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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 49 96 it is the complementary color RGB 147 206 159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 49 96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 108 49 96 shade: RGB 113 49 91, RGB 130 67 110, RGB 147 85 129, RGB 164 103 148 and RGB 181 121 167

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 49 96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 108 49 96 shade: RGB 108 49 96, RGB 91 31 77, RGB 74 13 58, RGB 57 0 39 and RGB 40 0 20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 108 49 96 shade: RGB 109 49 96, RGB 109 49 80, RGB 109 49 64 and RGB 109 49 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 108 49 96 shade: RGB 109 49 96, RGB 105 49 109, RGB 88 49 109, RGB 72 49 109 and RGB 56 49 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 108 49 96 shade matches the following richer shades: RGB 109 49 96, RGB 121 36 104, RGB 134 23 112 and RGB 147 10 119

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 108 49 96 shade: RGB 109 49 96, RGB 96 61 89, RGB 83 74 81, RGB 70 87 74 and RGB 57 100 66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 108 49 96 shade: RGB 89 49 109, RGB 105 49 109, RGB 109 49 97, RGB 109 49 81 and RGB 109 49 65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 108 49 96 shade: RGB 52 23 46, RGB 80 36 71, RGB 109 49 96, RGB 137 61 122 and RGB 166 74 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 108 49 96 shade: RGB 108 49 96, RGB 109 73 49 and RGB 49 109 97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 108 49 96 shade: RGB 108 49 96, RGB 97 109 49 and RGB 49 97 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 108 49 96 shade: RGB 108 49 96, RGB 109 73 49, RGB 49 109 61 and RGB 49 85 109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 108 49 96 shade: RGB 108 49 96, RGB 109 91 49, RGB 49 109 61 and RGB 49 67 109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 11 / 58

HEX #6C3160

RGB 108 49 96

HSL 312.2, 0.38%, 0.31%

LAB 29.98, 32.97, -16

 

Complementary color

CMYK 29 / 0 / 23 / 19

HEX #93CE9F

RGB 147 206 159

HSL 132.2, 0.38%, 0.69%

LAB 77.79, -28.43, 17.42

 

CMYK 0 / 57 / 19 / 56

HEX #71315B

RGB 113 49 91

HSL 320.63, 0.4%, 0.32%

LAB 30.55, 33.78, -11.83

 

CMYK 0 / 48 / 15 / 49

HEX #82436E

RGB 130 67 110

HSL 319.05, 0.32%, 0.39%

LAB 37.64, 33.04, -12.89

 

CMYK 0 / 42 / 12 / 42

HEX #935581

RGB 147 85 129

HSL 317.42, 0.27%, 0.45%

LAB 44.64, 32.22, -13.71

 

CMYK 0 / 37 / 10 / 36

HEX #A46794

RGB 164 103 148

HSL 315.74, 0.25%, 0.52%

LAB 51.53, 31.42, -14.4

 

CMYK 0 / 33 / 8 / 29

HEX #B579A7

RGB 181 121 167

HSL 314, 0.29%, 0.59%

LAB 58.31, 30.65, -15

 

CMYK 0 / 55 / 11 / 58

HEX #6C3160

RGB 108 49 96

HSL 312.2, 0.38%, 0.31%

LAB 29.98, 32.97, -16

 

CMYK 0 / 66 / 15 / 64

HEX #5B1F4D

RGB 91 31 77

HSL 314, 0.49%, 0.24%

LAB 22.79, 33.46, -14.81

 

CMYK 0 / 82 / 22 / 71

HEX #4A0D3A

RGB 74 13 58

HSL 315.74, 0.7%, 0.17%

LAB 15.74, 33.11, -12.86

 

CMYK 0 / 100 / 32 / 78

HEX #390027

RGB 57 0 39

HSL 318.95, 1%, 0.11%

LAB 9.13, 30.95, -9.51

 

CMYK 0 / 100 / 50 / 84

HEX #280014

RGB 40 0 20

HSL 330, 1%, 0.08%

LAB 4.53, 21.11, -2.28

 

CMYK 0 / 55 / 12 / 57

HEX #6D3160

RGB 109 49 96

HSL 313, 0.38%, 0.31%

LAB 30.14, 33.3, -15.75

 

CMYK 0 / 55 / 27 / 57

HEX #6D3150

RGB 109 49 80

HSL 329, 0.38%, 0.31%

LAB 29.48, 30.61, -6.34

 

CMYK 0 / 55 / 41 / 57

HEX #6D3140

RGB 109 49 64

HSL 345, 0.38%, 0.31%

LAB 28.95, 28.35, 3.41

 

CMYK 0 / 55 / 55 / 57

HEX #6D3131

RGB 109 49 49

HSL 0, 0.38%, 0.31%

LAB 28.56, 26.67, 12.76

 

CMYK 0 / 55 / 12 / 57

HEX #6D3160

RGB 109 49 96

HSL 313, 0.38%, 0.31%

LAB 30.14, 33.3, -15.75

 

CMYK 4 / 55 / 0 / 57

HEX #69316D

RGB 105 49 109

HSL 296, 0.38%, 0.31%

LAB 30.17, 34.54, -24.09

 

CMYK 19 / 55 / 0 / 57

HEX #58316D

RGB 88 49 109

HSL 279, 0.38%, 0.31%

LAB 27.78, 29.35, -28.02

 

CMYK 34 / 55 / 0 / 57

HEX #48316D

RGB 72 49 109

HSL 263, 0.38%, 0.31%

LAB 25.8, 24.63, -31.29

 

CMYK 49 / 55 / 0 / 57

HEX #38316D

RGB 56 49 109

HSL 247, 0.38%, 0.31%

LAB 24.13, 20.28, -34.05

 

CMYK 0 / 55 / 12 / 57

HEX #6D3160

RGB 109 49 96

HSL 313, 0.38%, 0.31%

LAB 30.14, 33.3, -15.75

 

CMYK 0 / 70 / 14 / 53

HEX #792468

RGB 121 36 104

HSL 312, 0.54%, 0.31%

LAB 30.22, 44.54, -20.62

 

CMYK 0 / 83 / 16 / 47

HEX #861770

RGB 134 23 112

HSL 311.89, 0.71%, 0.31%

LAB 31.47, 53.44, -23.62

 

CMYK 0 / 93 / 19 / 42

HEX #930A77

RGB 147 10 119

HSL 312.26, 0.87%, 0.31%

LAB 33.46, 59.81, -24.76

 

CMYK 0 / 55 / 12 / 57

HEX #6D3160

RGB 109 49 96

HSL 313, 0.38%, 0.31%

LAB 30.14, 33.3, -15.75

 

CMYK 0 / 36 / 7 / 62

HEX #603D59

RGB 96 61 89

HSL 312, 0.22%, 0.31%

LAB 30.75, 20.29, -10.46

 

CMYK 0 / 11 / 2 / 67

HEX #534A51

RGB 83 74 81

HSL 313.33, 0.06%, 0.31%

LAB 32.55, 5.21, -2.78

 

CMYK 20 / 0 / 15 / 66

HEX #46574A

RGB 70 87 74

HSL 134.12, 0.11%, 0.31%

LAB 35.23, -9.54, 5.39

 

CMYK 43 / 0 / 34 / 61

HEX #396442

RGB 57 100 66

HSL 132.56, 0.27%, 0.31%

LAB 38.51, -23.13, 14.73

 

CMYK 18 / 55 / 0 / 57

HEX #59316D

RGB 89 49 109

HSL 280, 0.38%, 0.31%

LAB 27.91, 29.65, -27.8

 

CMYK 4 / 55 / 0 / 57

HEX #69316D

RGB 105 49 109

HSL 296, 0.38%, 0.31%

LAB 30.17, 34.54, -24.09

 

CMYK 0 / 55 / 11 / 57

HEX #6D3161

RGB 109 49 97

HSL 312, 0.38%, 0.31%

LAB 30.18, 33.48, -16.32

 

CMYK 0 / 55 / 26 / 57

HEX #6D3151

RGB 109 49 81

HSL 328, 0.38%, 0.31%

LAB 29.52, 30.77, -6.94

 

CMYK 0 / 55 / 40 / 57

HEX #6D3141

RGB 109 49 65

HSL 344, 0.38%, 0.31%

LAB 28.98, 28.48, 2.79

 

CMYK 0 / 56 / 12 / 80

HEX #34172E

RGB 52 23 46

HSL 312.41, 0.39%, 0.15%

LAB 12.86, 18.43, -9.03

 

CMYK 0 / 55 / 11 / 69

HEX #502447

RGB 80 36 71

HSL 312.27, 0.38%, 0.23%

LAB 21.66, 25.97, -12.64

 

CMYK 0 / 55 / 12 / 57

HEX #6D3160

RGB 109 49 96

HSL 313, 0.38%, 0.31%

LAB 30.14, 33.3, -15.75

 

CMYK 0 / 55 / 11 / 46

HEX #893D7A

RGB 137 61 122

HSL 311.84, 0.38%, 0.39%

LAB 37.95, 40.61, -19.79

 

CMYK 0 / 55 / 11 / 35

HEX #A64A93

RGB 166 74 147

HSL 312.39, 0.38%, 0.47%

LAB 45.79, 47.24, -22.57

 

CMYK 0 / 55 / 11 / 58

HEX #6C3160

RGB 108 49 96

HSL 312.2, 0.38%, 0.31%

LAB 29.98, 32.97, -16

 

CMYK 0 / 33 / 55 / 57

HEX #6D4931

RGB 109 73 49

HSL 24, 0.38%, 0.31%

LAB 34.47, 12.37, 20.49

 

CMYK 55 / 0 / 11 / 57

HEX #316D61

RGB 49 109 97

HSL 168, 0.38%, 0.31%

LAB 41.93, -22.7, 0.78

 

CMYK 0 / 55 / 11 / 58

HEX #6C3160

RGB 108 49 96

HSL 312.2, 0.38%, 0.31%

LAB 29.98, 32.97, -16

 

CMYK 11 / 0 / 55 / 57

HEX #616D31

RGB 97 109 49

HSL 72, 0.38%, 0.31%

LAB 43.8, -14.45, 31.61

 

CMYK 55 / 11 / 0 / 57

HEX #31616D

RGB 49 97 109

HSL 192, 0.38%, 0.31%

LAB 38.39, -12.58, -11.81

 

CMYK 0 / 55 / 11 / 58

HEX #6C3160

RGB 108 49 96

HSL 312.2, 0.38%, 0.31%

LAB 29.98, 32.97, -16

 

CMYK 0 / 33 / 55 / 57

HEX #6D4931

RGB 109 73 49

HSL 24, 0.38%, 0.31%

LAB 34.47, 12.37, 20.49

 

CMYK 55 / 0 / 44 / 57

HEX #316D3D

RGB 49 109 61

HSL 132, 0.38%, 0.31%

LAB 41.1, -30.93, 21.02

 

CMYK 55 / 22 / 0 / 57

HEX #31556D

RGB 49 85 109

HSL 204, 0.38%, 0.31%

LAB 34.51, -5.4, -17.75

 

CMYK 0 / 55 / 11 / 58

HEX #6C3160

RGB 108 49 96

HSL 312.2, 0.38%, 0.31%

LAB 29.98, 32.97, -16

 

CMYK 0 / 17 / 55 / 57

HEX #6D5B31

RGB 109 91 49

HSL 42, 0.38%, 0.31%

LAB 39.5, 1.44, 26.75

 

CMYK 55 / 0 / 44 / 57

HEX #316D3D

RGB 49 109 61

HSL 132, 0.38%, 0.31%

LAB 41.1, -30.93, 21.02

 

CMYK 55 / 39 / 0 / 57

HEX #31436D

RGB 49 67 109

HSL 222, 0.38%, 0.31%

LAB 28.83, 6.24, -26.61

 

Description

Color code: RGB 108 49 96 | qconv.com Color code: RGB 108 49 96 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 49 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 49 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 11 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 11% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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