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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 104 110 67 it is the complementary color RGB 151 145 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 104 110 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 104 110 67 shade: RGB 109 110 62, RGB 126 128 81, RGB 143 146 100, RGB 160 164 119 and RGB 177 182 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 104 110 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 104 110 67 shade: RGB 104 110 67, RGB 87 92 48, RGB 70 74 29, RGB 53 56 10 and RGB 36 38 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 104 110 67 shade: RGB 104 110 67, RGB 110 105 67, RGB 110 93 67, RGB 110 81 67 and RGB 110 70 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 104 110 67 shade: RGB 104 110 67, RGB 93 110 67, RGB 81 110 67, RGB 70 110 67 and RGB 67 110 77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 104 110 67 shade matches the following richer shades: RGB 104 110 67, RGB 115 125 53, RGB 125 139 38, RGB 135 153 24 and RGB 146 168 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 104 110 67 shade: RGB 104 110 67, RGB 94 96 82, RGB 83 81 96, RGB 73 67 111 and RGB 63 52 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 104 110 67 shade: RGB 110 93 67, RGB 110 104 67, RGB 104 110 67, RGB 93 110 67 and RGB 82 110 67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 104 110 67 shade: RGB 56 59 36, RGB 80 85 52, RGB 104 110 67, RGB 128 136 83 and RGB 152 160 100

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 104 110 67 shade: RGB 104 110 67, RGB 67 110 82 and RGB 99 67 110

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 104 110 67 shade: RGB 104 110 67, RGB 67 104 110 and RGB 110 67 104

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 104 110 67 shade: RGB 104 110 67, RGB 67 110 82, RGB 73 67 110 and RGB 110 67 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 104 110 67 shade: RGB 104 110 67, RGB 67 110 94, RGB 73 67 110 and RGB 110 67 83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 39 / 57

HEX #686E43

RGB 104 110 67

HSL 68.37, 0.24%, 0.35%

LAB 44.94, -9.79, 23.23

 

Complementary color

CMYK 20 / 23 / 0 / 26

HEX #9791BC

RGB 151 145 188

HSL 248.37, 0.24%, 0.65%

LAB 62.05, 11.29, -21.53

 

CMYK 1 / 0 / 44 / 57

HEX #6D6E3E

RGB 109 110 62

HSL 61.25, 0.28%, 0.34%

LAB 45.29, -8.22, 26.59

 

CMYK 2 / 0 / 37 / 50

HEX #7E8051

RGB 126 128 81

HSL 62.55, 0.22%, 0.41%

LAB 52.36, -8.55, 25.3

 

CMYK 2 / 0 / 32 / 43

HEX #8F9264

RGB 143 146 100

HSL 63.91, 0.19%, 0.48%

LAB 59.27, -8.81, 24.08

 

CMYK 2 / 0 / 27 / 36

HEX #A0A477

RGB 160 164 119

HSL 65.33, 0.2%, 0.55%

LAB 66.03, -9, 22.94

 

CMYK 3 / 0 / 24 / 29

HEX #B1B68A

RGB 177 182 138

HSL 66.82, 0.23%, 0.63%

LAB 72.65, -9.17, 21.87

 

CMYK 5 / 0 / 39 / 57

HEX #686E43

RGB 104 110 67

HSL 68.37, 0.24%, 0.35%

LAB 44.94, -9.79, 23.23

 

CMYK 5 / 0 / 48 / 64

HEX #575C30

RGB 87 92 48

HSL 66.82, 0.31%, 0.27%

LAB 37.65, -9.51, 24.56

 

CMYK 5 / 0 / 61 / 71

HEX #464A1D

RGB 70 74 29

HSL 65.33, 0.44%, 0.2%

LAB 30.13, -9.06, 25.88

 

CMYK 5 / 0 / 82 / 78

HEX #35380A

RGB 53 56 10

HSL 63.91, 0.7%, 0.13%

LAB 22.33, -8.3, 26.64

 

CMYK 5 / 0 / 100 / 85

HEX #242600

RGB 36 38 0

HSL 63.16, 1%, 0.07%

LAB 14.18, -6.93, 20.66

 

CMYK 5 / 0 / 39 / 57

HEX #686E43

RGB 104 110 67

HSL 68.37, 0.24%, 0.35%

LAB 44.94, -9.79, 23.23

 

CMYK 0 / 5 / 39 / 57

HEX #6E6943

RGB 110 105 67

HSL 53.02, 0.24%, 0.35%

LAB 43.98, -4.29, 22.09

 

CMYK 0 / 15 / 39 / 57

HEX #6E5D43

RGB 110 93 67

HSL 36.28, 0.24%, 0.35%

LAB 40.49, 2.78, 17.5

 

CMYK 0 / 26 / 39 / 57

HEX #6E5143

RGB 110 81 67

HSL 19.53, 0.24%, 0.35%

LAB 37.12, 10.06, 12.96

 

CMYK 0 / 36 / 39 / 57

HEX #6E4643

RGB 110 70 67

HSL 4.19, 0.24%, 0.35%

LAB 34.19, 16.78, 8.91

 

CMYK 5 / 0 / 39 / 57

HEX #686E43

RGB 104 110 67

HSL 68.37, 0.24%, 0.35%

LAB 44.94, -9.79, 23.23

 

CMYK 15 / 0 / 39 / 57

HEX #5D6E43

RGB 93 110 67

HSL 83.72, 0.24%, 0.35%

LAB 44.07, -14.49, 21.93

 

CMYK 26 / 0 / 39 / 57

HEX #516E43

RGB 81 110 67

HSL 100.47, 0.24%, 0.35%

LAB 43.22, -19.36, 20.66

 

CMYK 36 / 0 / 39 / 57

HEX #466E43

RGB 70 110 67

HSL 115.81, 0.24%, 0.35%

LAB 42.55, -23.51, 19.66

 

CMYK 39 / 0 / 30 / 57

HEX #436E4D

RGB 67 110 77

HSL 133.95, 0.24%, 0.35%

LAB 42.58, -22.69, 13.82

 

CMYK 5 / 0 / 39 / 57

HEX #686E43

RGB 104 110 67

HSL 68.37, 0.24%, 0.35%

LAB 44.94, -9.79, 23.23

 

CMYK 8 / 0 / 58 / 51

HEX #737D35

RGB 115 125 53

HSL 68.33, 0.4%, 0.35%

LAB 50.18, -14.78, 37.33

 

CMYK 10 / 0 / 73 / 45

HEX #7D8B26

RGB 125 139 38

HSL 68.32, 0.57%, 0.35%

LAB 55.04, -18.85, 49.38

 

CMYK 12 / 0 / 84 / 40

HEX #879918

RGB 135 153 24

HSL 68.37, 0.73%, 0.35%

LAB 59.89, -22.23, 58.59

 

CMYK 13 / 0 / 94 / 34

HEX #92A80A

RGB 146 168 10

HSL 68.35, 0.89%, 0.35%

LAB 65.07, -25.24, 65.8

 

CMYK 5 / 0 / 39 / 57

HEX #686E43

RGB 104 110 67

HSL 68.37, 0.24%, 0.35%

LAB 44.94, -9.79, 23.23

 

CMYK 2 / 0 / 15 / 62

HEX #5E6052

RGB 94 96 82

HSL 68.57, 0.08%, 0.35%

LAB 40.17, -3.57, 7.74

 

CMYK 14 / 16 / 0 / 62

HEX #535160

RGB 83 81 96

HSL 248, 0.08%, 0.35%

LAB 35.14, 4.22, -8.42

 

CMYK 34 / 40 / 0 / 56

HEX #49436F

RGB 73 67 111

HSL 248.18, 0.25%, 0.35%

LAB 30.83, 13.79, -24.6

 

CMYK 50 / 58 / 0 / 51

HEX #3F347D

RGB 63 52 125

HSL 249.04, 0.41%, 0.35%

LAB 26.72, 25.26, -40.04

 

CMYK 0 / 15 / 39 / 57

HEX #6E5D43

RGB 110 93 67

HSL 36.28, 0.24%, 0.35%

LAB 40.49, 2.78, 17.5

 

CMYK 0 / 5 / 39 / 57

HEX #6E6843

RGB 110 104 67

HSL 51.63, 0.24%, 0.35%

LAB 43.68, -3.71, 21.71

 

CMYK 5 / 0 / 39 / 57

HEX #686E43

RGB 104 110 67

HSL 68.37, 0.24%, 0.35%

LAB 44.94, -9.79, 23.23

 

CMYK 15 / 0 / 39 / 57

HEX #5D6E43

RGB 93 110 67

HSL 83.72, 0.24%, 0.35%

LAB 44.07, -14.49, 21.93

 

CMYK 25 / 0 / 39 / 57

HEX #526E43

RGB 82 110 67

HSL 99.07, 0.24%, 0.35%

LAB 43.29, -18.97, 20.76

 

CMYK 5 / 0 / 39 / 77

HEX #383B24

RGB 56 59 36

HSL 67.83, 0.24%, 0.19%

LAB 23.99, -5.8, 13.86

 

CMYK 6 / 0 / 39 / 67

HEX #505534

RGB 80 85 52

HSL 69.09, 0.24%, 0.27%

LAB 34.9, -8.08, 18.61

 

CMYK 5 / 0 / 39 / 57

HEX #686E43

RGB 104 110 67

HSL 68.37, 0.24%, 0.35%

LAB 44.94, -9.79, 23.23

 

CMYK 6 / 0 / 39 / 47

HEX #808853

RGB 128 136 83

HSL 69.06, 0.24%, 0.43%

LAB 54.89, -11.83, 27.48

 

CMYK 5 / 0 / 38 / 37

HEX #98A064

RGB 152 160 100

HSL 68, 0.24%, 0.51%

LAB 63.95, -12.62, 30.34

 

CMYK 5 / 0 / 39 / 57

HEX #686E43

RGB 104 110 67

HSL 68.37, 0.24%, 0.35%

LAB 44.94, -9.79, 23.23

 

CMYK 39 / 0 / 25 / 57

HEX #436E52

RGB 67 110 82

HSL 140.93, 0.24%, 0.35%

LAB 42.69, -21.66, 11

 

CMYK 10 / 39 / 0 / 57

HEX #63436E

RGB 99 67 110

HSL 284.65, 0.24%, 0.35%

LAB 33.55, 22.22, -19.52

 

CMYK 5 / 0 / 39 / 57

HEX #686E43

RGB 104 110 67

HSL 68.37, 0.24%, 0.35%

LAB 44.94, -9.79, 23.23

 

CMYK 39 / 5 / 0 / 57

HEX #43686E

RGB 67 104 110

HSL 188.37, 0.24%, 0.35%

LAB 41.56, -11.45, -7.55

 

CMYK 0 / 39 / 5 / 57

HEX #6E4368

RGB 110 67 104

HSL 308.37, 0.24%, 0.35%

LAB 34.66, 24.84, -13.91

 

CMYK 5 / 0 / 39 / 57

HEX #686E43

RGB 104 110 67

HSL 68.37, 0.24%, 0.35%

LAB 44.94, -9.79, 23.23

 

CMYK 39 / 0 / 25 / 57

HEX #436E52

RGB 67 110 82

HSL 140.93, 0.24%, 0.35%

LAB 42.69, -21.66, 11

 

CMYK 34 / 39 / 0 / 57

HEX #49436E

RGB 73 67 110

HSL 248.37, 0.24%, 0.35%

LAB 30.78, 13.5, -24.05

 

CMYK 0 / 39 / 13 / 57

HEX #6E4360

RGB 110 67 96

HSL 319.53, 0.24%, 0.35%

LAB 34.34, 23.29, -9.33

 

CMYK 5 / 0 / 39 / 57

HEX #686E43

RGB 104 110 67

HSL 68.37, 0.24%, 0.35%

LAB 44.94, -9.79, 23.23

 

CMYK 39 / 0 / 15 / 57

HEX #436E5E

RGB 67 110 94

HSL 157.67, 0.24%, 0.35%

LAB 42.99, -18.94, 4.24

 

CMYK 34 / 39 / 0 / 57

HEX #49436E

RGB 73 67 110

HSL 248.37, 0.24%, 0.35%

LAB 30.78, 13.5, -24.05

 

CMYK 0 / 39 / 25 / 57

HEX #6E4353

RGB 110 67 83

HSL 337.67, 0.24%, 0.35%

LAB 33.89, 21.01, -1.72

 

Description

Color code: RGB 104 110 67 | qconv.com Color code: RGB 104 110 67 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 110 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 110 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 39 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 39% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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