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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 103 208 218 it is the complementary color RGB 152 47 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 103 208 218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 103 208 218 shade: RGB 108 208 213, RGB 125 226 232, RGB 142 244 251, RGB 159 255 255 and RGB 176 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 103 208 218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 103 208 218 shade: RGB 103 208 218, RGB 86 190 199, RGB 69 172 180, RGB 52 154 161 and RGB 35 136 142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 103 208 218 shade: RGB 103 208 218, RGB 103 177 218, RGB 103 146 218, RGB 103 115 218 and RGB 122 103 218

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 103 208 218 shade: RGB 103 208 218, RGB 103 177 218, RGB 103 146 218, RGB 103 115 218 and RGB 103 103 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 103 208 218 shade matches the following richer shades: RGB 103 208 218, RGB 87 220 233 and RGB 72 233 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 103 208 218 shade: RGB 103 208 218, RGB 118 195 202, RGB 133 182 187, RGB 148 170 172 and RGB 164 157 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 103 208 218 shade: RGB 103 218 166, RGB 103 218 197, RGB 103 208 218, RGB 103 177 218 and RGB 103 147 218

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 103 208 218 shade: RGB 46 179 192, RGB 69 197 210, RGB 103 208 218, RGB 136 218 226 and RGB 169 228 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 103 208 218 shade: RGB 103 208 218, RGB 135 103 218 and RGB 218 181 103

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 103 208 218 shade: RGB 103 208 218, RGB 218 103 208 and RGB 208 218 103

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 103 208 218 shade: RGB 103 208 218, RGB 135 103 218, RGB 218 112 103 and RGB 185 218 103

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 103 208 218 shade: RGB 103 208 218, RGB 170 103 218, RGB 218 112 103 and RGB 151 218 103

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 5 / 0 / 15

HEX #67D0DA

RGB 103 208 218

HSL 185.22, 0.61%, 0.63%

LAB 77.91, -27.59, -14.26

 

Complementary color

CMYK 0 / 69 / 76 / 40

HEX #982F25

RGB 152 47 37

HSL 5.22, 0.61%, 0.37%

LAB 35.68, 43.18, 30.76

 

CMYK 49 / 2 / 0 / 16

HEX #6CD0D5

RGB 108 208 213

HSL 182.86, 0.56%, 0.63%

LAB 77.94, -27.87, -11.52

 

CMYK 46 / 3 / 0 / 9

HEX #7DE2E8

RGB 125 226 232

HSL 183.36, 0.7%, 0.7%

LAB 84.27, -27.97, -12.12

 

CMYK 43 / 3 / 0 / 2

HEX #8EF4FB

RGB 142 244 251

HSL 183.85, 0.93%, 0.77%

LAB 90.51, -28.01, -12.69

 

CMYK 38 / 0 / 0 / 0

HEX #9FFFFF

RGB 159 255 255

HSL 180, 1%, 0.81%

LAB 94.36, -28.26, -8.96

 

CMYK 31 / 0 / 0 / 0

HEX #B0FFFF

RGB 176 255 255

HSL 180, 1%, 0.85%

LAB 95.15, -23.9, -7.7

 

CMYK 53 / 5 / 0 / 15

HEX #67D0DA

RGB 103 208 218

HSL 185.22, 0.61%, 0.63%

LAB 77.91, -27.59, -14.26

 

CMYK 57 / 5 / 0 / 22

HEX #56BEC7

RGB 86 190 199

HSL 184.78, 0.5%, 0.56%

LAB 71.51, -27.33, -13.64

 

CMYK 62 / 4 / 0 / 29

HEX #45ACB4

RGB 69 172 180

HSL 184.32, 0.45%, 0.49%

LAB 65.01, -26.95, -12.97

 

CMYK 68 / 4 / 0 / 37

HEX #349AA1

RGB 52 154 161

HSL 183.85, 0.51%, 0.42%

LAB 58.43, -26.4, -12.23

 

CMYK 75 / 4 / 0 / 44

HEX #23888E

RGB 35 136 142

HSL 183.36, 0.6%, 0.35%

LAB 51.75, -25.58, -11.4

 

CMYK 53 / 5 / 0 / 15

HEX #67D0DA

RGB 103 208 218

HSL 185.22, 0.61%, 0.63%

LAB 77.91, -27.59, -14.26

 

CMYK 53 / 19 / 0 / 15

HEX #67B1DA

RGB 103 177 218

HSL 201.39, 0.61%, 0.63%

LAB 69.03, -11.69, -27.75

 

CMYK 53 / 33 / 0 / 15

HEX #6792DA

RGB 103 146 218

HSL 217.57, 0.61%, 0.63%

LAB 60.34, 5.71, -41.26

 

CMYK 53 / 47 / 0 / 15

HEX #6773DA

RGB 103 115 218

HSL 233.74, 0.61%, 0.63%

LAB 52.07, 24.28, -54.38

 

CMYK 44 / 53 / 0 / 15

HEX #7A67DA

RGB 122 103 218

HSL 249.91, 0.61%, 0.63%

LAB 50.57, 35.67, -56.71

 

CMYK 53 / 5 / 0 / 15

HEX #67D0DA

RGB 103 208 218

HSL 185.22, 0.61%, 0.63%

LAB 77.91, -27.59, -14.26

 

CMYK 53 / 19 / 0 / 15

HEX #67B1DA

RGB 103 177 218

HSL 201.39, 0.61%, 0.63%

LAB 69.03, -11.69, -27.75

 

CMYK 53 / 33 / 0 / 15

HEX #6792DA

RGB 103 146 218

HSL 217.57, 0.61%, 0.63%

LAB 60.34, 5.71, -41.26

 

CMYK 53 / 47 / 0 / 15

HEX #6773DA

RGB 103 115 218

HSL 233.74, 0.61%, 0.63%

LAB 52.07, 24.28, -54.38

 

CMYK 53 / 53 / 0 / 15

HEX #6767DA

RGB 103 103 218

HSL 240, 0.61%, 0.63%

LAB 49.06, 31.57, -59.21

 

CMYK 53 / 5 / 0 / 15

HEX #67D0DA

RGB 103 208 218

HSL 185.22, 0.61%, 0.63%

LAB 77.91, -27.59, -14.26

 

CMYK 63 / 6 / 0 / 9

HEX #57DCE9

RGB 87 220 233

HSL 185.34, 0.77%, 0.63%

LAB 81.34, -32.12, -17.16

 

CMYK 71 / 6 / 0 / 3

HEX #48E9F8

RGB 72 233 248

HSL 185.11, 0.93%, 0.63%

LAB 85.22, -36.03, -19.28

 

CMYK 53 / 5 / 0 / 15

HEX #67D0DA

RGB 103 208 218

HSL 185.22, 0.61%, 0.63%

LAB 77.91, -27.59, -14.26

 

CMYK 42 / 3 / 0 / 21

HEX #76C3CA

RGB 118 195 202

HSL 185, 0.44%, 0.63%

LAB 74.28, -21.95, -10.99

 

CMYK 29 / 3 / 0 / 27

HEX #85B6BB

RGB 133 182 187

HSL 185.56, 0.28%, 0.63%

LAB 70.89, -14.89, -7.77

 

CMYK 14 / 1 / 0 / 33

HEX #94AAAC

RGB 148 170 172

HSL 185, 0.13%, 0.63%

LAB 68.04, -7.18, -3.61

 

CMYK 0 / 4 / 4 / 36

HEX #A49D9D

RGB 164 157 157

HSL 0, 0.04%, 0.63%

LAB 65.31, 2.54, 0.9

 

CMYK 53 / 0 / 24 / 15

HEX #67DAA6

RGB 103 218 166

HSL 152.87, 0.61%, 0.63%

LAB 79.49, -44.71, 15.81

 

CMYK 53 / 0 / 10 / 15

HEX #67DAC5

RGB 103 218 197

HSL 169.04, 0.61%, 0.63%

LAB 80.21, -37.71, 0.39

 

CMYK 53 / 5 / 0 / 15

HEX #67D0DA

RGB 103 208 218

HSL 185.22, 0.61%, 0.63%

LAB 77.91, -27.59, -14.26

 

CMYK 53 / 19 / 0 / 15

HEX #67B1DA

RGB 103 177 218

HSL 201.39, 0.61%, 0.63%

LAB 69.03, -11.69, -27.75

 

CMYK 53 / 33 / 0 / 15

HEX #6793DA

RGB 103 147 218

HSL 217.04, 0.61%, 0.63%

LAB 60.62, 5.13, -40.83

 

CMYK 76 / 7 / 0 / 25

HEX #2EB3C0

RGB 46 179 192

HSL 185.34, 0.61%, 0.47%

LAB 67, -30.03, -16.69

 

CMYK 67 / 6 / 0 / 18

HEX #45C5D2

RGB 69 197 210

HSL 185.53, 0.61%, 0.55%

LAB 73.45, -30.43, -16.76

 

CMYK 53 / 5 / 0 / 15

HEX #67D0DA

RGB 103 208 218

HSL 185.22, 0.61%, 0.63%

LAB 77.91, -27.59, -14.26

 

CMYK 40 / 4 / 0 / 11

HEX #88DAE2

RGB 136 218 226

HSL 185.33, 0.61%, 0.71%

LAB 82.31, -22.95, -11.81

 

CMYK 28 / 3 / 0 / 8

HEX #A9E4EA

RGB 169 228 234

HSL 185.54, 0.61%, 0.79%

LAB 86.93, -17.24, -8.99

 

CMYK 53 / 5 / 0 / 15

HEX #67D0DA

RGB 103 208 218

HSL 185.22, 0.61%, 0.63%

LAB 77.91, -27.59, -14.26

 

CMYK 38 / 53 / 0 / 15

HEX #8767DA

RGB 135 103 218

HSL 256.7, 0.61%, 0.63%

LAB 51.74, 38.71, -54.77

 

CMYK 0 / 17 / 53 / 15

HEX #DAB567

RGB 218 181 103

HSL 40.7, 0.61%, 0.63%

LAB 75.41, 3.85, 44.38

 

CMYK 53 / 5 / 0 / 15

HEX #67D0DA

RGB 103 208 218

HSL 185.22, 0.61%, 0.63%

LAB 77.91, -27.59, -14.26

 

CMYK 0 / 53 / 5 / 15

HEX #DA67D0

RGB 218 103 208

HSL 305.22, 0.61%, 0.63%

LAB 60.92, 58.56, -33.96

 

CMYK 5 / 0 / 53 / 15

HEX #D0DA67

RGB 208 218 103

HSL 65.22, 0.61%, 0.63%

LAB 84.24, -19.16, 54.65

 

CMYK 53 / 5 / 0 / 15

HEX #67D0DA

RGB 103 208 218

HSL 185.22, 0.61%, 0.63%

LAB 77.91, -27.59, -14.26

 

CMYK 38 / 53 / 0 / 15

HEX #8767DA

RGB 135 103 218

HSL 256.7, 0.61%, 0.63%

LAB 51.74, 38.71, -54.77

 

CMYK 0 / 49 / 53 / 15

HEX #DA7067

RGB 218 112 103

HSL 4.7, 0.61%, 0.63%

LAB 59.41, 40.55, 24.09

 

CMYK 15 / 0 / 53 / 15

HEX #B9DA67

RGB 185 218 103

HSL 77.22, 0.61%, 0.63%

LAB 82.61, -28.19, 52.33

 

CMYK 53 / 5 / 0 / 15

HEX #67D0DA

RGB 103 208 218

HSL 185.22, 0.61%, 0.63%

LAB 77.91, -27.59, -14.26

 

CMYK 22 / 53 / 0 / 15

HEX #AA67DA

RGB 170 103 218

HSL 274.96, 0.61%, 0.63%

LAB 55.39, 47.51, -48.73

 

CMYK 0 / 49 / 53 / 15

HEX #DA7067

RGB 218 112 103

HSL 4.7, 0.61%, 0.63%

LAB 59.41, 40.55, 24.09

 

CMYK 31 / 0 / 53 / 15

HEX #97DA67

RGB 151 218 103

HSL 94.96, 0.61%, 0.63%

LAB 80.57, -40.69, 49.42

 

Description

Color code: RGB 103 208 218 | qconv.com Color code: RGB 103 208 218 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 208 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 208 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 5 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 5% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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