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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 10 243 93 it is the complementary color RGB 245 12 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 10 243 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 10 243 93 shade: RGB 15 243 88, RGB 32 255 107, RGB 49 255 126, RGB 66 255 145 and RGB 83 255 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 10 243 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 10 243 93 shade: RGB 10 243 93, RGB 0 225 74, RGB 0 207 55, RGB 0 189 36 and RGB 0 171 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 10 243 93 shade: RGB 10 244 93, RGB 10 244 30, RGB 53 244 10, RGB 116 244 10 and RGB 179 244 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 10 243 93 shade: RGB 10 244 93, RGB 10 244 157, RGB 10 244 220, RGB 10 206 244 and RGB 10 142 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 10 243 93 shade matches the following richer shades: RGB 10 244 93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 10 243 93 shade: RGB 10 244 93, RGB 30 224 99, RGB 51 203 105, RGB 72 182 111 and RGB 92 162 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 10 243 93 shade: RGB 53 244 10, RGB 10 244 29, RGB 10 244 92, RGB 10 244 154 and RGB 10 244 217

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 10 243 93 shade: RGB 6 165 63, RGB 8 205 78, RGB 10 244 93, RGB 49 246 119 and RGB 89 248 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 10 243 93 shade: RGB 10 243 93, RGB 10 115 244 and RGB 244 10 21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 10 243 93 shade: RGB 10 243 93, RGB 92 10 244 and RGB 244 92 10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 10 243 93 shade: RGB 10 243 93, RGB 10 115 244, RGB 244 10 162 and RGB 244 139 10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 10 243 93 shade: RGB 10 243 93, RGB 10 45 244, RGB 244 10 162 and RGB 244 209 10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 62 / 5

HEX #0AF35D

RGB 10 243 93

HSL 141.37, 0.92%, 0.5%

LAB 84.46, -77.56, 57.48

 

Complementary color

CMYK 0 / 95 / 34 / 4

HEX #F50CA2

RGB 245 12 162

HSL 321.37, 0.92%, 0.5%

LAB 54.33, 84.56, -17.23

 

CMYK 94 / 0 / 64 / 5

HEX #0FF358

RGB 15 243 88

HSL 139.21, 0.9%, 0.51%

LAB 84.44, -77.95, 59.54

 

CMYK 87 / 0 / 58 / 0

HEX #20FF6B

RGB 32 255 107

HSL 140.18, 1%, 0.56%

LAB 88.39, -78.4, 56.03

 

CMYK 81 / 0 / 51 / 0

HEX #31FF7E

RGB 49 255 126

HSL 142.43, 1%, 0.6%

LAB 88.77, -74.45, 47.93

 

CMYK 74 / 0 / 43 / 0

HEX #42FF91

RGB 66 255 145

HSL 145.08, 1%, 0.63%

LAB 89.26, -69.53, 39.53

 

CMYK 67 / 0 / 36 / 0

HEX #53FFA4

RGB 83 255 164

HSL 148.26, 1%, 0.66%

LAB 89.88, -63.73, 31

 

CMYK 96 / 0 / 62 / 5

HEX #0AF35D

RGB 10 243 93

HSL 141.37, 0.92%, 0.5%

LAB 84.46, -77.56, 57.48

 

CMYK 100 / 0 / 67 / 12

HEX #00E14A

RGB 0 225 74

HSL 139.73, 1%, 0.44%

LAB 78.66, -74.7, 58.82

 

CMYK 100 / 0 / 73 / 19

HEX #00CF37

RGB 0 207 55

HSL 135.94, 1%, 0.41%

LAB 72.83, -71.29, 59.81

 

CMYK 100 / 0 / 81 / 26

HEX #00BD24

RGB 0 189 36

HSL 131.43, 1%, 0.37%

LAB 66.92, -67.55, 60.1

 

CMYK 100 / 0 / 90 / 33

HEX #00AB11

RGB 0 171 17

HSL 125.96, 1%, 0.34%

LAB 60.93, -63.42, 59.21

 

CMYK 96 / 0 / 62 / 4

HEX #0AF45D

RGB 10 244 93

HSL 141.28, 0.92%, 0.5%

LAB 84.77, -77.85, 57.83

 

CMYK 96 / 0 / 88 / 4

HEX #0AF41E

RGB 10 244 30

HSL 125.13, 0.92%, 0.5%

LAB 84.41, -82.42, 77.17

 

CMYK 78 / 0 / 96 / 4

HEX #35F40A

RGB 53 244 10

HSL 108.97, 0.92%, 0.5%

LAB 84.73, -79.69, 80.13

 

CMYK 52 / 0 / 96 / 4

HEX #74F40A

RGB 116 244 10

HSL 92.82, 0.92%, 0.5%

LAB 86.22, -67.16, 81.96

 

CMYK 27 / 0 / 96 / 4

HEX #B3F40A

RGB 179 244 10

HSL 76.67, 0.92%, 0.5%

LAB 89.07, -46.59, 85.42

 

CMYK 96 / 0 / 62 / 4

HEX #0AF45D

RGB 10 244 93

HSL 141.28, 0.92%, 0.5%

LAB 84.77, -77.85, 57.83

 

CMYK 96 / 0 / 36 / 4

HEX #0AF49D

RGB 10 244 157

HSL 157.69, 0.92%, 0.5%

LAB 85.6, -67.8, 28.63

 

CMYK 96 / 0 / 10 / 4

HEX #0AF4DC

RGB 10 244 220

HSL 173.85, 0.92%, 0.5%

LAB 86.96, -52.98, -2.05

 

CMYK 96 / 16 / 0 / 4

HEX #0ACEF4

RGB 10 206 244

HSL 189.74, 0.92%, 0.5%

LAB 76.52, -28.76, -30.48

 

CMYK 96 / 42 / 0 / 4

HEX #0A8EF4

RGB 10 142 244

HSL 206.15, 0.92%, 0.5%

LAB 57.98, 6.22, -59.6

 

CMYK 96 / 0 / 62 / 4

HEX #0AF45D

RGB 10 244 93

HSL 141.28, 0.92%, 0.5%

LAB 84.77, -77.85, 57.83

 

CMYK 96 / 0 / 62 / 4

HEX #0AF45D

RGB 10 244 93

HSL 141.28, 0.92%, 0.5%

LAB 84.77, -77.85, 57.83

 

CMYK 87 / 0 / 56 / 12

HEX #1EE063

RGB 30 224 99

HSL 141.34, 0.76%, 0.5%

LAB 78.75, -70.07, 48.22

 

CMYK 75 / 0 / 48 / 20

HEX #33CB69

RGB 51 203 105

HSL 141.32, 0.6%, 0.5%

LAB 72.52, -60.03, 37.79

 

CMYK 60 / 0 / 39 / 29

HEX #48B66F

RGB 72 182 111

HSL 141.27, 0.43%, 0.5%

LAB 66.51, -47.38, 27.05

 

CMYK 43 / 0 / 28 / 36

HEX #5CA275

RGB 92 162 117

HSL 141.43, 0.28%, 0.5%

LAB 61.13, -32.4, 16.67

 

CMYK 78 / 0 / 96 / 4

HEX #35F40A

RGB 53 244 10

HSL 108.97, 0.92%, 0.5%

LAB 84.73, -79.69, 80.13

 

CMYK 96 / 0 / 88 / 4

HEX #0AF41D

RGB 10 244 29

HSL 124.87, 0.92%, 0.5%

LAB 84.41, -82.45, 77.34

 

CMYK 96 / 0 / 62 / 4

HEX #0AF45C

RGB 10 244 92

HSL 141.03, 0.92%, 0.5%

LAB 84.76, -77.96, 58.24

 

CMYK 96 / 0 / 37 / 4

HEX #0AF49A

RGB 10 244 154

HSL 156.92, 0.92%, 0.5%

LAB 85.55, -68.4, 30.08

 

CMYK 96 / 0 / 11 / 4

HEX #0AF4D9

RGB 10 244 217

HSL 173.08, 0.92%, 0.5%

LAB 86.89, -53.78, -0.6

 

CMYK 96 / 0 / 62 / 35

HEX #06A53F

RGB 6 165 63

HSL 141.51, 0.93%, 0.34%

LAB 59.26, -57.67, 41.95

 

CMYK 96 / 0 / 62 / 20

HEX #08CD4E

RGB 8 205 78

HSL 141.32, 0.92%, 0.42%

LAB 72.4, -68.1, 50.23

 

CMYK 96 / 0 / 62 / 4

HEX #0AF45D

RGB 10 244 93

HSL 141.28, 0.92%, 0.5%

LAB 84.77, -77.85, 57.83

 

CMYK 80 / 0 / 52 / 4

HEX #31F677

RGB 49 246 119

HSL 141.32, 0.92%, 0.58%

LAB 85.95, -72.57, 47.73

 

CMYK 64 / 0 / 42 / 3

HEX #59F891

RGB 89 248 145

HSL 141.13, 0.92%, 0.66%

LAB 87.63, -63.45, 37.5

 

CMYK 96 / 0 / 62 / 5

HEX #0AF35D

RGB 10 243 93

HSL 141.37, 0.92%, 0.5%

LAB 84.46, -77.56, 57.48

 

CMYK 96 / 53 / 0 / 4

HEX #0A73F4

RGB 10 115 244

HSL 213.08, 0.92%, 0.5%

LAB 50.52, 22.97, -71.63

 

CMYK 0 / 96 / 91 / 4

HEX #F40A15

RGB 244 10 21

HSL 357.18, 0.92%, 0.5%

LAB 51.27, 76.92, 59.18

 

CMYK 96 / 0 / 62 / 5

HEX #0AF35D

RGB 10 243 93

HSL 141.37, 0.92%, 0.5%

LAB 84.46, -77.56, 57.48

 

CMYK 62 / 96 / 0 / 4

HEX #5C0AF4

RGB 92 10 244

HSL 261.03, 0.92%, 0.5%

LAB 36.03, 77.29, -95.33

 

CMYK 0 / 62 / 96 / 4

HEX #F45C0A

RGB 244 92 10

HSL 21.03, 0.92%, 0.5%

LAB 58.89, 55.57, 66.7

 

CMYK 96 / 0 / 62 / 5

HEX #0AF35D

RGB 10 243 93

HSL 141.37, 0.92%, 0.5%

LAB 84.46, -77.56, 57.48

 

CMYK 96 / 53 / 0 / 4

HEX #0A73F4

RGB 10 115 244

HSL 213.08, 0.92%, 0.5%

LAB 50.52, 22.97, -71.63

 

CMYK 0 / 96 / 34 / 4

HEX #F40AA2

RGB 244 10 162

HSL 321.03, 0.92%, 0.5%

LAB 54.09, 84.5, -17.61

 

CMYK 0 / 43 / 96 / 4

HEX #F48B0A

RGB 244 139 10

HSL 33.08, 0.92%, 0.5%

LAB 67.81, 32.98, 72.36

 

CMYK 96 / 0 / 62 / 5

HEX #0AF35D

RGB 10 243 93

HSL 141.37, 0.92%, 0.5%

LAB 84.46, -77.56, 57.48

 

CMYK 96 / 82 / 0 / 4

HEX #0A2DF4

RGB 10 45 244

HSL 231.03, 0.92%, 0.5%

LAB 34.95, 64.26, -97.25

 

CMYK 0 / 96 / 34 / 4

HEX #F40AA2

RGB 244 10 162

HSL 321.03, 0.92%, 0.5%

LAB 54.09, 84.5, -17.61

 

CMYK 0 / 14 / 96 / 4

HEX #F4D10A

RGB 244 209 10

HSL 51.03, 0.92%, 0.5%

LAB 84.41, -3.49, 84

 

Description

Color code: RGB 10 243 93 | qconv.com Color code: RGB 10 243 93 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 243 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 243 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 62 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 62% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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