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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 10 150 106 it is the complementary color RGB 245 105 149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 10 150 106. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 10 150 106 shade: RGB 15 150 101, RGB 32 168 120, RGB 49 186 139, RGB 66 204 158 and RGB 83 222 177

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 10 150 106. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 10 150 106 shade: RGB 10 150 106, RGB 0 132 87, RGB 0 114 68, RGB 0 96 49 and RGB 0 78 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 10 150 106 shade: RGB 9 148 104, RGB 9 148 67, RGB 9 148 29, RGB 26 148 9 and RGB 64 148 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 10 150 106 shade: RGB 9 148 104, RGB 9 148 142, RGB 9 117 148, RGB 9 79 148 and RGB 9 42 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 10 150 106 shade matches the following richer shades: RGB 9 148 104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 10 150 106 shade: RGB 9 148 104, RGB 22 135 100, RGB 35 123 95, RGB 47 110 90 and RGB 60 97 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 10 150 106 shade: RGB 9 148 30, RGB 9 148 67, RGB 9 148 104, RGB 9 148 141 and RGB 9 118 148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 10 150 106 shade: RGB 4 71 50, RGB 7 109 77, RGB 9 148 104, RGB 11 187 132 and RGB 14 226 159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 10 150 106 shade: RGB 10 150 106, RGB 9 25 148 and RGB 148 48 9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 10 150 106 shade: RGB 10 150 106, RGB 104 9 148 and RGB 148 104 9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 10 150 106 shade: RGB 10 150 106, RGB 9 25 148, RGB 148 9 53 and RGB 148 132 9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 10 150 106 shade: RGB 10 150 106, RGB 34 9 148, RGB 148 9 53 and RGB 123 148 9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 29 / 41

HEX #0A966A

RGB 10 150 106

HSL 161.14, 0.88%, 0.31%

LAB 54.99, -44.25, 13.98

 

Complementary color

CMYK 0 / 57 / 39 / 4

HEX #F56995

RGB 245 105 149

HSL 341.14, 0.88%, 0.69%

LAB 63.08, 57.67, 3.36

 

CMYK 90 / 0 / 33 / 41

HEX #0F9665

RGB 15 150 101

HSL 158.22, 0.82%, 0.32%

LAB 54.92, -45.13, 16.71

 

CMYK 81 / 0 / 29 / 34

HEX #20A878

RGB 32 168 120

HSL 158.82, 0.68%, 0.39%

LAB 61.37, -46.41, 15.07

 

CMYK 74 / 0 / 25 / 27

HEX #31BA8B

RGB 49 186 139

HSL 159.42, 0.58%, 0.46%

LAB 67.75, -47.24, 13.6

 

CMYK 68 / 0 / 23 / 20

HEX #42CC9E

RGB 66 204 158

HSL 160, 0.58%, 0.53%

LAB 74.07, -47.76, 12.29

 

CMYK 63 / 0 / 20 / 13

HEX #53DEB1

RGB 83 222 177

HSL 160.58, 0.68%, 0.6%

LAB 80.32, -48.06, 11.09

 

CMYK 93 / 0 / 29 / 41

HEX #0A966A

RGB 10 150 106

HSL 161.14, 0.88%, 0.31%

LAB 54.99, -44.25, 13.98

 

CMYK 100 / 0 / 34 / 48

HEX #008457

RGB 0 132 87

HSL 159.55, 1%, 0.26%

LAB 48.5, -42.2, 15.83

 

CMYK 100 / 0 / 40 / 55

HEX #007244

RGB 0 114 68

HSL 155.79, 1%, 0.22%

LAB 41.93, -39.49, 17.89

 

CMYK 100 / 0 / 49 / 62

HEX #006031

RGB 0 96 49

HSL 150.63, 1%, 0.19%

LAB 35.18, -36.59, 20.06

 

CMYK 100 / 0 / 62 / 69

HEX #004E1E

RGB 0 78 30

HSL 143.08, 1%, 0.15%

LAB 28.23, -33.35, 22.26

 

CMYK 94 / 0 / 30 / 42

HEX #099468

RGB 9 148 104

HSL 161.01, 0.89%, 0.31%

LAB 54.28, -43.98, 14.13

 

CMYK 94 / 0 / 55 / 42

HEX #099443

RGB 9 148 67

HSL 145.04, 0.89%, 0.31%

LAB 53.65, -51.36, 33.38

 

CMYK 94 / 0 / 80 / 42

HEX #09941D

RGB 9 148 29

HSL 128.63, 0.89%, 0.31%

LAB 53.31, -55.63, 49.32

 

CMYK 82 / 0 / 94 / 42

HEX #1A9409

RGB 26 148 9

HSL 112.66, 0.89%, 0.31%

LAB 53.41, -55.02, 54.25

 

CMYK 57 / 0 / 94 / 42

HEX #409409

RGB 64 148 9

HSL 96.26, 0.89%, 0.31%

LAB 54.33, -47.18, 55.4

 

CMYK 94 / 0 / 30 / 42

HEX #099468

RGB 9 148 104

HSL 161.01, 0.89%, 0.31%

LAB 54.28, -43.98, 14.13

 

CMYK 94 / 0 / 4 / 42

HEX #09948E

RGB 9 148 142

HSL 177.41, 0.89%, 0.31%

LAB 55.27, -33.52, -6.17

 

CMYK 94 / 21 / 0 / 42

HEX #097594

RGB 9 117 148

HSL 193.38, 0.89%, 0.31%

LAB 45.52, -15.62, -24.46

 

CMYK 94 / 47 / 0 / 42

HEX #094F94

RGB 9 79 148

HSL 209.78, 0.89%, 0.31%

LAB 33.54, 7.89, -43.4

 

CMYK 94 / 72 / 0 / 42

HEX #092A94

RGB 9 42 148

HSL 225.76, 0.89%, 0.31%

LAB 23.18, 33.34, -60.28

 

CMYK 94 / 0 / 30 / 42

HEX #099468

RGB 9 148 104

HSL 161.01, 0.89%, 0.31%

LAB 54.28, -43.98, 14.13

 

CMYK 94 / 0 / 30 / 42

HEX #099468

RGB 9 148 104

HSL 161.01, 0.89%, 0.31%

LAB 54.28, -43.98, 14.13

 

CMYK 84 / 0 / 26 / 47

HEX #168764

RGB 22 135 100

HSL 161.42, 0.72%, 0.31%

LAB 50, -38.66, 10.46

 

CMYK 72 / 0 / 23 / 52

HEX #237B5F

RGB 35 123 95

HSL 160.91, 0.56%, 0.31%

LAB 46.11, -32.92, 7.92

 

CMYK 57 / 0 / 18 / 57

HEX #2F6E5A

RGB 47 110 90

HSL 160.95, 0.4%, 0.31%

LAB 41.99, -25.55, 5.09

 

CMYK 38 / 0 / 12 / 62

HEX #3C6155

RGB 60 97 85

HSL 160.54, 0.24%, 0.31%

LAB 38.14, -16.28, 2.67

 

CMYK 94 / 0 / 80 / 42

HEX #09941E

RGB 9 148 30

HSL 129.06, 0.89%, 0.31%

LAB 53.31, -55.56, 49

 

CMYK 94 / 0 / 55 / 42

HEX #099443

RGB 9 148 67

HSL 145.04, 0.89%, 0.31%

LAB 53.65, -51.36, 33.38

 

CMYK 94 / 0 / 30 / 42

HEX #099468

RGB 9 148 104

HSL 161.01, 0.89%, 0.31%

LAB 54.28, -43.98, 14.13

 

CMYK 94 / 0 / 5 / 42

HEX #09948D

RGB 9 148 141

HSL 176.98, 0.89%, 0.31%

LAB 55.24, -33.83, -5.64

 

CMYK 94 / 20 / 0 / 42

HEX #097694

RGB 9 118 148

HSL 192.95, 0.89%, 0.31%

LAB 45.84, -16.18, -23.97

 

CMYK 94 / 0 / 30 / 72

HEX #044732

RGB 4 71 50

HSL 161.19, 0.89%, 0.15%

LAB 26.05, -25.38, 7.22

 

CMYK 94 / 0 / 29 / 57

HEX #076D4D

RGB 7 109 77

HSL 161.18, 0.88%, 0.23%

LAB 40.44, -34.74, 10.57

 

CMYK 94 / 0 / 30 / 42

HEX #099468

RGB 9 148 104

HSL 161.01, 0.89%, 0.31%

LAB 54.28, -43.98, 14.13

 

CMYK 94 / 0 / 29 / 27

HEX #0BBB84

RGB 11 187 132

HSL 161.25, 0.89%, 0.39%

LAB 67.48, -52.51, 16.97

 

CMYK 94 / 0 / 30 / 11

HEX #0EE29F

RGB 14 226 159

HSL 161.04, 0.88%, 0.47%

LAB 80.17, -60.88, 20.2

 

CMYK 93 / 0 / 29 / 41

HEX #0A966A

RGB 10 150 106

HSL 161.14, 0.88%, 0.31%

LAB 54.99, -44.25, 13.98

 

CMYK 94 / 83 / 0 / 42

HEX #091994

RGB 9 25 148

HSL 233.09, 0.89%, 0.31%

LAB 19.6, 43.45, -66.2

 

CMYK 0 / 68 / 94 / 42

HEX #943009

RGB 148 48 9

HSL 16.83, 0.89%, 0.31%

LAB 34.86, 40.47, 43.39

 

CMYK 93 / 0 / 29 / 41

HEX #0A966A

RGB 10 150 106

HSL 161.14, 0.88%, 0.31%

LAB 54.99, -44.25, 13.98

 

CMYK 30 / 94 / 0 / 42

HEX #680994

RGB 104 9 148

HSL 281.01, 0.89%, 0.31%

LAB 27.51, 57.24, -52.84

 

CMYK 0 / 30 / 94 / 42

HEX #946809

RGB 148 104 9

HSL 41.01, 0.89%, 0.31%

LAB 47.26, 10.22, 52.36

 

CMYK 93 / 0 / 29 / 41

HEX #0A966A

RGB 10 150 106

HSL 161.14, 0.88%, 0.31%

LAB 54.99, -44.25, 13.98

 

CMYK 94 / 83 / 0 / 42

HEX #091994

RGB 9 25 148

HSL 233.09, 0.89%, 0.31%

LAB 19.6, 43.45, -66.2

 

CMYK 0 / 94 / 64 / 42

HEX #940935

RGB 148 9 53

HSL 341.01, 0.89%, 0.31%

LAB 31.23, 53.74, 15.01

 

CMYK 0 / 11 / 94 / 42

HEX #948409

RGB 148 132 9

HSL 53.09, 0.89%, 0.31%

LAB 54.88, -5.62, 58.13

 

CMYK 93 / 0 / 29 / 41

HEX #0A966A

RGB 10 150 106

HSL 161.14, 0.88%, 0.31%

LAB 54.99, -44.25, 13.98

 

CMYK 77 / 94 / 0 / 42

HEX #220994

RGB 34 9 148

HSL 250.79, 0.89%, 0.31%

LAB 18.69, 50.71, -67.7

 

CMYK 0 / 94 / 64 / 42

HEX #940935

RGB 148 9 53

HSL 341.01, 0.89%, 0.31%

LAB 31.23, 53.74, 15.01

 

CMYK 17 / 0 / 94 / 42

HEX #7B9409

RGB 123 148 9

HSL 70.79, 0.89%, 0.31%

LAB 57.47, -25.33, 59.25

 

Description

Color code: RGB 10 150 106 | qconv.com Color code: RGB 10 150 106 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 150 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 150 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 29 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 29% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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