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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 110 143 69 it is the complementary color RGB 145 112 186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 110 143 69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 110 143 69 shade: RGB 115 143 64, RGB 132 161 83, RGB 149 179 102, RGB 166 197 121 and RGB 183 215 140

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 110 143 69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 110 143 69 shade: RGB 110 143 69, RGB 93 125 50, RGB 76 107 31, RGB 59 89 12 and RGB 42 71 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 110 143 69 shade: RGB 111 144 69, RGB 131 144 69, RGB 144 137 69, RGB 144 117 69 and RGB 144 97 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 110 143 69 shade: RGB 111 144 69, RGB 90 144 69, RGB 70 144 69, RGB 69 144 88 and RGB 69 144 108

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 110 143 69 shade matches the following richer shades: RGB 111 144 69, RGB 113 161 52, RGB 114 179 34, RGB 116 196 17 and RGB 118 213 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 110 143 69 shade: RGB 111 144 69, RGB 109 127 86, RGB 107 109 104, RGB 105 92 121 and RGB 103 75 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 110 143 69 shade: RGB 144 137 69, RGB 132 144 69, RGB 112 144 69, RGB 92 144 69 and RGB 72 144 69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 110 143 69 shade: RGB 68 88 42, RGB 89 116 56, RGB 111 144 69, RGB 132 172 83 and RGB 152 185 111

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 110 143 69 shade: RGB 110 143 69, RGB 69 144 117 and RGB 144 69 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 110 143 69 shade: RGB 110 143 69, RGB 69 112 144 and RGB 144 69 112

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 110 143 69 shade: RGB 110 143 69, RGB 69 144 117, RGB 102 69 144 and RGB 144 69 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 110 143 69 shade: RGB 110 143 69, RGB 69 144 139, RGB 102 69 144 and RGB 144 69 74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 52 / 44

HEX #6E8F45

RGB 110 143 69

HSL 86.76, 0.35%, 0.42%

LAB 55.47, -24.56, 35.36

 

Complementary color

CMYK 22 / 40 / 0 / 27

HEX #9170BA

RGB 145 112 186

HSL 266.76, 0.35%, 0.58%

LAB 53.12, 28.04, -34.25

 

CMYK 20 / 0 / 55 / 44

HEX #738F40

RGB 115 143 64

HSL 81.27, 0.38%, 0.41%

LAB 55.75, -23.09, 38.3

 

CMYK 18 / 0 / 48 / 37

HEX #84A153

RGB 132 161 83

HSL 82.31, 0.32%, 0.48%

LAB 62.52, -23.22, 37.12

 

CMYK 17 / 0 / 43 / 30

HEX #95B366

RGB 149 179 102

HSL 83.38, 0.34%, 0.55%

LAB 69.18, -23.29, 35.92

 

CMYK 16 / 0 / 39 / 23

HEX #A6C579

RGB 166 197 121

HSL 84.47, 0.4%, 0.62%

LAB 75.71, -23.31, 34.74

 

CMYK 15 / 0 / 35 / 16

HEX #B7D78C

RGB 183 215 140

HSL 85.6, 0.48%, 0.7%

LAB 82.14, -23.31, 33.6

 

CMYK 23 / 0 / 52 / 44

HEX #6E8F45

RGB 110 143 69

HSL 86.76, 0.35%, 0.42%

LAB 55.47, -24.56, 35.36

 

CMYK 26 / 0 / 60 / 51

HEX #5D7D32

RGB 93 125 50

HSL 85.6, 0.43%, 0.34%

LAB 48.54, -24.45, 36.52

 

CMYK 29 / 0 / 71 / 58

HEX #4C6B1F

RGB 76 107 31

HSL 84.47, 0.55%, 0.27%

LAB 41.45, -24.18, 37.38

 

CMYK 34 / 0 / 87 / 65

HEX #3B590C

RGB 59 89 12

HSL 83.38, 0.76%, 0.2%

LAB 34.19, -23.63, 37.3

 

CMYK 41 / 0 / 100 / 72

HEX #2A4700

RGB 42 71 0

HSL 84.51, 1%, 0.14%

LAB 26.73, -22.6, 34.71

 

CMYK 23 / 0 / 52 / 44

HEX #6F9045

RGB 111 144 69

HSL 86.4, 0.35%, 0.42%

LAB 55.84, -24.66, 35.83

 

CMYK 9 / 0 / 52 / 44

HEX #839045

RGB 131 144 69

HSL 70.4, 0.35%, 0.42%

LAB 57.27, -16.42, 37.88

 

CMYK 0 / 5 / 52 / 44

HEX #908945

RGB 144 137 69

HSL 54.4, 0.35%, 0.42%

LAB 56.34, -7.05, 37.03

 

CMYK 0 / 19 / 52 / 44

HEX #907545

RGB 144 117 69

HSL 38.4, 0.35%, 0.42%

LAB 50.78, 4.17, 30.29

 

CMYK 0 / 33 / 52 / 44

HEX #906145

RGB 144 97 69

HSL 22.4, 0.35%, 0.42%

LAB 45.51, 15.76, 23.63

 

CMYK 23 / 0 / 52 / 44

HEX #6F9045

RGB 111 144 69

HSL 86.4, 0.35%, 0.42%

LAB 55.84, -24.66, 35.83

 

CMYK 38 / 0 / 52 / 44

HEX #5A9045

RGB 90 144 69

HSL 103.2, 0.35%, 0.42%

LAB 54.61, -32.56, 34.04

 

CMYK 51 / 0 / 52 / 44

HEX #469045

RGB 70 144 69

HSL 119.2, 0.35%, 0.42%

LAB 53.68, -39.01, 32.7

 

CMYK 52 / 0 / 39 / 44

HEX #459058

RGB 69 144 88

HSL 135.2, 0.35%, 0.42%

LAB 53.94, -36.22, 22.83

 

CMYK 52 / 0 / 25 / 44

HEX #45906C

RGB 69 144 108

HSL 151.2, 0.35%, 0.42%

LAB 54.34, -32.18, 12.13

 

CMYK 23 / 0 / 52 / 44

HEX #6F9045

RGB 111 144 69

HSL 86.4, 0.35%, 0.42%

LAB 55.84, -24.66, 35.83

 

CMYK 30 / 0 / 68 / 37

HEX #71A134

RGB 113 161 52

HSL 86.42, 0.51%, 0.42%

LAB 61, -33.64, 49.59

 

CMYK 36 / 0 / 81 / 30

HEX #72B322

RGB 114 179 34

HSL 86.9, 0.68%, 0.42%

LAB 66.47, -42.33, 61.24

 

CMYK 41 / 0 / 91 / 23

HEX #74C411

RGB 116 196 17

HSL 86.82, 0.84%, 0.42%

LAB 71.71, -49.21, 69.43

 

CMYK 45 / 0 / 100 / 16

HEX #76D500

RGB 118 213 0

HSL 86.76, 1%, 0.42%

LAB 76.94, -55.47, 75.51

 

CMYK 23 / 0 / 52 / 44

HEX #6F9045

RGB 111 144 69

HSL 86.4, 0.35%, 0.42%

LAB 55.84, -24.66, 35.83

 

CMYK 14 / 0 / 32 / 50

HEX #6D7F56

RGB 109 127 86

HSL 86.34, 0.19%, 0.42%

LAB 50.81, -14.34, 20.18

 

CMYK 2 / 0 / 5 / 57

HEX #6B6D68

RGB 107 109 104

HSL 84, 0.02%, 0.42%

LAB 45.72, -1.78, 2.52

 

CMYK 13 / 24 / 0 / 53

HEX #695C79

RGB 105 92 121

HSL 266.9, 0.14%, 0.42%

LAB 41.28, 11.42, -14.41

 

CMYK 25 / 46 / 0 / 46

HEX #674B8A

RGB 103 75 138

HSL 266.67, 0.3%, 0.42%

LAB 37.39, 25.46, -30.83

 

CMYK 0 / 5 / 52 / 44

HEX #908945

RGB 144 137 69

HSL 54.4, 0.35%, 0.42%

LAB 56.34, -7.05, 37.03

 

CMYK 8 / 0 / 52 / 44

HEX #849045

RGB 132 144 69

HSL 69.6, 0.35%, 0.42%

LAB 57.35, -16, 37.99

 

CMYK 22 / 0 / 52 / 44

HEX #709045

RGB 112 144 69

HSL 85.6, 0.35%, 0.42%

LAB 55.91, -24.26, 35.92

 

CMYK 36 / 0 / 52 / 44

HEX #5C9045

RGB 92 144 69

HSL 101.6, 0.35%, 0.42%

LAB 54.71, -31.85, 34.19

 

CMYK 50 / 0 / 52 / 44

HEX #489045

RGB 72 144 69

HSL 117.6, 0.35%, 0.42%

LAB 53.76, -38.43, 32.82

 

CMYK 23 / 0 / 52 / 65

HEX #44582A

RGB 68 88 42

HSL 86.09, 0.35%, 0.25%

LAB 34.75, -16.5, 24.06

 

CMYK 23 / 0 / 52 / 55

HEX #597438

RGB 89 116 56

HSL 87, 0.35%, 0.34%

LAB 45.5, -20.83, 29.78

 

CMYK 23 / 0 / 52 / 44

HEX #6F9045

RGB 111 144 69

HSL 86.4, 0.35%, 0.42%

LAB 55.84, -24.66, 35.83

 

CMYK 23 / 0 / 52 / 33

HEX #84AC53

RGB 132 172 83

HSL 86.97, 0.35%, 0.5%

LAB 65.78, -28.62, 41.06

 

CMYK 18 / 0 / 40 / 27

HEX #98B96F

RGB 152 185 111

HSL 86.76, 0.35%, 0.58%

LAB 71.23, -23.97, 33.93

 

CMYK 23 / 0 / 52 / 44

HEX #6E8F45

RGB 110 143 69

HSL 86.76, 0.35%, 0.42%

LAB 55.47, -24.56, 35.36

 

CMYK 52 / 0 / 19 / 44

HEX #459075

RGB 69 144 117

HSL 158.4, 0.35%, 0.42%

LAB 54.55, -30.11, 7.29

 

CMYK 0 / 52 / 1 / 44

HEX #90458E

RGB 144 69 142

HSL 301.6, 0.35%, 0.42%

LAB 41.44, 42.26, -26.56

 

CMYK 23 / 0 / 52 / 44

HEX #6E8F45

RGB 110 143 69

HSL 86.76, 0.35%, 0.42%

LAB 55.47, -24.56, 35.36

 

CMYK 52 / 22 / 0 / 44

HEX #457090

RGB 69 112 144

HSL 205.6, 0.35%, 0.42%

LAB 45.45, -5.41, -22.07

 

CMYK 0 / 52 / 22 / 44

HEX #904570

RGB 144 69 112

HSL 325.6, 0.35%, 0.42%

LAB 40.17, 37.11, -10.1

 

CMYK 23 / 0 / 52 / 44

HEX #6E8F45

RGB 110 143 69

HSL 86.76, 0.35%, 0.42%

LAB 55.47, -24.56, 35.36

 

CMYK 52 / 0 / 19 / 44

HEX #459075

RGB 69 144 117

HSL 158.4, 0.35%, 0.42%

LAB 54.55, -30.11, 7.29

 

CMYK 29 / 52 / 0 / 44

HEX #664590

RGB 102 69 144

HSL 266.4, 0.35%, 0.42%

LAB 36.17, 30.37, -36.44

 

CMYK 0 / 52 / 33 / 44

HEX #904561

RGB 144 69 97

HSL 337.6, 0.35%, 0.42%

LAB 39.66, 34.93, -1.52

 

CMYK 23 / 0 / 52 / 44

HEX #6E8F45

RGB 110 143 69

HSL 86.76, 0.35%, 0.42%

LAB 55.47, -24.56, 35.36

 

CMYK 52 / 0 / 3 / 44

HEX #45908B

RGB 69 144 139

HSL 176, 0.35%, 0.42%

LAB 55.15, -24.49, -4.48

 

CMYK 29 / 52 / 0 / 44

HEX #664590

RGB 102 69 144

HSL 266.4, 0.35%, 0.42%

LAB 36.17, 30.37, -36.44

 

CMYK 0 / 52 / 49 / 44

HEX #90454A

RGB 144 69 74

HSL 356, 0.35%, 0.42%

LAB 39.04, 32.17, 11.98

 

Description

Color code: RGB 110 143 69 | qconv.com Color code: RGB 110 143 69 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 143 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 143 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 52 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 52% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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