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Color name
RGB 110 59 139

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 110 59 139 it is the complementary color RGB 145 196 116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 110 59 139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 110 59 139 shade: RGB 115 59 134, RGB 132 77 153, RGB 149 95 172, RGB 166 113 191 and RGB 183 131 210

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 110 59 139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 110 59 139 shade: RGB 110 59 139, RGB 93 41 120, RGB 76 23 101, RGB 59 5 82 and RGB 42 0 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 110 59 139 shade: RGB 110 59 139, RGB 131 59 139, RGB 139 59 125, RGB 139 59 103 and RGB 139 59 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 110 59 139 shade: RGB 110 59 139, RGB 88 59 139, RGB 67 59 139 and RGB 59 59 139

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 110 59 139 shade matches the following richer shades: RGB 110 59 139, RGB 114 43 155, RGB 119 27 171 and RGB 123 11 187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 110 59 139 shade: RGB 110 59 139, RGB 105 75 123, RGB 101 91 107, RGB 97 107 90 and RGB 92 124 74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 110 59 139 shade: RGB 67 59 139, RGB 88 59 139, RGB 110 59 139, RGB 131 59 139 and RGB 139 59 125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 110 59 139 shade: RGB 64 34 81, RGB 87 47 110, RGB 110 59 139, RGB 133 72 168 and RGB 153 94 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 110 59 139 shade: RGB 110 59 139, RGB 139 59 72 and RGB 59 139 78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 110 59 139 shade: RGB 110 59 139, RGB 139 110 59 and RGB 59 139 110

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 110 59 139 shade: RGB 110 59 139, RGB 139 59 72, RGB 88 139 59 and RGB 59 139 125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 110 59 139 shade: RGB 110 59 139, RGB 139 70 59, RGB 88 139 59 and RGB 59 128 139

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 58 / 0 / 45

HEX #6E3B8B

RGB 110 59 139

HSL 278.25, 0.4%, 0.39%

LAB 34.61, 37.15, -35.79

 

Complementary color

CMYK 26 / 0 / 41 / 23

HEX #91C474

RGB 145 196 116

HSL 98.25, 0.4%, 0.61%

LAB 74.04, -31.18, 34.88

 

CMYK 14 / 56 / 0 / 47

HEX #733B86

RGB 115 59 134

HSL 284.8, 0.39%, 0.38%

LAB 34.99, 37.41, -32.07

 

CMYK 14 / 50 / 0 / 40

HEX #844D99

RGB 132 77 153

HSL 283.42, 0.33%, 0.45%

LAB 42.02, 36.61, -32.39

 

CMYK 13 / 45 / 0 / 33

HEX #955FAC

RGB 149 95 172

HSL 282.08, 0.32%, 0.52%

LAB 48.95, 35.78, -32.63

 

CMYK 13 / 41 / 0 / 25

HEX #A671BF

RGB 166 113 191

HSL 280.77, 0.38%, 0.6%

LAB 55.76, 34.97, -32.82

 

CMYK 13 / 38 / 0 / 18

HEX #B783D2

RGB 183 131 210

HSL 279.49, 0.47%, 0.67%

LAB 62.47, 34.2, -33.01

 

CMYK 21 / 58 / 0 / 45

HEX #6E3B8B

RGB 110 59 139

HSL 278.25, 0.4%, 0.39%

LAB 34.61, 37.15, -35.79

 

CMYK 23 / 66 / 0 / 53

HEX #5D2978

RGB 93 41 120

HSL 279.49, 0.49%, 0.32%

LAB 27.49, 37.86, -35.45

 

CMYK 25 / 77 / 0 / 60

HEX #4C1765

RGB 76 23 101

HSL 280.77, 0.63%, 0.24%

LAB 20.4, 38.09, -34.74

 

CMYK 28 / 94 / 0 / 68

HEX #3B0552

RGB 59 5 82

HSL 282.08, 0.89%, 0.17%

LAB 13.52, 37.21, -33.3

 

CMYK 33 / 100 / 0 / 75

HEX #2A003F

RGB 42 0 63

HSL 280, 1%, 0.12%

LAB 7.69, 32.44, -29.66

 

CMYK 21 / 58 / 0 / 45

HEX #6E3B8B

RGB 110 59 139

HSL 278.25, 0.4%, 0.39%

LAB 34.61, 37.15, -35.79

 

CMYK 6 / 58 / 0 / 45

HEX #833B8B

RGB 131 59 139

HSL 294, 0.4%, 0.39%

LAB 37.51, 43.01, -31.02

 

CMYK 0 / 58 / 10 / 45

HEX #8B3B7D

RGB 139 59 125

HSL 310.5, 0.4%, 0.39%

LAB 38.02, 42.74, -21.52

 

CMYK 0 / 58 / 26 / 45

HEX #8B3B67

RGB 139 59 103

HSL 327, 0.4%, 0.39%

LAB 37.11, 39.23, -9.17

 

CMYK 0 / 58 / 41 / 45

HEX #8B3B52

RGB 139 59 82

HSL 342.75, 0.4%, 0.39%

LAB 36.42, 36.45, 3.12

 

CMYK 21 / 58 / 0 / 45

HEX #6E3B8B

RGB 110 59 139

HSL 278.25, 0.4%, 0.39%

LAB 34.61, 37.15, -35.79

 

CMYK 37 / 58 / 0 / 45

HEX #583B8B

RGB 88 59 139

HSL 261.75, 0.4%, 0.39%

LAB 31.96, 31.27, -40.19

 

CMYK 52 / 58 / 0 / 45

HEX #433B8B

RGB 67 59 139

HSL 246, 0.4%, 0.39%

LAB 29.88, 26.2, -43.65

 

CMYK 58 / 58 / 0 / 45

HEX #3B3B8B

RGB 59 59 139

HSL 240, 0.4%, 0.39%

LAB 29.21, 24.49, -44.75

 

CMYK 21 / 58 / 0 / 45

HEX #6E3B8B

RGB 110 59 139

HSL 278.25, 0.4%, 0.39%

LAB 34.61, 37.15, -35.79

 

CMYK 26 / 72 / 0 / 39

HEX #722B9B

RGB 114 43 155

HSL 278.04, 0.57%, 0.39%

LAB 33.29, 49.83, -47.67

 

CMYK 30 / 84 / 0 / 33

HEX #771BAB

RGB 119 27 171

HSL 278.33, 0.73%, 0.39%

LAB 33.23, 60.07, -57.38

 

CMYK 34 / 94 / 0 / 27

HEX #7B0BBB

RGB 123 11 187

HSL 278.18, 0.89%, 0.39%

LAB 34.06, 67.34, -65.54

 

CMYK 21 / 58 / 0 / 45

HEX #6E3B8B

RGB 110 59 139

HSL 278.25, 0.4%, 0.39%

LAB 34.61, 37.15, -35.79

 

CMYK 15 / 39 / 0 / 52

HEX #694B7B

RGB 105 75 123

HSL 277.5, 0.24%, 0.39%

LAB 36.87, 22.38, -22.42

 

CMYK 6 / 15 / 0 / 58

HEX #655B6B

RGB 101 91 107

HSL 277.5, 0.08%, 0.39%

LAB 40.1, 7.36, -7.65

 

CMYK 9 / 0 / 16 / 58

HEX #616B5A

RGB 97 107 90

HSL 95.29, 0.09%, 0.39%

LAB 43.94, -7.29, 8.25

 

CMYK 26 / 0 / 40 / 51

HEX #5C7C4A

RGB 92 124 74

HSL 98.4, 0.25%, 0.39%

LAB 48.49, -21.31, 23.69

 

CMYK 52 / 58 / 0 / 45

HEX #433B8B

RGB 67 59 139

HSL 246, 0.4%, 0.39%

LAB 29.88, 26.2, -43.65

 

CMYK 37 / 58 / 0 / 45

HEX #583B8B

RGB 88 59 139

HSL 261.75, 0.4%, 0.39%

LAB 31.96, 31.27, -40.19

 

CMYK 21 / 58 / 0 / 45

HEX #6E3B8B

RGB 110 59 139

HSL 278.25, 0.4%, 0.39%

LAB 34.61, 37.15, -35.79

 

CMYK 6 / 58 / 0 / 45

HEX #833B8B

RGB 131 59 139

HSL 294, 0.4%, 0.39%

LAB 37.51, 43.01, -31.02

 

CMYK 0 / 58 / 10 / 45

HEX #8B3B7D

RGB 139 59 125

HSL 310.5, 0.4%, 0.39%

LAB 38.02, 42.74, -21.52

 

CMYK 21 / 58 / 0 / 68

HEX #402251

RGB 64 34 81

HSL 278.3, 0.41%, 0.23%

LAB 19.34, 24.03, -23.22

 

CMYK 21 / 57 / 0 / 57

HEX #572F6E

RGB 87 47 110

HSL 278.1, 0.4%, 0.31%

LAB 27.26, 30.48, -29.5

 

CMYK 21 / 58 / 0 / 45

HEX #6E3B8B

RGB 110 59 139

HSL 278.25, 0.4%, 0.39%

LAB 34.61, 37.15, -35.79

 

CMYK 21 / 57 / 0 / 34

HEX #8548A8

RGB 133 72 168

HSL 278.13, 0.4%, 0.47%

LAB 41.92, 43, -41.5

 

CMYK 18 / 49 / 0 / 27

HEX #995EBA

RGB 153 94 186

HSL 278.48, 0.4%, 0.55%

LAB 49.89, 40.6, -39.27

 

CMYK 21 / 58 / 0 / 45

HEX #6E3B8B

RGB 110 59 139

HSL 278.25, 0.4%, 0.39%

LAB 34.61, 37.15, -35.79

 

CMYK 0 / 58 / 48 / 45

HEX #8B3B48

RGB 139 59 72

HSL 350.25, 0.4%, 0.39%

LAB 36.15, 35.34, 9.11

 

CMYK 58 / 0 / 44 / 45

HEX #3B8B4E

RGB 59 139 78

HSL 134.25, 0.4%, 0.39%

LAB 51.78, -38.47, 25.42

 

CMYK 21 / 58 / 0 / 45

HEX #6E3B8B

RGB 110 59 139

HSL 278.25, 0.4%, 0.39%

LAB 34.61, 37.15, -35.79

 

CMYK 0 / 21 / 58 / 45

HEX #8B6E3B

RGB 139 110 59

HSL 38.25, 0.4%, 0.39%

LAB 48.21, 5.04, 32.48

 

CMYK 58 / 0 / 21 / 45

HEX #3B8B6E

RGB 59 139 110

HSL 158.25, 0.4%, 0.39%

LAB 52.42, -31.8, 8.24

 

CMYK 21 / 58 / 0 / 45

HEX #6E3B8B

RGB 110 59 139

HSL 278.25, 0.4%, 0.39%

LAB 34.61, 37.15, -35.79

 

CMYK 0 / 58 / 48 / 45

HEX #8B3B48

RGB 139 59 72

HSL 350.25, 0.4%, 0.39%

LAB 36.15, 35.34, 9.11

 

CMYK 37 / 0 / 58 / 45

HEX #588B3B

RGB 88 139 59

HSL 98.25, 0.4%, 0.39%

LAB 52.79, -32.16, 36.9

 

CMYK 58 / 0 / 10 / 45

HEX #3B8B7D

RGB 59 139 125

HSL 169.5, 0.4%, 0.39%

LAB 52.81, -27.99, 0.13

 

CMYK 21 / 58 / 0 / 45

HEX #6E3B8B

RGB 110 59 139

HSL 278.25, 0.4%, 0.39%

LAB 34.61, 37.15, -35.79

 

CMYK 0 / 50 / 58 / 45

HEX #8B463B

RGB 139 70 59

HSL 8.25, 0.4%, 0.39%

LAB 38.17, 28.19, 19.99

 

CMYK 37 / 0 / 58 / 45

HEX #588B3B

RGB 88 139 59

HSL 98.25, 0.4%, 0.39%

LAB 52.79, -32.16, 36.9

 

CMYK 58 / 8 / 0 / 45

HEX #3B808B

RGB 59 128 139

HSL 188.25, 0.4%, 0.39%

LAB 49.78, -18.32, -12.55

 

Description

Color code: RGB 110 59 139 | qconv.com Color code: RGB 110 59 139 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 59 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 59 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 58 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 58% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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