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Color name
RGB 104 110 16

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 104 110 16 it is the complementary color RGB 151 145 239. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 104 110 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 104 110 16 shade: RGB 109 110 11, RGB 126 128 30, RGB 143 146 49, RGB 160 164 68 and RGB 177 182 87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 104 110 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 104 110 16 shade: RGB 104 110 16, RGB 87 92 0, RGB 70 74 0, RGB 53 56 0 and RGB 36 38 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 104 110 16 shade: RGB 105 111 15, RGB 111 91 15, RGB 111 66 15, RGB 111 40 15 and RGB 111 15 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 104 110 16 shade: RGB 105 111 15, RGB 79 111 15, RGB 53 111 15, RGB 28 111 15 and RGB 15 111 29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 104 110 16 shade matches the following richer shades: RGB 105 111 15 and RGB 114 121 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 104 110 16 shade: RGB 105 111 15, RGB 96 101 26, RGB 87 90 36, RGB 78 80 46 and RGB 69 70 57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 104 110 16 shade: RGB 111 65 15, RGB 111 90 15, RGB 106 111 15, RGB 81 111 15 and RGB 55 111 15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 104 110 16 shade: RGB 37 39 5, RGB 71 75 10, RGB 105 111 15, RGB 139 147 21 and RGB 173 183 26

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 104 110 16 shade: RGB 104 110 16, RGB 15 111 39 and RGB 78 15 111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 104 110 16 shade: RGB 104 110 16, RGB 15 106 111 and RGB 111 15 106

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 104 110 16 shade: RGB 104 110 16, RGB 15 111 39, RGB 20 15 111 and RGB 111 15 87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 104 110 16 shade: RGB 104 110 16, RGB 15 111 68, RGB 20 15 111 and RGB 111 15 58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 85 / 57

HEX #686E10

RGB 104 110 16

HSL 63.83, 0.75%, 0.25%

LAB 44.42, -14.02, 46.45

 

Complementary color

CMYK 37 / 39 / 0 / 6

HEX #9791EF

RGB 151 145 239

HSL 243.83, 0.75%, 0.75%

LAB 64.21, 24.11, -46.59

 

CMYK 1 / 0 / 90 / 57

HEX #6D6E0B

RGB 109 110 11

HSL 60.61, 0.82%, 0.24%

LAB 44.84, -11.8, 48.26

 

CMYK 2 / 0 / 77 / 50

HEX #7E801E

RGB 126 128 30

HSL 61.22, 0.62%, 0.31%

LAB 51.8, -13, 49.27

 

CMYK 2 / 0 / 66 / 43

HEX #8F9231

RGB 143 146 49

HSL 61.86, 0.5%, 0.38%

LAB 58.62, -13.9, 49.01

 

CMYK 2 / 0 / 59 / 36

HEX #A0A444

RGB 160 164 68

HSL 62.5, 0.41%, 0.45%

LAB 65.31, -14.59, 48.19

 

CMYK 3 / 0 / 52 / 29

HEX #B1B657

RGB 177 182 87

HSL 63.16, 0.39%, 0.53%

LAB 71.89, -15.13, 47.14

 

CMYK 5 / 0 / 85 / 57

HEX #686E10

RGB 104 110 16

HSL 63.83, 0.75%, 0.25%

LAB 44.42, -14.02, 46.45

 

CMYK 5 / 0 / 100 / 64

HEX #575C00

RGB 87 92 0

HSL 63.26, 1%, 0.18%

LAB 37.26, -12.69, 44.32

 

CMYK 5 / 0 / 100 / 71

HEX #464A00

RGB 70 74 0

HSL 63.24, 1%, 0.15%

LAB 29.91, -10.86, 38.2

 

CMYK 5 / 0 / 100 / 78

HEX #353800

RGB 53 56 0

HSL 63.21, 1%, 0.11%

LAB 22.25, -8.95, 30.64

 

CMYK 5 / 0 / 100 / 85

HEX #242600

RGB 36 38 0

HSL 63.16, 1%, 0.07%

LAB 14.18, -6.93, 20.66

 

CMYK 5 / 0 / 86 / 56

HEX #696F0F

RGB 105 111 15

HSL 63.75, 0.76%, 0.25%

LAB 44.81, -14.13, 47.09

 

CMYK 0 / 18 / 86 / 56

HEX #6F5B0F

RGB 111 91 15

HSL 47.5, 0.76%, 0.25%

LAB 39.41, 0.2, 42.69

 

CMYK 0 / 41 / 86 / 56

HEX #6F420F

RGB 111 66 15

HSL 31.88, 0.76%, 0.25%

LAB 32.5, 15.32, 36.66

 

CMYK 0 / 64 / 86 / 56

HEX #6F280F

RGB 111 40 15

HSL 15.63, 0.76%, 0.25%

LAB 26.54, 30.15, 31.27

 

CMYK 0 / 86 / 86 / 56

HEX #6F0F0F

RGB 111 15 15

HSL 0, 0.76%, 0.25%

LAB 22.85, 40.25, 27.69

 

CMYK 5 / 0 / 86 / 56

HEX #696F0F

RGB 105 111 15

HSL 63.75, 0.76%, 0.25%

LAB 44.81, -14.13, 47.09

 

CMYK 29 / 0 / 86 / 56

HEX #4F6F0F

RGB 79 111 15

HSL 80, 0.76%, 0.25%

LAB 42.86, -25.86, 44.64

 

CMYK 52 / 0 / 86 / 56

HEX #356F0F

RGB 53 111 15

HSL 96.25, 0.76%, 0.25%

LAB 41.47, -35.77, 42.87

 

CMYK 75 / 0 / 86 / 56

HEX #1C6F0F

RGB 28 111 15

HSL 111.88, 0.76%, 0.25%

LAB 40.65, -42.39, 41.83

 

CMYK 86 / 0 / 74 / 56

HEX #0F6F1D

RGB 15 111 29

HSL 128.75, 0.76%, 0.25%

LAB 40.51, -43.34, 36.54

 

CMYK 5 / 0 / 86 / 56

HEX #696F0F

RGB 105 111 15

HSL 63.75, 0.76%, 0.25%

LAB 44.81, -14.13, 47.09

 

CMYK 6 / 0 / 96 / 53

HEX #727905

RGB 114 121 5

HSL 63.62, 0.92%, 0.25%

LAB 48.59, -15.58, 52.7

 

CMYK 5 / 0 / 86 / 56

HEX #696F0F

RGB 105 111 15

HSL 63.75, 0.76%, 0.25%

LAB 44.81, -14.13, 47.09

 

CMYK 5 / 0 / 74 / 60

HEX #60651A

RGB 96 101 26

HSL 64, 0.59%, 0.25%

LAB 41.01, -12.35, 39.55

 

CMYK 3 / 0 / 60 / 65

HEX #575A24

RGB 87 90 36

HSL 63.33, 0.43%, 0.25%

LAB 36.87, -9.62, 30.21

 

CMYK 2 / 0 / 43 / 69

HEX #4E502E

RGB 78 80 46

HSL 63.53, 0.27%, 0.25%

LAB 33.04, -6.86, 19.77

 

CMYK 1 / 0 / 19 / 73

HEX #454639

RGB 69 70 57

HSL 64.62, 0.1%, 0.25%

LAB 29.26, -3.09, 7.71

 

CMYK 0 / 41 / 86 / 56

HEX #6F410F

RGB 111 65 15

HSL 31.25, 0.76%, 0.25%

LAB 32.25, 15.92, 36.43

 

CMYK 0 / 19 / 86 / 56

HEX #6F5A0F

RGB 111 90 15

HSL 46.88, 0.76%, 0.25%

LAB 39.12, 0.8, 42.44

 

CMYK 5 / 0 / 86 / 56

HEX #6A6F0F

RGB 106 111 15

HSL 63.13, 0.76%, 0.25%

LAB 44.9, -13.66, 47.2

 

CMYK 27 / 0 / 86 / 56

HEX #516F0F

RGB 81 111 15

HSL 78.75, 0.76%, 0.25%

LAB 42.99, -25.01, 44.81

 

CMYK 50 / 0 / 86 / 56

HEX #376F0F

RGB 55 111 15

HSL 95, 0.76%, 0.25%

LAB 41.56, -35.11, 42.98

 

CMYK 5 / 0 / 87 / 85

HEX #252705

RGB 37 39 5

HSL 63.53, 0.77%, 0.09%

LAB 14.71, -6.51, 19.33

 

CMYK 5 / 0 / 87 / 71

HEX #474B0A

RGB 71 75 10

HSL 63.69, 0.76%, 0.17%

LAB 30.38, -10.49, 34.87

 

CMYK 5 / 0 / 86 / 56

HEX #696F0F

RGB 105 111 15

HSL 63.75, 0.76%, 0.25%

LAB 44.81, -14.13, 47.09

 

CMYK 5 / 0 / 86 / 42

HEX #8B9315

RGB 139 147 21

HSL 63.81, 0.75%, 0.33%

LAB 58.42, -17.49, 58.22

 

CMYK 5 / 0 / 86 / 28

HEX #ADB71A

RGB 173 183 26

HSL 63.82, 0.75%, 0.41%

LAB 71.44, -20.72, 69.01

 

CMYK 5 / 0 / 85 / 57

HEX #686E10

RGB 104 110 16

HSL 63.83, 0.75%, 0.25%

LAB 44.42, -14.02, 46.45

 

CMYK 86 / 0 / 65 / 56

HEX #0F6F27

RGB 15 111 39

HSL 135, 0.76%, 0.25%

LAB 40.6, -42.18, 32.04

 

CMYK 30 / 86 / 0 / 56

HEX #4E0F6F

RGB 78 15 111

HSL 279.38, 0.76%, 0.25%

LAB 20.48, 43.86, -41.12

 

CMYK 5 / 0 / 85 / 57

HEX #686E10

RGB 104 110 16

HSL 63.83, 0.75%, 0.25%

LAB 44.42, -14.02, 46.45

 

CMYK 86 / 5 / 0 / 56

HEX #0F6A6F

RGB 15 106 111

HSL 183.13, 0.76%, 0.25%

LAB 40.5, -22.43, -9.93

 

CMYK 0 / 86 / 5 / 56

HEX #6F0F6A

RGB 111 15 106

HSL 303.13, 0.76%, 0.25%

LAB 26.04, 49.4, -28.61

 

CMYK 5 / 0 / 85 / 57

HEX #686E10

RGB 104 110 16

HSL 63.83, 0.75%, 0.25%

LAB 44.42, -14.02, 46.45

 

CMYK 86 / 0 / 65 / 56

HEX #0F6F27

RGB 15 111 39

HSL 135, 0.76%, 0.25%

LAB 40.6, -42.18, 32.04

 

CMYK 82 / 86 / 0 / 56

HEX #140F6F

RGB 20 15 111

HSL 243.13, 0.76%, 0.25%

LAB 13.46, 36.6, -52.91

 

CMYK 0 / 86 / 22 / 56

HEX #6F0F57

RGB 111 15 87

HSL 315, 0.76%, 0.25%

LAB 24.98, 46.49, -17.81

 

CMYK 5 / 0 / 85 / 57

HEX #686E10

RGB 104 110 16

HSL 63.83, 0.75%, 0.25%

LAB 44.42, -14.02, 46.45

 

CMYK 86 / 0 / 39 / 56

HEX #0F6F44

RGB 15 111 68

HSL 153.13, 0.76%, 0.25%

LAB 41.04, -37.02, 16.73

 

CMYK 82 / 86 / 0 / 56

HEX #140F6F

RGB 20 15 111

HSL 243.13, 0.76%, 0.25%

LAB 13.46, 36.6, -52.91

 

CMYK 0 / 86 / 48 / 56

HEX #6F0F3A

RGB 111 15 58

HSL 333.13, 0.76%, 0.25%

LAB 23.76, 42.99, -0.01

 

Description

Color code: RGB 104 110 16 | qconv.com Color code: RGB 104 110 16 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 110 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 110 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 85 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 85% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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