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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 104 139 241 it is the complementary color RGB 151 116 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 104 139 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 104 139 241 shade: RGB 109 139 236, RGB 126 157 255, RGB 143 175 255, RGB 160 193 255 and RGB 177 211 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 104 139 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 104 139 241 shade: RGB 104 139 241, RGB 87 121 222, RGB 70 103 203, RGB 53 85 184 and RGB 36 67 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 104 139 241 shade: RGB 105 140 241, RGB 107 105 241, RGB 144 105 241, RGB 180 105 241 and RGB 217 105 241

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 104 139 241 shade: RGB 105 140 241 and RGB 105 105 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 104 139 241 shade matches the following richer shades: RGB 105 140 241 and RGB 92 133 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 104 139 241 shade: RGB 105 140 241, RGB 118 146 227, RGB 132 153 214, RGB 145 159 201 and RGB 158 166 188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 104 139 241 shade: RGB 105 214 241, RGB 105 177 241, RGB 105 141 241, RGB 105 105 241 and RGB 141 105 241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 104 139 241 shade: RGB 30 82 234, RGB 67 111 237, RGB 105 140 241, RGB 143 169 244 and RGB 181 198 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 104 139 241 shade: RGB 104 139 241, RGB 232 105 241 and RGB 195 241 105

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 104 139 241 shade: RGB 104 139 241, RGB 241 105 141 and RGB 141 241 105

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 104 139 241 shade: RGB 104 139 241, RGB 232 105 241, RGB 241 205 105 and RGB 114 241 105

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 104 139 241 shade: RGB 104 139 241, RGB 241 105 209, RGB 241 205 105 and RGB 105 241 137

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 42 / 0 / 5

HEX #688BF1

RGB 104 139 241

HSL 224.67, 0.83%, 0.68%

LAB 59.67, 17.34, -55.09

 

Complementary color

CMYK 0 / 23 / 91 / 41

HEX #97740E

RGB 151 116 14

HSL 44.67, 0.83%, 0.32%

LAB 50.81, 4.84, 54.14

 

CMYK 54 / 41 / 0 / 7

HEX #6D8BEC

RGB 109 139 236

HSL 225.83, 0.77%, 0.68%

LAB 59.68, 16.77, -52.29

 

CMYK 51 / 38 / 0 / 0

HEX #7E9DFF

RGB 126 157 255

HSL 225.58, 1%, 0.75%

LAB 66.34, 15.7, -52.09

 

CMYK 44 / 31 / 0 / 0

HEX #8FAFFF

RGB 143 175 255

HSL 222.86, 1%, 0.78%

LAB 72.04, 9.37, -43.06

 

CMYK 37 / 24 / 0 / 0

HEX #A0C1FF

RGB 160 193 255

HSL 219.16, 1%, 0.81%

LAB 77.78, 3.72, -34.06

 

CMYK 31 / 17 / 0 / 0

HEX #B1D3FF

RGB 177 211 255

HSL 213.85, 1%, 0.85%

LAB 83.52, -1.32, -25.16

 

CMYK 57 / 42 / 0 / 5

HEX #688BF1

RGB 104 139 241

HSL 224.67, 0.83%, 0.68%

LAB 59.67, 17.34, -55.09

 

CMYK 61 / 45 / 0 / 13

HEX #5779DE

RGB 87 121 222

HSL 224.89, 0.67%, 0.61%

LAB 52.92, 18.74, -55.33

 

CMYK 66 / 49 / 0 / 20

HEX #4667CB

RGB 70 103 203

HSL 225.11, 0.56%, 0.54%

LAB 46.06, 20.45, -55.59

 

CMYK 71 / 54 / 0 / 28

HEX #3555B8

RGB 53 85 184

HSL 225.34, 0.55%, 0.46%

LAB 39.1, 22.55, -55.85

 

CMYK 78 / 59 / 0 / 35

HEX #2443A5

RGB 36 67 165

HSL 225.58, 0.64%, 0.39%

LAB 32.05, 25.16, -56.05

 

CMYK 56 / 42 / 0 / 5

HEX #698CF1

RGB 105 140 241

HSL 224.56, 0.83%, 0.68%

LAB 59.99, 16.94, -54.58

 

CMYK 56 / 56 / 0 / 5

HEX #6B69F1

RGB 107 105 241

HSL 240.88, 0.83%, 0.68%

LAB 51.36, 38.31, -68.43

 

CMYK 40 / 56 / 0 / 5

HEX #9069F1

RGB 144 105 241

HSL 257.21, 0.83%, 0.68%

LAB 54.43, 45.8, -63.32

 

CMYK 25 / 56 / 0 / 5

HEX #B469F1

RGB 180 105 241

HSL 273.09, 0.83%, 0.68%

LAB 58.19, 54.15, -57.09

 

CMYK 10 / 56 / 0 / 5

HEX #D969F1

RGB 217 105 241

HSL 289.41, 0.83%, 0.68%

LAB 62.68, 63.25, -49.67

 

CMYK 56 / 42 / 0 / 5

HEX #698CF1

RGB 105 140 241

HSL 224.56, 0.83%, 0.68%

LAB 59.99, 16.94, -54.58

 

CMYK 56 / 56 / 0 / 5

HEX #6969F1

RGB 105 105 241

HSL 240, 0.83%, 0.68%

LAB 51.22, 37.95, -68.67

 

CMYK 56 / 42 / 0 / 5

HEX #698CF1

RGB 105 140 241

HSL 224.56, 0.83%, 0.68%

LAB 59.99, 16.94, -54.58

 

CMYK 64 / 48 / 0 / 0

HEX #5C85FE

RGB 92 133 254

HSL 224.81, 0.99%, 0.68%

LAB 58.23, 23.06, -64.59

 

CMYK 56 / 42 / 0 / 5

HEX #698CF1

RGB 105 140 241

HSL 224.56, 0.83%, 0.68%

LAB 59.99, 16.94, -54.58

 

CMYK 48 / 36 / 0 / 11

HEX #7692E3

RGB 118 146 227

HSL 224.59, 0.66%, 0.68%

LAB 61.62, 11.89, -44.2

 

CMYK 38 / 29 / 0 / 16

HEX #8499D6

RGB 132 153 214

HSL 224.63, 0.5%, 0.68%

LAB 63.79, 7.66, -33.52

 

CMYK 28 / 21 / 0 / 21

HEX #919FC9

RGB 145 159 201

HSL 225, 0.34%, 0.68%

LAB 65.77, 4.6, -23.16

 

CMYK 16 / 12 / 0 / 26

HEX #9EA6BC

RGB 158 166 188

HSL 224, 0.18%, 0.68%

LAB 68.15, 1.76, -12.25

 

CMYK 56 / 11 / 0 / 5

HEX #69D6F1

RGB 105 214 241

HSL 191.91, 0.83%, 0.68%

LAB 80.43, -23.8, -22.75

 

CMYK 56 / 27 / 0 / 5

HEX #69B1F1

RGB 105 177 241

HSL 208.24, 0.83%, 0.68%

LAB 70.03, -4.36, -38.75

 

CMYK 56 / 41 / 0 / 5

HEX #698DF1

RGB 105 141 241

HSL 224.12, 0.83%, 0.68%

LAB 60.25, 16.34, -54.16

 

CMYK 56 / 56 / 0 / 5

HEX #6969F1

RGB 105 105 241

HSL 240, 0.83%, 0.68%

LAB 51.22, 37.95, -68.67

 

CMYK 41 / 56 / 0 / 5

HEX #8D69F1

RGB 141 105 241

HSL 255.88, 0.83%, 0.68%

LAB 54.15, 45.15, -63.79

 

CMYK 87 / 65 / 0 / 8

HEX #1E52EA

RGB 30 82 234

HSL 224.71, 0.83%, 0.52%

LAB 41.61, 40.93, -80.56

 

CMYK 72 / 53 / 0 / 7

HEX #436FED

RGB 67 111 237

HSL 224.47, 0.83%, 0.6%

LAB 50.31, 27.06, -68.01

 

CMYK 56 / 42 / 0 / 5

HEX #698CF1

RGB 105 140 241

HSL 224.56, 0.83%, 0.68%

LAB 59.99, 16.94, -54.58

 

CMYK 41 / 31 / 0 / 4

HEX #8FA9F4

RGB 143 169 244

HSL 224.55, 0.82%, 0.76%

LAB 70, 9.69, -40.29

 

CMYK 27 / 20 / 0 / 3

HEX #B5C6F8

RGB 181 198 248

HSL 224.78, 0.83%, 0.84%

LAB 80.17, 5.11, -26.52

 

CMYK 57 / 42 / 0 / 5

HEX #688BF1

RGB 104 139 241

HSL 224.67, 0.83%, 0.68%

LAB 59.67, 17.34, -55.09

 

CMYK 4 / 56 / 0 / 5

HEX #E869F1

RGB 232 105 241

HSL 296.03, 0.83%, 0.68%

LAB 64.65, 67.01, -46.43

 

CMYK 19 / 0 / 56 / 5

HEX #C3F169

RGB 195 241 105

HSL 80.29, 0.83%, 0.68%

LAB 89.64, -34.92, 59.73

 

CMYK 57 / 42 / 0 / 5

HEX #688BF1

RGB 104 139 241

HSL 224.67, 0.83%, 0.68%

LAB 59.67, 17.34, -55.09

 

CMYK 0 / 56 / 41 / 5

HEX #F1698D

RGB 241 105 141

HSL 344.12, 0.83%, 0.68%

LAB 62.28, 55.55, 6.73

 

CMYK 41 / 0 / 56 / 5

HEX #8DF169

RGB 141 241 105

HSL 104.12, 0.83%, 0.68%

LAB 86.8, -53.42, 55.71

 

CMYK 57 / 42 / 0 / 5

HEX #688BF1

RGB 104 139 241

HSL 224.67, 0.83%, 0.68%

LAB 59.67, 17.34, -55.09

 

CMYK 4 / 56 / 0 / 5

HEX #E869F1

RGB 232 105 241

HSL 296.03, 0.83%, 0.68%

LAB 64.65, 67.01, -46.43

 

CMYK 0 / 15 / 56 / 5

HEX #F1CD69

RGB 241 205 105

HSL 44.12, 0.83%, 0.68%

LAB 83.64, 0.98, 53.73

 

CMYK 53 / 0 / 56 / 5

HEX #72F169

RGB 114 241 105

HSL 116.03, 0.83%, 0.68%

LAB 85.76, -61, 54.24

 

CMYK 57 / 42 / 0 / 5

HEX #688BF1

RGB 104 139 241

HSL 224.67, 0.83%, 0.68%

LAB 59.67, 17.34, -55.09

 

CMYK 0 / 56 / 13 / 5

HEX #F169D1

RGB 241 105 209

HSL 314.12, 0.83%, 0.68%

LAB 64.49, 64.18, -28.75

 

CMYK 0 / 15 / 56 / 5

HEX #F1CD69

RGB 241 205 105

HSL 44.12, 0.83%, 0.68%

LAB 83.64, 0.98, 53.73

 

CMYK 56 / 0 / 43 / 5

HEX #69F189

RGB 105 241 137

HSL 134.12, 0.83%, 0.68%

LAB 85.87, -58.86, 39.24

 

Description

Color code: RGB 104 139 241 | qconv.com Color code: RGB 104 139 241 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 139 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 139 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 42 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 42% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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