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Color name
RGB 110 108 149

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 110 108 149 it is the complementary color RGB 145 147 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 110 108 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 110 108 149 shade: RGB 115 108 144, RGB 132 126 163, RGB 149 144 182, RGB 166 162 201 and RGB 183 180 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 110 108 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 110 108 149 shade: RGB 110 108 149, RGB 93 90 130, RGB 76 72 111, RGB 59 54 92 and RGB 42 36 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 110 108 149 shade: RGB 109 107 147, RGB 120 107 147, RGB 131 107 147, RGB 142 107 147 and RGB 147 107 142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 110 108 149 shade: RGB 109 107 147 and RGB 107 107 147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 110 108 149 shade matches the following richer shades: RGB 109 107 147, RGB 90 86 168, RGB 71 65 189, RGB 53 45 209 and RGB 34 24 230

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 110 108 149 shade: RGB 109 107 147, RGB 127 127 127, RGB 146 148 106, RGB 164 168 86 and RGB 183 189 65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 110 108 149 shade: RGB 107 127 147, RGB 107 116 147, RGB 108 107 147, RGB 119 107 147 and RGB 130 107 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 110 108 149 shade: RGB 73 72 100, RGB 91 89 123, RGB 109 107 147, RGB 132 131 165 and RGB 156 154 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 110 108 149 shade: RGB 110 108 149, RGB 147 107 138 and RGB 122 147 107

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 110 108 149 shade: RGB 110 108 149, RGB 147 108 107 and RGB 107 147 108

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 110 108 149 shade: RGB 110 108 149, RGB 147 107 138, RGB 146 147 107 and RGB 107 147 116

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 110 108 149 shade: RGB 110 108 149, RGB 147 107 126, RGB 146 147 107 and RGB 107 147 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 28 / 0 / 42

HEX #6E6C95

RGB 110 108 149

HSL 242.93, 0.16%, 0.5%

LAB 47.25, 10.29, -22.03

 

Complementary color

CMYK 1 / 0 / 28 / 42

HEX #91936A

RGB 145 147 106

HSL 62.93, 0.16%, 0.5%

LAB 59.82, -7.7, 21.53

 

CMYK 20 / 25 / 0 / 44

HEX #736C90

RGB 115 108 144

HSL 251.67, 0.14%, 0.49%

LAB 47.47, 10.67, -18.69

 

CMYK 19 / 23 / 0 / 36

HEX #847EA3

RGB 132 126 163

HSL 249.73, 0.17%, 0.57%

LAB 54.52, 10.23, -18.9

 

CMYK 18 / 21 / 0 / 29

HEX #9590B6

RGB 149 144 182

HSL 247.89, 0.21%, 0.64%

LAB 61.41, 9.83, -19.14

 

CMYK 17 / 19 / 0 / 21

HEX #A6A2C9

RGB 166 162 201

HSL 246.15, 0.27%, 0.71%

LAB 68.14, 9.46, -19.4

 

CMYK 17 / 18 / 0 / 14

HEX #B7B4DC

RGB 183 180 220

HSL 244.5, 0.36%, 0.78%

LAB 74.75, 9.13, -19.68

 

CMYK 26 / 28 / 0 / 42

HEX #6E6C95

RGB 110 108 149

HSL 242.93, 0.16%, 0.5%

LAB 47.25, 10.29, -22.03

 

CMYK 28 / 31 / 0 / 49

HEX #5D5A82

RGB 93 90 130

HSL 244.5, 0.18%, 0.43%

LAB 40, 10.84, -21.95

 

CMYK 32 / 35 / 0 / 56

HEX #4C486F

RGB 76 72 111

HSL 246.15, 0.21%, 0.36%

LAB 32.52, 11.49, -21.93

 

CMYK 36 / 41 / 0 / 64

HEX #3B365C

RGB 59 54 92

HSL 247.89, 0.26%, 0.29%

LAB 24.77, 12.3, -21.99

 

CMYK 42 / 51 / 0 / 71

HEX #2A2449

RGB 42 36 73

HSL 249.73, 0.34%, 0.21%

LAB 16.68, 13.37, -22.18

 

CMYK 26 / 27 / 0 / 42

HEX #6D6B93

RGB 109 107 147

HSL 243, 0.16%, 0.5%

LAB 46.81, 10.05, -21.53

 

CMYK 18 / 27 / 0 / 42

HEX #786B93

RGB 120 107 147

HSL 259.5, 0.16%, 0.5%

LAB 47.77, 13.68, -19.97

 

CMYK 11 / 27 / 0 / 42

HEX #836B93

RGB 131 107 147

HSL 276, 0.16%, 0.5%

LAB 48.82, 17.43, -18.27

 

CMYK 3 / 27 / 0 / 42

HEX #8E6B93

RGB 142 107 147

HSL 292.5, 0.16%, 0.5%

LAB 49.95, 21.25, -16.45

 

CMYK 0 / 27 / 3 / 42

HEX #936B8E

RGB 147 107 142

HSL 307.5, 0.16%, 0.5%

LAB 50.3, 22.02, -12.91

 

CMYK 26 / 27 / 0 / 42

HEX #6D6B93

RGB 109 107 147

HSL 243, 0.16%, 0.5%

LAB 46.81, 10.05, -21.53

 

CMYK 27 / 27 / 0 / 42

HEX #6B6B93

RGB 107 107 147

HSL 240, 0.16%, 0.5%

LAB 46.64, 9.41, -21.8

 

CMYK 26 / 27 / 0 / 42

HEX #6D6B93

RGB 109 107 147

HSL 243, 0.16%, 0.5%

LAB 46.81, 10.05, -21.53

 

CMYK 46 / 49 / 0 / 34

HEX #5A56A8

RGB 90 86 168

HSL 242.93, 0.32%, 0.5%

LAB 40.66, 23.61, -43.76

 

CMYK 62 / 66 / 0 / 26

HEX #4741BD

RGB 71 65 189

HSL 242.9, 0.49%, 0.5%

LAB 35.59, 39.64, -64.45

 

CMYK 75 / 78 / 0 / 18

HEX #352DD1

RGB 53 45 209

HSL 242.93, 0.65%, 0.5%

LAB 32.34, 55.16, -81.51

 

CMYK 85 / 90 / 0 / 10

HEX #2218E6

RGB 34 24 230

HSL 242.91, 0.81%, 0.5%

LAB 31.13, 68.67, -95.65

 

CMYK 26 / 27 / 0 / 42

HEX #6D6B93

RGB 109 107 147

HSL 243, 0.16%, 0.5%

LAB 46.81, 10.05, -21.53

 

CMYK 0 / 0 / 0 / 50

HEX #7F7F7F

RGB 127 127 127

HSL 0, 0%, 0.5%

LAB 53.19, 0, -0.01

 

CMYK 1 / 0 / 28 / 42

HEX #92946A

RGB 146 148 106

HSL 62.86, 0.17%, 0.5%

LAB 60.19, -7.84, 22.03

 

CMYK 2 / 0 / 49 / 34

HEX #A4A856

RGB 164 168 86

HSL 62.93, 0.32%, 0.5%

LAB 66.95, -13.41, 41.53

 

CMYK 3 / 0 / 66 / 26

HEX #B7BD41

RGB 183 189 65

HSL 62.9, 0.49%, 0.5%

LAB 74.09, -17.79, 59.43

 

CMYK 27 / 14 / 0 / 42

HEX #6B7F93

RGB 107 127 147

HSL 210, 0.16%, 0.5%

LAB 52.3, -2.45, -13.17

 

CMYK 27 / 21 / 0 / 42

HEX #6B7493

RGB 107 116 147

HSL 226.5, 0.16%, 0.5%

LAB 49.16, 4, -17.94

 

CMYK 27 / 27 / 0 / 42

HEX #6C6B93

RGB 108 107 147

HSL 241.5, 0.16%, 0.5%

LAB 46.72, 9.73, -21.67

 

CMYK 19 / 27 / 0 / 42

HEX #776B93

RGB 119 107 147

HSL 258, 0.16%, 0.5%

LAB 47.68, 13.35, -20.12

 

CMYK 12 / 27 / 0 / 42

HEX #826B93

RGB 130 107 147

HSL 274.5, 0.16%, 0.5%

LAB 48.72, 17.08, -18.43

 

CMYK 27 / 28 / 0 / 61

HEX #494864

RGB 73 72 100

HSL 242.14, 0.16%, 0.34%

LAB 31.74, 7.38, -16.2

 

CMYK 26 / 28 / 0 / 52

HEX #5B597B

RGB 91 89 123

HSL 243.53, 0.16%, 0.42%

LAB 39.24, 8.92, -18.86

 

CMYK 26 / 27 / 0 / 42

HEX #6D6B93

RGB 109 107 147

HSL 243, 0.16%, 0.5%

LAB 46.81, 10.05, -21.53

 

CMYK 20 / 21 / 0 / 35

HEX #8483A5

RGB 132 131 165

HSL 241.76, 0.16%, 0.58%

LAB 55.94, 7.78, -17.89

 

CMYK 14 / 15 / 0 / 29

HEX #9C9AB6

RGB 156 154 182

HSL 244.29, 0.16%, 0.66%

LAB 64.61, 6.47, -14.24

 

CMYK 26 / 28 / 0 / 42

HEX #6E6C95

RGB 110 108 149

HSL 242.93, 0.16%, 0.5%

LAB 47.25, 10.29, -22.03

 

CMYK 0 / 27 / 6 / 42

HEX #936B8A

RGB 147 107 138

HSL 313.5, 0.16%, 0.5%

LAB 50.16, 21.25, -10.76

 

CMYK 17 / 0 / 27 / 42

HEX #7A936B

RGB 122 147 107

HSL 97.5, 0.16%, 0.5%

LAB 58.1, -16.58, 18.34

 

CMYK 26 / 28 / 0 / 42

HEX #6E6C95

RGB 110 108 149

HSL 242.93, 0.16%, 0.5%

LAB 47.25, 10.29, -22.03

 

CMYK 0 / 27 / 27 / 42

HEX #936C6B

RGB 147 108 107

HSL 1.5, 0.16%, 0.5%

LAB 49.48, 15.38, 6.65

 

CMYK 27 / 0 / 27 / 42

HEX #6B936C

RGB 107 147 108

HSL 121.5, 0.16%, 0.5%

LAB 57.15, -21.9, 16.32

 

CMYK 26 / 28 / 0 / 42

HEX #6E6C95

RGB 110 108 149

HSL 242.93, 0.16%, 0.5%

LAB 47.25, 10.29, -22.03

 

CMYK 0 / 27 / 6 / 42

HEX #936B8A

RGB 147 107 138

HSL 313.5, 0.16%, 0.5%

LAB 50.16, 21.25, -10.76

 

CMYK 1 / 0 / 27 / 42

HEX #92936B

RGB 146 147 107

HSL 61.5, 0.16%, 0.5%

LAB 59.92, -7.15, 21.12

 

CMYK 27 / 0 / 21 / 42

HEX #6B9374

RGB 107 147 116

HSL 133.5, 0.16%, 0.5%

LAB 57.32, -20.4, 12.05

 

CMYK 26 / 28 / 0 / 42

HEX #6E6C95

RGB 110 108 149

HSL 242.93, 0.16%, 0.5%

LAB 47.25, 10.29, -22.03

 

CMYK 0 / 27 / 14 / 42

HEX #936B7E

RGB 147 107 126

HSL 331.5, 0.16%, 0.5%

LAB 49.77, 19.06, -4.23

 

CMYK 1 / 0 / 27 / 42

HEX #92936B

RGB 146 147 107

HSL 61.5, 0.16%, 0.5%

LAB 59.92, -7.15, 21.12

 

CMYK 27 / 0 / 13 / 42

HEX #6B9380

RGB 107 147 128

HSL 151.5, 0.16%, 0.5%

LAB 57.61, -17.95, 5.63

 

Description

Color code: RGB 110 108 149 | qconv.com Color code: RGB 110 108 149 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 108 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 108 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 28 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 28% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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