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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 138 67 it is the complementary color RGB 146 117 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 138 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 109 138 67 shade: RGB 114 138 62, RGB 131 156 81, RGB 148 174 100, RGB 165 192 119 and RGB 182 210 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 138 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 109 138 67 shade: RGB 109 138 67, RGB 92 120 48, RGB 75 102 29, RGB 58 84 10 and RGB 41 66 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 109 138 67 shade: RGB 108 137 66, RGB 127 137 66, RGB 137 128 66, RGB 137 109 66 and RGB 137 89 66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 109 138 67 shade: RGB 108 137 66, RGB 89 137 66, RGB 70 137 66, RGB 66 137 81 and RGB 66 137 101

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 109 138 67 shade matches the following richer shades: RGB 108 137 66, RGB 111 154 49, RGB 114 170 33, RGB 117 187 16 and RGB 120 203 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 109 138 67 shade: RGB 108 137 66, RGB 105 121 82, RGB 102 104 99, RGB 99 88 115 and RGB 96 71 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 109 138 67 shade: RGB 137 128 66, RGB 128 137 66, RGB 109 137 66, RGB 90 137 66 and RGB 71 137 66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 109 138 67 shade: RGB 64 82 39, RGB 86 109 52, RGB 108 137 66, RGB 130 165 79 and RGB 150 182 104

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 109 138 67 shade: RGB 109 138 67, RGB 66 137 109 and RGB 137 66 137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 109 138 67 shade: RGB 109 138 67, RGB 66 109 137 and RGB 137 66 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 109 138 67 shade: RGB 109 138 67, RGB 66 137 109, RGB 94 66 137 and RGB 137 66 94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 109 138 67 shade: RGB 109 138 67, RGB 66 137 130, RGB 94 66 137 and RGB 137 66 73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 51 / 46

HEX #6D8A43

RGB 109 138 67

HSL 84.51, 0.35%, 0.4%

LAB 53.85, -22.67, 34.42

 

Complementary color

CMYK 22 / 38 / 0 / 26

HEX #9275BC

RGB 146 117 188

HSL 264.51, 0.35%, 0.6%

LAB 54.52, 25.92, -33.21

 

CMYK 17 / 0 / 55 / 46

HEX #728A3E

RGB 114 138 62

HSL 78.95, 0.38%, 0.39%

LAB 54.14, -21.16, 37.39

 

CMYK 16 / 0 / 48 / 39

HEX #839C51

RGB 131 156 81

HSL 80, 0.32%, 0.46%

LAB 60.95, -21.33, 36.2

 

CMYK 15 / 0 / 43 / 32

HEX #94AE64

RGB 148 174 100

HSL 81.08, 0.31%, 0.54%

LAB 67.64, -21.42, 35

 

CMYK 14 / 0 / 38 / 25

HEX #A5C077

RGB 165 192 119

HSL 82.19, 0.37%, 0.61%

LAB 74.21, -21.47, 33.81

 

CMYK 13 / 0 / 34 / 18

HEX #B6D28A

RGB 182 210 138

HSL 83.33, 0.44%, 0.68%

LAB 80.67, -21.5, 32.68

 

CMYK 21 / 0 / 51 / 46

HEX #6D8A43

RGB 109 138 67

HSL 84.51, 0.35%, 0.4%

LAB 53.85, -22.67, 34.42

 

CMYK 23 / 0 / 60 / 53

HEX #5C7830

RGB 92 120 48

HSL 83.33, 0.43%, 0.33%

LAB 46.87, -22.53, 35.58

 

CMYK 26 / 0 / 72 / 60

HEX #4B661D

RGB 75 102 29

HSL 82.19, 0.56%, 0.26%

LAB 39.73, -22.23, 36.44

 

CMYK 31 / 0 / 88 / 67

HEX #3A540A

RGB 58 84 10

HSL 81.08, 0.79%, 0.18%

LAB 32.4, -21.63, 36.29

 

CMYK 38 / 0 / 100 / 74

HEX #294200

RGB 41 66 0

HSL 82.73, 1%, 0.13%

LAB 24.85, -20.52, 32.95

 

CMYK 21 / 0 / 52 / 46

HEX #6C8942

RGB 108 137 66

HSL 84.51, 0.35%, 0.4%

LAB 53.46, -22.68, 34.46

 

CMYK 7 / 0 / 52 / 46

HEX #7F8942

RGB 127 137 66

HSL 68.45, 0.35%, 0.4%

LAB 54.86, -14.73, 36.47

 

CMYK 0 / 7 / 52 / 46

HEX #898042

RGB 137 128 66

HSL 52.39, 0.35%, 0.4%

LAB 53.11, -5.45, 34.58

 

CMYK 0 / 20 / 52 / 46

HEX #896D42

RGB 137 109 66

HSL 36.34, 0.35%, 0.4%

LAB 47.81, 5.37, 28.1

 

CMYK 0 / 35 / 52 / 46

HEX #895942

RGB 137 89 66

HSL 19.44, 0.35%, 0.4%

LAB 42.55, 17.08, 21.39

 

CMYK 21 / 0 / 52 / 46

HEX #6C8942

RGB 108 137 66

HSL 84.51, 0.35%, 0.4%

LAB 53.46, -22.68, 34.46

 

CMYK 35 / 0 / 52 / 46

HEX #598942

RGB 89 137 66

HSL 100.56, 0.35%, 0.4%

LAB 52.3, -30.01, 32.77

 

CMYK 49 / 0 / 52 / 46

HEX #468942

RGB 70 137 66

HSL 116.62, 0.35%, 0.4%

LAB 51.37, -36.41, 31.42

 

CMYK 52 / 0 / 41 / 46

HEX #428951

RGB 66 137 81

HSL 132.68, 0.35%, 0.4%

LAB 51.43, -35.19, 23.37

 

CMYK 52 / 0 / 26 / 46

HEX #428965

RGB 66 137 101

HSL 149.58, 0.35%, 0.4%

LAB 51.82, -31.21, 12.61

 

CMYK 21 / 0 / 52 / 46

HEX #6C8942

RGB 108 137 66

HSL 84.51, 0.35%, 0.4%

LAB 53.46, -22.68, 34.46

 

CMYK 28 / 0 / 68 / 40

HEX #6F9A31

RGB 111 154 49

HSL 84.57, 0.52%, 0.4%

LAB 58.71, -31.39, 48.39

 

CMYK 33 / 0 / 81 / 33

HEX #72AA21

RGB 114 170 33

HSL 84.53, 0.67%, 0.4%

LAB 63.7, -38.47, 59

 

CMYK 37 / 0 / 91 / 27

HEX #75BB10

RGB 117 187 16

HSL 84.56, 0.84%, 0.4%

LAB 69.01, -45.22, 67.38

 

CMYK 41 / 0 / 100 / 20

HEX #78CB00

RGB 120 203 0

HSL 84.53, 1%, 0.4%

LAB 74, -50.93, 73.26

 

CMYK 21 / 0 / 52 / 46

HEX #6C8942

RGB 108 137 66

HSL 84.51, 0.35%, 0.4%

LAB 53.46, -22.68, 34.46

 

CMYK 13 / 0 / 32 / 53

HEX #697952

RGB 105 121 82

HSL 84.62, 0.19%, 0.4%

LAB 48.62, -13.31, 19.49

 

CMYK 2 / 0 / 5 / 59

HEX #666863

RGB 102 104 99

HSL 84, 0.02%, 0.4%

LAB 43.69, -1.8, 2.54

 

CMYK 14 / 23 / 0 / 55

HEX #635873

RGB 99 88 115

HSL 264.44, 0.13%, 0.4%

LAB 39.36, 10.31, -13.7

 

CMYK 27 / 46 / 0 / 48

HEX #604784

RGB 96 71 132

HSL 264.59, 0.3%, 0.4%

LAB 35.32, 24.23, -30.47

 

CMYK 0 / 7 / 52 / 46

HEX #898042

RGB 137 128 66

HSL 52.39, 0.35%, 0.4%

LAB 53.11, -5.45, 34.58

 

CMYK 7 / 0 / 52 / 46

HEX #808942

RGB 128 137 66

HSL 67.61, 0.35%, 0.4%

LAB 54.94, -14.3, 36.58

 

CMYK 20 / 0 / 52 / 46

HEX #6D8942

RGB 109 137 66

HSL 83.66, 0.35%, 0.4%

LAB 53.53, -22.28, 34.55

 

CMYK 34 / 0 / 52 / 46

HEX #5A8942

RGB 90 137 66

HSL 99.72, 0.35%, 0.4%

LAB 52.35, -29.65, 32.85

 

CMYK 48 / 0 / 52 / 46

HEX #478942

RGB 71 137 66

HSL 115.77, 0.35%, 0.4%

LAB 51.41, -36.1, 31.48

 

CMYK 22 / 0 / 52 / 68

HEX #405227

RGB 64 82 39

HSL 85.12, 0.36%, 0.24%

LAB 32.42, -15.32, 22.85

 

CMYK 21 / 0 / 52 / 57

HEX #566D34

RGB 86 109 52

HSL 84.21, 0.35%, 0.32%

LAB 43.01, -18.89, 28.87

 

CMYK 21 / 0 / 52 / 46

HEX #6C8942

RGB 108 137 66

HSL 84.51, 0.35%, 0.4%

LAB 53.46, -22.68, 34.46

 

CMYK 21 / 0 / 52 / 35

HEX #82A54F

RGB 130 165 79

HSL 84.42, 0.35%, 0.48%

LAB 63.52, -26.43, 40.31

 

CMYK 18 / 0 / 43 / 29

HEX #96B668

RGB 150 182 104

HSL 84.62, 0.35%, 0.56%

LAB 70.13, -24.14, 36.11

 

CMYK 21 / 0 / 51 / 46

HEX #6D8A43

RGB 109 138 67

HSL 84.51, 0.35%, 0.4%

LAB 53.85, -22.67, 34.42

 

CMYK 52 / 0 / 20 / 46

HEX #42896D

RGB 66 137 109

HSL 156.34, 0.35%, 0.4%

LAB 52.01, -29.39, 8.27

 

CMYK 0 / 52 / 0 / 46

HEX #894289

RGB 137 66 137

HSL 300, 0.35%, 0.4%

LAB 39.62, 40.77, -26.43

 

CMYK 21 / 0 / 51 / 46

HEX #6D8A43

RGB 109 138 67

HSL 84.51, 0.35%, 0.4%

LAB 53.85, -22.67, 34.42

 

CMYK 52 / 20 / 0 / 46

HEX #426D89

RGB 66 109 137

HSL 203.66, 0.35%, 0.4%

LAB 44.09, -6.59, -20

 

CMYK 0 / 52 / 20 / 46

HEX #89426D

RGB 137 66 109

HSL 323.66, 0.35%, 0.4%

LAB 38.41, 35.83, -11

 

CMYK 21 / 0 / 51 / 46

HEX #6D8A43

RGB 109 138 67

HSL 84.51, 0.35%, 0.4%

LAB 53.85, -22.67, 34.42

 

CMYK 52 / 0 / 20 / 46

HEX #42896D

RGB 66 137 109

HSL 156.34, 0.35%, 0.4%

LAB 52.01, -29.39, 8.27

 

CMYK 31 / 52 / 0 / 46

HEX #5E4289

RGB 94 66 137

HSL 263.66, 0.35%, 0.4%

LAB 34.15, 28.07, -35.41

 

CMYK 0 / 52 / 31 / 46

HEX #89425E

RGB 137 66 94

HSL 336.34, 0.35%, 0.4%

LAB 37.88, 33.58, -2.37

 

CMYK 21 / 0 / 51 / 46

HEX #6D8A43

RGB 109 138 67

HSL 84.51, 0.35%, 0.4%

LAB 53.85, -22.67, 34.42

 

CMYK 52 / 0 / 5 / 46

HEX #428982

RGB 66 137 130

HSL 174.08, 0.35%, 0.4%

LAB 52.58, -24.06, -3.09

 

CMYK 31 / 52 / 0 / 46

HEX #5E4289

RGB 94 66 137

HSL 263.66, 0.35%, 0.4%

LAB 34.15, 28.07, -35.41

 

CMYK 0 / 52 / 47 / 46

HEX #894249

RGB 137 66 73

HSL 354.08, 0.35%, 0.4%

LAB 37.29, 30.96, 10.02

 

Description

Color code: RGB 109 138 67 | qconv.com Color code: RGB 109 138 67 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 138 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 138 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 51 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 51% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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