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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 104 194 96 it is the complementary color RGB 151 61 159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 104 194 96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 104 194 96 shade: RGB 109 194 91, RGB 126 212 110, RGB 143 230 129, RGB 160 248 148 and RGB 177 255 167

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 104 194 96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 104 194 96 shade: RGB 104 194 96, RGB 87 176 77, RGB 70 158 58, RGB 53 140 39 and RGB 36 122 20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 104 194 96 shade: RGB 104 194 96, RGB 130 194 96, RGB 157 194 96, RGB 183 194 96 and RGB 194 178 96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 104 194 96 shade: RGB 104 194 96, RGB 96 194 114, RGB 96 194 141, RGB 96 194 167 and RGB 96 194 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 104 194 96 shade matches the following richer shades: RGB 104 194 96, RGB 89 212 78, RGB 74 230 60 and RGB 59 247 42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 104 194 96 shade: RGB 104 194 96, RGB 118 176 113, RGB 133 159 131, RGB 148 141 149 and RGB 163 123 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 104 194 96 shade: RGB 156 194 96, RGB 130 194 96, RGB 104 194 96, RGB 96 194 114 and RGB 96 194 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 104 194 96 shade: RGB 64 150 57, RGB 77 180 68, RGB 104 194 96, RGB 132 206 125 and RGB 160 217 155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 104 194 96 shade: RGB 104 194 96, RGB 96 183 194 and RGB 194 96 143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 104 194 96 shade: RGB 104 194 96, RGB 96 104 194 and RGB 194 96 104

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 104 194 96 shade: RGB 104 194 96, RGB 96 183 194, RGB 186 96 194 and RGB 194 107 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 104 194 96 shade: RGB 104 194 96, RGB 96 153 194, RGB 186 96 194 and RGB 194 137 96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 51 / 24

HEX #68C260

RGB 104 194 96

HSL 115.1, 0.45%, 0.57%

LAB 71.13, -46.41, 40.83

 

Complementary color

CMYK 5 / 62 / 0 / 38

HEX #973D9F

RGB 151 61 159

HSL 295.1, 0.45%, 0.43%

LAB 41.88, 51.31, -36.04

 

CMYK 44 / 0 / 53 / 24

HEX #6DC25B

RGB 109 194 91

HSL 109.51, 0.46%, 0.56%

LAB 71.28, -45.54, 43.48

 

CMYK 41 / 0 / 48 / 17

HEX #7ED46E

RGB 126 212 110

HSL 110.59, 0.54%, 0.63%

LAB 77.67, -45.48, 42.26

 

CMYK 38 / 0 / 44 / 10

HEX #8FE681

RGB 143 230 129

HSL 111.68, 0.67%, 0.7%

LAB 83.98, -45.35, 41.04

 

CMYK 35 / 0 / 40 / 3

HEX #A0F894

RGB 160 248 148

HSL 112.8, 0.88%, 0.78%

LAB 90.2, -45.18, 39.85

 

CMYK 31 / 0 / 35 / 0

HEX #B1FFA7

RGB 177 255 167

HSL 113.18, 1%, 0.83%

LAB 93.3, -40.15, 34.67

 

CMYK 46 / 0 / 51 / 24

HEX #68C260

RGB 104 194 96

HSL 115.1, 0.45%, 0.57%

LAB 71.13, -46.41, 40.83

 

CMYK 51 / 0 / 56 / 31

HEX #57B04D

RGB 87 176 77

HSL 113.94, 0.39%, 0.5%

LAB 64.65, -46.36, 42.08

 

CMYK 56 / 0 / 63 / 38

HEX #469E3A

RGB 70 158 58

HSL 112.8, 0.46%, 0.42%

LAB 58.1, -46.11, 43.24

 

CMYK 62 / 0 / 72 / 45

HEX #358C27

RGB 53 140 39

HSL 111.68, 0.56%, 0.35%

LAB 51.45, -45.51, 44.09

 

CMYK 70 / 0 / 84 / 52

HEX #247A14

RGB 36 122 20

HSL 110.59, 0.72%, 0.28%

LAB 44.72, -44.33, 44.16

 

CMYK 46 / 0 / 51 / 24

HEX #68C260

RGB 104 194 96

HSL 115.1, 0.45%, 0.57%

LAB 71.13, -46.41, 40.83

 

CMYK 33 / 0 / 51 / 24

HEX #82C260

RGB 130 194 96

HSL 99.18, 0.45%, 0.57%

LAB 72.34, -38.07, 42.59

 

CMYK 19 / 0 / 51 / 24

HEX #9DC260

RGB 157 194 96

HSL 82.65, 0.45%, 0.57%

LAB 73.93, -28.2, 44.88

 

CMYK 6 / 0 / 51 / 24

HEX #B7C260

RGB 183 194 96

HSL 66.73, 0.45%, 0.57%

LAB 75.76, -17.93, 47.51

 

CMYK 0 / 8 / 51 / 24

HEX #C2B260

RGB 194 178 96

HSL 50.2, 0.45%, 0.57%

LAB 72.33, -5.17, 43.63

 

CMYK 46 / 0 / 51 / 24

HEX #68C260

RGB 104 194 96

HSL 115.1, 0.45%, 0.57%

LAB 71.13, -46.41, 40.83

 

CMYK 51 / 0 / 41 / 24

HEX #60C272

RGB 96 194 114

HSL 131.02, 0.45%, 0.57%

LAB 71.07, -45.99, 31.61

 

CMYK 51 / 0 / 27 / 24

HEX #60C28D

RGB 96 194 141

HSL 147.55, 0.45%, 0.57%

LAB 71.55, -41.06, 18.01

 

CMYK 51 / 0 / 14 / 24

HEX #60C2A7

RGB 96 194 167

HSL 163.47, 0.45%, 0.57%

LAB 72.14, -35.38, 4.78

 

CMYK 51 / 0 / 0 / 24

HEX #60C2C2

RGB 96 194 194

HSL 180, 0.45%, 0.57%

LAB 72.87, -28.63, -8.84

 

CMYK 46 / 0 / 51 / 24

HEX #68C260

RGB 104 194 96

HSL 115.1, 0.45%, 0.57%

LAB 71.13, -46.41, 40.83

 

CMYK 58 / 0 / 63 / 17

HEX #59D44E

RGB 89 212 78

HSL 115.07, 0.61%, 0.57%

LAB 75.92, -59.46, 54.55

 

CMYK 68 / 0 / 74 / 10

HEX #4AE63C

RGB 74 230 60

HSL 115.06, 0.77%, 0.57%

LAB 80.95, -70.27, 66.54

 

CMYK 76 / 0 / 83 / 3

HEX #3BF72A

RGB 59 247 42

HSL 115.02, 0.93%, 0.57%

LAB 85.82, -78.84, 76.13

 

CMYK 46 / 0 / 51 / 24

HEX #68C260

RGB 104 194 96

HSL 115.1, 0.45%, 0.57%

LAB 71.13, -46.41, 40.83

 

CMYK 33 / 0 / 36 / 31

HEX #76B071

RGB 118 176 113

HSL 115.24, 0.29%, 0.57%

LAB 66.59, -31.52, 26.44

 

CMYK 16 / 0 / 18 / 38

HEX #859F83

RGB 133 159 131

HSL 115.71, 0.13%, 0.57%

LAB 62.86, -14.65, 11.64

 

CMYK 1 / 5 / 0 / 42

HEX #948D95

RGB 148 141 149

HSL 292.5, 0.04%, 0.57%

LAB 59.45, 4.13, -3.32

 

CMYK 2 / 26 / 0 / 35

HEX #A37BA6

RGB 163 123 166

HSL 295.81, 0.19%, 0.57%

LAB 56.79, 23.14, -16.92

 

CMYK 20 / 0 / 51 / 24

HEX #9CC260

RGB 156 194 96

HSL 83.27, 0.45%, 0.57%

LAB 73.87, -28.59, 44.79

 

CMYK 33 / 0 / 51 / 24

HEX #82C260

RGB 130 194 96

HSL 99.18, 0.45%, 0.57%

LAB 72.34, -38.07, 42.59

 

CMYK 46 / 0 / 51 / 24

HEX #68C260

RGB 104 194 96

HSL 115.1, 0.45%, 0.57%

LAB 71.13, -46.41, 40.83

 

CMYK 51 / 0 / 41 / 24

HEX #60C272

RGB 96 194 114

HSL 131.02, 0.45%, 0.57%

LAB 71.07, -45.99, 31.61

 

CMYK 51 / 0 / 28 / 24

HEX #60C28C

RGB 96 194 140

HSL 146.94, 0.45%, 0.57%

LAB 71.53, -41.26, 18.52

 

CMYK 57 / 0 / 62 / 41

HEX #409639

RGB 64 150 57

HSL 115.48, 0.45%, 0.41%

LAB 55.28, -44.69, 40.46

 

CMYK 57 / 0 / 62 / 29

HEX #4DB444

RGB 77 180 68

HSL 115.18, 0.45%, 0.49%

LAB 65.47, -51.66, 47.09

 

CMYK 46 / 0 / 51 / 24

HEX #68C260

RGB 104 194 96

HSL 115.1, 0.45%, 0.57%

LAB 71.13, -46.41, 40.83

 

CMYK 36 / 0 / 39 / 19

HEX #84CE7D

RGB 132 206 125

HSL 114.81, 0.45%, 0.65%

LAB 76.39, -38.88, 33.19

 

CMYK 26 / 0 / 29 / 15

HEX #A0D99B

RGB 160 217 155

HSL 115.16, 0.45%, 0.73%

LAB 81.55, -30.11, 24.82

 

CMYK 46 / 0 / 51 / 24

HEX #68C260

RGB 104 194 96

HSL 115.1, 0.45%, 0.57%

LAB 71.13, -46.41, 40.83

 

CMYK 51 / 6 / 0 / 24

HEX #60B7C2

RGB 96 183 194

HSL 186.73, 0.45%, 0.57%

LAB 69.65, -23.17, -13.66

 

CMYK 0 / 51 / 26 / 24

HEX #C2608F

RGB 194 96 143

HSL 331.22, 0.45%, 0.57%

LAB 53.83, 44.6, -7.6

 

CMYK 46 / 0 / 51 / 24

HEX #68C260

RGB 104 194 96

HSL 115.1, 0.45%, 0.57%

LAB 71.13, -46.41, 40.83

 

CMYK 51 / 46 / 0 / 24

HEX #6068C2

RGB 96 104 194

HSL 235.1, 0.45%, 0.57%

LAB 47.34, 21.93, -48.27

 

CMYK 0 / 51 / 46 / 24

HEX #C26068

RGB 194 96 104

HSL 355.1, 0.45%, 0.57%

LAB 52.77, 39.92, 13.93

 

CMYK 46 / 0 / 51 / 24

HEX #68C260

RGB 104 194 96

HSL 115.1, 0.45%, 0.57%

LAB 71.13, -46.41, 40.83

 

CMYK 51 / 6 / 0 / 24

HEX #60B7C2

RGB 96 183 194

HSL 186.73, 0.45%, 0.57%

LAB 69.65, -23.17, -13.66

 

CMYK 4 / 51 / 0 / 24

HEX #BA60C2

RGB 186 96 194

HSL 295.1, 0.45%, 0.57%

LAB 54.76, 50.52, -35.93

 

CMYK 0 / 45 / 51 / 24

HEX #C26B60

RGB 194 107 96

HSL 6.73, 0.45%, 0.57%

LAB 54.9, 33.39, 21.5

 

CMYK 46 / 0 / 51 / 24

HEX #68C260

RGB 104 194 96

HSL 115.1, 0.45%, 0.57%

LAB 71.13, -46.41, 40.83

 

CMYK 51 / 21 / 0 / 24

HEX #6099C2

RGB 96 153 194

HSL 205.1, 0.45%, 0.57%

LAB 60.93, -7.2, -26.94

 

CMYK 4 / 51 / 0 / 24

HEX #BA60C2

RGB 186 96 194

HSL 295.1, 0.45%, 0.57%

LAB 54.76, 50.52, -35.93

 

CMYK 0 / 29 / 51 / 24

HEX #C28960

RGB 194 137 96

HSL 25.1, 0.45%, 0.57%

LAB 61.83, 17.02, 30.57

 

Description

Color code: RGB 104 194 96 | qconv.com Color code: RGB 104 194 96 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 194 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 194 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 51 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 51% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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