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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 103 25 155 it is the complementary color RGB 152 230 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 103 25 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 103 25 155 shade: RGB 108 25 150, RGB 125 43 169, RGB 142 61 188, RGB 159 79 207 and RGB 176 97 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 103 25 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 103 25 155 shade: RGB 103 25 155, RGB 86 7 136, RGB 69 0 117, RGB 52 0 98 and RGB 35 0 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 103 25 155 shade: RGB 102 24 153, RGB 136 24 153, RGB 153 24 135, RGB 153 24 100 and RGB 153 24 66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 103 25 155 shade: RGB 102 24 153, RGB 67 24 153, RGB 32 24 153 and RGB 24 24 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 103 25 155 shade matches the following richer shades: RGB 102 24 153 and RGB 104 10 167

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 103 25 155 shade: RGB 102 24 153, RGB 99 39 139, RGB 96 53 124, RGB 93 68 110 and RGB 90 82 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 103 25 155 shade: RGB 33 24 153, RGB 67 24 153, RGB 102 24 153, RGB 136 24 153 and RGB 153 24 136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 103 25 155 shade: RGB 54 13 82, RGB 78 19 118, RGB 102 24 153, RGB 125 30 188 and RGB 148 40 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 103 25 155 shade: RGB 103 25 155, RGB 153 24 50 and RGB 24 153 50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 103 25 155 shade: RGB 103 25 155, RGB 153 102 24 and RGB 24 153 102

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 103 25 155 shade: RGB 103 25 155, RGB 153 24 50, RGB 76 153 24 and RGB 24 153 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 103 25 155 shade: RGB 103 25 155, RGB 153 37 24, RGB 76 153 24 and RGB 24 140 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 84 / 0 / 39

HEX #67199B

RGB 103 25 155

HSL 276, 0.72%, 0.35%

LAB 29.27, 54.69, -54.26

 

Complementary color

CMYK 34 / 0 / 57 / 10

HEX #98E664

RGB 152 230 100

HSL 96, 0.72%, 0.65%

LAB 84.06, -45.86, 54.9

 

CMYK 28 / 83 / 0 / 41

HEX #6C1996

RGB 108 25 150

HSL 279.84, 0.71%, 0.34%

LAB 29.63, 54.42, -50.59

 

CMYK 26 / 75 / 0 / 34

HEX #7D2BA9

RGB 125 43 169

HSL 279.05, 0.59%, 0.42%

LAB 35.89, 55.15, -51.83

 

CMYK 24 / 68 / 0 / 26

HEX #8E3DBC

RGB 142 61 188

HSL 278.27, 0.51%, 0.49%

LAB 42.34, 55.08, -52.56

 

CMYK 23 / 62 / 0 / 19

HEX #9F4FCF

RGB 159 79 207

HSL 277.5, 0.57%, 0.56%

LAB 48.84, 54.6, -52.99

 

CMYK 22 / 57 / 0 / 11

HEX #B061E2

RGB 176 97 226

HSL 276.74, 0.69%, 0.63%

LAB 55.35, 53.91, -53.26

 

CMYK 34 / 84 / 0 / 39

HEX #67199B

RGB 103 25 155

HSL 276, 0.72%, 0.35%

LAB 29.27, 54.69, -54.26

 

CMYK 37 / 95 / 0 / 47

HEX #560788

RGB 86 7 136

HSL 276.74, 0.9%, 0.28%

LAB 23.36, 52.66, -52.28

 

CMYK 41 / 100 / 0 / 54

HEX #450075

RGB 69 0 117

HSL 275.38, 1%, 0.23%

LAB 18.14, 48.15, -48.88

 

CMYK 47 / 100 / 0 / 62

HEX #340062

RGB 52 0 98

HSL 271.84, 1%, 0.19%

LAB 13.3, 41.93, -44.5

 

CMYK 56 / 100 / 0 / 69

HEX #23004F

RGB 35 0 79

HSL 266.58, 1%, 0.15%

LAB 8.32, 35.56, -39.92

 

CMYK 33 / 84 / 0 / 40

HEX #661899

RGB 102 24 153

HSL 276.28, 0.73%, 0.35%

LAB 28.85, 54.4, -53.75

 

CMYK 11 / 84 / 0 / 40

HEX #881899

RGB 136 24 153

HSL 292.09, 0.73%, 0.35%

LAB 34.37, 60.28, -44.53

 

CMYK 0 / 84 / 12 / 40

HEX #991887

RGB 153 24 135

HSL 308.37, 0.73%, 0.35%

LAB 36.32, 60.75, -30.19

 

CMYK 0 / 84 / 35 / 40

HEX #991864

RGB 153 24 100

HSL 324.65, 0.73%, 0.35%

LAB 34.69, 56.21, -10.67

 

CMYK 0 / 84 / 57 / 40

HEX #991842

RGB 153 24 66

HSL 340.47, 0.73%, 0.35%

LAB 33.6, 53.03, 9.83

 

CMYK 33 / 84 / 0 / 40

HEX #661899

RGB 102 24 153

HSL 276.28, 0.73%, 0.35%

LAB 28.85, 54.4, -53.75

 

CMYK 56 / 84 / 0 / 40

HEX #431899

RGB 67 24 153

HSL 260, 0.73%, 0.35%

LAB 24.15, 49.58, -61.63

 

CMYK 79 / 84 / 0 / 40

HEX #201899

RGB 32 24 153

HSL 243.72, 0.73%, 0.35%

LAB 21.06, 46.53, -66.85

 

CMYK 84 / 84 / 0 / 40

HEX #181899

RGB 24 24 153

HSL 240, 0.73%, 0.35%

LAB 20.62, 46.11, -67.58

 

CMYK 33 / 84 / 0 / 40

HEX #661899

RGB 102 24 153

HSL 276.28, 0.73%, 0.35%

LAB 28.85, 54.4, -53.75

 

CMYK 38 / 94 / 0 / 35

HEX #680AA7

RGB 104 10 167

HSL 275.92, 0.89%, 0.35%

LAB 29.29, 61.04, -61.53

 

CMYK 33 / 84 / 0 / 40

HEX #661899

RGB 102 24 153

HSL 276.28, 0.73%, 0.35%

LAB 28.85, 54.4, -53.75

 

CMYK 29 / 72 / 0 / 45

HEX #63278B

RGB 99 39 139

HSL 276, 0.56%, 0.35%

LAB 29.33, 44.76, -44.35

 

CMYK 23 / 57 / 0 / 51

HEX #60357C

RGB 96 53 124

HSL 276.34, 0.4%, 0.35%

LAB 30.61, 33.02, -32.96

 

CMYK 15 / 38 / 0 / 57

HEX #5D446E

RGB 93 68 110

HSL 275.71, 0.24%, 0.35%

LAB 33.11, 19.52, -20.25

 

CMYK 5 / 14 / 0 / 63

HEX #5A525F

RGB 90 82 95

HSL 276.92, 0.07%, 0.35%

LAB 36.05, 6.04, -6.36

 

CMYK 78 / 84 / 0 / 40

HEX #211899

RGB 33 24 153

HSL 244.19, 0.73%, 0.35%

LAB 21.12, 46.59, -66.74

 

CMYK 56 / 84 / 0 / 40

HEX #431899

RGB 67 24 153

HSL 260, 0.73%, 0.35%

LAB 24.15, 49.58, -61.63

 

CMYK 33 / 84 / 0 / 40

HEX #661899

RGB 102 24 153

HSL 276.28, 0.73%, 0.35%

LAB 28.85, 54.4, -53.75

 

CMYK 11 / 84 / 0 / 40

HEX #881899

RGB 136 24 153

HSL 292.09, 0.73%, 0.35%

LAB 34.37, 60.28, -44.53

 

CMYK 0 / 84 / 11 / 40

HEX #991888

RGB 153 24 136

HSL 307.91, 0.73%, 0.35%

LAB 36.37, 60.9, -30.73

 

CMYK 34 / 84 / 0 / 68

HEX #360D52

RGB 54 13 82

HSL 275.65, 0.73%, 0.19%

LAB 13.72, 33.16, -33.01

 

CMYK 34 / 84 / 0 / 54

HEX #4E1376

RGB 78 19 118

HSL 275.76, 0.72%, 0.27%

LAB 21.56, 44.1, -43.87

 

CMYK 33 / 84 / 0 / 40

HEX #661899

RGB 102 24 153

HSL 276.28, 0.73%, 0.35%

LAB 28.85, 54.4, -53.75

 

CMYK 34 / 84 / 0 / 26

HEX #7D1EBC

RGB 125 30 188

HSL 276.08, 0.72%, 0.43%

LAB 35.83, 63.73, -63.22

 

CMYK 33 / 82 / 0 / 14

HEX #9428DC

RGB 148 40 220

HSL 276, 0.72%, 0.51%

LAB 42.73, 70.95, -70.4

 

CMYK 34 / 84 / 0 / 39

HEX #67199B

RGB 103 25 155

HSL 276, 0.72%, 0.35%

LAB 29.27, 54.69, -54.26

 

CMYK 0 / 84 / 67 / 40

HEX #991832

RGB 153 24 50

HSL 347.91, 0.73%, 0.35%

LAB 33.26, 52, 19.82

 

CMYK 84 / 0 / 67 / 40

HEX #189932

RGB 24 153 50

HSL 132.09, 0.73%, 0.35%

LAB 55.28, -54.06, 43.37

 

CMYK 34 / 84 / 0 / 39

HEX #67199B

RGB 103 25 155

HSL 276, 0.72%, 0.35%

LAB 29.27, 54.69, -54.26

 

CMYK 0 / 33 / 84 / 40

HEX #996618

RGB 153 102 24

HSL 36.28, 0.73%, 0.35%

LAB 47.42, 14.06, 48.49

 

CMYK 84 / 0 / 33 / 40

HEX #189966

RGB 24 153 102

HSL 156.28, 0.73%, 0.35%

LAB 56.02, -45.35, 17.67

 

CMYK 34 / 84 / 0 / 39

HEX #67199B

RGB 103 25 155

HSL 276, 0.72%, 0.35%

LAB 29.27, 54.69, -54.26

 

CMYK 0 / 84 / 67 / 40

HEX #991832

RGB 153 24 50

HSL 347.91, 0.73%, 0.35%

LAB 33.26, 52, 19.82

 

CMYK 50 / 0 / 84 / 40

HEX #4C9918

RGB 76 153 24

HSL 95.81, 0.73%, 0.35%

LAB 56.47, -44.99, 54.28

 

CMYK 84 / 0 / 17 / 40

HEX #18997F

RGB 24 153 127

HSL 167.91, 0.73%, 0.35%

LAB 56.59, -39.15, 4.37

 

CMYK 34 / 84 / 0 / 39

HEX #67199B

RGB 103 25 155

HSL 276, 0.72%, 0.35%

LAB 29.27, 54.69, -54.26

 

CMYK 0 / 76 / 84 / 40

HEX #992518

RGB 153 37 24

HSL 6.05, 0.73%, 0.35%

LAB 34.32, 46.94, 36.73

 

CMYK 50 / 0 / 84 / 40

HEX #4C9918

RGB 76 153 24

HSL 95.81, 0.73%, 0.35%

LAB 56.47, -44.99, 54.28

 

CMYK 84 / 8 / 0 / 40

HEX #188C99

RGB 24 140 153

HSL 186.05, 0.73%, 0.35%

LAB 53.22, -25.17, -15.56

 

Description

Color code: RGB 103 25 155 | qconv.com Color code: RGB 103 25 155 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 25 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 25 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 84 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 84% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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