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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 10 178 173 it is the complementary color RGB 245 77 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 10 178 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 10 178 173 shade: RGB 15 178 168, RGB 32 196 187, RGB 49 214 206, RGB 66 232 225 and RGB 83 250 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 10 178 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 10 178 173 shade: RGB 10 178 173, RGB 0 160 154, RGB 0 142 135, RGB 0 124 116 and RGB 0 106 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 10 178 173 shade: RGB 10 178 173, RGB 10 178 128, RGB 10 178 82, RGB 10 178 37 and RGB 28 178 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 10 178 173 shade: RGB 10 178 173, RGB 10 138 178, RGB 10 92 178, RGB 10 47 178 and RGB 10 10 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 10 178 173 shade matches the following richer shades: RGB 10 178 173

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 10 178 173 shade: RGB 10 178 173, RGB 25 163 158, RGB 40 147 144, RGB 56 132 130 and RGB 71 117 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 10 178 173 shade: RGB 10 178 83, RGB 10 178 127, RGB 10 178 172, RGB 10 139 178 and RGB 10 94 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 10 178 173 shade: RGB 5 100 97, RGB 8 139 135, RGB 10 178 173, RGB 12 217 211 and RGB 29 241 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 10 178 173 shade: RGB 10 178 173, RGB 38 10 178 and RGB 178 105 10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 10 178 173 shade: RGB 10 178 173, RGB 172 10 178 and RGB 178 172 10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 10 178 173 shade: RGB 10 178 173, RGB 38 10 178, RGB 178 10 15 and RGB 150 178 10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 10 178 173 shade: RGB 10 178 173, RGB 88 10 178, RGB 178 10 15 and RGB 99 178 10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 3 / 30

HEX #0AB2AD

RGB 10 178 173

HSL 178.21, 0.89%, 0.37%

LAB 65.69, -37.89, -8.17

 

Complementary color

CMYK 0 / 69 / 67 / 4

HEX #F54D52

RGB 245 77 82

HSL 358.21, 0.89%, 0.63%

LAB 57.39, 63.98, 34.34

 

CMYK 92 / 0 / 6 / 30

HEX #0FB2A8

RGB 15 178 168

HSL 176.32, 0.84%, 0.38%

LAB 65.57, -39.18, -5.57

 

CMYK 84 / 0 / 5 / 23

HEX #20C4BB

RGB 32 196 187

HSL 176.71, 0.72%, 0.45%

LAB 71.81, -40.7, -6.76

 

CMYK 77 / 0 / 4 / 16

HEX #31D6CE

RGB 49 214 206

HSL 177.09, 0.67%, 0.52%

LAB 77.99, -41.87, -7.83

 

CMYK 72 / 0 / 3 / 9

HEX #42E8E1

RGB 66 232 225

HSL 177.47, 0.78%, 0.58%

LAB 84.13, -42.76, -8.81

 

CMYK 67 / 0 / 2 / 2

HEX #53FAF4

RGB 83 250 244

HSL 177.84, 0.94%, 0.65%

LAB 90.2, -43.44, -9.7

 

CMYK 94 / 0 / 3 / 30

HEX #0AB2AD

RGB 10 178 173

HSL 178.21, 0.89%, 0.37%

LAB 65.69, -37.89, -8.17

 

CMYK 100 / 0 / 4 / 37

HEX #00A09A

RGB 0 160 154

HSL 177.75, 1%, 0.31%

LAB 59.41, -35.79, -6.86

 

CMYK 100 / 0 / 5 / 44

HEX #008E87

RGB 0 142 135

HSL 177.04, 1%, 0.28%

LAB 53.05, -33.3, -5.42

 

CMYK 100 / 0 / 6 / 51

HEX #007C74

RGB 0 124 116

HSL 176.13, 1%, 0.24%

LAB 46.55, -30.76, -3.93

 

CMYK 100 / 0 / 8 / 58

HEX #006A61

RGB 0 106 97

HSL 174.91, 1%, 0.21%

LAB 39.87, -28.16, -2.36

RGB 0 106 97

CMYK 94 / 0 / 3 / 30

HEX #0AB2AD

RGB 10 178 173

HSL 178.21, 0.89%, 0.37%

LAB 65.69, -37.89, -8.17

 

CMYK 94 / 0 / 28 / 30

HEX #0AB280

RGB 10 178 128

HSL 162.14, 0.89%, 0.37%

LAB 64.53, -50.03, 15.04

 

CMYK 94 / 0 / 54 / 30

HEX #0AB252

RGB 10 178 82

HSL 145.71, 0.89%, 0.37%

LAB 63.77, -59, 38.21

 

CMYK 94 / 0 / 79 / 30

HEX #0AB225

RGB 10 178 37

HSL 129.64, 0.89%, 0.37%

LAB 63.38, -63.89, 56.46

 

CMYK 84 / 0 / 94 / 30

HEX #1CB20A

RGB 28 178 10

HSL 113.57, 0.89%, 0.37%

LAB 63.43, -63.72, 62.5

 

CMYK 94 / 0 / 3 / 30

HEX #0AB2AD

RGB 10 178 173

HSL 178.21, 0.89%, 0.37%

LAB 65.69, -37.89, -8.17

 

CMYK 94 / 22 / 0 / 30

HEX #0A8AB2

RGB 10 138 178

HSL 194.29, 0.89%, 0.37%

LAB 53.44, -16.25, -29.63

 

CMYK 94 / 48 / 0 / 30

HEX #0A5CB2

RGB 10 92 178

HSL 210.71, 0.89%, 0.37%

LAB 39.47, 11.67, -51.78

 

CMYK 94 / 74 / 0 / 30

HEX #0A2FB2

RGB 10 47 178

HSL 226.79, 0.89%, 0.37%

LAB 27.61, 41.43, -71.17

 

CMYK 94 / 94 / 0 / 30

HEX #0A0AB2

RGB 10 10 178

HSL 240, 0.89%, 0.37%

LAB 21.93, 58.07, -80.61

 

CMYK 94 / 0 / 3 / 30

HEX #0AB2AD

RGB 10 178 173

HSL 178.21, 0.89%, 0.37%

LAB 65.69, -37.89, -8.17

 

CMYK 94 / 0 / 3 / 30

HEX #0AB2AD

RGB 10 178 173

HSL 178.21, 0.89%, 0.37%

LAB 65.69, -37.89, -8.17

 

CMYK 85 / 0 / 3 / 36

HEX #19A39E

RGB 25 163 158

HSL 177.83, 0.73%, 0.37%

LAB 60.67, -34.71, -7.24

 

CMYK 73 / 0 / 2 / 42

HEX #289390

RGB 40 147 144

HSL 178.32, 0.57%, 0.37%

LAB 55.41, -29.78, -7.06

 

CMYK 58 / 0 / 2 / 48

HEX #388482

RGB 56 132 130

HSL 178.42, 0.4%, 0.37%

LAB 50.63, -23.72, -6

 

CMYK 39 / 0 / 2 / 54

HEX #477573

RGB 71 117 115

HSL 177.39, 0.24%, 0.37%

LAB 46.04, -16.21, -3.88

 

CMYK 94 / 0 / 53 / 30

HEX #0AB253

RGB 10 178 83

HSL 146.07, 0.89%, 0.37%

LAB 63.78, -58.85, 37.74

 

CMYK 94 / 0 / 29 / 30

HEX #0AB27F

RGB 10 178 127

HSL 161.79, 0.89%, 0.37%

LAB 64.51, -50.26, 15.56

 

CMYK 94 / 0 / 3 / 30

HEX #0AB2AC

RGB 10 178 172

HSL 177.86, 0.89%, 0.37%

LAB 65.66, -38.19, -7.66

 

CMYK 94 / 22 / 0 / 30

HEX #0A8BB2

RGB 10 139 178

HSL 193.93, 0.89%, 0.37%

LAB 53.75, -16.79, -29.15

 

CMYK 94 / 47 / 0 / 30

HEX #0A5EB2

RGB 10 94 178

HSL 210, 0.89%, 0.37%

LAB 40.06, 10.35, -50.83

 

CMYK 95 / 0 / 3 / 61

HEX #056461

RGB 5 100 97

HSL 178.11, 0.9%, 0.21%

LAB 37.86, -24.82, -5.33

 

CMYK 94 / 0 / 3 / 45

HEX #088B87

RGB 8 139 135

HSL 178.17, 0.89%, 0.29%

LAB 52.14, -31.5, -6.78

 

CMYK 94 / 0 / 3 / 30

HEX #0AB2AD

RGB 10 178 173

HSL 178.21, 0.89%, 0.37%

LAB 65.69, -37.89, -8.17

 

CMYK 94 / 0 / 3 / 15

HEX #0CD9D3

RGB 12 217 211

HSL 178.24, 0.9%, 0.45%

LAB 78.7, -44.02, -9.5

 

CMYK 88 / 0 / 2 / 5

HEX #1DF1EB

RGB 29 241 235

HSL 178.3, 0.88%, 0.53%

LAB 86.59, -46.92, -10.45

 

CMYK 94 / 0 / 3 / 30

HEX #0AB2AD

RGB 10 178 173

HSL 178.21, 0.89%, 0.37%

LAB 65.69, -37.89, -8.17

 

CMYK 79 / 94 / 0 / 30

HEX #260AB2

RGB 38 10 178

HSL 250, 0.89%, 0.37%

LAB 23.15, 58.68, -78.54

 

CMYK 0 / 41 / 94 / 30

HEX #B2690A

RGB 178 105 10

HSL 33.93, 0.89%, 0.37%

LAB 51.37, 23.28, 56.9

 

CMYK 94 / 0 / 3 / 30

HEX #0AB2AD

RGB 10 178 173

HSL 178.21, 0.89%, 0.37%

LAB 65.69, -37.89, -8.17

 

CMYK 3 / 94 / 0 / 30

HEX #AC0AB2

RGB 172 10 178

HSL 297.86, 0.89%, 0.37%

LAB 41.54, 73.03, -47.7

 

CMYK 0 / 3 / 94 / 30

HEX #B2AC0A

RGB 178 172 10

HSL 57.86, 0.89%, 0.37%

LAB 68.75, -13.27, 69.73

 

CMYK 94 / 0 / 3 / 30

HEX #0AB2AD

RGB 10 178 173

HSL 178.21, 0.89%, 0.37%

LAB 65.69, -37.89, -8.17

 

CMYK 79 / 94 / 0 / 30

HEX #260AB2

RGB 38 10 178

HSL 250, 0.89%, 0.37%

LAB 23.15, 58.68, -78.54

 

CMYK 0 / 94 / 92 / 30

HEX #B20A0F

RGB 178 10 15

HSL 358.21, 0.89%, 0.37%

LAB 37.33, 60.19, 45.66

 

CMYK 16 / 0 / 94 / 30

HEX #96B20A

RGB 150 178 10

HSL 70, 0.89%, 0.37%

LAB 68.28, -28.39, 68.43

 

CMYK 94 / 0 / 3 / 30

HEX #0AB2AD

RGB 10 178 173

HSL 178.21, 0.89%, 0.37%

LAB 65.69, -37.89, -8.17

 

CMYK 51 / 94 / 0 / 30

HEX #580AB2

RGB 88 10 178

HSL 267.86, 0.89%, 0.37%

LAB 28.13, 61.79, -70.12

 

CMYK 0 / 94 / 92 / 30

HEX #B20A0F

RGB 178 10 15

HSL 358.21, 0.89%, 0.37%

LAB 37.33, 60.19, 45.66

 

CMYK 44 / 0 / 94 / 30

HEX #63B20A

RGB 99 178 10

HSL 88.21, 0.89%, 0.37%

LAB 65.37, -47.88, 64.88

 

Description

Color code: RGB 10 178 173 | qconv.com Color code: RGB 10 178 173 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 178 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 178 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 3 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 3% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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