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Color name
RGB 110 85 193

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 110 85 193 it is the complementary color RGB 145 170 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 110 85 193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 110 85 193 shade: RGB 115 85 188, RGB 132 103 207, RGB 149 121 226, RGB 166 139 245 and RGB 183 157 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 110 85 193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 110 85 193 shade: RGB 110 85 193, RGB 93 67 174, RGB 76 49 155, RGB 59 31 136 and RGB 42 13 117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 110 85 193 shade: RGB 111 86 194, RGB 140 86 194, RGB 169 86 194, RGB 194 86 189 and RGB 194 86 160

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 110 85 193 shade: RGB 111 86 194 and RGB 86 86 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 110 85 193 shade matches the following richer shades: RGB 111 86 194, RGB 101 67 212, RGB 91 49 231 and RGB 81 30 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 110 85 193 shade: RGB 111 86 194, RGB 121 104 175, RGB 131 123 157, RGB 141 142 138 and RGB 151 160 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 110 85 193 shade: RGB 86 120 194, RGB 86 91 194, RGB 109 86 194, RGB 138 86 194 and RGB 167 86 194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 110 85 193 shade: RGB 74 52 145, RGB 89 63 175, RGB 111 86 194, RGB 137 116 205 and RGB 162 146 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 110 85 193 shade: RGB 110 85 193, RGB 194 86 149 and RGB 106 194 86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 110 85 193 shade: RGB 110 85 193, RGB 194 109 86 and RGB 86 194 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 110 85 193 shade: RGB 110 85 193, RGB 194 86 149, RGB 170 194 86 and RGB 86 194 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 110 85 193 shade: RGB 110 85 193, RGB 194 86 116, RGB 170 194 86 and RGB 86 194 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 56 / 0 / 24

HEX #6E55C1

RGB 110 85 193

HSL 253.89, 0.47%, 0.55%

LAB 43.74, 36.39, -53.39

 

Complementary color

CMYK 15 / 0 / 64 / 33

HEX #91AA3E

RGB 145 170 62

HSL 73.89, 0.47%, 0.45%

LAB 65.84, -24.39, 51.12

 

CMYK 39 / 55 / 0 / 26

HEX #7355BC

RGB 115 85 188

HSL 257.48, 0.43%, 0.54%

LAB 43.91, 36.16, -50.2

 

CMYK 36 / 50 / 0 / 19

HEX #8467CF

RGB 132 103 207

HSL 256.73, 0.52%, 0.61%

LAB 50.82, 35.02, -50.01

 

CMYK 34 / 46 / 0 / 11

HEX #9579E2

RGB 149 121 226

HSL 256, 0.64%, 0.68%

LAB 57.61, 33.98, -49.83

 

CMYK 32 / 43 / 0 / 4

HEX #A68BF5

RGB 166 139 245

HSL 255.28, 0.84%, 0.75%

LAB 64.29, 33.04, -49.68

 

CMYK 28 / 38 / 0 / 0

HEX #B79DFF

RGB 183 157 255

HSL 255.92, 1%, 0.81%

LAB 70.46, 29.99, -45.33

 

CMYK 43 / 56 / 0 / 24

HEX #6E55C1

RGB 110 85 193

HSL 253.89, 0.47%, 0.55%

LAB 43.74, 36.39, -53.39

 

CMYK 47 / 61 / 0 / 32

HEX #5D43AE

RGB 93 67 174

HSL 254.58, 0.44%, 0.47%

LAB 36.74, 37.75, -53.63

 

CMYK 51 / 68 / 0 / 39

HEX #4C319B

RGB 76 49 155

HSL 255.28, 0.52%, 0.4%

LAB 29.66, 39.18, -53.77

 

CMYK 57 / 77 / 0 / 47

HEX #3B1F88

RGB 59 31 136

HSL 256, 0.63%, 0.33%

LAB 22.61, 40.51, -53.65

 

CMYK 64 / 89 / 0 / 54

HEX #2A0D75

RGB 42 13 117

HSL 256.73, 0.8%, 0.25%

LAB 15.82, 41.13, -52.83

 

CMYK 43 / 56 / 0 / 24

HEX #6F56C2

RGB 111 86 194

HSL 253.89, 0.47%, 0.55%

LAB 44.13, 36.31, -53.35

 

CMYK 28 / 56 / 0 / 24

HEX #8C56C2

RGB 140 86 194

HSL 270, 0.47%, 0.55%

LAB 47.14, 43.35, -48.36

 

CMYK 13 / 56 / 0 / 24

HEX #A956C2

RGB 169 86 194

HSL 286.11, 0.47%, 0.55%

LAB 50.67, 50.88, -42.53

 

CMYK 0 / 56 / 3 / 24

HEX #C256BD

RGB 194 86 189

HSL 302.78, 0.47%, 0.55%

LAB 53.81, 56.65, -34.47

 

CMYK 0 / 56 / 18 / 24

HEX #C256A0

RGB 194 86 160

HSL 318.89, 0.47%, 0.55%

LAB 52.58, 51.95, -19.5

 

CMYK 43 / 56 / 0 / 24

HEX #6F56C2

RGB 111 86 194

HSL 253.89, 0.47%, 0.55%

LAB 44.13, 36.31, -53.35

 

CMYK 56 / 56 / 0 / 24

HEX #5656C2

RGB 86 86 194

HSL 240, 0.47%, 0.55%

LAB 42.04, 30.98, -56.82

 

CMYK 43 / 56 / 0 / 24

HEX #6F56C2

RGB 111 86 194

HSL 253.89, 0.47%, 0.55%

LAB 44.13, 36.31, -53.35

 

CMYK 52 / 68 / 0 / 17

HEX #6543D4

RGB 101 67 212

HSL 254.07, 0.63%, 0.55%

LAB 40.47, 50.28, -69.74

 

CMYK 61 / 79 / 0 / 9

HEX #5B31E7

RGB 91 49 231

HSL 253.85, 0.79%, 0.55%

LAB 38.18, 63.04, -84.4

 

CMYK 67 / 88 / 0 / 2

HEX #511EF9

RGB 81 30 249

HSL 253.97, 0.95%, 0.55%

LAB 36.96, 73.78, -96.63

 

CMYK 43 / 56 / 0 / 24

HEX #6F56C2

RGB 111 86 194

HSL 253.89, 0.47%, 0.55%

LAB 44.13, 36.31, -53.35

 

CMYK 31 / 41 / 0 / 31

HEX #7968AF

RGB 121 104 175

HSL 254.37, 0.31%, 0.55%

LAB 48.34, 22.9, -35.54

 

CMYK 17 / 22 / 0 / 38

HEX #837B9D

RGB 131 123 157

HSL 254.12, 0.15%, 0.55%

LAB 53.41, 10.25, -17.13

 

CMYK 1 / 0 / 3 / 44

HEX #8D8E8A

RGB 141 142 138

HSL 75, 0.02%, 0.55%

LAB 58.83, -1.14, 1.99

 

CMYK 6 / 0 / 26 / 37

HEX #97A077

RGB 151 160 119

HSL 73.17, 0.18%, 0.55%

LAB 64.2, -10.41, 20.35

 

CMYK 56 / 38 / 0 / 24

HEX #5678C2

RGB 86 120 194

HSL 221.11, 0.47%, 0.55%

LAB 51.04, 9.85, -42.42

 

CMYK 56 / 53 / 0 / 24

HEX #565BC2

RGB 86 91 194

HSL 237.22, 0.47%, 0.55%

LAB 43.29, 27.87, -54.8

 

CMYK 44 / 56 / 0 / 24

HEX #6D56C2

RGB 109 86 194

HSL 252.78, 0.47%, 0.55%

LAB 43.95, 35.86, -53.65

 

CMYK 29 / 56 / 0 / 24

HEX #8A56C2

RGB 138 86 194

HSL 268.89, 0.47%, 0.55%

LAB 46.91, 42.85, -48.73

 

CMYK 14 / 56 / 0 / 24

HEX #A756C2

RGB 167 86 194

HSL 285, 0.47%, 0.55%

LAB 50.41, 50.35, -42.95

 

CMYK 49 / 64 / 0 / 43

HEX #4A3491

RGB 74 52 145

HSL 254.19, 0.47%, 0.39%

LAB 29.3, 34, -48.25

 

CMYK 49 / 64 / 0 / 31

HEX #593FAF

RGB 89 63 175

HSL 253.93, 0.47%, 0.47%

LAB 35.55, 39.57, -56.17

 

CMYK 43 / 56 / 0 / 24

HEX #6F56C2

RGB 111 86 194

HSL 253.89, 0.47%, 0.55%

LAB 44.13, 36.31, -53.35

 

CMYK 33 / 43 / 0 / 20

HEX #8974CD

RGB 137 116 205

HSL 254.16, 0.47%, 0.63%

LAB 54.26, 28.2, -43.37

 

CMYK 25 / 32 / 0 / 15

HEX #A292D8

RGB 162 146 216

HSL 253.71, 0.47%, 0.71%

LAB 64.32, 20.75, -33.63

 

CMYK 43 / 56 / 0 / 24

HEX #6E55C1

RGB 110 85 193

HSL 253.89, 0.47%, 0.55%

LAB 43.74, 36.39, -53.39

 

CMYK 0 / 56 / 23 / 24

HEX #C25695

RGB 194 86 149

HSL 325, 0.47%, 0.55%

LAB 52.17, 50.34, -13.64

 

CMYK 45 / 0 / 56 / 24

HEX #6AC256

RGB 106 194 86

HSL 108.89, 0.47%, 0.55%

LAB 71.09, -47.05, 45.61

 

CMYK 43 / 56 / 0 / 24

HEX #6E55C1

RGB 110 85 193

HSL 253.89, 0.47%, 0.55%

LAB 43.74, 36.39, -53.39

 

CMYK 0 / 44 / 56 / 24

HEX #C26D56

RGB 194 109 86

HSL 12.78, 0.47%, 0.55%

LAB 55.15, 31.44, 27.57

 

CMYK 56 / 0 / 44 / 24

HEX #56C26D

RGB 86 194 109

HSL 132.78, 0.47%, 0.55%

LAB 70.64, -49.33, 33.56

 

CMYK 43 / 56 / 0 / 24

HEX #6E55C1

RGB 110 85 193

HSL 253.89, 0.47%, 0.55%

LAB 43.74, 36.39, -53.39

 

CMYK 0 / 56 / 23 / 24

HEX #C25695

RGB 194 86 149

HSL 325, 0.47%, 0.55%

LAB 52.17, 50.34, -13.64

 

CMYK 12 / 0 / 56 / 24

HEX #AAC256

RGB 170 194 86

HSL 73.33, 0.47%, 0.55%

LAB 74.7, -24.07, 50.73

 

CMYK 56 / 0 / 32 / 24

HEX #56C283

RGB 86 194 131

HSL 145, 0.47%, 0.55%

LAB 71.01, -45.44, 22.56

 

CMYK 43 / 56 / 0 / 24

HEX #6E55C1

RGB 110 85 193

HSL 253.89, 0.47%, 0.55%

LAB 43.74, 36.39, -53.39

 

CMYK 0 / 56 / 40 / 24

HEX #C25674

RGB 194 86 116

HSL 343.33, 0.47%, 0.55%

LAB 51.14, 46.17, 4.48

 

CMYK 12 / 0 / 56 / 24

HEX #AAC256

RGB 170 194 86

HSL 73.33, 0.47%, 0.55%

LAB 74.7, -24.07, 50.73

 

CMYK 56 / 0 / 16 / 24

HEX #56C2A3

RGB 86 194 163

HSL 162.78, 0.47%, 0.55%

LAB 71.69, -38.55, 6.28

 

Description

Color code: RGB 110 85 193 | qconv.com Color code: RGB 110 85 193 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 85 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 85 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 56 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 56% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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