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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 104 152 31 it is the complementary color RGB 151 103 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 104 152 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 104 152 31 shade: RGB 109 152 26, RGB 126 170 45, RGB 143 188 64, RGB 160 206 83 and RGB 177 224 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 104 152 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 104 152 31 shade: RGB 104 152 31, RGB 87 134 12, RGB 70 116 0, RGB 53 98 0 and RGB 36 80 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 104 152 31 shade: RGB 104 152 31, RGB 136 152 31, RGB 152 135 31, RGB 152 102 31 and RGB 152 69 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 104 152 31 shade: RGB 104 152 31, RGB 71 152 31, RGB 38 152 31, RGB 31 152 56 and RGB 31 152 88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 104 152 31 shade matches the following richer shades: RGB 104 152 31, RGB 107 167 16 and RGB 110 182 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 104 152 31 shade: RGB 104 152 31, RGB 101 137 46, RGB 98 122 60, RGB 95 107 75 and RGB 92 92 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 104 152 31 shade: RGB 152 134 31, RGB 138 152 31, RGB 105 152 31, RGB 73 152 31 and RGB 41 152 31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 104 152 31 shade: RGB 57 83 17, RGB 80 118 24, RGB 104 152 31, RGB 127 186 38 and RGB 149 213 52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 104 152 31 shade: RGB 104 152 31, RGB 31 152 101 and RGB 150 31 152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 104 152 31 shade: RGB 104 152 31, RGB 31 105 152 and RGB 152 31 105

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 104 152 31 shade: RGB 104 152 31, RGB 31 152 101, RGB 77 31 152 and RGB 152 31 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 104 152 31 shade: RGB 104 152 31, RGB 31 152 138, RGB 77 31 152 and RGB 152 31 45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 80 / 40

HEX #68981F

RGB 104 152 31

HSL 83.8, 0.66%, 0.36%

LAB 57.56, -34.33, 53.74

 

Complementary color

CMYK 33 / 54 / 0 / 12

HEX #9767E0

RGB 151 103 224

HSL 263.8, 0.66%, 0.64%

LAB 53.67, 44.14, -54.98

 

CMYK 28 / 0 / 83 / 40

HEX #6D981A

RGB 109 152 26

HSL 80.48, 0.71%, 0.35%

LAB 57.83, -32.59, 55.58

 

CMYK 26 / 0 / 74 / 33

HEX #7EAA2D

RGB 126 170 45

HSL 81.12, 0.58%, 0.42%

LAB 64.46, -33.22, 56.06

 

CMYK 24 / 0 / 66 / 26

HEX #8FBC40

RGB 143 188 64

HSL 81.77, 0.49%, 0.49%

LAB 70.99, -33.64, 55.73

 

CMYK 22 / 0 / 60 / 19

HEX #A0CE53

RGB 160 206 83

HSL 82.44, 0.56%, 0.57%

LAB 77.42, -33.93, 54.97

 

CMYK 21 / 0 / 54 / 12

HEX #B1E066

RGB 177 224 102

HSL 83.11, 0.66%, 0.64%

LAB 83.77, -34.12, 54.01

 

CMYK 32 / 0 / 80 / 40

HEX #68981F

RGB 104 152 31

HSL 83.8, 0.66%, 0.36%

LAB 57.56, -34.33, 53.74

 

CMYK 35 / 0 / 91 / 47

HEX #57860C

RGB 87 134 12

HSL 83.11, 0.84%, 0.29%

LAB 50.81, -33.55, 52.36

 

CMYK 40 / 0 / 100 / 55

HEX #467400

RGB 70 116 0

HSL 83.79, 1%, 0.23%

LAB 43.93, -32.39, 48.86

 

CMYK 46 / 0 / 100 / 62

HEX #356200

RGB 53 98 0

HSL 87.55, 1%, 0.19%

LAB 36.92, -30.83, 43.03

 

CMYK 55 / 0 / 100 / 69

HEX #245000

RGB 36 80 0

HSL 93, 1%, 0.16%

LAB 29.69, -29.1, 37.04

 

CMYK 32 / 0 / 80 / 40

HEX #68981F

RGB 104 152 31

HSL 83.8, 0.66%, 0.36%

LAB 57.56, -34.33, 53.74

 

CMYK 11 / 0 / 80 / 40

HEX #88981F

RGB 136 152 31

HSL 67.93, 0.66%, 0.36%

LAB 59.7, -21.03, 56.49

 

CMYK 0 / 11 / 80 / 40

HEX #98871F

RGB 152 135 31

HSL 51.57, 0.66%, 0.36%

LAB 56.19, -4.82, 53.83

 

CMYK 0 / 33 / 80 / 40

HEX #98661F

RGB 152 102 31

HSL 35.21, 0.66%, 0.36%

LAB 47.34, 13.85, 45.66

 

CMYK 0 / 55 / 80 / 40

HEX #98451F

RGB 152 69 31

HSL 18.84, 0.66%, 0.36%

LAB 39.63, 32.34, 38.19

 

CMYK 32 / 0 / 80 / 40

HEX #68981F

RGB 104 152 31

HSL 83.8, 0.66%, 0.36%

LAB 57.56, -34.33, 53.74

 

CMYK 53 / 0 / 80 / 40

HEX #47981F

RGB 71 152 31

HSL 100.17, 0.66%, 0.36%

LAB 55.98, -45.75, 51.7

 

CMYK 75 / 0 / 80 / 40

HEX #26981F

RGB 38 152 31

HSL 116.53, 0.66%, 0.36%

LAB 55.04, -53.47, 50.47

 

CMYK 80 / 0 / 63 / 40

HEX #1F9838

RGB 31 152 56

HSL 132.4, 0.66%, 0.36%

LAB 55.11, -52.18, 40.51

 

CMYK 80 / 0 / 42 / 40

HEX #1F9858

RGB 31 152 88

HSL 148.26, 0.66%, 0.36%

LAB 55.54, -47.11, 24.74

 

CMYK 32 / 0 / 80 / 40

HEX #68981F

RGB 104 152 31

HSL 83.8, 0.66%, 0.36%

LAB 57.56, -34.33, 53.74

 

CMYK 36 / 0 / 90 / 35

HEX #6BA710

RGB 107 167 16

HSL 83.84, 0.83%, 0.36%

LAB 62.34, -40.39, 61.67

 

CMYK 40 / 0 / 99 / 29

HEX #6EB601

RGB 110 182 1

HSL 83.87, 0.99%, 0.36%

LAB 67.11, -45.9, 67.58

 

CMYK 32 / 0 / 80 / 40

HEX #68981F

RGB 104 152 31

HSL 83.8, 0.66%, 0.36%

LAB 57.56, -34.33, 53.74

 

CMYK 26 / 0 / 66 / 46

HEX #65892E

RGB 101 137 46

HSL 83.74, 0.5%, 0.36%

LAB 52.79, -27.48, 43.22

 

CMYK 20 / 0 / 51 / 52

HEX #627A3C

RGB 98 122 60

HSL 83.23, 0.34%, 0.36%

LAB 48.06, -19.75, 30.9

 

CMYK 11 / 0 / 30 / 58

HEX #5F6B4B

RGB 95 107 75

HSL 82.5, 0.18%, 0.36%

LAB 43.44, -10.75, 16.47

 

CMYK 0 / 0 / 2 / 64

HEX #5C5C5A

RGB 92 92 90

HSL 60, 0.01%, 0.36%

LAB 39.02, -0.42, 1.14

 

CMYK 0 / 12 / 80 / 40

HEX #98861F

RGB 152 134 31

HSL 51.07, 0.66%, 0.36%

LAB 55.91, -4.27, 53.58

 

CMYK 9 / 0 / 80 / 40

HEX #8A981F

RGB 138 152 31

HSL 66.94, 0.66%, 0.36%

LAB 59.85, -20.15, 56.69

 

CMYK 31 / 0 / 80 / 40

HEX #69981F

RGB 105 152 31

HSL 83.31, 0.66%, 0.36%

LAB 57.62, -33.94, 53.82

 

CMYK 52 / 0 / 80 / 40

HEX #49981F

RGB 73 152 31

HSL 99.17, 0.66%, 0.36%

LAB 56.06, -45.15, 51.8

 

CMYK 73 / 0 / 80 / 40

HEX #29981F

RGB 41 152 31

HSL 115.04, 0.66%, 0.36%

LAB 55.1, -52.94, 50.55

 

CMYK 31 / 0 / 80 / 67

HEX #395311

RGB 57 83 17

HSL 83.64, 0.66%, 0.2%

LAB 32.03, -21.15, 33.38

 

CMYK 32 / 0 / 80 / 54

HEX #507618

RGB 80 118 24

HSL 84.26, 0.66%, 0.28%

LAB 45.26, -28.39, 44.01

 

CMYK 32 / 0 / 80 / 40

HEX #68981F

RGB 104 152 31

HSL 83.8, 0.66%, 0.36%

LAB 57.56, -34.33, 53.74

 

CMYK 32 / 0 / 80 / 27

HEX #7FBA26

RGB 127 186 38

HSL 83.92, 0.66%, 0.44%

LAB 69.31, -40.39, 62.95

 

CMYK 30 / 0 / 76 / 16

HEX #95D534

RGB 149 213 52

HSL 83.85, 0.66%, 0.52%

LAB 78.59, -43.28, 67.8

 

CMYK 32 / 0 / 80 / 40

HEX #68981F

RGB 104 152 31

HSL 83.8, 0.66%, 0.36%

LAB 57.56, -34.33, 53.74

 

CMYK 80 / 0 / 34 / 40

HEX #1F9865

RGB 31 152 101

HSL 154.71, 0.66%, 0.36%

LAB 55.77, -44.42, 17.9

 

CMYK 1 / 80 / 0 / 40

HEX #961F98

RGB 150 31 152

HSL 299.01, 0.66%, 0.36%

LAB 37.36, 61.01, -39.01

 

CMYK 32 / 0 / 80 / 40

HEX #68981F

RGB 104 152 31

HSL 83.8, 0.66%, 0.36%

LAB 57.56, -34.33, 53.74

 

CMYK 80 / 31 / 0 / 40

HEX #1F6998

RGB 31 105 152

HSL 203.31, 0.66%, 0.36%

LAB 42.25, -5.33, -31.92

 

CMYK 0 / 80 / 31 / 40

HEX #981F69

RGB 152 31 105

HSL 323.31, 0.66%, 0.36%

LAB 35.35, 54.67, -12.88

 

CMYK 32 / 0 / 80 / 40

HEX #68981F

RGB 104 152 31

HSL 83.8, 0.66%, 0.36%

LAB 57.56, -34.33, 53.74

 

CMYK 80 / 0 / 34 / 40

HEX #1F9865

RGB 31 152 101

HSL 154.71, 0.66%, 0.36%

LAB 55.77, -44.42, 17.9

 

CMYK 49 / 80 / 0 / 40

HEX #4D1F98

RGB 77 31 152

HSL 262.81, 0.66%, 0.36%

LAB 26.23, 47.7, -57.55

 

CMYK 0 / 80 / 47 / 40

HEX #981F51

RGB 152 31 81

HSL 335.21, 0.66%, 0.36%

LAB 34.5, 52.08, 1.29

 

CMYK 32 / 0 / 80 / 40

HEX #68981F

RGB 104 152 31

HSL 83.8, 0.66%, 0.36%

LAB 57.56, -34.33, 53.74

 

CMYK 80 / 0 / 9 / 40

HEX #1F988A

RGB 31 152 138

HSL 173.06, 0.66%, 0.36%

LAB 56.67, -34.97, -1.78

 

CMYK 49 / 80 / 0 / 40

HEX #4D1F98

RGB 77 31 152

HSL 262.81, 0.66%, 0.36%

LAB 26.23, 47.7, -57.55

 

CMYK 0 / 80 / 70 / 40

HEX #981F2D

RGB 152 31 45

HSL 353.06, 0.66%, 0.36%

LAB 33.66, 49.47, 23.49

 

Description

Color code: RGB 104 152 31 | qconv.com Color code: RGB 104 152 31 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 152 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 152 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 80 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 80% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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