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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 106 41 161 it is the complementary color RGB 149 214 94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 106 41 161. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 106 41 161 shade: RGB 111 41 156, RGB 128 59 175, RGB 145 77 194, RGB 162 95 213 and RGB 179 113 232

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 106 41 161. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 106 41 161 shade: RGB 106 41 161, RGB 89 23 142, RGB 72 5 123, RGB 55 0 104 and RGB 38 0 85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 106 41 161 shade: RGB 107 41 162, RGB 139 41 162, RGB 162 41 152, RGB 162 41 119 and RGB 162 41 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 106 41 161 shade: RGB 107 41 162, RGB 74 41 162, RGB 42 41 162 and RGB 41 41 162

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 106 41 161 shade matches the following richer shades: RGB 107 41 162, RGB 108 25 178 and RGB 109 8 195

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 106 41 161 shade: RGB 107 41 162, RGB 105 58 145, RGB 104 74 129, RGB 102 91 112 and RGB 101 107 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 106 41 161 shade: RGB 41 41 162, RGB 73 41 162, RGB 106 41 162, RGB 138 41 162 and RGB 162 41 154

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 106 41 161 shade: RGB 63 24 96, RGB 85 33 129, RGB 107 41 162, RGB 128 50 194 and RGB 148 77 209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 106 41 161 shade: RGB 106 41 161, RGB 162 41 73 and RGB 41 162 57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 106 41 161 shade: RGB 106 41 161, RGB 162 106 41 and RGB 41 162 106

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 106 41 161 shade: RGB 106 41 161, RGB 162 41 73, RGB 97 162 41 and RGB 41 162 130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 106 41 161 shade: RGB 106 41 161, RGB 162 45 41, RGB 97 162 41 and RGB 41 158 162

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 75 / 0 / 37

HEX #6A29A1

RGB 106 41 161

HSL 272.5, 0.59%, 0.4%

LAB 32.31, 50.5, -52.95

 

Complementary color

CMYK 30 / 0 / 56 / 16

HEX #95D65E

RGB 149 214 94

HSL 92.5, 0.59%, 0.6%

LAB 79.21, -40.55, 51.93

 

CMYK 29 / 74 / 0 / 39

HEX #6F299C

RGB 111 41 156

HSL 276.52, 0.58%, 0.39%

LAB 32.63, 50.31, -49.37

 

CMYK 27 / 66 / 0 / 31

HEX #803BAF

RGB 128 59 175

HSL 275.69, 0.5%, 0.46%

LAB 39.26, 50.01, -49.94

 

CMYK 25 / 60 / 0 / 24

HEX #914DC2

RGB 145 77 194

HSL 274.87, 0.49%, 0.53%

LAB 45.94, 49.36, -50.25

 

CMYK 24 / 55 / 0 / 16

HEX #A25FD5

RGB 162 95 213

HSL 274.07, 0.58%, 0.6%

LAB 52.59, 48.55, -50.41

 

CMYK 23 / 51 / 0 / 9

HEX #B371E8

RGB 179 113 232

HSL 273.28, 0.72%, 0.68%

LAB 59.18, 47.7, -50.51

 

CMYK 34 / 75 / 0 / 37

HEX #6A29A1

RGB 106 41 161

HSL 272.5, 0.59%, 0.4%

LAB 32.31, 50.5, -52.95

 

CMYK 37 / 84 / 0 / 44

HEX #59178E

RGB 89 23 142

HSL 273.28, 0.72%, 0.32%

LAB 25.83, 50.16, -51.97

 

CMYK 41 / 96 / 0 / 52

HEX #48057B

RGB 72 5 123

HSL 274.07, 0.92%, 0.25%

LAB 19.71, 48.47, -50.14

 

CMYK 47 / 100 / 0 / 59

HEX #370068

RGB 55 0 104

HSL 271.73, 1%, 0.2%

LAB 14.47, 43.67, -46.54

 

CMYK 55 / 100 / 0 / 67

HEX #260055

RGB 38 0 85

HSL 266.82, 1%, 0.17%

LAB 9.55, 37.37, -42.01

 

CMYK 34 / 75 / 0 / 36

HEX #6B29A2

RGB 107 41 162

HSL 272.73, 0.6%, 0.4%

LAB 32.53, 50.93, -53.2

 

CMYK 14 / 75 / 0 / 36

HEX #8B29A2

RGB 139 41 162

HSL 288.6, 0.6%, 0.4%

LAB 37.27, 57.33, -45.3

 

CMYK 0 / 75 / 6 / 36

HEX #A22998

RGB 162 41 152

HSL 304.96, 0.6%, 0.4%

LAB 40.47, 60.6, -33.94

 

CMYK 0 / 75 / 27 / 36

HEX #A22977

RGB 162 41 119

HSL 321.32, 0.6%, 0.4%

LAB 38.9, 55.85, -16.11

 

CMYK 0 / 75 / 46 / 36

HEX #A22957

RGB 162 41 87

HSL 337.19, 0.6%, 0.4%

LAB 37.76, 52.25, 2.4

 

CMYK 34 / 75 / 0 / 36

HEX #6B29A2

RGB 107 41 162

HSL 272.73, 0.6%, 0.4%

LAB 32.53, 50.93, -53.2

 

CMYK 54 / 75 / 0 / 36

HEX #4A29A2

RGB 74 41 162

HSL 256.36, 0.6%, 0.4%

LAB 28.51, 45.26, -59.92

 

CMYK 74 / 75 / 0 / 36

HEX #2A29A2

RGB 42 41 162

HSL 240.5, 0.6%, 0.4%

LAB 25.82, 41.28, -64.44

 

CMYK 75 / 75 / 0 / 36

HEX #2929A2

RGB 41 41 162

HSL 240, 0.6%, 0.4%

LAB 25.76, 41.19, -64.54

 

CMYK 34 / 75 / 0 / 36

HEX #6B29A2

RGB 107 41 162

HSL 272.73, 0.6%, 0.4%

LAB 32.53, 50.93, -53.2

 

CMYK 39 / 86 / 0 / 30

HEX #6C19B2

RGB 108 25 178

HSL 272.55, 0.75%, 0.4%

LAB 32.03, 60.56, -63.61

 

CMYK 44 / 96 / 0 / 24

HEX #6D08C3

RGB 109 8 195

HSL 272.41, 0.92%, 0.4%

LAB 32.62, 67.89, -72.69

 

CMYK 34 / 75 / 0 / 36

HEX #6B29A2

RGB 107 41 162

HSL 272.73, 0.6%, 0.4%

LAB 32.53, 50.93, -53.2

 

CMYK 28 / 60 / 0 / 43

HEX #693A91

RGB 105 58 145

HSL 272.41, 0.43%, 0.4%

LAB 34.14, 37.82, -40.27

 

CMYK 19 / 43 / 0 / 49

HEX #684A81

RGB 104 74 129

HSL 272.73, 0.27%, 0.4%

LAB 36.79, 24.12, -26.25

 

CMYK 9 / 19 / 0 / 56

HEX #665B70

RGB 102 91 112

HSL 271.43, 0.1%, 0.4%

LAB 40.37, 8.86, -10.3

 

CMYK 6 / 0 / 10 / 58

HEX #656B60

RGB 101 107 96

HSL 92.73, 0.05%, 0.4%

LAB 44.41, -4.55, 5.37

 

CMYK 75 / 75 / 0 / 36

HEX #2929A2

RGB 41 41 162

HSL 240, 0.6%, 0.4%

LAB 25.76, 41.19, -64.54

 

CMYK 55 / 75 / 0 / 36

HEX #4929A2

RGB 73 41 162

HSL 255.87, 0.6%, 0.4%

LAB 28.41, 45.11, -60.09

 

CMYK 35 / 75 / 0 / 36

HEX #6A29A2

RGB 106 41 162

HSL 272.23, 0.6%, 0.4%

LAB 32.39, 50.74, -53.42

 

CMYK 15 / 75 / 0 / 36

HEX #8A29A2

RGB 138 41 162

HSL 288.1, 0.6%, 0.4%

LAB 37.11, 57.12, -45.56

 

CMYK 0 / 75 / 5 / 36

HEX #A2299A

RGB 162 41 154

HSL 303.97, 0.6%, 0.4%

LAB 40.57, 60.92, -34.98

 

CMYK 34 / 75 / 0 / 62

HEX #3F1860

RGB 63 24 96

HSL 272.5, 0.6%, 0.24%

LAB 18.16, 33.46, -35.15

 

CMYK 34 / 74 / 0 / 49

HEX #552181

RGB 85 33 129

HSL 272.5, 0.59%, 0.32%

LAB 25.58, 42.2, -44.28

 

CMYK 34 / 75 / 0 / 36

HEX #6B29A2

RGB 107 41 162

HSL 272.73, 0.6%, 0.4%

LAB 32.53, 50.93, -53.2

 

CMYK 34 / 74 / 0 / 24

HEX #8032C2

RGB 128 50 194

HSL 272.5, 0.59%, 0.48%

LAB 39.18, 58.45, -61.26

 

CMYK 29 / 63 / 0 / 18

HEX #944DD1

RGB 148 77 209

HSL 272.27, 0.59%, 0.56%

LAB 47.25, 53.52, -56.78

 

CMYK 34 / 75 / 0 / 37

HEX #6A29A1

RGB 106 41 161

HSL 272.5, 0.59%, 0.4%

LAB 32.31, 50.5, -52.95

 

CMYK 0 / 75 / 55 / 36

HEX #A22949

RGB 162 41 73

HSL 344.13, 0.6%, 0.4%

LAB 37.39, 51.02, 10.82

 

CMYK 75 / 0 / 65 / 36

HEX #29A239

RGB 41 162 57

HSL 127.93, 0.6%, 0.4%

LAB 58.61, -53.98, 44.05

 

CMYK 34 / 75 / 0 / 37

HEX #6A29A1

RGB 106 41 161

HSL 272.5, 0.59%, 0.4%

LAB 32.31, 50.5, -52.95

 

CMYK 0 / 35 / 75 / 36

HEX #A26A29

RGB 162 106 41

HSL 32.23, 0.6%, 0.4%

LAB 49.68, 16.54, 43.97

 

CMYK 75 / 0 / 35 / 36

HEX #29A26A

RGB 41 162 106

HSL 152.23, 0.6%, 0.4%

LAB 59.3, -46, 19.96

 

CMYK 34 / 75 / 0 / 37

HEX #6A29A1

RGB 106 41 161

HSL 272.5, 0.59%, 0.4%

LAB 32.31, 50.5, -52.95

 

CMYK 0 / 75 / 55 / 36

HEX #A22949

RGB 162 41 73

HSL 344.13, 0.6%, 0.4%

LAB 37.39, 51.02, 10.82

 

CMYK 40 / 0 / 75 / 36

HEX #61A229

RGB 97 162 41

HSL 92.23, 0.6%, 0.4%

LAB 60.38, -40.75, 52.94

 

CMYK 75 / 0 / 20 / 36

HEX #29A282

RGB 41 162 130

HSL 164.13, 0.6%, 0.4%

LAB 59.82, -40.4, 7.34

 

CMYK 34 / 75 / 0 / 37

HEX #6A29A1

RGB 106 41 161

HSL 272.5, 0.59%, 0.4%

LAB 32.31, 50.5, -52.95

 

CMYK 0 / 72 / 75 / 36

HEX #A22D29

RGB 162 45 41

HSL 1.98, 0.6%, 0.4%

LAB 37.33, 47.57, 30.76

 

CMYK 40 / 0 / 75 / 36

HEX #61A229

RGB 97 162 41

HSL 92.23, 0.6%, 0.4%

LAB 60.38, -40.75, 52.94

 

CMYK 75 / 2 / 0 / 36

HEX #299EA2

RGB 41 158 162

HSL 181.98, 0.6%, 0.4%

LAB 59.47, -29.57, -11.27

 

Description

Color code: RGB 106 41 161 | qconv.com Color code: RGB 106 41 161 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 41 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 41 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 75 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 75% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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