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Color name
RGB 109 12 102

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 12 102 it is the complementary color RGB 146 243 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 12 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 109 12 102 shade: RGB 114 12 97, RGB 131 30 116, RGB 148 48 135, RGB 165 66 154 and RGB 182 84 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 12 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 109 12 102 shade: RGB 109 12 102, RGB 92 0 83, RGB 75 0 64, RGB 58 0 45 and RGB 41 0 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 109 12 102 shade: RGB 110 12 103, RGB 110 12 76, RGB 110 12 50, RGB 110 12 23 and RGB 110 12 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 109 12 102 shade: RGB 110 12 103, RGB 90 12 110, RGB 64 12 110, RGB 38 12 110 and RGB 12 12 110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 109 12 102 shade matches the following richer shades: RGB 110 12 103 and RGB 120 2 111

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 109 12 102 shade: RGB 110 12 103, RGB 100 22 94, RGB 90 32 86, RGB 80 41 77 and RGB 70 51 69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 109 12 102 shade: RGB 64 12 110, RGB 90 12 110, RGB 110 12 103, RGB 110 12 77 and RGB 110 12 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 109 12 102 shade: RGB 35 3 33, RGB 73 8 68, RGB 110 12 103, RGB 147 16 137 and RGB 184 20 172

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 109 12 102 shade: RGB 109 12 102, RGB 110 38 12 and RGB 12 110 77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 109 12 102 shade: RGB 109 12 102, RGB 103 110 12 and RGB 12 103 110

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 109 12 102 shade: RGB 109 12 102, RGB 110 38 12, RGB 12 110 18 and RGB 12 84 110

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 109 12 102 shade: RGB 109 12 102, RGB 110 67 12, RGB 12 110 18 and RGB 12 54 110

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 6 / 57

HEX #6D0C66

RGB 109 12 102

HSL 304.33, 0.8%, 0.24%

LAB 25.18, 49.01, -27.4

 

Complementary color

CMYK 40 / 0 / 37 / 5

HEX #92F399

RGB 146 243 153

HSL 124.33, 0.8%, 0.76%

LAB 88.21, -46.51, 34.65

 

CMYK 0 / 89 / 15 / 55

HEX #720C61

RGB 114 12 97

HSL 310, 0.81%, 0.25%

LAB 25.87, 49.32, -22.97

 

CMYK 0 / 77 / 11 / 49

HEX #831E74

RGB 131 30 116

HSL 308.91, 0.63%, 0.32%

LAB 31.84, 51.25, -25.62

 

CMYK 0 / 68 / 9 / 42

HEX #943087

RGB 148 48 135

HSL 307.8, 0.51%, 0.38%

LAB 38.13, 51.92, -27.41

 

CMYK 0 / 60 / 7 / 35

HEX #A5429A

RGB 165 66 154

HSL 306.67, 0.43%, 0.45%

LAB 44.56, 51.89, -28.68

 

CMYK 0 / 54 / 5 / 29

HEX #B654AD

RGB 182 84 173

HSL 305.51, 0.4%, 0.52%

LAB 51.04, 51.49, -29.63

 

CMYK 0 / 89 / 6 / 57

HEX #6D0C66

RGB 109 12 102

HSL 304.33, 0.8%, 0.24%

LAB 25.18, 49.01, -27.4

 

CMYK 0 / 100 / 10 / 64

HEX #5C0053

RGB 92 0 83

HSL 305.87, 1%, 0.18%

LAB 19.64, 45.2, -23.79

 

CMYK 0 / 100 / 15 / 71

HEX #4B0040

RGB 75 0 64

HSL 308.8, 1%, 0.15%

LAB 14.77, 38.75, -18.61

 

CMYK 0 / 100 / 22 / 77

HEX #3A002D

RGB 58 0 45

HSL 313.45, 1%, 0.11%

LAB 9.71, 32.07, -13.08

 

CMYK 0 / 100 / 37 / 84

HEX #29001A

RGB 41 0 26

HSL 321.95, 1%, 0.08%

LAB 4.93, 22.9, -6.14

 

CMYK 0 / 89 / 6 / 57

HEX #6E0C67

RGB 110 12 103

HSL 304.29, 0.8%, 0.24%

LAB 25.43, 49.39, -27.64

 

CMYK 0 / 89 / 31 / 57

HEX #6E0C4C

RGB 110 12 76

HSL 320.82, 0.8%, 0.24%

LAB 24, 45.49, -11.97

 

CMYK 0 / 89 / 55 / 57

HEX #6E0C32

RGB 110 12 50

HSL 336.73, 0.8%, 0.24%

LAB 23.03, 42.73, 4.45

 

CMYK 0 / 89 / 79 / 57

HEX #6E0C17

RGB 110 12 23

HSL 353.27, 0.8%, 0.24%

LAB 22.44, 41.01, 22.28

 

CMYK 0 / 89 / 89 / 57

HEX #6E0C0C

RGB 110 12 12

HSL 0, 0.8%, 0.24%

LAB 22.32, 40.64, 28.55

 

CMYK 0 / 89 / 6 / 57

HEX #6E0C67

RGB 110 12 103

HSL 304.29, 0.8%, 0.24%

LAB 25.43, 49.39, -27.64

 

CMYK 18 / 89 / 0 / 57

HEX #5A0C6E

RGB 90 12 110

HSL 287.76, 0.8%, 0.24%

LAB 22.17, 46.67, -37.63

 

CMYK 42 / 89 / 0 / 57

HEX #400C6E

RGB 64 12 110

HSL 271.84, 0.8%, 0.24%

LAB 17.82, 42.31, -44.9

 

CMYK 65 / 89 / 0 / 57

HEX #260C6E

RGB 38 12 110

HSL 255.92, 0.8%, 0.24%

LAB 14.41, 39.09, -50.65

 

CMYK 89 / 89 / 0 / 57

HEX #0C0C6E

RGB 12 12 110

HSL 240, 0.8%, 0.24%

LAB 12.4, 37.31, -54.04

 

CMYK 0 / 89 / 6 / 57

HEX #6E0C67

RGB 110 12 103

HSL 304.29, 0.8%, 0.24%

LAB 25.43, 49.39, -27.64

 

CMYK 0 / 98 / 8 / 53

HEX #78026F

RGB 120 2 111

HSL 304.58, 0.97%, 0.24%

LAB 27.25, 54.51, -29.81

 

CMYK 0 / 89 / 6 / 57

HEX #6E0C67

RGB 110 12 103

HSL 304.29, 0.8%, 0.24%

LAB 25.43, 49.39, -27.64

 

CMYK 0 / 78 / 6 / 61

HEX #64165E

RGB 100 22 94

HSL 304.62, 0.64%, 0.24%

LAB 23.97, 42.77, -24.18

 

CMYK 0 / 64 / 4 / 65

HEX #5A2056

RGB 90 32 86

HSL 304.14, 0.48%, 0.24%

LAB 23.27, 34.3, -20.11

 

CMYK 0 / 49 / 4 / 69

HEX #50294D

RGB 80 41 77

HSL 304.62, 0.32%, 0.24%

LAB 23.09, 24.2, -14.49

 

CMYK 0 / 27 / 1 / 73

HEX #463345

RGB 70 51 69

HSL 303.16, 0.16%, 0.24%

LAB 24, 12.2, -7.86

 

CMYK 42 / 89 / 0 / 57

HEX #400C6E

RGB 64 12 110

HSL 271.84, 0.8%, 0.24%

LAB 17.82, 42.31, -44.9

 

CMYK 18 / 89 / 0 / 57

HEX #5A0C6E

RGB 90 12 110

HSL 287.76, 0.8%, 0.24%

LAB 22.17, 46.67, -37.63

 

CMYK 0 / 89 / 6 / 57

HEX #6E0C67

RGB 110 12 103

HSL 304.29, 0.8%, 0.24%

LAB 25.43, 49.39, -27.64

 

CMYK 0 / 89 / 30 / 57

HEX #6E0C4D

RGB 110 12 77

HSL 320.2, 0.8%, 0.24%

LAB 24.04, 45.62, -12.57

 

CMYK 0 / 89 / 54 / 57

HEX #6E0C33

RGB 110 12 51

HSL 336.12, 0.8%, 0.24%

LAB 23.06, 42.81, 3.8

 

CMYK 0 / 91 / 6 / 86

HEX #230321

RGB 35 3 33

HSL 303.75, 0.84%, 0.07%

LAB 4.81, 19.88, -11.95

 

CMYK 0 / 89 / 7 / 71

HEX #490844

RGB 73 8 68

HSL 304.62, 0.8%, 0.16%

LAB 15.53, 36.24, -20.25

 

CMYK 0 / 89 / 6 / 57

HEX #6E0C67

RGB 110 12 103

HSL 304.29, 0.8%, 0.24%

LAB 25.43, 49.39, -27.64

 

CMYK 0 / 89 / 7 / 42

HEX #931089

RGB 147 16 137

HSL 304.58, 0.8%, 0.32%

LAB 34.76, 61.43, -33.96

 

CMYK 0 / 89 / 7 / 28

HEX #B814AC

RGB 184 20 172

HSL 304.39, 0.8%, 0.4%

LAB 43.75, 72.99, -40.48

 

CMYK 0 / 89 / 6 / 57

HEX #6D0C66

RGB 109 12 102

HSL 304.33, 0.8%, 0.24%

LAB 25.18, 49.01, -27.4

 

CMYK 0 / 65 / 89 / 57

HEX #6E260C

RGB 110 38 12

HSL 15.92, 0.8%, 0.24%

LAB 25.94, 30.67, 32.12

 

CMYK 89 / 0 / 30 / 57

HEX #0C6E4D

RGB 12 110 77

HSL 159.8, 0.8%, 0.24%

LAB 40.84, -34.76, 11.14

 

CMYK 0 / 89 / 6 / 57

HEX #6D0C66

RGB 109 12 102

HSL 304.33, 0.8%, 0.24%

LAB 25.18, 49.01, -27.4

 

CMYK 6 / 0 / 89 / 57

HEX #676E0C

RGB 103 110 12

HSL 64.29, 0.8%, 0.24%

LAB 44.32, -14.62, 47.39

 

CMYK 89 / 6 / 0 / 57

HEX #0C676E

RGB 12 103 110

HSL 184.29, 0.8%, 0.24%

LAB 39.42, -21.44, -10.96

 

CMYK 0 / 89 / 6 / 57

HEX #6D0C66

RGB 109 12 102

HSL 304.33, 0.8%, 0.24%

LAB 25.18, 49.01, -27.4

 

CMYK 0 / 65 / 89 / 57

HEX #6E260C

RGB 110 38 12

HSL 15.92, 0.8%, 0.24%

LAB 25.94, 30.67, 32.12

 

CMYK 89 / 0 / 84 / 57

HEX #0C6E12

RGB 12 110 18

HSL 123.67, 0.8%, 0.24%

LAB 40.04, -44.28, 40.23

 

CMYK 89 / 24 / 0 / 57

HEX #0C546E

RGB 12 84 110

HSL 195.92, 0.8%, 0.24%

LAB 33.02, -10.69, -20.78

 

CMYK 0 / 89 / 6 / 57

HEX #6D0C66

RGB 109 12 102

HSL 304.33, 0.8%, 0.24%

LAB 25.18, 49.01, -27.4

 

CMYK 0 / 39 / 89 / 57

HEX #6E430C

RGB 110 67 12

HSL 33.67, 0.8%, 0.24%

LAB 32.6, 14.13, 37.86

 

CMYK 89 / 0 / 84 / 57

HEX #0C6E12

RGB 12 110 18

HSL 123.67, 0.8%, 0.24%

LAB 40.04, -44.28, 40.23

 

CMYK 89 / 51 / 0 / 57

HEX #0C366E

RGB 12 54 110

HSL 214.29, 0.8%, 0.24%

LAB 23.14, 9.24, -36.42

 

Description

Color code: RGB 109 12 102 | qconv.com Color code: RGB 109 12 102 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 12 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 12 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 6 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 6% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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