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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 103 80 158 it is the complementary color RGB 152 175 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 103 80 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 103 80 158 shade: RGB 108 80 153, RGB 125 98 172, RGB 142 116 191, RGB 159 134 210 and RGB 176 152 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 103 80 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 103 80 158 shade: RGB 103 80 158, RGB 86 62 139, RGB 69 44 120, RGB 52 26 101 and RGB 35 8 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 103 80 158 shade: RGB 103 80 159, RGB 124 80 159, RGB 146 80 159, RGB 159 80 151 and RGB 159 80 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 103 80 158 shade: RGB 103 80 159, RGB 82 80 159 and RGB 80 80 159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 103 80 158 shade matches the following richer shades: RGB 103 80 159, RGB 95 60 178, RGB 87 41 198, RGB 79 22 217 and RGB 71 2 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 103 80 158 shade: RGB 103 80 159, RGB 111 99 140, RGB 119 119 120, RGB 127 138 101 and RGB 135 157 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 103 80 158 shade: RGB 80 100 159, RGB 81 80 159, RGB 102 80 159, RGB 123 80 159 and RGB 144 80 159

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 103 80 158 shade: RGB 67 52 104, RGB 85 66 131, RGB 103 80 159, RGB 124 102 178 and RGB 148 130 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 103 80 158 shade: RGB 103 80 158, RGB 159 80 121 and RGB 89 159 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 103 80 158 shade: RGB 103 80 158, RGB 159 102 80 and RGB 80 159 102

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 103 80 158 shade: RGB 103 80 158, RGB 159 80 121, RGB 136 159 80 and RGB 80 159 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 103 80 158 shade: RGB 103 80 158, RGB 159 80 97, RGB 136 159 80 and RGB 80 159 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 49 / 0 / 38

HEX #67509E

RGB 103 80 158

HSL 257.69, 0.33%, 0.47%

LAB 39.73, 27.76, -39.22

 

Complementary color

CMYK 13 / 0 / 45 / 31

HEX #98AF61

RGB 152 175 97

HSL 77.69, 0.33%, 0.53%

LAB 68.17, -20.71, 37.26

 

CMYK 29 / 48 / 0 / 40

HEX #6C5099

RGB 108 80 153

HSL 263.01, 0.31%, 0.46%

LAB 39.96, 27.82, -35.83

 

CMYK 27 / 43 / 0 / 33

HEX #7D62AC

RGB 125 98 172

HSL 261.89, 0.31%, 0.53%

LAB 47.07, 26.88, -35.75

 

CMYK 26 / 39 / 0 / 25

HEX #8E74BF

RGB 142 116 191

HSL 260.8, 0.37%, 0.6%

LAB 54.03, 26.03, -35.71

 

CMYK 24 / 36 / 0 / 18

HEX #9F86D2

RGB 159 134 210

HSL 259.74, 0.46%, 0.67%

LAB 60.85, 25.28, -35.71

 

CMYK 23 / 34 / 0 / 10

HEX #B098E5

RGB 176 152 229

HSL 258.7, 0.6%, 0.75%

LAB 67.53, 24.59, -35.73

 

CMYK 35 / 49 / 0 / 38

HEX #67509E

RGB 103 80 158

HSL 257.69, 0.33%, 0.47%

LAB 39.73, 27.76, -39.22

 

CMYK 38 / 55 / 0 / 45

HEX #563E8B

RGB 86 62 139

HSL 258.7, 0.38%, 0.39%

LAB 32.45, 28.92, -39.41

 

CMYK 43 / 63 / 0 / 53

HEX #452C78

RGB 69 44 120

HSL 259.74, 0.46%, 0.32%

LAB 25.02, 30.19, -39.58

 

CMYK 49 / 74 / 0 / 60

HEX #341A65

RGB 52 26 101

HSL 260.8, 0.59%, 0.25%

LAB 17.5, 31.45, -39.6

 

CMYK 57 / 90 / 0 / 68

HEX #230852

RGB 35 8 82

HSL 261.89, 0.82%, 0.18%

LAB 10.11, 32.15, -39.04

 

CMYK 35 / 50 / 0 / 38

HEX #67509F

RGB 103 80 159

HSL 257.47, 0.33%, 0.47%

LAB 39.79, 28.04, -39.73

 

CMYK 22 / 50 / 0 / 38

HEX #7C509F

RGB 124 80 159

HSL 273.42, 0.33%, 0.47%

LAB 42.04, 33.95, -36.02

 

CMYK 8 / 50 / 0 / 38

HEX #92509F

RGB 146 80 159

HSL 290.13, 0.33%, 0.47%

LAB 44.73, 40.4, -31.59

 

CMYK 0 / 50 / 5 / 38

HEX #9F5097

RGB 159 80 151

HSL 306.08, 0.33%, 0.47%

LAB 46.1, 42.78, -24.56

 

CMYK 0 / 50 / 19 / 38

HEX #9F5081

RGB 159 80 129

HSL 322.78, 0.33%, 0.47%

LAB 45.21, 39.05, -12.69

 

CMYK 35 / 50 / 0 / 38

HEX #67509F

RGB 103 80 159

HSL 257.47, 0.33%, 0.47%

LAB 39.79, 28.04, -39.73

 

CMYK 48 / 50 / 0 / 38

HEX #52509F

RGB 82 80 159

HSL 241.52, 0.33%, 0.47%

LAB 37.9, 22.64, -42.85

 

CMYK 50 / 50 / 0 / 38

HEX #50509F

RGB 80 80 159

HSL 240, 0.33%, 0.47%

LAB 37.75, 22.17, -43.11

 

CMYK 35 / 50 / 0 / 38

HEX #67509F

RGB 103 80 159

HSL 257.47, 0.33%, 0.47%

LAB 39.79, 28.04, -39.73

 

CMYK 47 / 66 / 0 / 30

HEX #5F3CB2

RGB 95 60 178

HSL 257.8, 0.5%, 0.47%

LAB 35.75, 43.31, -57.6

 

CMYK 56 / 79 / 0 / 22

HEX #5729C6

RGB 87 41 198

HSL 257.58, 0.66%, 0.47%

LAB 33.33, 57.08, -73.38

 

CMYK 64 / 90 / 0 / 15

HEX #4F16D9

RGB 79 22 217

HSL 257.54, 0.82%, 0.47%

LAB 32.36, 67.83, -86.05

 

CMYK 70 / 99 / 0 / 7

HEX #4702EC

RGB 71 2 236

HSL 257.69, 0.98%, 0.47%

LAB 32.79, 75.57, -96.25

 

CMYK 35 / 50 / 0 / 38

HEX #67509F

RGB 103 80 159

HSL 257.47, 0.33%, 0.47%

LAB 39.79, 28.04, -39.73

 

CMYK 21 / 29 / 0 / 45

HEX #6F638C

RGB 111 99 140

HSL 257.56, 0.17%, 0.47%

LAB 44.51, 13.8, -20.88

 

CMYK 1 / 1 / 0 / 53

HEX #777778

RGB 119 119 120

HSL 240, 0%, 0.47%

LAB 50.06, 0.21, -0.55

 

CMYK 8 / 0 / 27 / 46

HEX #7F8A65

RGB 127 138 101

HSL 77.84, 0.15%, 0.47%

LAB 55.71, -10.78, 18.53

 

CMYK 14 / 0 / 48 / 38

HEX #879D51

RGB 135 157 81

HSL 77.37, 0.32%, 0.47%

LAB 61.53, -20.22, 36.97

 

CMYK 50 / 37 / 0 / 38

HEX #50649F

RGB 80 100 159

HSL 224.81, 0.33%, 0.47%

LAB 43.25, 9.46, -34.37

 

CMYK 49 / 50 / 0 / 38

HEX #51509F

RGB 81 80 159

HSL 240.76, 0.33%, 0.47%

LAB 37.82, 22.4, -42.98

 

CMYK 36 / 50 / 0 / 38

HEX #66509F

RGB 102 80 159

HSL 256.71, 0.33%, 0.47%

LAB 39.69, 27.77, -39.89

 

CMYK 23 / 50 / 0 / 38

HEX #7B509F

RGB 123 80 159

HSL 272.66, 0.33%, 0.47%

LAB 41.92, 33.66, -36.2

 

CMYK 9 / 50 / 0 / 38

HEX #90509F

RGB 144 80 159

HSL 288.61, 0.33%, 0.47%

LAB 44.48, 39.81, -32.01

 

CMYK 36 / 50 / 0 / 59

HEX #433468

RGB 67 52 104

HSL 257.31, 0.33%, 0.31%

LAB 25.71, 19.76, -28.25

 

CMYK 35 / 50 / 0 / 49

HEX #554283

RGB 85 66 131

HSL 257.54, 0.33%, 0.39%

LAB 32.85, 23.85, -33.85

 

CMYK 35 / 50 / 0 / 38

HEX #67509F

RGB 103 80 159

HSL 257.47, 0.33%, 0.47%

LAB 39.79, 28.04, -39.73

 

CMYK 30 / 43 / 0 / 30

HEX #7C66B2

RGB 124 102 178

HSL 257.37, 0.33%, 0.55%

LAB 48.26, 25.75, -37.39

 

CMYK 23 / 32 / 0 / 25

HEX #9482C0

RGB 148 130 192

HSL 257.42, 0.33%, 0.63%

LAB 58.1, 19.93, -29.9

 

CMYK 35 / 49 / 0 / 38

HEX #67509E

RGB 103 80 158

HSL 257.69, 0.33%, 0.47%

LAB 39.73, 27.76, -39.22

 

CMYK 0 / 50 / 24 / 38

HEX #9F5079

RGB 159 80 121

HSL 328.86, 0.33%, 0.47%

LAB 44.93, 37.82, -8.26

 

CMYK 44 / 0 / 50 / 38

HEX #599F50

RGB 89 159 80

HSL 113.16, 0.33%, 0.47%

LAB 59.43, -38.19, 34.3

 

CMYK 35 / 49 / 0 / 38

HEX #67509E

RGB 103 80 158

HSL 257.69, 0.33%, 0.47%

LAB 39.73, 27.76, -39.22

 

CMYK 0 / 36 / 50 / 38

HEX #9F6650

RGB 159 102 80

HSL 16.71, 0.33%, 0.47%

LAB 48.83, 20.42, 21.9

 

CMYK 50 / 0 / 36 / 38

HEX #509F66

RGB 80 159 102

HSL 136.71, 0.33%, 0.47%

LAB 59.4, -37.31, 22.48

 

CMYK 35 / 49 / 0 / 38

HEX #67509E

RGB 103 80 158

HSL 257.69, 0.33%, 0.47%

LAB 39.73, 27.76, -39.22

 

CMYK 0 / 50 / 24 / 38

HEX #9F5079

RGB 159 80 121

HSL 328.86, 0.33%, 0.47%

LAB 44.93, 37.82, -8.26

 

CMYK 14 / 0 / 50 / 38

HEX #889F50

RGB 136 159 80

HSL 77.47, 0.33%, 0.47%

LAB 62.18, -20.94, 38.28

 

CMYK 50 / 0 / 26 / 38

HEX #509F76

RGB 80 159 118

HSL 148.86, 0.33%, 0.47%

LAB 59.72, -34.13, 14.07

 

CMYK 35 / 49 / 0 / 38

HEX #67509E

RGB 103 80 158

HSL 257.69, 0.33%, 0.47%

LAB 39.73, 27.76, -39.22

 

CMYK 0 / 50 / 39 / 38

HEX #9F5061

RGB 159 80 97

HSL 347.09, 0.33%, 0.47%

LAB 44.19, 34.56, 5.33

 

CMYK 14 / 0 / 50 / 38

HEX #889F50

RGB 136 159 80

HSL 77.47, 0.33%, 0.47%

LAB 62.18, -20.94, 38.28

 

CMYK 50 / 0 / 11 / 38

HEX #509F8E

RGB 80 159 142

HSL 167.09, 0.33%, 0.47%

LAB 60.3, -28.58, 1.41

 

Description

Color code: RGB 103 80 158 | qconv.com Color code: RGB 103 80 158 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 80 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 80 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 49 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 49% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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