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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 63 129 it is the complementary color RGB 147 192 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 63 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 108 63 129 shade: RGB 113 63 124, RGB 130 81 143, RGB 147 99 162, RGB 164 117 181 and RGB 181 135 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 63 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 108 63 129 shade: RGB 108 63 129, RGB 91 45 110, RGB 74 27 91, RGB 57 9 72 and RGB 40 0 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 108 63 129 shade: RGB 108 63 129, RGB 126 63 129, RGB 129 63 115, RGB 129 63 97 and RGB 129 63 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 108 63 129 shade: RGB 108 63 129, RGB 91 63 129, RGB 73 63 129 and RGB 63 63 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 108 63 129 shade matches the following richer shades: RGB 108 63 129, RGB 114 48 145, RGB 120 32 161, RGB 125 16 176 and RGB 131 1 192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 108 63 129 shade: RGB 108 63 129, RGB 103 79 114, RGB 97 95 98, RGB 91 110 82 and RGB 86 126 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 108 63 129 shade: RGB 72 63 129, RGB 90 63 129, RGB 107 63 129, RGB 125 63 129 and RGB 129 63 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 108 63 129 shade: RGB 62 36 74, RGB 85 50 102, RGB 108 63 129, RGB 132 77 157 and RGB 152 98 177

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 108 63 129 shade: RGB 108 63 129, RGB 129 63 72 and RGB 63 129 81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 108 63 129 shade: RGB 108 63 129, RGB 129 107 63 and RGB 63 129 107

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 108 63 129 shade: RGB 108 63 129, RGB 129 63 72, RGB 85 129 63 and RGB 63 129 121

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 108 63 129 shade: RGB 108 63 129, RGB 129 74 63, RGB 85 129 63 and RGB 63 118 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 51 / 0 / 49

HEX #6C3F81

RGB 108 63 129

HSL 280.91, 0.34%, 0.38%

LAB 34.66, 31.95, -29.57

 

Complementary color

CMYK 23 / 0 / 34 / 25

HEX #93C07E

RGB 147 192 126

HSL 100.91, 0.34%, 0.62%

LAB 73.16, -27.13, 28.58

 

CMYK 9 / 49 / 0 / 51

HEX #713F7C

RGB 113 63 124

HSL 289.18, 0.33%, 0.37%

LAB 35.05, 32.37, -25.81

 

CMYK 9 / 43 / 0 / 44

HEX #82518F

RGB 130 81 143

HSL 287.42, 0.28%, 0.44%

LAB 42.18, 31.54, -26.15

 

CMYK 9 / 39 / 0 / 36

HEX #9363A2

RGB 147 99 162

HSL 285.71, 0.25%, 0.51%

LAB 49.17, 30.73, -26.43

 

CMYK 9 / 35 / 0 / 29

HEX #A475B5

RGB 164 117 181

HSL 284.06, 0.3%, 0.58%

LAB 56.04, 29.96, -26.68

 

CMYK 10 / 33 / 0 / 22

HEX #B587C8

RGB 181 135 200

HSL 282.46, 0.37%, 0.66%

LAB 62.78, 29.25, -26.93

 

CMYK 16 / 51 / 0 / 49

HEX #6C3F81

RGB 108 63 129

HSL 280.91, 0.34%, 0.38%

LAB 34.66, 31.95, -29.57

 

CMYK 17 / 59 / 0 / 57

HEX #5B2D6E

RGB 91 45 110

HSL 282.46, 0.42%, 0.3%

LAB 27.37, 32.79, -29.28

 

CMYK 19 / 70 / 0 / 64

HEX #4A1B5B

RGB 74 27 91

HSL 284.06, 0.54%, 0.23%

LAB 20.02, 33.36, -28.74

 

CMYK 21 / 88 / 0 / 72

HEX #390948

RGB 57 9 72

HSL 285.71, 0.78%, 0.16%

LAB 12.82, 33, -27.55

 

CMYK 25 / 100 / 0 / 79

HEX #280035

RGB 40 0 53

HSL 285.28, 1%, 0.1%

LAB 6.4, 29.37, -24.52

 

CMYK 16 / 51 / 0 / 49

HEX #6C3F81

RGB 108 63 129

HSL 280.91, 0.34%, 0.38%

LAB 34.66, 31.95, -29.57

 

CMYK 2 / 51 / 0 / 49

HEX #7E3F81

RGB 126 63 129

HSL 297.27, 0.34%, 0.38%

LAB 37.07, 37.46, -25.61

 

CMYK 0 / 51 / 11 / 49

HEX #813F73

RGB 129 63 115

HSL 312.73, 0.34%, 0.38%

LAB 36.86, 35.76, -17.22

 

CMYK 0 / 51 / 25 / 49

HEX #813F61

RGB 129 63 97

HSL 329.09, 0.34%, 0.38%

LAB 36.15, 32.76, -6.98

 

CMYK 0 / 51 / 39 / 49

HEX #813F4F

RGB 129 63 79

HSL 345.45, 0.34%, 0.38%

LAB 35.57, 30.22, 3.61

 

CMYK 16 / 51 / 0 / 49

HEX #6C3F81

RGB 108 63 129

HSL 280.91, 0.34%, 0.38%

LAB 34.66, 31.95, -29.57

 

CMYK 29 / 51 / 0 / 49

HEX #5B3F81

RGB 91 63 129

HSL 265.45, 0.34%, 0.38%

LAB 32.62, 26.89, -32.92

 

CMYK 43 / 51 / 0 / 49

HEX #493F81

RGB 73 63 129

HSL 249.09, 0.34%, 0.38%

LAB 30.78, 21.87, -35.97

 

CMYK 51 / 51 / 0 / 49

HEX #3F3F81

RGB 63 63 129

HSL 240, 0.34%, 0.38%

LAB 29.9, 19.33, -37.42

 

CMYK 16 / 51 / 0 / 49

HEX #6C3F81

RGB 108 63 129

HSL 280.91, 0.34%, 0.38%

LAB 34.66, 31.95, -29.57

 

CMYK 21 / 67 / 0 / 43

HEX #723091

RGB 114 48 145

HSL 280.82, 0.5%, 0.38%

LAB 33.43, 45.28, -41.34

 

CMYK 25 / 80 / 0 / 37

HEX #7820A1

RGB 120 32 161

HSL 280.93, 0.67%, 0.38%

LAB 33.13, 56.57, -51.52

 

CMYK 29 / 91 / 0 / 31

HEX #7D10B0

RGB 125 16 176

HSL 280.88, 0.83%, 0.38%

LAB 33.7, 64.58, -59.58

 

CMYK 32 / 99 / 0 / 25

HEX #8301C0

RGB 131 1 192

HSL 280.84, 0.99%, 0.38%

LAB 35.31, 70.61, -66.4

 

CMYK 16 / 51 / 0 / 49

HEX #6C3F81

RGB 108 63 129

HSL 280.91, 0.34%, 0.38%

LAB 34.66, 31.95, -29.57

 

CMYK 10 / 31 / 0 / 55

HEX #674F72

RGB 103 79 114

HSL 281.14, 0.18%, 0.38%

LAB 37.28, 17.11, -16.23

 

CMYK 1 / 3 / 0 / 62

HEX #615F62

RGB 97 95 98

HSL 280, 0.02%, 0.38%

LAB 40.59, 1.42, -1.43

 

CMYK 17 / 0 / 25 / 57

HEX #5B6E52

RGB 91 110 82

HSL 100.71, 0.15%, 0.38%

LAB 44.21, -12.86, 13.34

 

CMYK 32 / 0 / 47 / 51

HEX #567E43

RGB 86 126 67

HSL 100.68, 0.31%, 0.38%

LAB 48.64, -25.65, 27.68

 

CMYK 44 / 51 / 0 / 49

HEX #483F81

RGB 72 63 129

HSL 248.18, 0.34%, 0.38%

LAB 30.68, 21.61, -36.13

 

CMYK 30 / 51 / 0 / 49

HEX #5A3F81

RGB 90 63 129

HSL 264.55, 0.34%, 0.38%

LAB 32.51, 26.6, -33.11

 

CMYK 17 / 51 / 0 / 49

HEX #6B3F81

RGB 107 63 129

HSL 280, 0.34%, 0.38%

LAB 34.53, 31.65, -29.78

 

CMYK 3 / 51 / 0 / 49

HEX #7D3F81

RGB 125 63 129

HSL 296.36, 0.34%, 0.38%

LAB 36.93, 37.15, -25.84

 

CMYK 0 / 51 / 10 / 49

HEX #813F74

RGB 129 63 116

HSL 311.82, 0.34%, 0.38%

LAB 36.9, 35.94, -17.78

 

CMYK 16 / 51 / 0 / 71

HEX #3E244A

RGB 62 36 74

HSL 281.05, 0.35%, 0.22%

LAB 19.14, 20.3, -18.81

 

CMYK 17 / 51 / 0 / 60

HEX #553266

RGB 85 50 102

HSL 280.38, 0.34%, 0.3%

LAB 27.22, 26.1, -24.43

 

CMYK 16 / 51 / 0 / 49

HEX #6C3F81

RGB 108 63 129

HSL 280.91, 0.34%, 0.38%

LAB 34.66, 31.95, -29.57

 

CMYK 16 / 51 / 0 / 38

HEX #844D9D

RGB 132 77 157

HSL 281.25, 0.34%, 0.46%

LAB 42.23, 37.5, -34.46

 

CMYK 14 / 45 / 0 / 31

HEX #9862B1

RGB 152 98 177

HSL 281.01, 0.34%, 0.54%

LAB 50.2, 36.1, -33.56

 

CMYK 16 / 51 / 0 / 49

HEX #6C3F81

RGB 108 63 129

HSL 280.91, 0.34%, 0.38%

LAB 34.66, 31.95, -29.57

 

CMYK 0 / 51 / 44 / 49

HEX #813F48

RGB 129 63 72

HSL 351.82, 0.34%, 0.38%

LAB 35.38, 29.37, 7.8

 

CMYK 51 / 0 / 37 / 49

HEX #3F8151

RGB 63 129 81

HSL 136.36, 0.34%, 0.38%

LAB 48.7, -32.4, 19.74

 

CMYK 16 / 51 / 0 / 49

HEX #6C3F81

RGB 108 63 129

HSL 280.91, 0.34%, 0.38%

LAB 34.66, 31.95, -29.57

 

CMYK 0 / 17 / 51 / 49

HEX #816B3F

RGB 129 107 63

HSL 40, 0.34%, 0.38%

LAB 46.37, 2.62, 27.79

 

CMYK 51 / 0 / 17 / 49

HEX #3F816B

RGB 63 129 107

HSL 160, 0.34%, 0.38%

LAB 49.28, -26.73, 5.51

 

CMYK 16 / 51 / 0 / 49

HEX #6C3F81

RGB 108 63 129

HSL 280.91, 0.34%, 0.38%

LAB 34.66, 31.95, -29.57

 

CMYK 0 / 51 / 44 / 49

HEX #813F48

RGB 129 63 72

HSL 351.82, 0.34%, 0.38%

LAB 35.38, 29.37, 7.8

 

CMYK 34 / 0 / 51 / 49

HEX #55813F

RGB 85 129 63

HSL 100, 0.34%, 0.38%

LAB 49.48, -28.04, 30.86

 

CMYK 51 / 0 / 6 / 49

HEX #3F8179

RGB 63 129 121

HSL 172.73, 0.34%, 0.38%

LAB 49.66, -23.11, -2.13

 

CMYK 16 / 51 / 0 / 49

HEX #6C3F81

RGB 108 63 129

HSL 280.91, 0.34%, 0.38%

LAB 34.66, 31.95, -29.57

 

CMYK 0 / 43 / 51 / 49

HEX #814A3F

RGB 129 74 63

HSL 10, 0.34%, 0.38%

LAB 37.7, 22.1, 16.64

 

CMYK 34 / 0 / 51 / 49

HEX #55813F

RGB 85 129 63

HSL 100, 0.34%, 0.38%

LAB 49.48, -28.04, 30.86

 

CMYK 51 / 9 / 0 / 49

HEX #3F7681

RGB 63 118 129

HSL 190, 0.34%, 0.38%

LAB 46.44, -14.95, -11.66

 

Description

Color code: RGB 108 63 129 | qconv.com Color code: RGB 108 63 129 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 63 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 63 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 51 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 51% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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