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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 110 48 175 it is the complementary color RGB 145 207 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 110 48 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 110 48 175 shade: RGB 115 48 170, RGB 132 66 189, RGB 149 84 208, RGB 166 102 227 and RGB 183 120 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 110 48 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 110 48 175 shade: RGB 110 48 175, RGB 93 30 156, RGB 76 12 137, RGB 59 0 118 and RGB 42 0 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 110 48 175 shade: RGB 110 48 176, RGB 145 48 176, RGB 176 48 172, RGB 176 48 138 and RGB 176 48 103

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 110 48 175 shade: RGB 110 48 176, RGB 76 48 176 and RGB 48 48 176

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 110 48 175 shade matches the following richer shades: RGB 110 48 176, RGB 110 30 194 and RGB 109 11 212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 110 48 175 shade: RGB 110 48 176, RGB 111 66 158, RGB 111 84 139, RGB 111 102 121 and RGB 112 120 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 110 48 175 shade: RGB 48 54 176, RGB 75 48 176, RGB 110 48 176, RGB 144 48 176 and RGB 176 48 174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 110 48 175 shade: RGB 69 30 111, RGB 90 39 143, RGB 110 48 176, RGB 131 63 202 and RGB 152 95 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 110 48 175 shade: RGB 110 48 175, RGB 176 48 88 and RGB 48 176 58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 110 48 175 shade: RGB 110 48 175, RGB 176 110 48 and RGB 48 176 110

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 110 48 175 shade: RGB 110 48 175, RGB 176 48 88, RGB 114 176 48 and RGB 48 176 135

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 110 48 175 shade: RGB 110 48 175, RGB 176 48 50, RGB 114 176 48 and RGB 48 176 174

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 73 / 0 / 31

HEX #6E30AF

RGB 110 48 175

HSL 269.29, 0.57%, 0.44%

LAB 35.05, 51.5, -56.87

 

Complementary color

CMYK 30 / 0 / 61 / 19

HEX #91CF50

RGB 145 207 80

HSL 89.29, 0.57%, 0.56%

LAB 76.81, -40.19, 55.35

 

CMYK 32 / 72 / 0 / 33

HEX #7330AA

RGB 115 48 170

HSL 272.95, 0.56%, 0.43%

LAB 35.32, 51.26, -53.42

 

CMYK 30 / 65 / 0 / 26

HEX #8442BD

RGB 132 66 189

HSL 272.2, 0.48%, 0.5%

LAB 41.96, 50.74, -53.81

 

CMYK 28 / 60 / 0 / 18

HEX #9554D0

RGB 149 84 208

HSL 271.45, 0.57%, 0.57%

LAB 48.62, 49.96, -54

 

CMYK 27 / 55 / 0 / 11

HEX #A666E3

RGB 166 102 227

HSL 270.72, 0.69%, 0.65%

LAB 55.23, 49.09, -54.08

 

CMYK 26 / 51 / 0 / 4

HEX #B778F6

RGB 183 120 246

HSL 270, 0.88%, 0.72%

LAB 61.79, 48.19, -54.1

 

CMYK 37 / 73 / 0 / 31

HEX #6E30AF

RGB 110 48 175

HSL 269.29, 0.57%, 0.44%

LAB 35.05, 51.5, -56.87

 

CMYK 40 / 81 / 0 / 39

HEX #5D1E9C

RGB 93 30 156

HSL 270, 0.68%, 0.36%

LAB 28.53, 51.58, -56.15

 

CMYK 45 / 91 / 0 / 46

HEX #4C0C89

RGB 76 12 137

HSL 270.72, 0.84%, 0.29%

LAB 22.32, 50.48, -54.67

 

CMYK 50 / 100 / 0 / 54

HEX #3B0076

RGB 59 0 118

HSL 270, 1%, 0.23%

LAB 16.69, 47.36, -51.97

 

CMYK 58 / 100 / 0 / 61

HEX #2A0063

RGB 42 0 99

HSL 265.45, 1%, 0.19%

LAB 11.91, 41.26, -47.51

 

CMYK 38 / 73 / 0 / 31

HEX #6E30B0

RGB 110 48 176

HSL 269.06, 0.57%, 0.44%

LAB 35.13, 51.74, -57.34

 

CMYK 18 / 73 / 0 / 31

HEX #9130B0

RGB 145 48 176

HSL 285.47, 0.57%, 0.44%

LAB 40.03, 58.69, -49.18

 

CMYK 0 / 73 / 2 / 31

HEX #B030AC

RGB 176 48 172

HSL 301.88, 0.57%, 0.44%

LAB 44.69, 64.66, -39.08

 

CMYK 0 / 73 / 22 / 31

HEX #B0308A

RGB 176 48 138

HSL 317.81, 0.57%, 0.44%

LAB 43.03, 59.59, -21.25

 

CMYK 0 / 73 / 41 / 31

HEX #B03067

RGB 176 48 103

HSL 334.22, 0.57%, 0.44%

LAB 41.73, 55.41, -1.62

 

CMYK 38 / 73 / 0 / 31

HEX #6E30B0

RGB 110 48 176

HSL 269.06, 0.57%, 0.44%

LAB 35.13, 51.74, -57.34

 

CMYK 57 / 73 / 0 / 31

HEX #4C30B0

RGB 76 48 176

HSL 253.13, 0.57%, 0.44%

LAB 31.31, 46.02, -63.74

 

CMYK 73 / 73 / 0 / 31

HEX #3030B0

RGB 48 48 176

HSL 240, 0.57%, 0.44%

LAB 29.1, 42.53, -67.45

 

CMYK 38 / 73 / 0 / 31

HEX #6E30B0

RGB 110 48 176

HSL 269.06, 0.57%, 0.44%

LAB 35.13, 51.74, -57.34

 

CMYK 43 / 85 / 0 / 24

HEX #6E1EC2

RGB 110 30 194

HSL 269.27, 0.73%, 0.44%

LAB 34.27, 62.99, -69.39

 

CMYK 49 / 95 / 0 / 17

HEX #6D0BD4

RGB 109 11 212

HSL 269.25, 0.9%, 0.44%

LAB 34.49, 71.16, -79.54

 

CMYK 38 / 73 / 0 / 31

HEX #6E30B0

RGB 110 48 176

HSL 269.06, 0.57%, 0.44%

LAB 35.13, 51.74, -57.34

 

CMYK 30 / 58 / 0 / 38

HEX #6F429E

RGB 111 66 158

HSL 269.35, 0.41%, 0.44%

LAB 37.38, 38.15, -42.92

 

CMYK 20 / 40 / 0 / 45

HEX #6F548B

RGB 111 84 139

HSL 269.45, 0.25%, 0.44%

LAB 40.55, 22.72, -26.43

 

CMYK 8 / 16 / 0 / 53

HEX #6F6679

RGB 111 102 121

HSL 268.42, 0.09%, 0.44%

LAB 44.61, 7.5, -9.32

 

CMYK 7 / 0 / 14 / 53

HEX #707867

RGB 112 120 103

HSL 88.24, 0.08%, 0.44%

LAB 49.32, -6.37, 8.32

 

CMYK 73 / 69 / 0 / 31

HEX #3036B0

RGB 48 54 176

HSL 237.19, 0.57%, 0.44%

LAB 30.4, 38.94, -65.31

 

CMYK 57 / 73 / 0 / 31

HEX #4B30B0

RGB 75 48 176

HSL 252.66, 0.57%, 0.44%

LAB 31.22, 45.87, -63.89

 

CMYK 38 / 73 / 0 / 31

HEX #6E30B0

RGB 110 48 176

HSL 269.06, 0.57%, 0.44%

LAB 35.13, 51.74, -57.34

 

CMYK 18 / 73 / 0 / 31

HEX #9030B0

RGB 144 48 176

HSL 285, 0.57%, 0.44%

LAB 39.88, 58.49, -49.43

 

CMYK 0 / 73 / 1 / 31

HEX #B030AE

RGB 176 48 174

HSL 300.94, 0.57%, 0.44%

LAB 44.8, 64.98, -40.09

 

CMYK 38 / 73 / 0 / 56

HEX #451E6F

RGB 69 30 111

HSL 268.89, 0.57%, 0.28%

LAB 21.36, 35.66, -39.74

 

CMYK 37 / 73 / 0 / 44

HEX #5A278F

RGB 90 39 143

HSL 269.42, 0.57%, 0.36%

LAB 28.4, 43.87, -48.39

 

CMYK 38 / 73 / 0 / 31

HEX #6E30B0

RGB 110 48 176

HSL 269.06, 0.57%, 0.44%

LAB 35.13, 51.74, -57.34

 

CMYK 35 / 69 / 0 / 21

HEX #833FCA

RGB 131 63 202

HSL 269.35, 0.57%, 0.52%

LAB 42.22, 55.09, -60.96

 

CMYK 28 / 55 / 0 / 17

HEX #985FD3

RGB 152 95 211

HSL 269.48, 0.57%, 0.6%

LAB 51.34, 45.57, -51.33

 

CMYK 37 / 73 / 0 / 31

HEX #6E30AF

RGB 110 48 175

HSL 269.29, 0.57%, 0.44%

LAB 35.05, 51.5, -56.87

 

CMYK 0 / 73 / 50 / 31

HEX #B03058

RGB 176 48 88

HSL 341.25, 0.57%, 0.44%

LAB 41.29, 53.98, 7.17

 

CMYK 73 / 0 / 67 / 31

HEX #30B03A

RGB 48 176 58

HSL 124.69, 0.57%, 0.44%

LAB 63.33, -57.45, 48.84

 

CMYK 37 / 73 / 0 / 31

HEX #6E30AF

RGB 110 48 175

HSL 269.29, 0.57%, 0.44%

LAB 35.05, 51.5, -56.87

 

CMYK 0 / 38 / 73 / 31

HEX #B06E30

RGB 176 110 48

HSL 29.06, 0.57%, 0.44%

LAB 52.5, 20.82, 44.15

 

CMYK 73 / 0 / 38 / 31

HEX #30B06E

RGB 48 176 110

HSL 149.06, 0.57%, 0.44%

LAB 64, -49.65, 24.15

 

CMYK 37 / 73 / 0 / 31

HEX #6E30AF

RGB 110 48 175

HSL 269.29, 0.57%, 0.44%

LAB 35.05, 51.5, -56.87

 

CMYK 0 / 73 / 50 / 31

HEX #B03058

RGB 176 48 88

HSL 341.25, 0.57%, 0.44%

LAB 41.29, 53.98, 7.17

 

CMYK 35 / 0 / 73 / 31

HEX #72B030

RGB 114 176 48

HSL 89.06, 0.57%, 0.44%

LAB 65.63, -40.26, 55.9

 

CMYK 73 / 0 / 23 / 31

HEX #30B087

RGB 48 176 135

HSL 160.78, 0.57%, 0.44%

LAB 64.51, -44.18, 11.23

 

CMYK 37 / 73 / 0 / 31

HEX #6E30AF

RGB 110 48 175

HSL 269.29, 0.57%, 0.44%

LAB 35.05, 51.5, -56.87

 

CMYK 0 / 73 / 72 / 31

HEX #B03032

RGB 176 48 50

HSL 359.06, 0.57%, 0.44%

LAB 40.53, 51.41, 29.77

 

CMYK 35 / 0 / 73 / 31

HEX #72B030

RGB 114 176 48

HSL 89.06, 0.57%, 0.44%

LAB 65.63, -40.26, 55.9

 

CMYK 73 / 0 / 1 / 31

HEX #30B0AE

RGB 48 176 174

HSL 179.06, 0.57%, 0.44%

LAB 65.54, -33.77, -8.9

 

Description

Color code: RGB 110 48 175 | qconv.com Color code: RGB 110 48 175 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 48 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 48 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 73 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 73% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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