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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 100 89 108 it is the complementary color RGB 155 166 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 100 89 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 100 89 108 shade: RGB 105 89 103, RGB 122 107 122, RGB 139 125 141, RGB 156 143 160 and RGB 173 161 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 100 89 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 100 89 108 shade: RGB 100 89 108, RGB 83 71 89, RGB 66 53 70, RGB 49 35 51 and RGB 32 17 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 100 89 108 shade: RGB 101 89 109, RGB 106 89 109, RGB 109 89 107, RGB 109 89 101 and RGB 109 89 96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 100 89 108 shade: RGB 101 89 109, RGB 95 89 109, RGB 90 89 109 and RGB 89 89 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 100 89 108 shade matches the following richer shades: RGB 101 89 109, RGB 103 73 125, RGB 106 57 141, RGB 108 41 157 and RGB 111 25 173

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 100 89 108 shade: RGB 101 89 109, RGB 98 105 93, RGB 95 121 77, RGB 93 137 61 and RGB 90 153 45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 100 89 108 shade: RGB 90 89 109, RGB 95 89 109, RGB 100 89 109, RGB 106 89 109 and RGB 109 89 107

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 100 89 108 shade: RGB 59 52 64, RGB 80 70 86, RGB 101 89 109, RGB 121 108 132 and RGB 142 129 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 100 89 108 shade: RGB 100 89 108, RGB 109 89 94 and RGB 89 109 92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 100 89 108 shade: RGB 100 89 108, RGB 109 100 89 and RGB 89 109 100

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 100 89 108 shade: RGB 100 89 108, RGB 109 89 94, RGB 98 109 89 and RGB 89 109 104

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 100 89 108 shade: RGB 100 89 108, RGB 109 90 89, RGB 98 109 89 and RGB 89 108 109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 18 / 0 / 58

HEX #64596C

RGB 100 89 108

HSL 274.74, 0.1%, 0.39%

LAB 39.47, 8.44, -9.21

 

Complementary color

CMYK 7 / 0 / 11 / 35

HEX #9BA693

RGB 155 166 147

HSL 94.74, 0.1%, 0.61%

LAB 66.78, -7.48, 8.51

 

CMYK 0 / 15 / 2 / 59

HEX #695967

RGB 105 89 103

HSL 307.5, 0.08%, 0.38%

LAB 39.79, 9.27, -5.6

 

CMYK 0 / 12 / 0 / 52

HEX #7A6B7A

RGB 122 107 122

HSL 300, 0.07%, 0.45%

LAB 47.05, 8.81, -6.16

 

CMYK 1 / 11 / 0 / 45

HEX #8B7D8D

RGB 139 125 141

HSL 292.5, 0.07%, 0.52%

LAB 54.11, 8.42, -6.69

 

CMYK 2 / 11 / 0 / 37

HEX #9C8FA0

RGB 156 143 160

HSL 285.88, 0.08%, 0.59%

LAB 61, 8.06, -7.21

 

CMYK 3 / 10 / 0 / 30

HEX #ADA1B3

RGB 173 161 179

HSL 280, 0.11%, 0.67%

LAB 67.75, 7.74, -7.72

 

CMYK 7 / 18 / 0 / 58

HEX #64596C

RGB 100 89 108

HSL 274.74, 0.1%, 0.39%

LAB 39.47, 8.44, -9.21

 

CMYK 7 / 20 / 0 / 65

HEX #534759

RGB 83 71 89

HSL 280, 0.11%, 0.31%

LAB 31.96, 8.91, -8.78

 

CMYK 6 / 24 / 0 / 73

HEX #423546

RGB 66 53 70

HSL 285.88, 0.14%, 0.24%

LAB 24.15, 9.48, -8.34

 

CMYK 4 / 31 / 0 / 80

HEX #312333

RGB 49 35 51

HSL 292.5, 0.19%, 0.17%

LAB 15.97, 10.19, -7.89

 

CMYK 0 / 47 / 0 / 87

HEX #201120

RGB 32 17 32

HSL 300, 0.31%, 0.1%

LAB 7.34, 11.01, -7.36

 

CMYK 7 / 18 / 0 / 57

HEX #65596D

RGB 101 89 109

HSL 276, 0.1%, 0.39%

LAB 39.61, 9.04, -9.62

 

CMYK 3 / 18 / 0 / 57

HEX #6A596D

RGB 106 89 109

HSL 291, 0.1%, 0.39%

LAB 40.1, 10.92, -8.82

 

CMYK 0 / 18 / 2 / 57

HEX #6D596B

RGB 109 89 107

HSL 306, 0.1%, 0.39%

LAB 40.34, 11.64, -7.2

 

CMYK 0 / 18 / 7 / 57

HEX #6D5965

RGB 109 89 101

HSL 324, 0.1%, 0.39%

LAB 40.14, 10.43, -3.8

 

CMYK 0 / 18 / 12 / 57

HEX #6D5960

RGB 109 89 96

HSL 339, 0.1%, 0.39%

LAB 39.98, 9.46, -0.95

 

CMYK 7 / 18 / 0 / 57

HEX #65596D

RGB 101 89 109

HSL 276, 0.1%, 0.39%

LAB 39.61, 9.04, -9.62

 

CMYK 13 / 18 / 0 / 57

HEX #5F596D

RGB 95 89 109

HSL 258, 0.1%, 0.39%

LAB 39.04, 6.81, -10.53

 

CMYK 17 / 18 / 0 / 57

HEX #5A596D

RGB 90 89 109

HSL 243, 0.1%, 0.39%

LAB 38.59, 4.98, -11.25

 

CMYK 18 / 18 / 0 / 57

HEX #59596D

RGB 89 89 109

HSL 240, 0.1%, 0.39%

LAB 38.5, 4.62, -11.39

 

CMYK 7 / 18 / 0 / 57

HEX #65596D

RGB 101 89 109

HSL 276, 0.1%, 0.39%

LAB 39.61, 9.04, -9.62

 

CMYK 18 / 42 / 0 / 51

HEX #67497D

RGB 103 73 125

HSL 274.62, 0.26%, 0.39%

LAB 36.23, 23.43, -24.66

 

CMYK 25 / 60 / 0 / 45

HEX #6A398D

RGB 106 57 141

HSL 275, 0.42%, 0.39%

LAB 33.8, 37.66, -38.35

 

CMYK 31 / 74 / 0 / 38

HEX #6C299D

RGB 108 41 157

HSL 274.66, 0.59%, 0.39%

LAB 32.28, 49.94, -50.56

 

CMYK 36 / 86 / 0 / 32

HEX #6F19AD

RGB 111 25 173

HSL 274.86, 0.75%, 0.39%

LAB 32.02, 59.87, -60.62

 

CMYK 7 / 18 / 0 / 57

HEX #65596D

RGB 101 89 109

HSL 276, 0.1%, 0.39%

LAB 39.61, 9.04, -9.62

 

CMYK 7 / 0 / 11 / 59

HEX #62695D

RGB 98 105 93

HSL 95, 0.06%, 0.39%

LAB 43.49, -5.15, 5.83

 

CMYK 21 / 0 / 36 / 53

HEX #5F794D

RGB 95 121 77

HSL 95.45, 0.22%, 0.39%

LAB 47.81, -18.1, 21.14

 

CMYK 32 / 0 / 55 / 46

HEX #5D893D

RGB 93 137 61

HSL 94.74, 0.38%, 0.39%

LAB 52.46, -29.14, 35.58

 

CMYK 41 / 0 / 71 / 40

HEX #5A992D

RGB 90 153 45

HSL 95, 0.55%, 0.39%

LAB 57.22, -39.05, 48.12

 

CMYK 17 / 18 / 0 / 57

HEX #5A596D

RGB 90 89 109

HSL 243, 0.1%, 0.39%

LAB 38.59, 4.98, -11.25

 

CMYK 13 / 18 / 0 / 57

HEX #5F596D

RGB 95 89 109

HSL 258, 0.1%, 0.39%

LAB 39.04, 6.81, -10.53

 

CMYK 8 / 18 / 0 / 57

HEX #64596D

RGB 100 89 109

HSL 273, 0.1%, 0.39%

LAB 39.51, 8.66, -9.77

 

CMYK 3 / 18 / 0 / 57

HEX #6A596D

RGB 106 89 109

HSL 291, 0.1%, 0.39%

LAB 40.1, 10.92, -8.82

 

CMYK 0 / 18 / 2 / 57

HEX #6D596B

RGB 109 89 107

HSL 306, 0.1%, 0.39%

LAB 40.34, 11.64, -7.2

 

CMYK 8 / 19 / 0 / 75

HEX #3B3440

RGB 59 52 64

HSL 275, 0.1%, 0.23%

LAB 22.85, 5.85, -6.35

 

CMYK 7 / 19 / 0 / 66

HEX #504656

RGB 80 70 86

HSL 277.5, 0.1%, 0.31%

LAB 31.25, 7.69, -7.95

 

CMYK 7 / 18 / 0 / 57

HEX #65596D

RGB 101 89 109

HSL 276, 0.1%, 0.39%

LAB 39.61, 9.04, -9.62

 

CMYK 8 / 18 / 0 / 48

HEX #796C84

RGB 121 108 132

HSL 272.5, 0.1%, 0.47%

LAB 47.57, 9.98, -11.36

 

CMYK 7 / 15 / 0 / 40

HEX #8E8198

RGB 142 129 152

HSL 273.91, 0.1%, 0.55%

LAB 55.8, 9.45, -10.52

 

CMYK 7 / 18 / 0 / 58

HEX #64596C

RGB 100 89 108

HSL 274.74, 0.1%, 0.39%

LAB 39.47, 8.44, -9.21

 

CMYK 0 / 18 / 14 / 57

HEX #6D595E

RGB 109 89 94

HSL 345, 0.1%, 0.39%

LAB 39.92, 9.09, 0.2

 

CMYK 18 / 0 / 16 / 57

HEX #596D5C

RGB 89 109 92

HSL 129, 0.1%, 0.39%

LAB 43.99, -11.15, 7.05

 

CMYK 7 / 18 / 0 / 58

HEX #64596C

RGB 100 89 108

HSL 274.74, 0.1%, 0.39%

LAB 39.47, 8.44, -9.21

 

CMYK 0 / 8 / 18 / 57

HEX #6D6459

RGB 109 100 89

HSL 33, 0.1%, 0.39%

LAB 42.89, 1.54, 7.53

 

CMYK 18 / 0 / 8 / 57

HEX #596D64

RGB 89 109 100

HSL 153, 0.1%, 0.39%

LAB 44.21, -9.45, 2.55

 

CMYK 7 / 18 / 0 / 58

HEX #64596C

RGB 100 89 108

HSL 274.74, 0.1%, 0.39%

LAB 39.47, 8.44, -9.21

 

CMYK 0 / 18 / 14 / 57

HEX #6D595E

RGB 109 89 94

HSL 345, 0.1%, 0.39%

LAB 39.92, 9.09, 0.2

 

CMYK 10 / 0 / 18 / 57

HEX #626D59

RGB 98 109 89

HSL 93, 0.1%, 0.39%

LAB 44.6, -8.23, 9.79

 

CMYK 18 / 0 / 5 / 57

HEX #596D68

RGB 89 109 104

HSL 165, 0.1%, 0.39%

LAB 44.32, -8.56, 0.31

 

CMYK 7 / 18 / 0 / 58

HEX #64596C

RGB 100 89 108

HSL 274.74, 0.1%, 0.39%

LAB 39.47, 8.44, -9.21

 

CMYK 0 / 17 / 18 / 57

HEX #6D5A59

RGB 109 90 89

HSL 3, 0.1%, 0.39%

LAB 40.06, 7.57, 3.47

 

CMYK 10 / 0 / 18 / 57

HEX #626D59

RGB 98 109 89

HSL 93, 0.1%, 0.39%

LAB 44.6, -8.23, 9.79

 

CMYK 18 / 1 / 0 / 57

HEX #596C6D

RGB 89 108 109

HSL 183, 0.1%, 0.39%

LAB 44.17, -6.82, -2.93

 

Description

Color code: RGB 100 89 108 | qconv.com Color code: RGB 100 89 108 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 89 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 89 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 18 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 18% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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