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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 142 171 it is the complementary color RGB 146 113 84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 142 171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 109 142 171 shade: RGB 114 142 166, RGB 131 160 185, RGB 148 178 204, RGB 165 196 223 and RGB 182 214 242

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 142 171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 109 142 171 shade: RGB 109 142 171, RGB 92 124 152, RGB 75 106 133, RGB 58 88 114 and RGB 41 70 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 109 142 171 shade: RGB 109 142 171, RGB 109 125 171, RGB 109 109 171, RGB 126 109 171 and RGB 143 109 171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 109 142 171 shade: RGB 109 142 171, RGB 109 125 171 and RGB 109 109 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 109 142 171 shade matches the following richer shades: RGB 109 142 171, RGB 90 143 189, RGB 72 144 208, RGB 53 145 226 and RGB 35 147 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 109 142 171 shade: RGB 109 142 171, RGB 127 141 152, RGB 146 139 134, RGB 164 138 115 and RGB 183 137 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 109 142 171 shade: RGB 109 171 167, RGB 109 158 171, RGB 109 142 171, RGB 109 125 171 and RGB 109 109 171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 109 142 171 shade: RGB 72 100 125, RGB 87 121 151, RGB 109 142 171, RGB 135 162 186 and RGB 161 182 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 109 142 171 shade: RGB 109 142 171, RGB 150 109 171 and RGB 167 171 109

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 109 142 171 shade: RGB 109 142 171, RGB 171 109 142 and RGB 142 171 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 109 142 171 shade: RGB 109 142 171, RGB 150 109 171, RGB 171 138 109 and RGB 129 171 109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 109 142 171 shade: RGB 109 142 171, RGB 169 109 171, RGB 171 138 109 and RGB 111 171 109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 17 / 0 / 33

HEX #6D8EAB

RGB 109 142 171

HSL 208.06, 0.27%, 0.55%

LAB 57.6, -4.16, -18.96

 

Complementary color

CMYK 0 / 23 / 42 / 43

HEX #927154

RGB 146 113 84

HSL 28.06, 0.27%, 0.45%

LAB 50.17, 8.97, 21.08

 

CMYK 31 / 14 / 0 / 35

HEX #728EA6

RGB 114 142 166

HSL 207.69, 0.23%, 0.55%

LAB 57.73, -4, -15.87

 

CMYK 29 / 14 / 0 / 27

HEX #83A0B9

RGB 131 160 185

HSL 207.78, 0.28%, 0.62%

LAB 64.54, -4.14, -16.2

 

CMYK 27 / 13 / 0 / 20

HEX #94B2CC

RGB 148 178 204

HSL 207.86, 0.35%, 0.69%

LAB 71.21, -4.26, -16.53

 

CMYK 26 / 12 / 0 / 13

HEX #A5C4DF

RGB 165 196 223

HSL 207.93, 0.48%, 0.76%

LAB 77.76, -4.38, -16.87

 

CMYK 25 / 12 / 0 / 5

HEX #B6D6F2

RGB 182 214 242

HSL 208, 0.7%, 0.83%

LAB 84.2, -4.49, -17.22

 

CMYK 36 / 17 / 0 / 33

HEX #6D8EAB

RGB 109 142 171

HSL 208.06, 0.27%, 0.55%

LAB 57.6, -4.16, -18.96

 

CMYK 39 / 18 / 0 / 40

HEX #5C7C98

RGB 92 124 152

HSL 208, 0.25%, 0.48%

LAB 50.64, -3.93, -18.71

 

CMYK 44 / 20 / 0 / 48

HEX #4B6A85

RGB 75 106 133

HSL 207.93, 0.28%, 0.41%

LAB 43.5, -3.65, -18.47

 

CMYK 49 / 23 / 0 / 55

HEX #3A5872

RGB 58 88 114

HSL 207.86, 0.33%, 0.34%

LAB 36.16, -3.27, -18.26

 

CMYK 57 / 26 / 0 / 63

HEX #29465F

RGB 41 70 95

HSL 207.78, 0.4%, 0.27%

LAB 28.58, -2.73, -18.08

 

CMYK 36 / 17 / 0 / 33

HEX #6D8EAB

RGB 109 142 171

HSL 208.06, 0.27%, 0.55%

LAB 57.6, -4.16, -18.96

 

CMYK 36 / 27 / 0 / 33

HEX #6D7DAB

RGB 109 125 171

HSL 224.52, 0.27%, 0.55%

LAB 52.79, 5.7, -26.34

 

CMYK 36 / 36 / 0 / 33

HEX #6D6DAB

RGB 109 109 171

HSL 240, 0.27%, 0.55%

LAB 48.42, 15.32, -33.15

 

CMYK 26 / 36 / 0 / 33

HEX #7E6DAB

RGB 126 109 171

HSL 256.45, 0.27%, 0.55%

LAB 49.87, 20.35, -30.77

 

CMYK 16 / 36 / 0 / 33

HEX #8F6DAB

RGB 143 109 171

HSL 272.9, 0.27%, 0.55%

LAB 51.52, 25.66, -28.09

 

CMYK 36 / 17 / 0 / 33

HEX #6D8EAB

RGB 109 142 171

HSL 208.06, 0.27%, 0.55%

LAB 57.6, -4.16, -18.96

 

CMYK 36 / 27 / 0 / 33

HEX #6D7DAB

RGB 109 125 171

HSL 224.52, 0.27%, 0.55%

LAB 52.79, 5.7, -26.34

 

CMYK 36 / 36 / 0 / 33

HEX #6D6DAB

RGB 109 109 171

HSL 240, 0.27%, 0.55%

LAB 48.42, 15.32, -33.15

 

CMYK 36 / 17 / 0 / 33

HEX #6D8EAB

RGB 109 142 171

HSL 208.06, 0.27%, 0.55%

LAB 57.6, -4.16, -18.96

 

CMYK 52 / 24 / 0 / 26

HEX #5A8FBD

RGB 90 143 189

HSL 207.88, 0.43%, 0.55%

LAB 57.55, -4.45, -29.36

 

CMYK 65 / 31 / 0 / 18

HEX #4890D0

RGB 72 144 208

HSL 208.24, 0.59%, 0.55%

LAB 57.92, -2.46, -39.56

 

CMYK 77 / 36 / 0 / 11

HEX #3591E2

RGB 53 145 226

HSL 208.09, 0.75%, 0.55%

LAB 58.51, 0.57, -48.74

 

CMYK 86 / 40 / 0 / 4

HEX #2393F5

RGB 35 147 245

HSL 208, 0.91%, 0.55%

LAB 59.72, 4.74, -57.35

 

CMYK 36 / 17 / 0 / 33

HEX #6D8EAB

RGB 109 142 171

HSL 208.06, 0.27%, 0.55%

LAB 57.6, -4.16, -18.96

 

CMYK 16 / 7 / 0 / 40

HEX #7F8D98

RGB 127 141 152

HSL 206.4, 0.11%, 0.55%

LAB 57.87, -2.64, -7.55

 

CMYK 0 / 5 / 8 / 43

HEX #928B86

RGB 146 139 134

HSL 25, 0.05%, 0.55%

LAB 58.32, 1.68, 3.59

 

CMYK 0 / 16 / 30 / 36

HEX #A48A73

RGB 164 138 115

HSL 28.16, 0.21%, 0.55%

LAB 59.26, 6.29, 15.99

 

CMYK 0 / 25 / 48 / 28

HEX #B78960

RGB 183 137 96

HSL 28.28, 0.38%, 0.55%

LAB 60.61, 12.43, 28.76

 

CMYK 36 / 0 / 2 / 33

HEX #6DABA7

RGB 109 171 167

HSL 176.13, 0.27%, 0.55%

LAB 65.88, -20.85, -4.28

 

CMYK 36 / 8 / 0 / 33

HEX #6D9EAB

RGB 109 158 171

HSL 192.58, 0.27%, 0.55%

LAB 62.21, -13.01, -11.98

 

CMYK 36 / 17 / 0 / 33

HEX #6D8EAB

RGB 109 142 171

HSL 208.06, 0.27%, 0.55%

LAB 57.6, -4.16, -18.96

 

CMYK 36 / 27 / 0 / 33

HEX #6D7DAB

RGB 109 125 171

HSL 224.52, 0.27%, 0.55%

LAB 52.79, 5.7, -26.34

 

CMYK 36 / 36 / 0 / 33

HEX #6D6DAB

RGB 109 109 171

HSL 240, 0.27%, 0.55%

LAB 48.42, 15.32, -33.15

 

CMYK 42 / 20 / 0 / 51

HEX #48647D

RGB 72 100 125

HSL 208.3, 0.27%, 0.39%

LAB 41.17, -3.28, -17.23

 

CMYK 42 / 20 / 0 / 41

HEX #577997

RGB 87 121 151

HSL 208.13, 0.27%, 0.47%

LAB 49.42, -3.88, -20.01

 

CMYK 36 / 17 / 0 / 33

HEX #6D8EAB

RGB 109 142 171

HSL 208.06, 0.27%, 0.55%

LAB 57.6, -4.16, -18.96

 

CMYK 27 / 13 / 0 / 27

HEX #87A2BA

RGB 135 162 186

HSL 208.24, 0.27%, 0.63%

LAB 65.39, -3.79, -15.45

 

CMYK 20 / 9 / 0 / 21

HEX #A1B6C9

RGB 161 182 201

HSL 208.5, 0.27%, 0.71%

LAB 73.06, -3.12, -12.03

 

CMYK 36 / 17 / 0 / 33

HEX #6D8EAB

RGB 109 142 171

HSL 208.06, 0.27%, 0.55%

LAB 57.6, -4.16, -18.96

 

CMYK 12 / 36 / 0 / 33

HEX #966DAB

RGB 150 109 171

HSL 279.68, 0.27%, 0.55%

LAB 52.24, 27.89, -26.9

 

CMYK 2 / 0 / 36 / 33

HEX #A7AB6D

RGB 167 171 109

HSL 63.87, 0.27%, 0.55%

LAB 68.35, -11.23, 31.48

 

CMYK 36 / 17 / 0 / 33

HEX #6D8EAB

RGB 109 142 171

HSL 208.06, 0.27%, 0.55%

LAB 57.6, -4.16, -18.96

 

CMYK 0 / 36 / 17 / 33

HEX #AB6D8E

RGB 171 109 142

HSL 328.06, 0.27%, 0.55%

LAB 53.54, 29.51, -7.76

 

CMYK 17 / 0 / 36 / 33

HEX #8EAB6D

RGB 142 171 109

HSL 88.06, 0.27%, 0.55%

LAB 66.51, -21.05, 28.73

 

CMYK 36 / 17 / 0 / 33

HEX #6D8EAB

RGB 109 142 171

HSL 208.06, 0.27%, 0.55%

LAB 57.6, -4.16, -18.96

 

CMYK 12 / 36 / 0 / 33

HEX #966DAB

RGB 150 109 171

HSL 279.68, 0.27%, 0.55%

LAB 52.24, 27.89, -26.9

 

CMYK 0 / 19 / 36 / 33

HEX #AB8A6D

RGB 171 138 109

HSL 28.06, 0.27%, 0.55%

LAB 59.83, 8.35, 20.27

 

CMYK 25 / 0 / 36 / 33

HEX #81AB6D

RGB 129 171 109

HSL 100.65, 0.27%, 0.55%

LAB 65.67, -25.89, 27.47

 

CMYK 36 / 17 / 0 / 33

HEX #6D8EAB

RGB 109 142 171

HSL 208.06, 0.27%, 0.55%

LAB 57.6, -4.16, -18.96

 

CMYK 1 / 36 / 0 / 33

HEX #A96DAB

RGB 169 109 171

HSL 298.06, 0.27%, 0.55%

LAB 54.36, 34.04, -23.47

 

CMYK 0 / 19 / 36 / 33

HEX #AB8A6D

RGB 171 138 109

HSL 28.06, 0.27%, 0.55%

LAB 59.83, 8.35, 20.27

 

CMYK 35 / 0 / 36 / 33

HEX #6FAB6D

RGB 111 171 109

HSL 118.06, 0.27%, 0.55%

LAB 64.65, -32.14, 25.94

 

Description

Color code: RGB 109 142 171 | qconv.com Color code: RGB 109 142 171 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 142 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 142 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 17 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 17% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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