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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 78 34 it is the complementary color RGB 146 177 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 78 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 109 78 34 shade: RGB 114 78 29, RGB 131 96 48, RGB 148 114 67, RGB 165 132 86 and RGB 182 150 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 78 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 109 78 34 shade: RGB 109 78 34, RGB 92 60 15, RGB 75 42 0, RGB 58 24 0 and RGB 41 6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 109 78 34 shade: RGB 108 77 34, RGB 108 57 34, RGB 108 37 34 and RGB 108 34 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 109 78 34 shade: RGB 108 77 34, RGB 108 97 34, RGB 99 108 34, RGB 79 108 34 and RGB 59 108 34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 109 78 34 shade matches the following richer shades: RGB 108 77 34, RGB 120 79 22 and RGB 131 81 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 109 78 34 shade: RGB 108 77 34, RGB 96 75 45, RGB 85 73 57, RGB 73 71 68 and RGB 62 69 80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 109 78 34 shade: RGB 108 37 34, RGB 108 57 34, RGB 108 77 34, RGB 108 97 34 and RGB 99 108 34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 109 78 34 shade: RGB 45 32 14, RGB 77 55 24, RGB 108 77 34, RGB 139 100 44 and RGB 171 122 54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 109 78 34 shade: RGB 109 78 34, RGB 50 108 34 and RGB 47 34 108

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 109 78 34 shade: RGB 109 78 34, RGB 34 108 77 and RGB 77 34 108

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 109 78 34 shade: RGB 109 78 34, RGB 50 108 34, RGB 34 65 108 and RGB 92 34 108

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 109 78 34 shade: RGB 109 78 34, RGB 34 108 40, RGB 34 65 108 and RGB 108 34 102

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 69 / 57

HEX #6D4E22

RGB 109 78 34

HSL 35.2, 0.52%, 0.28%

LAB 35.63, 8.04, 30.52

 

Complementary color

CMYK 34 / 20 / 0 / 13

HEX #92B1DD

RGB 146 177 221

HSL 215.2, 0.52%, 0.72%

LAB 71.4, -0.09, -25.56

 

CMYK 0 / 32 / 75 / 55

HEX #724E1D

RGB 114 78 29

HSL 34.59, 0.59%, 0.28%

LAB 36.2, 10.12, 33.93

 

CMYK 0 / 27 / 63 / 49

HEX #836030

RGB 131 96 48

HSL 34.7, 0.46%, 0.35%

LAB 43.37, 8.65, 32.49

 

CMYK 0 / 23 / 55 / 42

HEX #947243

RGB 148 114 67

HSL 34.81, 0.38%, 0.42%

LAB 50.38, 7.49, 30.98

 

CMYK 0 / 20 / 48 / 35

HEX #A58456

RGB 165 132 86

HSL 34.94, 0.31%, 0.49%

LAB 57.24, 6.55, 29.54

 

CMYK 0 / 18 / 42 / 29

HEX #B69669

RGB 182 150 105

HSL 35.06, 0.35%, 0.56%

LAB 63.98, 5.78, 28.2

 

CMYK 0 / 28 / 69 / 57

HEX #6D4E22

RGB 109 78 34

HSL 35.2, 0.52%, 0.28%

LAB 35.63, 8.04, 30.52

 

CMYK 0 / 35 / 84 / 64

HEX #5C3C0F

RGB 92 60 15

HSL 35.06, 0.72%, 0.21%

LAB 28.22, 9.73, 31.75

 

CMYK 0 / 44 / 100 / 71

HEX #4B2A00

RGB 75 42 0

HSL 33.6, 1%, 0.15%

LAB 20.64, 11.97, 29.7

 

CMYK 0 / 59 / 100 / 77

HEX #3A1800

RGB 58 24 0

HSL 24.83, 1%, 0.11%

LAB 12.94, 14.92, 19.58

 

CMYK 0 / 85 / 100 / 84

HEX #290600

RGB 41 6 0

HSL 8.78, 1%, 0.08%

LAB 5.43, 16.42, 8.45

 

CMYK 0 / 29 / 69 / 58

HEX #6C4D22

RGB 108 77 34

HSL 34.86, 0.52%, 0.28%

LAB 35.23, 8.17, 30.04

 

CMYK 0 / 47 / 69 / 58

HEX #6C3922

RGB 108 57 34

HSL 18.65, 0.52%, 0.28%

LAB 29.99, 20.33, 24.02

 

CMYK 0 / 66 / 69 / 58

HEX #6C2522

RGB 108 37 34

HSL 2.43, 0.52%, 0.28%

LAB 25.64, 31.42, 18.76

 

CMYK 0 / 69 / 69 / 58

HEX #6C2222

RGB 108 34 34

HSL 0, 0.52%, 0.28%

LAB 25.1, 32.88, 18.09

 

CMYK 0 / 29 / 69 / 58

HEX #6C4D22

RGB 108 77 34

HSL 34.86, 0.52%, 0.28%

LAB 35.23, 8.17, 30.04

 

CMYK 0 / 10 / 69 / 58

HEX #6C6122

RGB 108 97 34

HSL 51.08, 0.52%, 0.28%

LAB 40.98, -3.82, 36.3

 

CMYK 8 / 0 / 69 / 58

HEX #636C22

RGB 99 108 34

HSL 67.3, 0.52%, 0.28%

LAB 43.5, -14.3, 38.7

 

CMYK 27 / 0 / 69 / 58

HEX #4F6C22

RGB 79 108 34

HSL 83.51, 0.52%, 0.28%

LAB 42, -23.18, 36.67

 

CMYK 45 / 0 / 69 / 58

HEX #3B6C22

RGB 59 108 34

HSL 99.73, 0.52%, 0.28%

LAB 40.85, -31.01, 35.08

 

CMYK 0 / 29 / 69 / 58

HEX #6C4D22

RGB 108 77 34

HSL 34.86, 0.52%, 0.28%

LAB 35.23, 8.17, 30.04

 

CMYK 0 / 34 / 82 / 53

HEX #784F16

RGB 120 79 22

HSL 34.9, 0.69%, 0.28%

LAB 37.19, 12.04, 38.45

 

CMYK 0 / 38 / 92 / 49

HEX #83510B

RGB 131 81 11

HSL 35, 0.85%, 0.28%

LAB 39.13, 15.71, 44.7

 

CMYK 0 / 29 / 69 / 58

HEX #6C4D22

RGB 108 77 34

HSL 34.86, 0.52%, 0.28%

LAB 35.23, 8.17, 30.04

 

CMYK 0 / 22 / 53 / 62

HEX #604B2D

RGB 96 75 45

HSL 35.29, 0.36%, 0.28%

LAB 33.37, 4.61, 21.17

 

CMYK 0 / 14 / 33 / 67

HEX #554939

RGB 85 73 57

HSL 34.29, 0.2%, 0.28%

LAB 31.79, 2.27, 11.46

 

CMYK 0 / 3 / 7 / 71

HEX #494744

RGB 73 71 68

HSL 36, 0.04%, 0.28%

LAB 30.26, 0.2, 2.09

 

CMYK 23 / 14 / 0 / 69

HEX #3E4550

RGB 62 69 80

HSL 216.67, 0.13%, 0.28%

LAB 29.06, -0.08, -7.55

 

CMYK 0 / 66 / 69 / 58

HEX #6C2522

RGB 108 37 34

HSL 2.43, 0.52%, 0.28%

LAB 25.64, 31.42, 18.76

 

CMYK 0 / 47 / 69 / 58

HEX #6C3922

RGB 108 57 34

HSL 18.65, 0.52%, 0.28%

LAB 29.99, 20.33, 24.02

 

CMYK 0 / 29 / 69 / 58

HEX #6C4D22

RGB 108 77 34

HSL 34.86, 0.52%, 0.28%

LAB 35.23, 8.17, 30.04

 

CMYK 0 / 10 / 69 / 58

HEX #6C6122

RGB 108 97 34

HSL 51.08, 0.52%, 0.28%

LAB 40.98, -3.82, 36.3

 

CMYK 8 / 0 / 69 / 58

HEX #636C22

RGB 99 108 34

HSL 67.3, 0.52%, 0.28%

LAB 43.5, -14.3, 38.7

 

CMYK 0 / 29 / 69 / 82

HEX #2D200E

RGB 45 32 14

HSL 34.84, 0.53%, 0.12%

LAB 13.37, 3.61, 13.89

 

CMYK 0 / 29 / 69 / 70

HEX #4D3718

RGB 77 55 24

HSL 35.09, 0.52%, 0.2%

LAB 24.88, 5.9, 22.89

 

CMYK 0 / 29 / 69 / 58

HEX #6C4D22

RGB 108 77 34

HSL 34.86, 0.52%, 0.28%

LAB 35.23, 8.17, 30.04

 

CMYK 0 / 28 / 68 / 45

HEX #8B642C

RGB 139 100 44

HSL 35.37, 0.52%, 0.36%

LAB 45.34, 9.71, 37.06

 

CMYK 0 / 29 / 68 / 33

HEX #AB7A36

RGB 171 122 54

HSL 34.87, 0.52%, 0.44%

LAB 54.91, 12.21, 43.65

 

CMYK 0 / 28 / 69 / 57

HEX #6D4E22

RGB 109 78 34

HSL 35.2, 0.52%, 0.28%

LAB 35.63, 8.04, 30.52

 

CMYK 54 / 0 / 69 / 58

HEX #326C22

RGB 50 108 34

HSL 107.03, 0.52%, 0.28%

LAB 40.44, -34.03, 34.52

 

CMYK 56 / 69 / 0 / 58

HEX #2F226C

RGB 47 34 108

HSL 250.54, 0.52%, 0.28%

LAB 19.35, 27.83, -41.18

 

CMYK 0 / 28 / 69 / 57

HEX #6D4E22

RGB 109 78 34

HSL 35.2, 0.52%, 0.28%

LAB 35.63, 8.04, 30.52

 

CMYK 69 / 0 / 29 / 58

HEX #226C4D

RGB 34 108 77

HSL 154.86, 0.52%, 0.28%

LAB 40.57, -30.72, 10.84

 

CMYK 29 / 69 / 0 / 58

HEX #4D226C

RGB 77 34 108

HSL 274.86, 0.52%, 0.28%

LAB 23.01, 34.61, -35.07

 

CMYK 0 / 28 / 69 / 57

HEX #6D4E22

RGB 109 78 34

HSL 35.2, 0.52%, 0.28%

LAB 35.63, 8.04, 30.52

 

CMYK 54 / 0 / 69 / 58

HEX #326C22

RGB 50 108 34

HSL 107.03, 0.52%, 0.28%

LAB 40.44, -34.03, 34.52

 

CMYK 69 / 40 / 0 / 58

HEX #22416C

RGB 34 65 108

HSL 214.86, 0.52%, 0.28%

LAB 27.31, 3.83, -28.43

 

CMYK 15 / 69 / 0 / 58

HEX #5C226C

RGB 92 34 108

HSL 287.03, 0.52%, 0.28%

LAB 25.27, 38.41, -31.34

 

CMYK 0 / 28 / 69 / 57

HEX #6D4E22

RGB 109 78 34

HSL 35.2, 0.52%, 0.28%

LAB 35.63, 8.04, 30.52

 

CMYK 69 / 0 / 63 / 58

HEX #226C28

RGB 34 108 40

HSL 124.86, 0.52%, 0.28%

LAB 39.95, -37.68, 30.9

 

CMYK 69 / 40 / 0 / 58

HEX #22416C

RGB 34 65 108

HSL 214.86, 0.52%, 0.28%

LAB 27.31, 3.83, -28.43

 

CMYK 0 / 69 / 6 / 58

HEX #6C2266

RGB 108 34 102

HSL 304.86, 0.52%, 0.28%

LAB 27.55, 41.48, -23.67

 

Description

Color code: RGB 109 78 34 | qconv.com Color code: RGB 109 78 34 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 78 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 78 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 69 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 69% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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