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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 105 47 104 it is the complementary color RGB 150 208 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 105 47 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 105 47 104 shade: RGB 110 47 99, RGB 127 65 118, RGB 144 83 137, RGB 161 101 156 and RGB 178 119 175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 105 47 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 105 47 104 shade: RGB 105 47 104, RGB 88 29 85, RGB 71 11 66, RGB 54 0 47 and RGB 37 0 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 105 47 104 shade: RGB 105 47 104, RGB 105 47 88, RGB 105 47 73, RGB 105 47 57 and RGB 105 47 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 105 47 104 shade: RGB 105 47 104, RGB 90 47 105, RGB 75 47 105, RGB 59 47 105 and RGB 47 47 105

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 105 47 104 shade matches the following richer shades: RGB 105 47 104, RGB 117 35 116, RGB 130 22 128 and RGB 142 10 140

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 105 47 104 shade: RGB 105 47 104, RGB 93 59 92, RGB 80 72 80, RGB 68 84 68 and RGB 56 96 56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 105 47 104 shade: RGB 75 47 105, RGB 91 47 105, RGB 105 47 104, RGB 105 47 89 and RGB 105 47 73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 105 47 104 shade: RGB 48 21 48, RGB 77 34 76, RGB 105 47 104, RGB 134 60 132 and RGB 162 73 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 105 47 104 shade: RGB 105 47 104, RGB 105 60 47 and RGB 47 105 83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 105 47 104 shade: RGB 105 47 104, RGB 104 105 47 and RGB 47 104 105

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 105 47 104 shade: RGB 105 47 104, RGB 105 60 47, RGB 47 105 48 and RGB 47 92 105

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 105 47 104 shade: RGB 105 47 104, RGB 105 77 47, RGB 47 105 48 and RGB 47 75 105

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 1 / 59

HEX #692F68

RGB 105 47 104

HSL 301.03, 0.38%, 0.3%

LAB 29.5, 34.61, -21.94

 

Complementary color

CMYK 28 / 0 / 27 / 18

HEX #96D097

RGB 150 208 151

HSL 121.03, 0.38%, 0.7%

LAB 78.36, -29.81, 22.48

 

CMYK 0 / 57 / 10 / 57

HEX #6E2F63

RGB 110 47 99

HSL 310.48, 0.4%, 0.31%

LAB 30.03, 35.24, -17.84

 

CMYK 0 / 49 / 7 / 50

HEX #7F4176

RGB 127 65 118

HSL 308.71, 0.32%, 0.38%

LAB 37.12, 34.56, -18.71

 

CMYK 0 / 42 / 5 / 44

HEX #905389

RGB 144 83 137

HSL 306.89, 0.27%, 0.45%

LAB 44.12, 33.78, -19.38

 

CMYK 0 / 37 / 3 / 37

HEX #A1659C

RGB 161 101 156

HSL 305, 0.24%, 0.51%

LAB 51.02, 32.98, -19.92

 

CMYK 0 / 33 / 2 / 30

HEX #B277AF

RGB 178 119 175

HSL 303.05, 0.28%, 0.58%

LAB 57.8, 32.22, -20.4

 

CMYK 0 / 55 / 1 / 59

HEX #692F68

RGB 105 47 104

HSL 301.03, 0.38%, 0.3%

LAB 29.5, 34.61, -21.94

 

CMYK 0 / 67 / 3 / 65

HEX #581D55

RGB 88 29 85

HSL 303.05, 0.5%, 0.23%

LAB 22.34, 34.99, -20.93

 

CMYK 0 / 85 / 7 / 72

HEX #470B42

RGB 71 11 66

HSL 305, 0.73%, 0.16%

LAB 15.34, 34.39, -19.17

 

CMYK 0 / 100 / 13 / 79

HEX #36002F

RGB 54 0 47

HSL 307.78, 1%, 0.11%

LAB 8.9, 31.48, -15.91

 

CMYK 0 / 100 / 24 / 85

HEX #25001C

RGB 37 0 28

HSL 314.59, 1%, 0.07%

LAB 4.31, 21.01, -8.73

 

CMYK 0 / 55 / 1 / 59

HEX #692F68

RGB 105 47 104

HSL 301.03, 0.38%, 0.3%

LAB 29.5, 34.61, -21.94

 

CMYK 0 / 55 / 16 / 59

HEX #692F58

RGB 105 47 88

HSL 317.59, 0.38%, 0.3%

LAB 28.75, 31.62, -12.74

 

CMYK 0 / 55 / 30 / 59

HEX #692F49

RGB 105 47 73

HSL 333.1, 0.38%, 0.3%

LAB 28.16, 29.18, -3.77

 

CMYK 0 / 55 / 46 / 59

HEX #692F39

RGB 105 47 57

HSL 349.66, 0.38%, 0.3%

LAB 27.66, 27.04, 6.12

 

CMYK 0 / 55 / 55 / 59

HEX #692F2F

RGB 105 47 47

HSL 0, 0.38%, 0.3%

LAB 27.41, 25.95, 12.41

 

CMYK 0 / 55 / 1 / 59

HEX #692F68

RGB 105 47 104

HSL 301.03, 0.38%, 0.3%

LAB 29.5, 34.61, -21.94

 

CMYK 14 / 55 / 0 / 59

HEX #5A2F69

RGB 90 47 105

HSL 284.48, 0.38%, 0.3%

LAB 27.37, 30.18, -26.08

 

CMYK 29 / 55 / 0 / 59

HEX #4B2F69

RGB 75 47 105

HSL 268.97, 0.38%, 0.3%

LAB 25.41, 25.65, -29.31

 

CMYK 44 / 55 / 0 / 59

HEX #3B2F69

RGB 59 47 105

HSL 252.41, 0.38%, 0.3%

LAB 23.61, 21.11, -32.28

 

CMYK 55 / 55 / 0 / 59

HEX #2F2F69

RGB 47 47 105

HSL 240, 0.38%, 0.3%

LAB 22.5, 18.06, -34.13

 

CMYK 0 / 55 / 1 / 59

HEX #692F68

RGB 105 47 104

HSL 301.03, 0.38%, 0.3%

LAB 29.5, 34.61, -21.94

 

CMYK 0 / 70 / 1 / 54

HEX #752374

RGB 117 35 116

HSL 300.73, 0.54%, 0.3%

LAB 30.02, 45.95, -28.65

 

CMYK 0 / 83 / 2 / 49

HEX #821680

RGB 130 22 128

HSL 301.11, 0.71%, 0.3%

LAB 31.53, 55.3, -33.69

 

CMYK 0 / 93 / 1 / 44

HEX #8E0A8C

RGB 142 10 140

HSL 300.91, 0.87%, 0.3%

LAB 33.69, 61.87, -37.58

 

CMYK 0 / 55 / 1 / 59

HEX #692F68

RGB 105 47 104

HSL 301.03, 0.38%, 0.3%

LAB 29.5, 34.61, -21.94

 

CMYK 0 / 37 / 1 / 64

HEX #5D3B5C

RGB 93 59 92

HSL 301.76, 0.22%, 0.3%

LAB 29.98, 21.02, -13.6

 

CMYK 0 / 10 / 0 / 69

HEX #504850

RGB 80 72 80

HSL 300, 0.05%, 0.3%

LAB 31.62, 5.04, -3.54

 

CMYK 19 / 0 / 19 / 67

HEX #445444

RGB 68 84 68

HSL 120, 0.11%, 0.3%

LAB 33.96, -9.84, 7.32

 

CMYK 42 / 0 / 42 / 62

HEX #386038

RGB 56 96 56

HSL 120, 0.26%, 0.3%

LAB 36.91, -23.32, 18.53

 

CMYK 29 / 55 / 0 / 59

HEX #4B2F69

RGB 75 47 105

HSL 268.97, 0.38%, 0.3%

LAB 25.41, 25.65, -29.31

 

CMYK 13 / 55 / 0 / 59

HEX #5B2F69

RGB 91 47 105

HSL 285.52, 0.38%, 0.3%

LAB 27.51, 30.48, -25.85

 

CMYK 0 / 55 / 1 / 59

HEX #692F68

RGB 105 47 104

HSL 301.03, 0.38%, 0.3%

LAB 29.5, 34.61, -21.94

 

CMYK 0 / 55 / 15 / 59

HEX #692F59

RGB 105 47 89

HSL 316.55, 0.38%, 0.3%

LAB 28.79, 31.79, -13.33

 

CMYK 0 / 55 / 30 / 59

HEX #692F49

RGB 105 47 73

HSL 333.1, 0.38%, 0.3%

LAB 28.16, 29.18, -3.77

 

CMYK 0 / 56 / 0 / 81

HEX #301530

RGB 48 21 48

HSL 300, 0.39%, 0.14%

LAB 11.81, 18.63, -12.16

 

CMYK 0 / 56 / 1 / 70

HEX #4D224C

RGB 77 34 76

HSL 301.4, 0.39%, 0.22%

LAB 20.99, 27.1, -17.11

 

CMYK 0 / 55 / 1 / 59

HEX #692F68

RGB 105 47 104

HSL 301.03, 0.38%, 0.3%

LAB 29.5, 34.61, -21.94

 

CMYK 0 / 55 / 1 / 47

HEX #863C84

RGB 134 60 132

HSL 301.62, 0.38%, 0.38%

LAB 37.78, 42.01, -26.26

 

CMYK 0 / 55 / 1 / 36

HEX #A249A0

RGB 162 73 160

HSL 301.35, 0.38%, 0.46%

LAB 45.61, 48.81, -30.65

 

CMYK 0 / 55 / 1 / 59

HEX #692F68

RGB 105 47 104

HSL 301.03, 0.38%, 0.3%

LAB 29.5, 34.61, -21.94

 

CMYK 0 / 43 / 55 / 59

HEX #693C2F

RGB 105 60 47

HSL 13.45, 0.38%, 0.3%

LAB 30.5, 18.29, 16.5

 

CMYK 55 / 0 / 21 / 59

HEX #2F6953

RGB 47 105 83

HSL 157.24, 0.38%, 0.3%

LAB 40.13, -24.81, 6.67

 

CMYK 0 / 55 / 1 / 59

HEX #692F68

RGB 105 47 104

HSL 301.03, 0.38%, 0.3%

LAB 29.5, 34.61, -21.94

 

CMYK 1 / 0 / 55 / 59

HEX #68692F

RGB 104 105 47

HSL 61.03, 0.38%, 0.3%

LAB 43.14, -9.25, 32.04

 

CMYK 55 / 1 / 0 / 59

HEX #2F6869

RGB 47 104 105

HSL 181.03, 0.38%, 0.3%

LAB 40.45, -18.23, -6.27

 

CMYK 0 / 55 / 1 / 59

HEX #692F68

RGB 105 47 104

HSL 301.03, 0.38%, 0.3%

LAB 29.5, 34.61, -21.94

 

CMYK 0 / 43 / 55 / 59

HEX #693C2F

RGB 105 60 47

HSL 13.45, 0.38%, 0.3%

LAB 30.5, 18.29, 16.5

 

CMYK 55 / 0 / 54 / 59

HEX #2F6930

RGB 47 105 48

HSL 121.03, 0.38%, 0.3%

LAB 39.45, -31.86, 26.2

 

CMYK 55 / 12 / 0 / 59

HEX #2F5C69

RGB 47 92 105

HSL 193.45, 0.38%, 0.3%

LAB 36.52, -11.43, -12.19

 

CMYK 0 / 55 / 1 / 59

HEX #692F68

RGB 105 47 104

HSL 301.03, 0.38%, 0.3%

LAB 29.5, 34.61, -21.94

 

CMYK 0 / 27 / 55 / 59

HEX #694D2F

RGB 105 77 47

HSL 31.03, 0.38%, 0.3%

LAB 35.04, 7.85, 22.3

 

CMYK 55 / 0 / 54 / 59

HEX #2F6930

RGB 47 105 48

HSL 121.03, 0.38%, 0.3%

LAB 39.45, -31.86, 26.2

 

CMYK 55 / 29 / 0 / 59

HEX #2F4B69

RGB 47 75 105

HSL 211.03, 0.38%, 0.3%

LAB 31.01, -0.95, -20.66

 

Description

Color code: RGB 105 47 104 | qconv.com Color code: RGB 105 47 104 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 47 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 47 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 1 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 1% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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