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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 109 41 it is the complementary color RGB 147 146 214. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 109 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 108 109 41 shade: RGB 113 109 36, RGB 130 127 55, RGB 147 145 74, RGB 164 163 93 and RGB 181 181 112

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 109 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 108 109 41 shade: RGB 108 109 41, RGB 91 91 22, RGB 74 73 3, RGB 57 55 0 and RGB 40 37 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 108 109 41 shade: RGB 106 107 40, RGB 107 90 40, RGB 107 72 40, RGB 107 54 40 and RGB 107 40 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 108 109 41 shade: RGB 106 107 40, RGB 88 107 40, RGB 70 107 40, RGB 52 107 40 and RGB 40 107 46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 108 109 41 shade matches the following richer shades: RGB 106 107 40, RGB 117 119 28, RGB 129 131 16 and RGB 141 143 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 108 109 41 shade: RGB 106 107 40, RGB 94 95 52, RGB 83 83 64, RGB 71 71 76 and RGB 59 59 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 108 109 41 shade: RGB 107 71 40, RGB 107 89 40, RGB 107 107 40, RGB 89 107 40 and RGB 71 107 40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 108 109 41 shade: RGB 46 47 17, RGB 76 77 29, RGB 106 107 40, RGB 135 137 52 and RGB 165 167 63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 108 109 41 shade: RGB 108 109 41, RGB 40 107 53 and RGB 80 40 107

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 108 109 41 shade: RGB 108 109 41, RGB 40 107 107 and RGB 107 40 107

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 108 109 41 shade: RGB 108 109 41, RGB 40 107 53, RGB 40 40 107 and RGB 107 40 93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 108 109 41 shade: RGB 108 109 41, RGB 40 107 73, RGB 40 40 107 and RGB 107 40 73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 62 / 57

HEX #6C6D29

RGB 108 109 41

HSL 60.88, 0.45%, 0.29%

LAB 44.64, -10.17, 36.87

 

Complementary color

CMYK 31 / 32 / 0 / 16

HEX #9392D6

RGB 147 146 214

HSL 240.88, 0.45%, 0.71%

LAB 63.02, 15.87, -34.63

 

CMYK 0 / 4 / 68 / 56

HEX #716D24

RGB 113 109 36

HSL 56.88, 0.52%, 0.29%

LAB 45.05, -8.21, 39.79

 

CMYK 0 / 2 / 58 / 49

HEX #827F37

RGB 130 127 55

HSL 57.6, 0.41%, 0.36%

LAB 52.06, -9.01, 38.82

 

CMYK 0 / 1 / 50 / 42

HEX #93914A

RGB 147 145 74

HSL 58.36, 0.33%, 0.43%

LAB 58.93, -9.61, 37.62

 

CMYK 0 / 1 / 43 / 36

HEX #A4A35D

RGB 164 163 93

HSL 59.15, 0.28%, 0.5%

LAB 65.65, -10.08, 36.38

 

CMYK 0 / 0 / 38 / 29

HEX #B5B570

RGB 181 181 112

HSL 60, 0.32%, 0.57%

LAB 72.26, -10.45, 35.16

 

CMYK 1 / 0 / 62 / 57

HEX #6C6D29

RGB 108 109 41

HSL 60.88, 0.45%, 0.29%

LAB 44.64, -10.17, 36.87

 

CMYK 0 / 0 / 76 / 64

HEX #5B5B16

RGB 91 91 22

HSL 60, 0.61%, 0.22%

LAB 37.42, -9.3, 37.53

 

CMYK 0 / 1 / 96 / 71

HEX #4A4903

RGB 74 73 3

HSL 59.15, 0.92%, 0.15%

LAB 29.98, -8.09, 37.21

 

CMYK 0 / 4 / 100 / 78

HEX #393700

RGB 57 55 0

HSL 57.89, 1%, 0.11%

LAB 22.31, -6.18, 30.82

 

CMYK 0 / 7 / 100 / 84

HEX #282500

RGB 40 37 0

HSL 55.5, 1%, 0.08%

LAB 14.25, -3.98, 20.84

 

CMYK 1 / 0 / 63 / 58

HEX #6A6B28

RGB 106 107 40

HSL 60.9, 0.46%, 0.29%

LAB 43.85, -10.06, 36.44

 

CMYK 0 / 16 / 63 / 58

HEX #6B5A28

RGB 107 90 40

HSL 44.78, 0.46%, 0.29%

LAB 38.88, 0.28, 30.92

 

CMYK 0 / 33 / 63 / 58

HEX #6B4828

RGB 107 72 40

HSL 28.66, 0.46%, 0.29%

LAB 33.8, 11.22, 24.97

 

CMYK 0 / 50 / 63 / 58

HEX #6B3628

RGB 107 54 40

HSL 12.54, 0.46%, 0.29%

LAB 29.2, 22.12, 19.33

 

CMYK 0 / 63 / 63 / 58

HEX #6B2828

RGB 107 40 40

HSL 0, 0.46%, 0.29%

LAB 26.15, 29.94, 15.42

 

CMYK 1 / 0 / 63 / 58

HEX #6A6B28

RGB 106 107 40

HSL 60.9, 0.46%, 0.29%

LAB 43.85, -10.06, 36.44

 

CMYK 18 / 0 / 63 / 58

HEX #586B28

RGB 88 107 40

HSL 77.01, 0.46%, 0.29%

LAB 42.37, -18.23, 34.39

 

CMYK 35 / 0 / 63 / 58

HEX #466B28

RGB 70 107 40

HSL 93.13, 0.46%, 0.29%

LAB 41.17, -25.79, 32.71

 

CMYK 51 / 0 / 63 / 58

HEX #346B28

RGB 52 107 40

HSL 109.25, 0.46%, 0.29%

LAB 40.24, -32.28, 31.41

 

CMYK 63 / 0 / 57 / 58

HEX #286B2E

RGB 40 107 46

HSL 125.37, 0.46%, 0.29%

LAB 39.85, -34.97, 27.72

 

CMYK 1 / 0 / 63 / 58

HEX #6A6B28

RGB 106 107 40

HSL 60.9, 0.46%, 0.29%

LAB 43.85, -10.06, 36.44

 

CMYK 2 / 0 / 76 / 53

HEX #75771C

RGB 117 119 28

HSL 61.32, 0.62%, 0.29%

LAB 48.33, -12.35, 46.46

 

CMYK 2 / 0 / 88 / 49

HEX #818310

RGB 129 131 16

HSL 61.04, 0.78%, 0.29%

LAB 52.88, -13.74, 54.44

 

CMYK 1 / 0 / 97 / 44

HEX #8D8F04

RGB 141 143 4

HSL 60.86, 0.95%, 0.29%

LAB 57.38, -14.86, 60.57

 

CMYK 1 / 0 / 63 / 58

HEX #6A6B28

RGB 106 107 40

HSL 60.9, 0.46%, 0.29%

LAB 43.85, -10.06, 36.44

 

CMYK 1 / 0 / 45 / 63

HEX #5E5F34

RGB 94 95 52

HSL 61.4, 0.29%, 0.29%

LAB 39.26, -7.57, 24.41

 

CMYK 0 / 0 / 23 / 67

HEX #535340

RGB 83 83 64

HSL 60, 0.13%, 0.29%

LAB 34.79, -3.66, 11.17

 

CMYK 7 / 7 / 0 / 70

HEX #47474C

RGB 71 71 76

HSL 240, 0.03%, 0.29%

LAB 30.32, 1.14, -2.99

 

CMYK 33 / 33 / 0 / 65

HEX #3B3B58

RGB 59 59 88

HSL 240, 0.2%, 0.29%

LAB 26.05, 7.71, -17.38

 

CMYK 0 / 34 / 63 / 58

HEX #6B4728

RGB 107 71 40

HSL 27.76, 0.46%, 0.29%

LAB 33.53, 11.83, 24.65

 

CMYK 0 / 17 / 63 / 58

HEX #6B5928

RGB 107 89 40

HSL 43.88, 0.46%, 0.29%

LAB 38.59, 0.88, 30.59

 

CMYK 0 / 0 / 63 / 58

HEX #6B6B28

RGB 107 107 40

HSL 60, 0.46%, 0.29%

LAB 43.94, -9.59, 36.56

 

CMYK 17 / 0 / 63 / 58

HEX #596B28

RGB 89 107 40

HSL 76.12, 0.46%, 0.29%

LAB 42.45, -17.79, 34.5

 

CMYK 34 / 0 / 63 / 58

HEX #476B28

RGB 71 107 40

HSL 92.24, 0.46%, 0.29%

LAB 41.23, -25.39, 32.79

 

CMYK 2 / 0 / 64 / 82

HEX #2E2F11

RGB 46 47 17

HSL 62, 0.47%, 0.13%

LAB 18.6, -5.7, 18.85

 

CMYK 1 / 0 / 62 / 70

HEX #4C4D1D

RGB 76 77 29

HSL 61.25, 0.45%, 0.21%

LAB 31.65, -7.92, 27.75

 

CMYK 1 / 0 / 63 / 58

HEX #6A6B28

RGB 106 107 40

HSL 60.9, 0.46%, 0.29%

LAB 43.85, -10.06, 36.44

 

CMYK 1 / 0 / 62 / 46

HEX #878934

RGB 135 137 52

HSL 61.41, 0.45%, 0.37%

LAB 55.37, -12.45, 44.04

 

CMYK 1 / 0 / 62 / 35

HEX #A5A73F

RGB 165 167 63

HSL 61.15, 0.45%, 0.45%

LAB 66.52, -14.36, 51.86

 

CMYK 1 / 0 / 62 / 57

HEX #6C6D29

RGB 108 109 41

HSL 60.88, 0.45%, 0.29%

LAB 44.64, -10.17, 36.87

 

CMYK 63 / 0 / 50 / 58

HEX #286B35

RGB 40 107 53

HSL 131.64, 0.46%, 0.29%

LAB 39.95, -33.87, 24.02

 

CMYK 25 / 63 / 0 / 58

HEX #50286B

RGB 80 40 107

HSL 275.82, 0.46%, 0.29%

LAB 24.59, 31.8, -31.87

 

CMYK 1 / 0 / 62 / 57

HEX #6C6D29

RGB 108 109 41

HSL 60.88, 0.45%, 0.29%

LAB 44.64, -10.17, 36.87

 

CMYK 63 / 0 / 0 / 58

HEX #286B6B

RGB 40 107 107

HSL 180, 0.46%, 0.29%

LAB 41.26, -20.73, -6.3

 

CMYK 0 / 63 / 0 / 58

HEX #6B286B

RGB 107 40 107

HSL 300, 0.46%, 0.29%

LAB 28.66, 39.37, -25.17

 

CMYK 1 / 0 / 62 / 57

HEX #6C6D29

RGB 108 109 41

HSL 60.88, 0.45%, 0.29%

LAB 44.64, -10.17, 36.87

 

CMYK 63 / 0 / 50 / 58

HEX #286B35

RGB 40 107 53

HSL 131.64, 0.46%, 0.29%

LAB 39.95, -33.87, 24.02

 

CMYK 63 / 63 / 0 / 58

HEX #28286B

RGB 40 40 107

HSL 240, 0.46%, 0.29%

LAB 20.16, 22.11, -39.23

 

CMYK 0 / 63 / 13 / 58

HEX #6B285D

RGB 107 40 93

HSL 312.54, 0.46%, 0.29%

LAB 27.94, 36.8, -17.23

 

CMYK 1 / 0 / 62 / 57

HEX #6C6D29

RGB 108 109 41

HSL 60.88, 0.45%, 0.29%

LAB 44.64, -10.17, 36.87

 

CMYK 63 / 0 / 32 / 58

HEX #286B49

RGB 40 107 73

HSL 149.55, 0.46%, 0.29%

LAB 40.32, -29.9, 12.91

 

CMYK 63 / 63 / 0 / 58

HEX #28286B

RGB 40 40 107

HSL 240, 0.46%, 0.29%

LAB 20.16, 22.11, -39.23

 

CMYK 0 / 63 / 32 / 58

HEX #6B2849

RGB 107 40 73

HSL 330.45, 0.46%, 0.29%

LAB 27.09, 33.63, -5.33

 

Description

Color code: RGB 108 109 41 | qconv.com Color code: RGB 108 109 41 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 109 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 109 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 62 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 62% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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