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Color name
RGB 109 225 59

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 225 59 it is the complementary color RGB 146 30 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 225 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 109 225 59 shade: RGB 114 225 54, RGB 131 243 73, RGB 148 255 92, RGB 165 255 111 and RGB 182 255 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 225 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 109 225 59 shade: RGB 109 225 59, RGB 92 207 40, RGB 75 189 21, RGB 58 171 2 and RGB 41 153 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 109 225 59 shade: RGB 110 224 60, RGB 154 224 60, RGB 198 224 60, RGB 224 206 60 and RGB 224 162 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 109 225 59 shade: RGB 110 224 60, RGB 66 224 60, RGB 60 224 99, RGB 60 224 144 and RGB 60 224 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 109 225 59 shade matches the following richer shades: RGB 110 224 60 and RGB 103 242 42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 109 225 59 shade: RGB 110 224 60, RGB 117 206 79, RGB 124 188 97, RGB 131 170 115 and RGB 139 152 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 109 225 59 shade: RGB 200 224 60, RGB 156 224 60, RGB 112 224 60, RGB 69 224 60 and RGB 60 224 96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 109 225 59 shade: RGB 72 175 27, RGB 86 211 32, RGB 110 224 60, RGB 136 230 96 and RGB 163 235 132

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 109 225 59 shade: RGB 109 225 59, RGB 60 224 205 and RGB 224 60 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 109 225 59 shade: RGB 109 225 59, RGB 60 112 224 and RGB 224 60 112

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 109 225 59 shade: RGB 109 225 59, RGB 60 224 205, RGB 172 60 224 and RGB 224 60 80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 109 225 59 shade: RGB 109 225 59, RGB 60 194 224, RGB 172 60 224 and RGB 224 90 60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 74 / 12

HEX #6DE13B

RGB 109 225 59

HSL 101.93, 0.73%, 0.56%

LAB 80.41, -60.57, 66.68

 

Complementary color

CMYK 26 / 85 / 0 / 23

HEX #921EC4

RGB 146 30 196

HSL 281.93, 0.73%, 0.44%

LAB 39.62, 68.55, -61.6

 

CMYK 49 / 0 / 76 / 12

HEX #72E136

RGB 114 225 54

HSL 98.95, 0.74%, 0.55%

LAB 80.57, -59.47, 68.51

 

CMYK 46 / 0 / 70 / 5

HEX #83F349

RGB 131 243 73

HSL 99.53, 0.88%, 0.62%

LAB 86.71, -60.01, 68.43

 

CMYK 42 / 0 / 64 / 0

HEX #94FF5C

RGB 148 255 92

HSL 99.39, 1%, 0.68%

LAB 91.05, -58.04, 66.04

 

CMYK 35 / 0 / 56 / 0

HEX #A5FF6F

RGB 165 255 111

HSL 97.5, 1%, 0.72%

LAB 91.98, -50.96, 59.37

 

CMYK 29 / 0 / 49 / 0

HEX #B6FF82

RGB 182 255 130

HSL 95.04, 1%, 0.75%

LAB 93.05, -43.32, 52.27

 

CMYK 52 / 0 / 74 / 12

HEX #6DE13B

RGB 109 225 59

HSL 101.93, 0.73%, 0.56%

LAB 80.41, -60.57, 66.68

 

CMYK 56 / 0 / 81 / 19

HEX #5CCF28

RGB 92 207 40

HSL 101.32, 0.68%, 0.48%

LAB 74.22, -59.77, 66.36

 

CMYK 60 / 0 / 89 / 26

HEX #4BBD15

RGB 75 189 21

HSL 100.71, 0.8%, 0.41%

LAB 67.98, -58.59, 65

 

CMYK 66 / 0 / 99 / 33

HEX #3AAB02

RGB 58 171 2

HSL 100.12, 0.98%, 0.34%

LAB 61.68, -56.93, 62.34

 

CMYK 73 / 0 / 100 / 40

HEX #299900

RGB 41 153 0

HSL 103.92, 1%, 0.3%

LAB 55.33, -54.52, 57.4

 

CMYK 51 / 0 / 73 / 12

HEX #6EE03C

RGB 110 224 60

HSL 101.71, 0.73%, 0.56%

LAB 80.15, -59.86, 66.1

 

CMYK 31 / 0 / 73 / 12

HEX #9AE03C

RGB 154 224 60

HSL 85.61, 0.73%, 0.56%

LAB 82.11, -45.73, 68.69

 

CMYK 12 / 0 / 73 / 12

HEX #C6E03C

RGB 198 224 60

HSL 69.51, 0.73%, 0.56%

LAB 84.81, -28.88, 72.23

 

CMYK 0 / 8 / 73 / 12

HEX #E0CE3C

RGB 224 206 60

HSL 53.41, 0.73%, 0.56%

LAB 82.01, -9.29, 70.27

 

CMYK 0 / 28 / 73 / 12

HEX #E0A23C

RGB 224 162 60

HSL 37.32, 0.73%, 0.56%

LAB 70.88, 13.69, 59.44

 

CMYK 51 / 0 / 73 / 12

HEX #6EE03C

RGB 110 224 60

HSL 101.71, 0.73%, 0.56%

LAB 80.15, -59.86, 66.1

 

CMYK 71 / 0 / 73 / 12

HEX #42E03C

RGB 66 224 60

HSL 117.8, 0.73%, 0.56%

LAB 78.92, -69.79, 64.46

 

CMYK 73 / 0 / 56 / 12

HEX #3CE063

RGB 60 224 99

HSL 134.27, 0.73%, 0.56%

LAB 79.14, -66.76, 48.79

 

CMYK 73 / 0 / 36 / 12

HEX #3CE090

RGB 60 224 144

HSL 150.73, 0.73%, 0.56%

LAB 79.78, -59.45, 27.5

 

CMYK 73 / 0 / 16 / 12

HEX #3CE0BC

RGB 60 224 188

HSL 166.83, 0.73%, 0.56%

LAB 80.68, -49.71, 5.72

 

CMYK 51 / 0 / 73 / 12

HEX #6EE03C

RGB 110 224 60

HSL 101.71, 0.73%, 0.56%

LAB 80.15, -59.86, 66.1

 

CMYK 57 / 0 / 83 / 5

HEX #67F22A

RGB 103 242 42

HSL 101.7, 0.88%, 0.56%

LAB 85.28, -68.97, 76.02

 

CMYK 51 / 0 / 73 / 12

HEX #6EE03C

RGB 110 224 60

HSL 101.71, 0.73%, 0.56%

LAB 80.15, -59.86, 66.1

 

CMYK 43 / 0 / 62 / 19

HEX #75CE4F

RGB 117 206 79

HSL 102.05, 0.56%, 0.56%

LAB 75.13, -49.31, 53.53

 

CMYK 34 / 0 / 48 / 26

HEX #7CBC61

RGB 124 188 97

HSL 102.2, 0.4%, 0.56%

LAB 70.26, -37.32, 39.47

 

CMYK 23 / 0 / 32 / 33

HEX #83AA73

RGB 131 170 115

HSL 102.55, 0.24%, 0.56%

LAB 65.6, -23.74, 24.19

 

CMYK 9 / 0 / 13 / 40

HEX #8B9885

RGB 139 152 133

HSL 101.05, 0.08%, 0.56%

LAB 61.34, -8.34, 8.42

 

CMYK 11 / 0 / 73 / 12

HEX #C8E03C

RGB 200 224 60

HSL 68.78, 0.73%, 0.56%

LAB 84.95, -28.08, 72.41

 

CMYK 30 / 0 / 73 / 12

HEX #9CE03C

RGB 156 224 60

HSL 84.88, 0.73%, 0.56%

LAB 82.22, -45.01, 68.83

 

CMYK 50 / 0 / 73 / 12

HEX #70E03C

RGB 112 224 60

HSL 100.98, 0.73%, 0.56%

LAB 80.23, -59.3, 66.2

 

CMYK 69 / 0 / 73 / 12

HEX #45E03C

RGB 69 224 60

HSL 116.71, 0.73%, 0.56%

LAB 78.99, -69.27, 64.55

 

CMYK 73 / 0 / 57 / 12

HEX #3CE060

RGB 60 224 96

HSL 133.17, 0.73%, 0.56%

LAB 79.11, -67.15, 50.12

 

CMYK 59 / 0 / 85 / 31

HEX #48AF1B

RGB 72 175 27

HSL 101.76, 0.73%, 0.4%

LAB 63.44, -54.22, 59.7

 

CMYK 59 / 0 / 85 / 17

HEX #56D320

RGB 86 211 32

HSL 101.9, 0.74%, 0.48%

LAB 75.25, -63.03, 69.19

 

CMYK 51 / 0 / 73 / 12

HEX #6EE03C

RGB 110 224 60

HSL 101.71, 0.73%, 0.56%

LAB 80.15, -59.86, 66.1

 

CMYK 41 / 0 / 58 / 10

HEX #88E660

RGB 136 230 96

HSL 102.09, 0.73%, 0.64%

LAB 83.27, -51.45, 55.55

 

CMYK 31 / 0 / 44 / 8

HEX #A3EB84

RGB 163 235 132

HSL 101.94, 0.72%, 0.72%

LAB 86.44, -40.69, 42.9

 

CMYK 52 / 0 / 74 / 12

HEX #6DE13B

RGB 109 225 59

HSL 101.93, 0.73%, 0.56%

LAB 80.41, -60.57, 66.68

 

CMYK 73 / 0 / 8 / 12

HEX #3CE0CD

RGB 60 224 205

HSL 173.05, 0.73%, 0.56%

LAB 81.12, -45.35, -2.67

 

CMYK 0 / 73 / 21 / 12

HEX #E03CB2

RGB 224 60 178

HSL 316.83, 0.73%, 0.56%

LAB 54.34, 72.74, -26.92

 

CMYK 52 / 0 / 74 / 12

HEX #6DE13B

RGB 109 225 59

HSL 101.93, 0.73%, 0.56%

LAB 80.41, -60.57, 66.68

 

CMYK 73 / 50 / 0 / 12

HEX #3C70E0

RGB 60 112 224

HSL 220.98, 0.73%, 0.56%

LAB 49.41, 20.86, -62.16

 

CMYK 0 / 73 / 50 / 12

HEX #E03C70

RGB 224 60 112

HSL 340.98, 0.73%, 0.56%

LAB 52.12, 65.73, 8.96

 

CMYK 52 / 0 / 74 / 12

HEX #6DE13B

RGB 109 225 59

HSL 101.93, 0.73%, 0.56%

LAB 80.41, -60.57, 66.68

 

CMYK 73 / 0 / 8 / 12

HEX #3CE0CD

RGB 60 224 205

HSL 173.05, 0.73%, 0.56%

LAB 81.12, -45.35, -2.67

 

CMYK 23 / 73 / 0 / 12

HEX #AC3CE0

RGB 172 60 224

HSL 280.98, 0.73%, 0.56%

LAB 48.74, 69.08, -62.77

 

CMYK 0 / 73 / 64 / 12

HEX #E03C50

RGB 224 60 80

HSL 352.68, 0.73%, 0.56%

LAB 51.45, 63.53, 27.27

 

CMYK 52 / 0 / 74 / 12

HEX #6DE13B

RGB 109 225 59

HSL 101.93, 0.73%, 0.56%

LAB 80.41, -60.57, 66.68

 

CMYK 73 / 13 / 0 / 12

HEX #3CC2E0

RGB 60 194 224

HSL 190.98, 0.73%, 0.56%

LAB 72.84, -25.9, -25.29

 

CMYK 23 / 73 / 0 / 12

HEX #AC3CE0

RGB 172 60 224

HSL 280.98, 0.73%, 0.56%

LAB 48.74, 69.08, -62.77

 

CMYK 0 / 60 / 73 / 12

HEX #E05A3C

RGB 224 90 60

HSL 10.98, 0.73%, 0.56%

LAB 55.57, 50.62, 43.46

 

Description

Color code: RGB 109 225 59 | qconv.com Color code: RGB 109 225 59 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 225 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 225 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 74 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 74% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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