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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 105 213 97 it is the complementary color RGB 150 42 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 105 213 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 105 213 97 shade: RGB 110 213 92, RGB 127 231 111, RGB 144 249 130, RGB 161 255 149 and RGB 178 255 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 105 213 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 105 213 97 shade: RGB 105 213 97, RGB 88 195 78, RGB 71 177 59, RGB 54 159 40 and RGB 37 141 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 105 213 97 shade: RGB 105 213 97, RGB 136 213 97, RGB 168 213 97, RGB 199 213 97 and RGB 213 196 97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 105 213 97 shade: RGB 105 213 97, RGB 97 213 121, RGB 97 213 152, RGB 97 213 183 and RGB 97 212 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 105 213 97 shade matches the following richer shades: RGB 105 213 97, RGB 91 229 81 and RGB 78 245 65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 105 213 97 shade: RGB 105 213 97, RGB 119 197 113, RGB 133 181 130, RGB 147 164 146 and RGB 161 148 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 105 213 97 shade: RGB 169 213 97, RGB 138 213 97, RGB 107 213 97, RGB 97 213 119 and RGB 97 213 149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 105 213 97 shade: RGB 57 180 48, RGB 74 204 65, RGB 105 213 97, RGB 136 221 130 and RGB 167 230 163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 105 213 97 shade: RGB 105 213 97, RGB 97 199 213 and RGB 213 97 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 105 213 97 shade: RGB 105 213 97, RGB 97 107 213 and RGB 213 97 107

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 105 213 97 shade: RGB 105 213 97, RGB 97 199 213, RGB 203 97 213 and RGB 213 111 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 105 213 97 shade: RGB 105 213 97, RGB 97 165 213, RGB 203 97 213 and RGB 213 145 97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 54 / 16

HEX #69D561

RGB 105 213 97

HSL 115.86, 0.58%, 0.61%

LAB 76.95, -53.63, 47.4

 

Complementary color

CMYK 5 / 73 / 0 / 38

HEX #962A9E

RGB 150 42 158

HSL 295.86, 0.58%, 0.39%

LAB 38.91, 58.59, -40.16

 

CMYK 48 / 0 / 57 / 16

HEX #6ED55C

RGB 110 213 92

HSL 111.07, 0.59%, 0.6%

LAB 77.09, -52.83, 49.91

 

CMYK 45 / 0 / 52 / 9

HEX #7FE76F

RGB 127 231 111

HSL 112, 0.71%, 0.67%

LAB 83.34, -52.89, 48.74

 

CMYK 42 / 0 / 48 / 2

HEX #90F982

RGB 144 249 130

HSL 112.94, 0.91%, 0.74%

LAB 89.53, -52.85, 47.54

 

CMYK 37 / 0 / 42 / 0

HEX #A1FF95

RGB 161 255 149

HSL 113.21, 1%, 0.79%

LAB 92.25, -47.72, 42.01

 

CMYK 30 / 0 / 34 / 0

HEX #B2FFA8

RGB 178 255 168

HSL 113.1, 1%, 0.83%

LAB 93.37, -39.69, 34.27

 

CMYK 51 / 0 / 54 / 16

HEX #69D561

RGB 105 213 97

HSL 115.86, 0.58%, 0.61%

LAB 76.95, -53.63, 47.4

 

CMYK 55 / 0 / 60 / 24

HEX #58C34E

RGB 88 195 78

HSL 114.87, 0.49%, 0.54%

LAB 70.63, -53.42, 48.58

 

CMYK 60 / 0 / 67 / 31

HEX #47B13B

RGB 71 177 59

HSL 113.9, 0.5%, 0.46%

LAB 64.24, -52.95, 49.58

 

CMYK 66 / 0 / 75 / 38

HEX #369F28

RGB 54 159 40

HSL 112.94, 0.6%, 0.39%

LAB 57.78, -52.09, 50.18

 

CMYK 74 / 0 / 85 / 45

HEX #258D15

RGB 37 141 21

HSL 112, 0.74%, 0.32%

LAB 51.26, -50.6, 49.91

 

CMYK 51 / 0 / 54 / 16

HEX #69D561

RGB 105 213 97

HSL 115.86, 0.58%, 0.61%

LAB 76.95, -53.63, 47.4

 

CMYK 36 / 0 / 54 / 16

HEX #88D561

RGB 136 213 97

HSL 99.83, 0.58%, 0.61%

LAB 78.28, -44.26, 49.3

 

CMYK 21 / 0 / 54 / 16

HEX #A8D561

RGB 168 213 97

HSL 83.28, 0.58%, 0.61%

LAB 80.05, -32.88, 51.83

 

CMYK 7 / 0 / 54 / 16

HEX #C7D561

RGB 199 213 97

HSL 67.24, 0.58%, 0.61%

LAB 82.16, -20.81, 54.81

 

CMYK 0 / 8 / 54 / 16

HEX #D5C461

RGB 213 196 97

HSL 51.21, 0.58%, 0.61%

LAB 78.75, -6.55, 51.15

 

CMYK 51 / 0 / 54 / 16

HEX #69D561

RGB 105 213 97

HSL 115.86, 0.58%, 0.61%

LAB 76.95, -53.63, 47.4

 

CMYK 54 / 0 / 43 / 16

HEX #61D579

RGB 97 213 121

HSL 132.41, 0.58%, 0.61%

LAB 76.99, -52.34, 35.71

 

CMYK 54 / 0 / 29 / 16

HEX #61D598

RGB 97 213 152

HSL 148.45, 0.58%, 0.61%

LAB 77.52, -46.8, 20.42

 

CMYK 54 / 0 / 14 / 16

HEX #61D5B7

RGB 97 213 183

HSL 164.48, 0.58%, 0.61%

LAB 78.2, -40.05, 4.91

 

CMYK 54 / 0 / 0 / 16

HEX #61D4D5

RGB 97 212 213

HSL 180.52, 0.58%, 0.61%

LAB 78.71, -32.05, -10.4

 

CMYK 51 / 0 / 54 / 16

HEX #69D561

RGB 105 213 97

HSL 115.86, 0.58%, 0.61%

LAB 76.95, -53.63, 47.4

 

CMYK 60 / 0 / 65 / 10

HEX #5BE551

RGB 91 229 81

HSL 115.95, 0.74%, 0.61%

LAB 81.21, -64.72, 59.15

 

CMYK 68 / 0 / 73 / 4

HEX #4EF541

RGB 78 245 65

HSL 115.67, 0.9%, 0.61%

LAB 85.66, -73.93, 69.61

 

CMYK 51 / 0 / 54 / 16

HEX #69D561

RGB 105 213 97

HSL 115.86, 0.58%, 0.61%

LAB 76.95, -53.63, 47.4

 

CMYK 40 / 0 / 43 / 23

HEX #77C571

RGB 119 197 113

HSL 115.71, 0.42%, 0.61%

LAB 72.92, -40.77, 34.71

 

CMYK 27 / 0 / 28 / 29

HEX #85B582

RGB 133 181 130

HSL 116.47, 0.26%, 0.61%

LAB 69.22, -26.03, 21

 

CMYK 10 / 0 / 11 / 36

HEX #93A492

RGB 147 164 146

HSL 116.67, 0.09%, 0.61%

LAB 65.62, -9.49, 7.32

 

CMYK 1 / 9 / 0 / 36

HEX #A194A2

RGB 161 148 162

HSL 295.71, 0.07%, 0.61%

LAB 62.81, 7.42, -5.61

 

CMYK 21 / 0 / 54 / 16

HEX #A9D561

RGB 169 213 97

HSL 82.76, 0.58%, 0.61%

LAB 80.12, -32.51, 51.92

 

CMYK 35 / 0 / 54 / 16

HEX #8AD561

RGB 138 213 97

HSL 98.79, 0.58%, 0.61%

LAB 78.38, -43.59, 49.44

 

CMYK 50 / 0 / 54 / 16

HEX #6BD561

RGB 107 213 97

HSL 114.83, 0.58%, 0.61%

LAB 77.03, -53.09, 47.51

 

CMYK 54 / 0 / 44 / 16

HEX #61D577

RGB 97 213 119

HSL 131.38, 0.58%, 0.61%

LAB 76.96, -52.65, 36.68

 

CMYK 54 / 0 / 30 / 16

HEX #61D595

RGB 97 213 149

HSL 146.9, 0.58%, 0.61%

LAB 77.46, -47.39, 21.91

 

CMYK 68 / 0 / 73 / 29

HEX #39B430

RGB 57 180 48

HSL 115.91, 0.58%, 0.45%

LAB 64.74, -58.05, 54.32

 

CMYK 64 / 0 / 68 / 20

HEX #4ACC41

RGB 74 204 65

HSL 116.12, 0.58%, 0.53%

LAB 72.91, -61.28, 56.46

 

CMYK 51 / 0 / 54 / 16

HEX #69D561

RGB 105 213 97

HSL 115.86, 0.58%, 0.61%

LAB 76.95, -53.63, 47.4

 

CMYK 38 / 0 / 41 / 13

HEX #88DD82

RGB 136 221 130

HSL 116.04, 0.57%, 0.69%

LAB 81.05, -43.5, 36.73

 

CMYK 27 / 0 / 29 / 10

HEX #A7E6A3

RGB 167 230 163

HSL 116.42, 0.57%, 0.77%

LAB 85.73, -32.62, 26.44

 

CMYK 51 / 0 / 54 / 16

HEX #69D561

RGB 105 213 97

HSL 115.86, 0.58%, 0.61%

LAB 76.95, -53.63, 47.4

 

CMYK 54 / 7 / 0 / 16

HEX #61C7D5

RGB 97 199 213

HSL 187.24, 0.58%, 0.61%

LAB 74.95, -25.73, -16.04

 

CMYK 0 / 54 / 28 / 16

HEX #D56199

RGB 213 97 153

HSL 331.03, 0.58%, 0.61%

LAB 57.07, 51.64, -8.34

 

CMYK 51 / 0 / 54 / 16

HEX #69D561

RGB 105 213 97

HSL 115.86, 0.58%, 0.61%

LAB 76.95, -53.63, 47.4

 

CMYK 54 / 50 / 0 / 16

HEX #616BD5

RGB 97 107 213

HSL 234.83, 0.58%, 0.61%

LAB 49.33, 26.33, -55.97

 

CMYK 0 / 54 / 50 / 16

HEX #D5616B

RGB 213 97 107

HSL 354.83, 0.58%, 0.61%

LAB 55.84, 46.54, 16.85

 

CMYK 51 / 0 / 54 / 16

HEX #69D561

RGB 105 213 97

HSL 115.86, 0.58%, 0.61%

LAB 76.95, -53.63, 47.4

 

CMYK 54 / 7 / 0 / 16

HEX #61C7D5

RGB 97 199 213

HSL 187.24, 0.58%, 0.61%

LAB 74.95, -25.73, -16.04

 

CMYK 5 / 54 / 0 / 16

HEX #CB61D5

RGB 203 97 213

HSL 294.83, 0.58%, 0.61%

LAB 58.08, 58.2, -41.38

 

CMYK 0 / 48 / 54 / 16

HEX #D56F61

RGB 213 111 97

HSL 7.24, 0.58%, 0.61%

LAB 58.39, 38.68, 26.04

 

CMYK 51 / 0 / 54 / 16

HEX #69D561

RGB 105 213 97

HSL 115.86, 0.58%, 0.61%

LAB 76.95, -53.63, 47.4

 

CMYK 54 / 23 / 0 / 16

HEX #61A5D5

RGB 97 165 213

HSL 204.83, 0.58%, 0.61%

LAB 65.17, -7.93, -30.98

 

CMYK 5 / 54 / 0 / 16

HEX #CB61D5

RGB 203 97 213

HSL 294.83, 0.58%, 0.61%

LAB 58.08, 58.2, -41.38

 

CMYK 0 / 32 / 54 / 16

HEX #D59161

RGB 213 145 97

HSL 24.83, 0.58%, 0.61%

LAB 65.95, 20.59, 35.71

 

Description

Color code: RGB 105 213 97 | qconv.com Color code: RGB 105 213 97 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 213 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 213 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 54 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 54% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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