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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 110 73 232 it is the complementary color RGB 145 182 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 110 73 232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 110 73 232 shade: RGB 115 73 227, RGB 132 91 246, RGB 149 109 255, RGB 166 127 255 and RGB 183 145 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 110 73 232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 110 73 232 shade: RGB 110 73 232, RGB 93 55 213, RGB 76 37 194, RGB 59 19 175 and RGB 42 1 156

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 110 73 232 shade: RGB 110 73 232, RGB 153 73 232, RGB 196 73 232, RGB 232 73 225 and RGB 232 73 183

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 110 73 232 shade: RGB 110 73 232 and RGB 73 73 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 110 73 232 shade matches the following richer shades: RGB 110 73 232 and RGB 101 56 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 110 73 232 shade: RGB 110 73 232, RGB 119 89 216, RGB 128 106 199, RGB 136 122 183 and RGB 145 139 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 110 73 232 shade: RGB 73 123 232, RGB 73 81 232, RGB 107 73 232, RGB 150 73 232 and RGB 192 73 232

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 110 73 232 shade: RGB 65 24 198, RGB 81 36 228, RGB 110 73 232, RGB 139 110 237 and RGB 168 146 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 110 73 232 shade: RGB 110 73 232, RGB 232 73 166 and RGB 102 232 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 110 73 232 shade: RGB 110 73 232, RGB 232 107 73 and RGB 73 232 107

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 110 73 232 shade: RGB 110 73 232, RGB 232 73 166, RGB 198 232 73 and RGB 73 232 139

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 110 73 232 shade: RGB 110 73 232, RGB 232 73 118, RGB 198 232 73 and RGB 73 232 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 69 / 0 / 9

HEX #6E49E8

RGB 110 73 232

HSL 253.96, 0.78%, 0.6%

LAB 44.1, 54.23, -75.18

 

Complementary color

CMYK 20 / 0 / 87 / 29

HEX #91B617

RGB 145 182 23

HSL 73.96, 0.78%, 0.4%

LAB 69.14, -32.08, 66.91

 

CMYK 49 / 68 / 0 / 11

HEX #7349E3

RGB 115 73 227

HSL 256.36, 0.73%, 0.59%

LAB 44.17, 53.65, -72.21

 

CMYK 46 / 63 / 0 / 4

HEX #845BF6

RGB 132 91 246

HSL 255.87, 0.9%, 0.66%

LAB 50.74, 52.37, -72.14

 

CMYK 42 / 57 / 0 / 0

HEX #956DFF

RGB 149 109 255

HSL 256.44, 1%, 0.71%

LAB 56.63, 48.41, -67.52

 

CMYK 35 / 50 / 0 / 0

HEX #A67FFF

RGB 166 127 255

HSL 258.28, 1%, 0.75%

LAB 62.09, 42.32, -58.67

 

CMYK 28 / 43 / 0 / 0

HEX #B791FF

RGB 183 145 255

HSL 260.73, 1%, 0.78%

LAB 67.68, 36.67, -49.7

 

CMYK 53 / 69 / 0 / 9

HEX #6E49E8

RGB 110 73 232

HSL 253.96, 0.78%, 0.6%

LAB 44.1, 54.23, -75.18

 

CMYK 56 / 74 / 0 / 16

HEX #5D37D5

RGB 93 55 213

HSL 254.43, 0.65%, 0.53%

LAB 37.6, 55.53, -75.05

 

CMYK 61 / 81 / 0 / 24

HEX #4C25C2

RGB 76 37 194

HSL 254.9, 0.68%, 0.45%

LAB 31.24, 56.47, -74.52

 

CMYK 66 / 89 / 0 / 31

HEX #3B13AF

RGB 59 19 175

HSL 255.38, 0.8%, 0.38%

LAB 25.23, 56.53, -73.23

 

CMYK 73 / 99 / 0 / 39

HEX #2A019C

RGB 42 1 156

HSL 255.87, 0.99%, 0.31%

LAB 19.7, 55.38, -70.94

 

CMYK 53 / 69 / 0 / 9

HEX #6E49E8

RGB 110 73 232

HSL 253.96, 0.78%, 0.6%

LAB 44.1, 54.23, -75.18

 

CMYK 34 / 69 / 0 / 9

HEX #9949E8

RGB 153 73 232

HSL 270.19, 0.78%, 0.6%

LAB 48.71, 61.81, -67.46

 

CMYK 16 / 69 / 0 / 9

HEX #C449E8

RGB 196 73 232

HSL 286.42, 0.78%, 0.6%

LAB 54.37, 70.47, -58.05

 

CMYK 0 / 69 / 3 / 9

HEX #E849E1

RGB 232 73 225

HSL 302.64, 0.78%, 0.6%

LAB 59.3, 77.02, -45.94

 

CMYK 0 / 69 / 21 / 9

HEX #E849B7

RGB 232 73 183

HSL 318.49, 0.78%, 0.6%

LAB 57.41, 71, -24.98

 

CMYK 53 / 69 / 0 / 9

HEX #6E49E8

RGB 110 73 232

HSL 253.96, 0.78%, 0.6%

LAB 44.1, 54.23, -75.18

 

CMYK 69 / 69 / 0 / 9

HEX #4949E8

RGB 73 73 232

HSL 240, 0.78%, 0.6%

LAB 41.23, 49.2, -80

 

CMYK 53 / 69 / 0 / 9

HEX #6E49E8

RGB 110 73 232

HSL 253.96, 0.78%, 0.6%

LAB 44.1, 54.23, -75.18

 

CMYK 59 / 78 / 0 / 2

HEX #6538F9

RGB 101 56 249

HSL 253.99, 0.94%, 0.6%

LAB 41.9, 65.94, -88.4

 

CMYK 53 / 69 / 0 / 9

HEX #6E49E8

RGB 110 73 232

HSL 253.96, 0.78%, 0.6%

LAB 44.1, 54.23, -75.18

 

CMYK 45 / 59 / 0 / 15

HEX #7759D8

RGB 119 89 216

HSL 254.17, 0.62%, 0.6%

LAB 47.01, 42.57, -61.32

 

CMYK 36 / 47 / 0 / 22

HEX #806AC7

RGB 128 106 199

HSL 254.19, 0.45%, 0.6%

LAB 50.71, 30.07, -45.62

 

CMYK 26 / 33 / 0 / 28

HEX #887AB7

RGB 136 122 183

HSL 253.77, 0.3%, 0.6%

LAB 54.63, 18.72, -30.23

 

CMYK 13 / 16 / 0 / 35

HEX #918BA6

RGB 145 139 166

HSL 253.33, 0.13%, 0.6%

LAB 59.19, 7.76, -13.44

 

CMYK 69 / 47 / 0 / 9

HEX #497BE8

RGB 73 123 232

HSL 221.13, 0.78%, 0.6%

LAB 53.39, 18.65, -60.22

 

CMYK 69 / 65 / 0 / 9

HEX #4951E8

RGB 73 81 232

HSL 236.98, 0.78%, 0.6%

LAB 42.95, 44.54, -77.16

 

CMYK 54 / 69 / 0 / 9

HEX #6B49E8

RGB 107 73 232

HSL 252.83, 0.78%, 0.6%

LAB 43.82, 53.77, -75.64

 

CMYK 35 / 69 / 0 / 9

HEX #9649E8

RGB 150 73 232

HSL 269.06, 0.78%, 0.6%

LAB 48.35, 61.24, -68.06

 

CMYK 17 / 69 / 0 / 9

HEX #C049E8

RGB 192 73 232

HSL 284.91, 0.78%, 0.6%

LAB 53.81, 69.63, -58.98

 

CMYK 67 / 88 / 0 / 22

HEX #4118C6

RGB 65 24 198

HSL 254.14, 0.78%, 0.44%

LAB 29.04, 61.47, -80.54

 

CMYK 64 / 84 / 0 / 11

HEX #5124E4

RGB 81 36 228

HSL 254.06, 0.78%, 0.52%

LAB 35.23, 66.47, -87.61

 

CMYK 53 / 69 / 0 / 9

HEX #6E49E8

RGB 110 73 232

HSL 253.96, 0.78%, 0.6%

LAB 44.1, 54.23, -75.18

 

CMYK 41 / 54 / 0 / 7

HEX #8B6EED

RGB 139 110 237

HSL 253.7, 0.78%, 0.68%

LAB 54.82, 40.79, -60.49

 

CMYK 30 / 39 / 0 / 5

HEX #A892F1

RGB 168 146 241

HSL 253.89, 0.77%, 0.76%

LAB 65.93, 28.61, -44.89

 

CMYK 53 / 69 / 0 / 9

HEX #6E49E8

RGB 110 73 232

HSL 253.96, 0.78%, 0.6%

LAB 44.1, 54.23, -75.18

 

CMYK 0 / 69 / 28 / 9

HEX #E849A6

RGB 232 73 166

HSL 324.91, 0.78%, 0.6%

LAB 56.76, 68.87, -16.1

 

CMYK 56 / 0 / 69 / 9

HEX #66E849

RGB 102 232 73

HSL 109.06, 0.78%, 0.6%

LAB 82.39, -63.88, 63.64

 

CMYK 53 / 69 / 0 / 9

HEX #6E49E8

RGB 110 73 232

HSL 253.96, 0.78%, 0.6%

LAB 44.1, 54.23, -75.18

 

CMYK 0 / 54 / 69 / 9

HEX #E86B49

RGB 232 107 73

HSL 12.83, 0.78%, 0.6%

LAB 60.03, 46.18, 41.93

 

CMYK 69 / 0 / 54 / 9

HEX #49E86B

RGB 73 232 107

HSL 132.83, 0.78%, 0.6%

LAB 81.94, -66.33, 48.52

 

CMYK 53 / 69 / 0 / 9

HEX #6E49E8

RGB 110 73 232

HSL 253.96, 0.78%, 0.6%

LAB 44.1, 54.23, -75.18

 

CMYK 0 / 69 / 28 / 9

HEX #E849A6

RGB 232 73 166

HSL 324.91, 0.78%, 0.6%

LAB 56.76, 68.87, -16.1

 

CMYK 15 / 0 / 69 / 9

HEX #C6E849

RGB 198 232 73

HSL 72.83, 0.78%, 0.6%

LAB 87.09, -31.93, 69.97

 

CMYK 69 / 0 / 40 / 9

HEX #49E88B

RGB 73 232 139

HSL 144.91, 0.78%, 0.6%

LAB 82.38, -61.38, 33.54

 

CMYK 53 / 69 / 0 / 9

HEX #6E49E8

RGB 110 73 232

HSL 253.96, 0.78%, 0.6%

LAB 44.1, 54.23, -75.18

 

CMYK 0 / 69 / 49 / 9

HEX #E84976

RGB 232 73 118

HSL 343.02, 0.78%, 0.6%

LAB 55.31, 63.97, 10.07

 

CMYK 15 / 0 / 69 / 9

HEX #C6E849

RGB 198 232 73

HSL 72.83, 0.78%, 0.6%

LAB 87.09, -31.93, 69.97

 

CMYK 69 / 0 / 19 / 9

HEX #49E8BB

RGB 73 232 187

HSL 163.02, 0.78%, 0.6%

LAB 83.29, -51.51, 10.02

 

Description

Color code: RGB 110 73 232 | qconv.com Color code: RGB 110 73 232 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 73 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 73 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 69 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 69% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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