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Color name
RGB 108 207 105

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 207 105 it is the complementary color RGB 147 48 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 207 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 108 207 105 shade: RGB 113 207 100, RGB 130 225 119, RGB 147 243 138, RGB 164 255 157 and RGB 181 255 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 207 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 108 207 105 shade: RGB 108 207 105, RGB 91 189 86, RGB 74 171 67, RGB 57 153 48 and RGB 40 135 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 108 207 105 shade: RGB 106 207 103, RGB 134 207 103, RGB 162 207 103, RGB 190 207 103 and RGB 207 196 103

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 108 207 105 shade: RGB 106 207 103, RGB 103 207 128, RGB 103 207 156, RGB 103 207 184 and RGB 103 202 207

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 108 207 105 shade matches the following richer shades: RGB 106 207 103, RGB 91 223 87 and RGB 76 239 71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 108 207 105 shade: RGB 106 207 103, RGB 122 191 119, RGB 137 175 136, RGB 152 158 152 and RGB 167 142 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 108 207 105 shade: RGB 162 207 103, RGB 134 207 103, RGB 107 207 103, RGB 103 207 127 and RGB 103 207 155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 108 207 105 shade: RGB 58 173 54, RGB 76 197 72, RGB 106 207 103, RGB 137 217 135 and RGB 168 227 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 108 207 105 shade: RGB 108 207 105, RGB 103 190 207 and RGB 207 103 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 108 207 105 shade: RGB 108 207 105, RGB 103 107 207 and RGB 207 103 107

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 108 207 105 shade: RGB 108 207 105, RGB 103 190 207, RGB 203 103 207 and RGB 207 121 103

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 108 207 105 shade: RGB 108 207 105, RGB 103 158 207, RGB 203 103 207 and RGB 207 152 103

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 49 / 19

HEX #6CCF69

RGB 108 207 105

HSL 118.24, 0.52%, 0.61%

LAB 75.35, -49.39, 41.66

 

Complementary color

CMYK 2 / 68 / 0 / 41

HEX #933096

RGB 147 48 150

HSL 298.24, 0.52%, 0.39%

LAB 38.76, 54.23, -35.59

 

CMYK 45 / 0 / 52 / 19

HEX #71CF64

RGB 113 207 100

HSL 112.71, 0.53%, 0.6%

LAB 75.49, -48.61, 44.29

 

CMYK 42 / 0 / 47 / 12

HEX #82E177

RGB 130 225 119

HSL 113.77, 0.64%, 0.67%

LAB 81.8, -48.54, 43.06

 

CMYK 40 / 0 / 43 / 5

HEX #93F38A

RGB 147 243 138

HSL 114.86, 0.81%, 0.75%

LAB 88.04, -48.41, 41.84

 

CMYK 36 / 0 / 38 / 0

HEX #A4FF9D

RGB 164 255 157

HSL 115.71, 1%, 0.81%

LAB 92.51, -45.67, 38.46

 

CMYK 29 / 0 / 31 / 0

HEX #B5FFB0

RGB 181 255 176

HSL 116.2, 1%, 0.85%

LAB 93.66, -37.52, 30.68

 

CMYK 48 / 0 / 49 / 19

HEX #6CCF69

RGB 108 207 105

HSL 118.24, 0.52%, 0.61%

LAB 75.35, -49.39, 41.66

 

CMYK 52 / 0 / 54 / 26

HEX #5BBD56

RGB 91 189 86

HSL 117.09, 0.44%, 0.54%

LAB 68.96, -49.35, 42.93

 

CMYK 57 / 0 / 61 / 33

HEX #4AAB43

RGB 74 171 67

HSL 115.96, 0.44%, 0.47%

LAB 62.5, -49.1, 44.15

 

CMYK 63 / 0 / 69 / 40

HEX #399930

RGB 57 153 48

HSL 114.86, 0.52%, 0.39%

LAB 55.95, -48.55, 45.16

 

CMYK 70 / 0 / 79 / 47

HEX #28871D

RGB 40 135 29

HSL 113.77, 0.65%, 0.32%

LAB 49.34, -47.47, 45.63

 

CMYK 49 / 0 / 50 / 19

HEX #6ACF67

RGB 106 207 103

HSL 118.27, 0.52%, 0.61%

LAB 75.24, -50.22, 42.49

 

CMYK 35 / 0 / 50 / 19

HEX #86CF67

RGB 134 207 103

HSL 102.12, 0.52%, 0.61%

LAB 76.48, -41.64, 44.28

 

CMYK 22 / 0 / 50 / 19

HEX #A2CF67

RGB 162 207 103

HSL 85.96, 0.52%, 0.61%

LAB 78.04, -31.73, 46.54

 

CMYK 8 / 0 / 50 / 19

HEX #BECF67

RGB 190 207 103

HSL 69.81, 0.52%, 0.61%

LAB 79.93, -20.93, 49.25

 

CMYK 0 / 5 / 50 / 19

HEX #CFC467

RGB 207 196 103

HSL 53.65, 0.52%, 0.61%

LAB 78.3, -8.52, 47.63

 

CMYK 49 / 0 / 50 / 19

HEX #6ACF67

RGB 106 207 103

HSL 118.27, 0.52%, 0.61%

LAB 75.24, -50.22, 42.49

 

CMYK 50 / 0 / 38 / 19

HEX #67CF80

RGB 103 207 128

HSL 134.42, 0.52%, 0.61%

LAB 75.49, -47.25, 30.24

 

CMYK 50 / 0 / 25 / 19

HEX #67CF9C

RGB 103 207 156

HSL 150.58, 0.52%, 0.61%

LAB 76.01, -42, 16.25

 

CMYK 50 / 0 / 11 / 19

HEX #67CFB8

RGB 103 207 184

HSL 166.73, 0.52%, 0.61%

LAB 76.66, -35.78, 2.18

 

CMYK 50 / 2 / 0 / 19

HEX #67CACF

RGB 103 202 207

HSL 182.88, 0.52%, 0.61%

LAB 75.84, -27.6, -11.43

 

CMYK 49 / 0 / 50 / 19

HEX #6ACF67

RGB 106 207 103

HSL 118.27, 0.52%, 0.61%

LAB 75.24, -50.22, 42.49

 

CMYK 59 / 0 / 61 / 13

HEX #5BDF57

RGB 91 223 87

HSL 118.24, 0.68%, 0.61%

LAB 79.44, -62, 54.66

 

CMYK 68 / 0 / 70 / 6

HEX #4CEF47

RGB 76 239 71

HSL 118.21, 0.84%, 0.61%

LAB 83.82, -71.94, 65.66

 

CMYK 49 / 0 / 50 / 19

HEX #6ACF67

RGB 106 207 103

HSL 118.27, 0.52%, 0.61%

LAB 75.24, -50.22, 42.49

 

CMYK 36 / 0 / 38 / 25

HEX #7ABF77

RGB 122 191 119

HSL 117.5, 0.36%, 0.61%

LAB 71.37, -36.22, 29.63

 

CMYK 22 / 0 / 22 / 31

HEX #89AF88

RGB 137 175 136

HSL 118.46, 0.2%, 0.61%

LAB 67.84, -20.61, 15.88

 

CMYK 4 / 0 / 4 / 38

HEX #989E98

RGB 152 158 152

HSL 120, 0.03%, 0.61%

LAB 64.48, -3.31, 2.38

 

CMYK 1 / 15 / 0 / 34

HEX #A78EA8

RGB 167 142 168

HSL 297.69, 0.13%, 0.61%

LAB 61.99, 14.12, -10.18

 

CMYK 22 / 0 / 50 / 19

HEX #A2CF67

RGB 162 207 103

HSL 85.96, 0.52%, 0.61%

LAB 78.04, -31.73, 46.54

 

CMYK 35 / 0 / 50 / 19

HEX #86CF67

RGB 134 207 103

HSL 102.12, 0.52%, 0.61%

LAB 76.48, -41.64, 44.28

 

CMYK 48 / 0 / 50 / 19

HEX #6BCF67

RGB 107 207 103

HSL 117.69, 0.52%, 0.61%

LAB 75.28, -49.94, 42.55

 

CMYK 50 / 0 / 39 / 19

HEX #67CF7F

RGB 103 207 127

HSL 133.85, 0.52%, 0.61%

LAB 75.48, -47.42, 30.73

 

CMYK 50 / 0 / 25 / 19

HEX #67CF9B

RGB 103 207 155

HSL 150, 0.52%, 0.61%

LAB 75.99, -42.2, 16.75

 

CMYK 66 / 0 / 69 / 32

HEX #3AAD36

RGB 58 173 54

HSL 117.98, 0.52%, 0.45%

LAB 62.55, -54.93, 49.73

 

CMYK 61 / 0 / 63 / 23

HEX #4CC548

RGB 76 197 72

HSL 118.08, 0.52%, 0.53%

LAB 70.83, -57.72, 51.34

 

CMYK 49 / 0 / 50 / 19

HEX #6ACF67

RGB 106 207 103

HSL 118.27, 0.52%, 0.61%

LAB 75.24, -50.22, 42.49

 

CMYK 37 / 0 / 38 / 15

HEX #89D987

RGB 137 217 135

HSL 118.54, 0.52%, 0.69%

LAB 80.01, -40.69, 32.86

 

CMYK 26 / 0 / 27 / 11

HEX #A8E3A6

RGB 168 227 166

HSL 118.03, 0.52%, 0.77%

LAB 85, -30.4, 23.9

 

CMYK 48 / 0 / 49 / 19

HEX #6CCF69

RGB 108 207 105

HSL 118.24, 0.52%, 0.61%

LAB 75.35, -49.39, 41.66

 

CMYK 50 / 8 / 0 / 19

HEX #67BECF

RGB 103 190 207

HSL 189.81, 0.52%, 0.61%

LAB 72.37, -21.62, -16.64

 

CMYK 0 / 50 / 29 / 19

HEX #CF6794

RGB 207 103 148

HSL 334.04, 0.52%, 0.61%

LAB 57.18, 46.1, -5.36

 

CMYK 48 / 0 / 49 / 19

HEX #6CCF69

RGB 108 207 105

HSL 118.24, 0.52%, 0.61%

LAB 75.35, -49.39, 41.66

 

CMYK 50 / 48 / 0 / 19

HEX #676BCF

RGB 103 107 207

HSL 237.69, 0.52%, 0.61%

LAB 49.38, 25.72, -52.44

 

CMYK 0 / 50 / 48 / 19

HEX #CF676B

RGB 207 103 107

HSL 357.69, 0.52%, 0.61%

LAB 56.12, 41.42, 17.07

 

CMYK 48 / 0 / 49 / 19

HEX #6CCF69

RGB 108 207 105

HSL 118.24, 0.52%, 0.61%

LAB 75.35, -49.39, 41.66

 

CMYK 50 / 8 / 0 / 19

HEX #67BECF

RGB 103 190 207

HSL 189.81, 0.52%, 0.61%

LAB 72.37, -21.62, -16.64

 

CMYK 2 / 50 / 0 / 19

HEX #CB67CF

RGB 203 103 207

HSL 297.69, 0.52%, 0.61%

LAB 58.88, 54.22, -36.73

 

CMYK 0 / 42 / 50 / 19

HEX #CF7967

RGB 207 121 103

HSL 10.38, 0.52%, 0.61%

LAB 59.82, 31.65, 24.36

 

CMYK 48 / 0 / 49 / 19

HEX #6CCF69

RGB 108 207 105

HSL 118.24, 0.52%, 0.61%

LAB 75.35, -49.39, 41.66

 

CMYK 50 / 24 / 0 / 19

HEX #679ECF

RGB 103 158 207

HSL 208.27, 0.52%, 0.61%

LAB 63.21, -4.51, -30.65

 

CMYK 2 / 50 / 0 / 19

HEX #CB67CF

RGB 203 103 207

HSL 297.69, 0.52%, 0.61%

LAB 58.88, 54.22, -36.73

 

CMYK 0 / 27 / 50 / 19

HEX #CF9867

RGB 207 152 103

HSL 28.27, 0.52%, 0.61%

LAB 67.05, 14.85, 33.76

 

Description

Color code: RGB 108 207 105 | qconv.com Color code: RGB 108 207 105 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 207 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 207 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 49 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 49% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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