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Color name
RGB 110 132 88

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 110 132 88 it is the complementary color RGB 145 123 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 110 132 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 110 132 88 shade: RGB 115 132 83, RGB 132 150 102, RGB 149 168 121, RGB 166 186 140 and RGB 183 204 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 110 132 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 110 132 88 shade: RGB 110 132 88, RGB 93 114 69, RGB 76 96 50, RGB 59 78 31 and RGB 42 60 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 110 132 88 shade: RGB 109 131 87, RGB 121 131 87, RGB 131 129 87, RGB 131 118 87 and RGB 131 106 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 110 132 88 shade: RGB 109 131 87, RGB 97 131 87, RGB 87 131 89, RGB 87 131 101 and RGB 87 131 113

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 110 132 88 shade matches the following richer shades: RGB 109 131 87, RGB 109 149 69, RGB 109 167 52, RGB 109 184 34 and RGB 109 202 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 110 132 88 shade: RGB 109 131 87, RGB 109 113 105, RGB 109 96 123, RGB 109 78 140 and RGB 109 60 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 110 132 88 shade: RGB 131 130 87, RGB 121 131 87, RGB 109 131 87, RGB 97 131 87 and RGB 87 131 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 110 132 88 shade: RGB 68 82 54, RGB 89 106 71, RGB 109 131 87, RGB 130 155 105 and RGB 150 171 130

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 110 132 88 shade: RGB 110 132 88, RGB 87 131 118 and RGB 131 87 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 110 132 88 shade: RGB 110 132 88, RGB 87 109 131 and RGB 131 87 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 110 132 88 shade: RGB 110 132 88, RGB 87 131 118, RGB 109 87 131 and RGB 131 87 100

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 110 132 88 shade: RGB 110 132 88, RGB 87 131 131, RGB 109 87 131 and RGB 131 87 87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 33 / 48

HEX #6E8458

RGB 110 132 88

HSL 90, 0.2%, 0.43%

LAB 52.42, -16.32, 21.22

 

Complementary color

CMYK 13 / 26 / 0 / 35

HEX #917BA7

RGB 145 123 167

HSL 270, 0.2%, 0.57%

LAB 55.05, 17.23, -20.31

 

CMYK 13 / 0 / 37 / 48

HEX #738453

RGB 115 132 83

HSL 80.82, 0.23%, 0.42%

LAB 52.7, -15.05, 24.45

 

CMYK 12 / 0 / 32 / 41

HEX #849666

RGB 132 150 102

HSL 82.5, 0.19%, 0.49%

LAB 59.6, -15.08, 23.26

 

CMYK 11 / 0 / 28 / 34

HEX #95A879

RGB 149 168 121

HSL 84.26, 0.21%, 0.57%

LAB 66.35, -15.09, 22.15

 

CMYK 11 / 0 / 25 / 27

HEX #A6BA8C

RGB 166 186 140

HSL 86.09, 0.25%, 0.64%

LAB 72.97, -15.09, 21.1

 

CMYK 10 / 0 / 22 / 20

HEX #B7CC9F

RGB 183 204 159

HSL 88, 0.31%, 0.71%

LAB 79.47, -15.08, 20.11

 

CMYK 17 / 0 / 33 / 48

HEX #6E8458

RGB 110 132 88

HSL 90, 0.2%, 0.43%

LAB 52.42, -16.32, 21.22

 

CMYK 18 / 0 / 39 / 55

HEX #5D7245

RGB 93 114 69

HSL 88, 0.25%, 0.36%

LAB 45.35, -16.37, 22.45

 

CMYK 21 / 0 / 48 / 62

HEX #4C6032

RGB 76 96 50

HSL 86.09, 0.32%, 0.29%

LAB 38.08, -16.39, 23.76

 

CMYK 24 / 0 / 60 / 69

HEX #3B4E1F

RGB 59 78 31

HSL 84.26, 0.43%, 0.21%

LAB 30.59, -16.31, 25.08

 

CMYK 30 / 0 / 80 / 76

HEX #2A3C0C

RGB 42 60 12

HSL 82.5, 0.67%, 0.14%

LAB 22.83, -16, 26.02

 

CMYK 17 / 0 / 34 / 49

HEX #6D8357

RGB 109 131 87

HSL 90, 0.2%, 0.43%

LAB 52.03, -16.34, 21.25

 

CMYK 8 / 0 / 34 / 49

HEX #798357

RGB 121 131 87

HSL 73.64, 0.2%, 0.43%

LAB 52.93, -11.48, 22.61

 

CMYK 0 / 2 / 34 / 49

HEX #838157

RGB 131 129 87

HSL 57.27, 0.2%, 0.43%

LAB 53.18, -6.2, 23.09

 

CMYK 0 / 10 / 34 / 49

HEX #837657

RGB 131 118 87

HSL 42.27, 0.2%, 0.43%

LAB 50.06, 0.02, 18.93

 

CMYK 0 / 19 / 34 / 49

HEX #836A57

RGB 131 106 87

HSL 25.91, 0.2%, 0.43%

LAB 46.74, 6.99, 14.42

 

CMYK 17 / 0 / 34 / 49

HEX #6D8357

RGB 109 131 87

HSL 90, 0.2%, 0.43%

LAB 52.03, -16.34, 21.25

 

CMYK 26 / 0 / 34 / 49

HEX #618357

RGB 97 131 87

HSL 106.36, 0.2%, 0.43%

LAB 51.22, -20.97, 20.03

 

CMYK 34 / 0 / 32 / 49

HEX #578359

RGB 87 131 89

HSL 122.73, 0.2%, 0.43%

LAB 50.66, -24.23, 18.03

 

CMYK 34 / 0 / 23 / 49

HEX #578365

RGB 87 131 101

HSL 139.09, 0.2%, 0.43%

LAB 50.92, -21.92, 11.49

 

CMYK 34 / 0 / 14 / 49

HEX #578371

RGB 87 131 113

HSL 155.45, 0.2%, 0.43%

LAB 51.21, -19.34, 4.94

 

CMYK 17 / 0 / 34 / 49

HEX #6D8357

RGB 109 131 87

HSL 90, 0.2%, 0.43%

LAB 52.03, -16.34, 21.25

 

CMYK 27 / 0 / 54 / 42

HEX #6D9545

RGB 109 149 69

HSL 90, 0.37%, 0.43%

LAB 57.25, -27.9, 37.47

 

CMYK 35 / 0 / 69 / 35

HEX #6DA734

RGB 109 167 52

HSL 90.26, 0.53%, 0.43%

LAB 62.62, -37.85, 51.22

 

CMYK 41 / 0 / 82 / 28

HEX #6DB822

RGB 109 184 34

HSL 90, 0.69%, 0.43%

LAB 67.76, -46.17, 62.32

 

CMYK 46 / 0 / 92 / 21

HEX #6DCA10

RGB 109 202 16

HSL 90, 0.85%, 0.43%

LAB 73.24, -53.87, 70.7

 

CMYK 17 / 0 / 34 / 49

HEX #6D8357

RGB 109 131 87

HSL 90, 0.2%, 0.43%

LAB 52.03, -16.34, 21.25

 

CMYK 4 / 0 / 7 / 56

HEX #6D7169

RGB 109 113 105

HSL 90, 0.04%, 0.43%

LAB 47.08, -3.14, 3.91

 

CMYK 11 / 22 / 0 / 52

HEX #6D607B

RGB 109 96 123

HSL 268.89, 0.12%, 0.43%

LAB 42.83, 10.87, -13.22

 

CMYK 22 / 44 / 0 / 45

HEX #6D4E8C

RGB 109 78 140

HSL 270, 0.28%, 0.43%

LAB 38.89, 25.99, -29.65

 

CMYK 31 / 62 / 0 / 38

HEX #6D3C9E

RGB 109 60 158

HSL 270, 0.45%, 0.43%

LAB 35.89, 40.98, -45.33

 

CMYK 0 / 1 / 34 / 49

HEX #838257

RGB 131 130 87

HSL 58.64, 0.2%, 0.43%

LAB 53.47, -6.76, 23.47

 

CMYK 8 / 0 / 34 / 49

HEX #798357

RGB 121 131 87

HSL 73.64, 0.2%, 0.43%

LAB 52.93, -11.48, 22.61

 

CMYK 17 / 0 / 34 / 49

HEX #6D8357

RGB 109 131 87

HSL 90, 0.2%, 0.43%

LAB 52.03, -16.34, 21.25

 

CMYK 26 / 0 / 34 / 49

HEX #618357

RGB 97 131 87

HSL 106.36, 0.2%, 0.43%

LAB 51.22, -20.97, 20.03

 

CMYK 34 / 0 / 32 / 49

HEX #578359

RGB 87 131 89

HSL 122.73, 0.2%, 0.43%

LAB 50.66, -24.23, 18.03

 

CMYK 17 / 0 / 34 / 68

HEX #445236

RGB 68 82 54

HSL 90, 0.21%, 0.27%

LAB 32.98, -11.31, 14.68

 

CMYK 16 / 0 / 33 / 58

HEX #596A47

RGB 89 106 71

HSL 89.14, 0.2%, 0.35%

LAB 42.59, -13.32, 17.6

 

CMYK 17 / 0 / 34 / 49

HEX #6D8357

RGB 109 131 87

HSL 90, 0.2%, 0.43%

LAB 52.03, -16.34, 21.25

 

CMYK 16 / 0 / 32 / 39

HEX #829B69

RGB 130 155 105

HSL 90, 0.2%, 0.51%

LAB 60.97, -18.03, 23.41

 

CMYK 12 / 0 / 24 / 33

HEX #96AB82

RGB 150 171 130

HSL 90.73, 0.2%, 0.59%

LAB 67.44, -14.87, 18.74

 

CMYK 17 / 0 / 33 / 48

HEX #6E8458

RGB 110 132 88

HSL 90, 0.2%, 0.43%

LAB 52.42, -16.32, 21.22

 

CMYK 34 / 0 / 10 / 49

HEX #578376

RGB 87 131 118

HSL 162.27, 0.2%, 0.43%

LAB 51.34, -18.19, 2.21

 

CMYK 0 / 34 / 3 / 49

HEX #83577F

RGB 131 87 127

HSL 305.45, 0.2%, 0.43%

LAB 43.02, 25.07, -15.14

 

CMYK 17 / 0 / 33 / 48

HEX #6E8458

RGB 110 132 88

HSL 90, 0.2%, 0.43%

LAB 52.42, -16.32, 21.22

 

CMYK 34 / 17 / 0 / 49

HEX #576D83

RGB 87 109 131

HSL 210, 0.2%, 0.43%

LAB 45.08, -2.45, -14.79

 

CMYK 0 / 34 / 17 / 49

HEX #83576D

RGB 131 87 109

HSL 330, 0.2%, 0.43%

LAB 42.38, 21.71, -5.13

 

CMYK 17 / 0 / 33 / 48

HEX #6E8458

RGB 110 132 88

HSL 90, 0.2%, 0.43%

LAB 52.42, -16.32, 21.22

 

CMYK 34 / 0 / 10 / 49

HEX #578376

RGB 87 131 118

HSL 162.27, 0.2%, 0.43%

LAB 51.34, -18.19, 2.21

 

CMYK 17 / 34 / 0 / 49

HEX #6D5783

RGB 109 87 131

HSL 270, 0.2%, 0.43%

LAB 40.75, 18.28, -21.28

 

CMYK 0 / 34 / 24 / 49

HEX #835764

RGB 131 87 100

HSL 342.27, 0.2%, 0.43%

LAB 42.1, 20.2, -0.02

 

CMYK 17 / 0 / 33 / 48

HEX #6E8458

RGB 110 132 88

HSL 90, 0.2%, 0.43%

LAB 52.42, -16.32, 21.22

 

CMYK 34 / 0 / 0 / 49

HEX #578383

RGB 87 131 131

HSL 180, 0.2%, 0.43%

LAB 51.72, -15, -4.82

 

CMYK 17 / 34 / 0 / 49

HEX #6D5783

RGB 109 87 131

HSL 270, 0.2%, 0.43%

LAB 40.75, 18.28, -21.28

 

CMYK 0 / 34 / 34 / 49

HEX #835757

RGB 131 87 87

HSL 0, 0.2%, 0.43%

LAB 41.74, 18.23, 7.44

 

Description

Color code: RGB 110 132 88 | qconv.com Color code: RGB 110 132 88 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 132 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 132 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 33 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 33% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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