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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 213 82 it is the complementary color RGB 147 42 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 213 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 108 213 82 shade: RGB 113 213 77, RGB 130 231 96, RGB 147 249 115, RGB 164 255 134 and RGB 181 255 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 213 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 108 213 82 shade: RGB 108 213 82, RGB 91 195 63, RGB 74 177 44, RGB 57 159 25 and RGB 40 141 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 108 213 82 shade: RGB 108 213 82, RGB 143 213 82, RGB 178 213 82, RGB 213 212 82 and RGB 213 177 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 108 213 82 shade: RGB 108 213 82, RGB 82 213 91, RGB 82 213 127, RGB 82 213 162 and RGB 82 213 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 108 213 82 shade matches the following richer shades: RGB 108 213 82, RGB 98 230 65 and RGB 87 247 47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 108 213 82 shade: RGB 108 213 82, RGB 118 195 99, RGB 129 178 117, RGB 139 161 134 and RGB 150 143 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 108 213 82 shade: RGB 178 213 82, RGB 143 213 82, RGB 108 213 82, RGB 82 213 91 and RGB 82 213 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 108 213 82 shade: RGB 67 171 41, RGB 80 204 49, RGB 108 213 82, RGB 136 221 115 and RGB 164 229 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 108 213 82 shade: RGB 108 213 82, RGB 82 213 213 and RGB 213 82 160

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 108 213 82 shade: RGB 108 213 82, RGB 82 108 213 and RGB 213 82 108

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 108 213 82 shade: RGB 108 213 82, RGB 82 213 213, RGB 187 82 213 and RGB 213 82 82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 108 213 82 shade: RGB 108 213 82, RGB 82 174 213, RGB 187 82 213 and RGB 213 121 82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 62 / 16

HEX #6CD552

RGB 108 213 82

HSL 108.09, 0.61%, 0.58%

LAB 76.91, -54.46, 54.13

 

Complementary color

CMYK 15 / 76 / 0 / 32

HEX #932AAD

RGB 147 42 173

HSL 288.09, 0.61%, 0.42%

LAB 39.37, 60.71, -48.44

 

CMYK 47 / 0 / 64 / 16

HEX #71D54D

RGB 113 213 77

HSL 104.12, 0.62%, 0.57%

LAB 77.06, -53.5, 56.46

 

CMYK 44 / 0 / 58 / 9

HEX #82E760

RGB 130 231 96

HSL 104.89, 0.74%, 0.64%

LAB 83.31, -53.68, 55.53

 

CMYK 41 / 0 / 54 / 2

HEX #93F973

RGB 147 249 115

HSL 105.67, 0.92%, 0.71%

LAB 89.48, -53.74, 54.46

 

CMYK 36 / 0 / 47 / 0

HEX #A4FF86

RGB 164 255 134

HSL 105.12, 1%, 0.76%

LAB 92.19, -48.75, 49.15

 

CMYK 29 / 0 / 40 / 0

HEX #B5FF99

RGB 181 255 153

HSL 103.53, 1%, 0.8%

LAB 93.3, -40.84, 41.6

 

CMYK 49 / 0 / 62 / 16

HEX #6CD552

RGB 108 213 82

HSL 108.09, 0.61%, 0.58%

LAB 76.91, -54.46, 54.13

 

CMYK 53 / 0 / 68 / 24

HEX #5BC33F

RGB 91 195 63

HSL 107.27, 0.52%, 0.51%

LAB 70.6, -54.1, 54.97

 

CMYK 58 / 0 / 75 / 31

HEX #4AB12C

RGB 74 177 44

HSL 106.47, 0.6%, 0.43%

LAB 64.23, -53.45, 55.38

 

CMYK 64 / 0 / 84 / 38

HEX #399F19

RGB 57 159 25

HSL 105.67, 0.73%, 0.36%

LAB 57.79, -52.35, 54.96

 

CMYK 72 / 0 / 96 / 45

HEX #288D06

RGB 40 141 6

HSL 104.89, 0.92%, 0.29%

LAB 51.28, -50.61, 53.09

 

CMYK 49 / 0 / 62 / 16

HEX #6CD552

RGB 108 213 82

HSL 108.09, 0.61%, 0.58%

LAB 76.91, -54.46, 54.13

 

CMYK 33 / 0 / 62 / 16

HEX #8FD552

RGB 143 213 82

HSL 92.06, 0.61%, 0.58%

LAB 78.48, -43.35, 56.31

 

CMYK 16 / 0 / 62 / 16

HEX #B2D552

RGB 178 213 82

HSL 76.03, 0.61%, 0.58%

LAB 80.55, -30.33, 59.17

 

CMYK 0 / 0 / 62 / 16

HEX #D5D452

RGB 213 212 82

HSL 59.54, 0.61%, 0.58%

LAB 82.83, -15.73, 62.38

 

CMYK 0 / 17 / 62 / 16

HEX #D5B152

RGB 213 177 82

HSL 43.51, 0.61%, 0.58%

LAB 73.67, 2.26, 52.37

 

CMYK 49 / 0 / 62 / 16

HEX #6CD552

RGB 108 213 82

HSL 108.09, 0.61%, 0.58%

LAB 76.91, -54.46, 54.13

 

CMYK 62 / 0 / 57 / 16

HEX #52D55B

RGB 82 213 91

HSL 124.12, 0.61%, 0.58%

LAB 76.15, -59.98, 49.04

 

CMYK 62 / 0 / 40 / 16

HEX #52D57F

RGB 82 213 127

HSL 140.61, 0.61%, 0.58%

LAB 76.63, -54.69, 32.12

 

CMYK 62 / 0 / 24 / 16

HEX #52D5A2

RGB 82 213 162

HSL 156.64, 0.61%, 0.58%

LAB 77.28, -47.83, 14.73

 

CMYK 62 / 0 / 8 / 16

HEX #52D5C5

RGB 82 213 197

HSL 172.67, 0.61%, 0.58%

LAB 78.12, -39.45, -2.75

 

CMYK 49 / 0 / 62 / 16

HEX #6CD552

RGB 108 213 82

HSL 108.09, 0.61%, 0.58%

LAB 76.91, -54.46, 54.13

 

CMYK 57 / 0 / 72 / 10

HEX #62E641

RGB 98 230 65

HSL 108, 0.77%, 0.58%

LAB 81.6, -64.78, 65.7

 

CMYK 65 / 0 / 81 / 3

HEX #57F72F

RGB 87 247 47

HSL 108, 0.93%, 0.58%

LAB 86.38, -73.92, 75.64

 

CMYK 49 / 0 / 62 / 16

HEX #6CD552

RGB 108 213 82

HSL 108.09, 0.61%, 0.58%

LAB 76.91, -54.46, 54.13

 

CMYK 39 / 0 / 49 / 24

HEX #76C363

RGB 118 195 99

HSL 108.13, 0.44%, 0.58%

LAB 72.08, -42.14, 40.67

 

CMYK 28 / 0 / 34 / 30

HEX #81B275

RGB 129 178 117

HSL 108.2, 0.28%, 0.58%

LAB 67.87, -28.07, 26.11

 

CMYK 14 / 0 / 17 / 37

HEX #8BA186

RGB 139 161 134

HSL 108.89, 0.13%, 0.58%

LAB 63.92, -12.99, 11.51

 

CMYK 1 / 5 / 0 / 41

HEX #968F97

RGB 150 143 151

HSL 292.5, 0.04%, 0.58%

LAB 60.22, 4.12, -3.31

 

CMYK 16 / 0 / 62 / 16

HEX #B2D552

RGB 178 213 82

HSL 76.03, 0.61%, 0.58%

LAB 80.55, -30.33, 59.17

 

CMYK 33 / 0 / 62 / 16

HEX #8FD552

RGB 143 213 82

HSL 92.06, 0.61%, 0.58%

LAB 78.48, -43.35, 56.31

 

CMYK 49 / 0 / 62 / 16

HEX #6CD552

RGB 108 213 82

HSL 108.09, 0.61%, 0.58%

LAB 76.91, -54.46, 54.13

 

CMYK 62 / 0 / 57 / 16

HEX #52D55B

RGB 82 213 91

HSL 124.12, 0.61%, 0.58%

LAB 76.15, -59.98, 49.04

 

CMYK 62 / 0 / 41 / 16

HEX #52D57E

RGB 82 213 126

HSL 140.15, 0.61%, 0.58%

LAB 76.61, -54.87, 32.61

 

CMYK 61 / 0 / 76 / 33

HEX #43AB29

RGB 67 171 41

HSL 108, 0.61%, 0.42%

LAB 62.07, -53.25, 54.21

 

CMYK 61 / 0 / 76 / 20

HEX #50CC31

RGB 80 204 49

HSL 108, 0.61%, 0.5%

LAB 72.97, -61.18, 62.34

 

CMYK 49 / 0 / 62 / 16

HEX #6CD552

RGB 108 213 82

HSL 108.09, 0.61%, 0.58%

LAB 76.91, -54.46, 54.13

 

CMYK 38 / 0 / 48 / 13

HEX #88DD73

RGB 136 221 115

HSL 108.11, 0.61%, 0.66%

LAB 80.84, -45.54, 43.87

 

CMYK 28 / 0 / 35 / 10

HEX #A4E594

RGB 164 229 148

HSL 108.15, 0.61%, 0.74%

LAB 85.03, -35.45, 33.13

 

CMYK 49 / 0 / 62 / 16

HEX #6CD552

RGB 108 213 82

HSL 108.09, 0.61%, 0.58%

LAB 76.91, -54.46, 54.13

 

CMYK 62 / 0 / 0 / 16

HEX #52D5D5

RGB 82 213 213

HSL 180, 0.61%, 0.58%

LAB 78.57, -35.18, -10.66

 

CMYK 0 / 62 / 25 / 16

HEX #D552A0

RGB 213 82 160

HSL 324.27, 0.61%, 0.58%

LAB 54.78, 59.34, -15.88

 

CMYK 49 / 0 / 62 / 16

HEX #6CD552

RGB 108 213 82

HSL 108.09, 0.61%, 0.58%

LAB 76.91, -54.46, 54.13

 

CMYK 62 / 49 / 0 / 16

HEX #526CD5

RGB 82 108 213

HSL 228.09, 0.61%, 0.58%

LAB 48.66, 22.84, -57.08

 

CMYK 0 / 62 / 49 / 16

HEX #D5526C

RGB 213 82 108

HSL 348.09, 0.61%, 0.58%

LAB 53.24, 53.57, 12.65

 

CMYK 49 / 0 / 62 / 16

HEX #6CD552

RGB 108 213 82

HSL 108.09, 0.61%, 0.58%

LAB 76.91, -54.46, 54.13

 

CMYK 62 / 0 / 0 / 16

HEX #52D5D5

RGB 82 213 213

HSL 180, 0.61%, 0.58%

LAB 78.57, -35.18, -10.66

 

CMYK 12 / 62 / 0 / 16

HEX #BB52D5

RGB 187 82 213

HSL 288.09, 0.61%, 0.58%

LAB 53.39, 61.06, -48.95

 

CMYK 0 / 62 / 62 / 16

HEX #D55252

RGB 213 82 82

HSL 0, 0.61%, 0.58%

LAB 52.72, 51.56, 27.32

 

CMYK 49 / 0 / 62 / 16

HEX #6CD552

RGB 108 213 82

HSL 108.09, 0.61%, 0.58%

LAB 76.91, -54.46, 54.13

 

CMYK 62 / 18 / 0 / 16

HEX #52AED5

RGB 82 174 213

HSL 197.86, 0.61%, 0.58%

LAB 67.18, -15.75, -27.92

 

CMYK 12 / 62 / 0 / 16

HEX #BB52D5

RGB 187 82 213

HSL 288.09, 0.61%, 0.58%

LAB 53.39, 61.06, -48.95

 

CMYK 0 / 43 / 62 / 16

HEX #D57952

RGB 213 121 82

HSL 17.86, 0.61%, 0.58%

LAB 60.28, 32.32, 36.74

 

Description

Color code: RGB 108 213 82 | qconv.com Color code: RGB 108 213 82 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 213 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 213 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 62 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 62% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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