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Color name
RGB 102 196 79

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 102 196 79 it is the complementary color RGB 153 59 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 102 196 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 102 196 79 shade: RGB 107 196 74, RGB 124 214 93, RGB 141 232 112, RGB 158 250 131 and RGB 175 255 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 102 196 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 102 196 79 shade: RGB 102 196 79, RGB 85 178 60, RGB 68 160 41, RGB 51 142 22 and RGB 34 124 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 102 196 79 shade: RGB 102 196 79, RGB 133 196 79, RGB 165 196 79, RGB 196 195 79 and RGB 196 164 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 102 196 79 shade: RGB 102 196 79, RGB 79 196 87, RGB 79 196 119, RGB 79 196 150 and RGB 79 196 182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 102 196 79 shade matches the following richer shades: RGB 102 196 79, RGB 90 215 60, RGB 79 234 41 and RGB 67 253 22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 102 196 79 shade: RGB 102 196 79, RGB 113 177 98, RGB 125 158 117, RGB 136 139 135 and RGB 148 120 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 102 196 79 shade: RGB 165 196 79, RGB 133 196 79, RGB 102 196 79, RGB 79 196 86 and RGB 79 196 118

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 102 196 79 shade: RGB 67 144 48, RGB 81 175 58, RGB 102 196 79, RGB 128 206 109 and RGB 155 216 140

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 102 196 79 shade: RGB 102 196 79, RGB 79 196 196 and RGB 196 79 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 102 196 79 shade: RGB 102 196 79, RGB 79 102 196 and RGB 196 79 102

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 102 196 79 shade: RGB 102 196 79, RGB 79 196 196, RGB 172 79 196 and RGB 196 79 79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 102 196 79 shade: RGB 102 196 79, RGB 79 161 196, RGB 172 79 196 and RGB 196 114 79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 60 / 23

HEX #66C44F

RGB 102 196 79

HSL 108.21, 0.5%, 0.54%

LAB 71.47, -49.83, 49.22

 

Complementary color

CMYK 13 / 66 / 0 / 31

HEX #993BB0

RGB 153 59 176

HSL 288.21, 0.5%, 0.46%

LAB 42.82, 55.96, -44.65

 

CMYK 45 / 0 / 62 / 23

HEX #6BC44A

RGB 107 196 74

HSL 103.77, 0.51%, 0.53%

LAB 71.62, -48.84, 51.66

 

CMYK 42 / 0 / 57 / 16

HEX #7CD65D

RGB 124 214 93

HSL 104.63, 0.6%, 0.6%

LAB 77.97, -48.97, 50.64

 

CMYK 39 / 0 / 52 / 9

HEX #8DE870

RGB 141 232 112

HSL 105.5, 0.72%, 0.67%

LAB 84.25, -48.97, 49.51

 

CMYK 37 / 0 / 48 / 2

HEX #9EFA83

RGB 158 250 131

HSL 106.39, 0.92%, 0.75%

LAB 90.45, -48.9, 48.34

 

CMYK 31 / 0 / 41 / 0

HEX #AFFF96

RGB 175 255 150

HSL 105.71, 1%, 0.79%

LAB 92.94, -43.19, 42.55

 

CMYK 48 / 0 / 60 / 23

HEX #66C44F

RGB 102 196 79

HSL 108.21, 0.5%, 0.54%

LAB 71.47, -49.83, 49.22

 

CMYK 52 / 0 / 66 / 30

HEX #55B23C

RGB 85 178 60

HSL 107.29, 0.5%, 0.47%

LAB 65.04, -49.55, 50.17

 

CMYK 58 / 0 / 74 / 37

HEX #44A029

RGB 68 160 41

HSL 106.39, 0.59%, 0.39%

LAB 58.54, -48.97, 50.71

 

CMYK 64 / 0 / 85 / 44

HEX #338E16

RGB 51 142 22

HSL 105.5, 0.73%, 0.32%

LAB 51.96, -47.92, 50.4

 

CMYK 73 / 0 / 98 / 51

HEX #227C03

RGB 34 124 3

HSL 104.63, 0.95%, 0.25%

LAB 45.31, -46.2, 48.71

 

CMYK 48 / 0 / 60 / 23

HEX #66C44F

RGB 102 196 79

HSL 108.21, 0.5%, 0.54%

LAB 71.47, -49.83, 49.22

 

CMYK 32 / 0 / 60 / 23

HEX #85C44F

RGB 133 196 79

HSL 92.31, 0.5%, 0.54%

LAB 72.91, -39.72, 51.25

 

CMYK 16 / 0 / 60 / 23

HEX #A5C44F

RGB 165 196 79

HSL 75.9, 0.5%, 0.54%

LAB 74.85, -27.62, 53.95

 

CMYK 0 / 1 / 60 / 23

HEX #C4C34F

RGB 196 195 79

HSL 59.49, 0.5%, 0.54%

LAB 76.88, -14.46, 56.84

 

CMYK 0 / 16 / 60 / 23

HEX #C4A44F

RGB 196 164 79

HSL 43.59, 0.5%, 0.54%

LAB 68.64, 1.72, 47.65

 

CMYK 48 / 0 / 60 / 23

HEX #66C44F

RGB 102 196 79

HSL 108.21, 0.5%, 0.54%

LAB 71.47, -49.83, 49.22

 

CMYK 60 / 0 / 56 / 23

HEX #4FC457

RGB 79 196 87

HSL 124.1, 0.5%, 0.54%

LAB 70.75, -54.93, 44.5

 

CMYK 60 / 0 / 39 / 23

HEX #4FC477

RGB 79 196 119

HSL 140.51, 0.5%, 0.54%

LAB 71.2, -50.05, 29.08

 

CMYK 60 / 0 / 23 / 23

HEX #4FC496

RGB 79 196 150

HSL 156.41, 0.5%, 0.54%

LAB 71.79, -43.85, 13.42

 

CMYK 60 / 0 / 7 / 23

HEX #4FC4B6

RGB 79 196 182

HSL 172.82, 0.5%, 0.54%

LAB 72.57, -36.11, -2.8

 

CMYK 48 / 0 / 60 / 23

HEX #66C44F

RGB 102 196 79

HSL 108.21, 0.5%, 0.54%

LAB 71.47, -49.83, 49.22

 

CMYK 58 / 0 / 72 / 16

HEX #5AD73C

RGB 90 215 60

HSL 108.39, 0.66%, 0.54%

LAB 76.74, -61.85, 62.45

 

CMYK 66 / 0 / 82 / 8

HEX #4FEA29

RGB 79 234 41

HSL 108.19, 0.82%, 0.54%

LAB 82.2, -71.69, 73.25

 

CMYK 74 / 0 / 91 / 1

HEX #43FD16

RGB 67 253 22

HSL 108.31, 0.98%, 0.54%

LAB 87.73, -80.11, 81.43

 

CMYK 48 / 0 / 60 / 23

HEX #66C44F

RGB 102 196 79

HSL 108.21, 0.5%, 0.54%

LAB 71.47, -49.83, 49.22

 

CMYK 36 / 0 / 45 / 31

HEX #71B162

RGB 113 177 98

HSL 108.61, 0.34%, 0.54%

LAB 66.4, -35.92, 34.01

 

CMYK 21 / 0 / 26 / 38

HEX #7D9E75

RGB 125 158 117

HSL 108.29, 0.17%, 0.54%

LAB 61.74, -19.51, 17.79

 

CMYK 2 / 0 / 3 / 45

HEX #888B87

RGB 136 139 135

HSL 105, 0.02%, 0.54%

LAB 57.51, -1.89, 1.74

 

CMYK 4 / 22 / 0 / 40

HEX #94789A

RGB 148 120 154

HSL 289.41, 0.14%, 0.54%

LAB 54.09, 17.22, -14.2

 

CMYK 16 / 0 / 60 / 23

HEX #A5C44F

RGB 165 196 79

HSL 75.9, 0.5%, 0.54%

LAB 74.85, -27.62, 53.95

 

CMYK 32 / 0 / 60 / 23

HEX #85C44F

RGB 133 196 79

HSL 92.31, 0.5%, 0.54%

LAB 72.91, -39.72, 51.25

 

CMYK 48 / 0 / 60 / 23

HEX #66C44F

RGB 102 196 79

HSL 108.21, 0.5%, 0.54%

LAB 71.47, -49.83, 49.22

 

CMYK 60 / 0 / 56 / 23

HEX #4FC456

RGB 79 196 86

HSL 123.59, 0.5%, 0.54%

LAB 70.74, -55.06, 44.96

 

CMYK 60 / 0 / 40 / 23

HEX #4FC476

RGB 79 196 118

HSL 140, 0.5%, 0.54%

LAB 71.18, -50.23, 29.58

 

CMYK 53 / 0 / 67 / 44

HEX #439030

RGB 67 144 48

HSL 108.13, 0.5%, 0.38%

LAB 53.33, -42.42, 42.42

 

CMYK 54 / 0 / 67 / 31

HEX #51AF3A

RGB 81 175 58

HSL 108.21, 0.5%, 0.46%

LAB 63.93, -49.69, 49.76

 

CMYK 48 / 0 / 60 / 23

HEX #66C44F

RGB 102 196 79

HSL 108.21, 0.5%, 0.54%

LAB 71.47, -49.83, 49.22

 

CMYK 38 / 0 / 47 / 19

HEX #80CE6D

RGB 128 206 109

HSL 108.25, 0.5%, 0.62%

LAB 75.97, -42.41, 40.66

 

CMYK 28 / 0 / 35 / 15

HEX #9BD88C

RGB 155 216 140

HSL 108.16, 0.49%, 0.7%

LAB 80.72, -33.65, 31.42

 

CMYK 48 / 0 / 60 / 23

HEX #66C44F

RGB 102 196 79

HSL 108.21, 0.5%, 0.54%

LAB 71.47, -49.83, 49.22

 

CMYK 60 / 0 / 0 / 23

HEX #4FC4C4

RGB 79 196 196

HSL 180, 0.5%, 0.54%

LAB 72.98, -32.35, -9.83

 

CMYK 0 / 60 / 24 / 23

HEX #C44F95

RGB 196 79 149

HSL 324.1, 0.5%, 0.54%

LAB 51.26, 54.19, -14.98

 

CMYK 48 / 0 / 60 / 23

HEX #66C44F

RGB 102 196 79

HSL 108.21, 0.5%, 0.54%

LAB 71.47, -49.83, 49.22

 

CMYK 60 / 48 / 0 / 23

HEX #4F66C4

RGB 79 102 196

HSL 228.21, 0.5%, 0.54%

LAB 45.84, 20.26, -51.89

 

CMYK 0 / 60 / 48 / 23

HEX #C44F66

RGB 196 79 102

HSL 348.21, 0.5%, 0.54%

LAB 49.84, 48.73, 11.09

 

CMYK 48 / 0 / 60 / 23

HEX #66C44F

RGB 102 196 79

HSL 108.21, 0.5%, 0.54%

LAB 71.47, -49.83, 49.22

 

CMYK 60 / 0 / 0 / 23

HEX #4FC4C4

RGB 79 196 196

HSL 180, 0.5%, 0.54%

LAB 72.98, -32.35, -9.83

 

CMYK 12 / 60 / 0 / 23

HEX #AC4FC4

RGB 172 79 196

HSL 287.69, 0.5%, 0.54%

LAB 49.92, 55.45, -44.85

 

CMYK 0 / 60 / 60 / 23

HEX #C44F4F

RGB 196 79 79

HSL 0, 0.5%, 0.54%

LAB 49.37, 46.82, 24.21

 

CMYK 48 / 0 / 60 / 23

HEX #66C44F

RGB 102 196 79

HSL 108.21, 0.5%, 0.54%

LAB 71.47, -49.83, 49.22

 

CMYK 60 / 18 / 0 / 23

HEX #4FA1C4

RGB 79 161 196

HSL 197.95, 0.5%, 0.54%

LAB 62.62, -14.6, -25.51

 

CMYK 12 / 60 / 0 / 23

HEX #AC4FC4

RGB 172 79 196

HSL 287.69, 0.5%, 0.54%

LAB 49.92, 55.45, -44.85

 

CMYK 0 / 42 / 60 / 23

HEX #C4724F

RGB 196 114 79

HSL 17.95, 0.5%, 0.54%

LAB 56.42, 29, 33.14

 

Description

Color code: RGB 102 196 79 | qconv.com Color code: RGB 102 196 79 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 196 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 196 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 60 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 60% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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