK 8 / 25 / 0 / 57

HEX #64526D

RGB 100 82 109

HSL 280, 0.14%, 0.37%

LAB 37.57, 13.01, -12.71

 

CMYK 0 / 24 / 21 / 58

HEX #6B5154

RGB 107 81 84

HSL 353.08, 0.14%, 0.37%

LAB 37.21, 11.37, 2.44

 

CMYK 24 / 0 / 18 / 58

HEX #516B58

RGB 81 107 88

HSL 136.15, 0.14%, 0.37%

LAB 42.72, -13.85, 7.56

 

CMYK 8 / 25 / 0 / 57

HEX #64526D

RGB 100 82 109

HSL 280, 0.14%, 0.37%

LAB 37.57, 13.01, -12.71

 

CMYK 0 / 8 / 24 / 58

HEX #6B6251

RGB 107 98 81

HSL 39.23, 0.14%, 0.37%

LAB 41.93, 0.55, 10.99

 

CMYK 24 / 0 / 8 / 58

HEX #516B62

RGB 81 107 98

HSL 159.23, 0.14%, 0.37%

LAB 42.98, -11.65, 1.92

 

CMYK 8 / 25 / 0 / 57

HEX #64526D

RGB 100 82 109

HSL 280, 0.14%, 0.37%

LAB 37.57, 13.01, -12.71

 

CMYK 0 / 24 / 21 / 58

HEX #6B5154

RGB 107 81 84

HSL 353.08, 0.14%, 0.37%

LAB 37.21, 11.37, 2.44

 

CMYK 17 / 0 / 24 / 58

HEX #596B51

RGB 89 107 81

HSL 101.54, 0.14%, 0.37%

LAB 43.11, -12.15, 12.39

 

CMYK 24 / 0 / 3 / 58

HEX #516B68

RGB 81 107 104

HSL 173.08, 0.14%, 0.37%

LAB 43.16, -10.23, -1.45

 

CMYK 8 / 25 / 0 / 57

HEX #64526D

RGB 100 82 109

HSL 280, 0.14%, 0.37%

LAB 37.57, 13.01, -12.71

 

CMYK 0 / 21 / 24 / 58

HEX #6B5551

RGB 107 85 81

HSL 9.23, 0.14%, 0.37%

LAB 38.23, 8.41, 5.78

 

CMYK 17 / 0 / 24 / 58

HEX #596B51

RGB 89 107 81

HSL 101.54, 0.14%, 0.37%

LAB 43.11, -12.15, 12.39

 

CMYK 24 / 4 / 0 / 58

HEX #51676B

RGB 81 103 107

HSL 189.23, 0.14%, 0.37%

LAB 42.02, -7.17, -4.96

 

Description

Color code: RGB 100 82 109 | qconv.com Color code: RGB 100 82 109 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 82 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 82 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 25 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 25% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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